Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-03-27 Thread Themis

johnswenson;528305 Wrote: 
 
 
 that little switcher that comes with the sb3 is so bad that it makes my
 skin crawl just thinking about it. I keep one on the floor in my
 listening room and stomp on it everytime i go in or out. I've been
 trying to come up with a good use for one, such as testing the
 ruggedness of a sledge hammer etc. That little thing is amazingly
 resiliant, i have not been able to damage it yet. A 15 pound sledge
 hammer with a really good swing would probably do it. 
 
 John s.
:p


-- 
Themis

SB3 - North Star dac 192 - Croft 25Pre and Series 7 power - Sonus Faber
Grand Piano Domus

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Re: [SlimDevices: Audiophiles] Aperion Speakers Peachtree

2010-03-27 Thread Themis

cooppw02;528037 Wrote: 
 I think this is a good thread, although I'm not sure the Audiophiles
 here would agree.  This part of the forum seems to be populated by
 those who will look at a $2,500 system, turn up their noses and
 pronounce it decidedly mid-fi, then go back to debating whether there
 is a discernible difference between WAV and FLAC.
 
Nobody claimed a system is mid-fi solely based on its price. You're
mistaken. ;)


-- 
Themis

SB3 - North Star dac 192 - Croft 25Pre and Series 7 power - Sonus Faber
Grand Piano Domus

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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-03-27 Thread Phil Leigh

JohnSwenson;528305 Wrote: 
 I've measured big differences using a linear supply for the SB3, but its
 not in the signal coming out of the DAC or digital outs. The switcher
 that comes with the SB3 injects a huge amount of noise into the power
 cord which winds up in the other boxes in the system unless you have
 very good power filtration in your system. The frequencies that come
 out of this switcher are rather pernicious, they are low enough that
 most RF filters don't touch them and high enough that they sail right
 through the stray capacitances of most power supplies. 
 
 This is not just conjecture, I've measured it several times with many
 different pieces of equipment, power bars, power filters etc.
 
 Its rather interesting that the only equipment which does a good job
 filtering out this noise is boxes which also have switching supplies.
 The switcher has filters designed to keep its own noise out of the
 electronics which also does a good job blocking the noise from the SB3
 supply. 
 
 The result of this is that the effect of the noise from the SB3
 switcher in general is far more noticeable on high end gear that uses
 good linear supplies than it is with consumer gear using swithing
 supplies. 
 
 In my system the good linear supply does make a significant difference
 with the SB3. With the SB3 supply even if the SB3 is not providing the
 signal it makes a difference, which seems a pretty good indication that
 its not direct signal related but some other vector.
 
 Just plugging the switcher is not enough to cause the problem, it has
 to have a significant load (the SB3) in order for this to be an issue.
 I have not tried just a resistor as a load to the switcher and see if
 that degrades the sound from other sources. 
 
 The switcher that comes with the Touch is vastly better than the one
 that came with the SB3. With it I cannot hear any difference using the
 switcher or the linear supply. When I have the touch in the listening
 room I just use its own switcher. 
 
 One test I have NOT done, but probably should is to use the Touch's
 supply with the SB3. 
 
 In addition to the noise injected into the AC line there IS noise
 radiated from the wires and the supply box itself which can get picked
 up by interconnects and other boxes. My measurements show this to be
 significantly less importance than the power cord born noise, but its
 still there. If an audiophile is using unshielded interconnects (which
 are popular in some circles) this source of noise can wind up being
 significant. 
 
 Th SB3 itself also radiates a lot more RF than the Touch, but thats
 irrespective of what power supply you use. 
 
 So yep, using a linear instead of the switcher that comes with the SB3
 CAN make a big difference to sound. How much is going to be quite
 system dependant. For some its going to make a big difference others
 won't hear it at all and others will be inbetween. 
 
 That little switcher that comes with the SB3 is so bad that it makes my
 skin crawl just thinking about it. I keep one on the floor in my
 listening room and stomp on it everytime I go in or out. I've been
 trying to come up with a good use for one, such as testing the
 ruggedness of a sledge hammer etc. That little thing is amazingly
 resiliant, I have not been able to damage it yet. A 15 pound sledge
 hammer with a really good swing would probably do it. 
 
 John S.
John - thanks for taking the time to type all of this - really
fascinating stuff. This explains a lot:

1) Why I could never detect/measure any audible differences with the
different supplies - I was measuring the SB3 in isolation, so there
were no other vectors.
2) When doing listening tests, my system has a very high-quality
switching supply in the pre-amp which would filter out any crap coming
back in via the mains through that vector
3) I only use screened cables (I did once have an NVA amp that came
with unscreened cables - it also came with a self-destruct feature!)
4) I use a symmetrical choke-based mains filter for all of my
switching supplies (router, USB disk, HDMI Switch box, SB3/Touch)
that will stop some crud coming back onto the mains from those devices.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB Touch Beta (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W -
MF Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-03-27 Thread cliveb

michael123;528228 Wrote: 
 And to the guys that do not (even) need 96/24, why did you buy
 Transporter?
Are you suggesting that the only capability of the Transporter that
might justify a purchase is the sample rates that it supports?

Don't you think perhaps the high quality DAC chip it uses, or the fact
that it has low noise balanced outputs might have some bearing on its
performance?

Or that its multiple digital inputs which allow it to be used as a DAC
for other sources might be useful in some installations?

I would still have bought a Transporter if it had been limited to 48/24


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] Thoughts on Parasound Halo amp/preamp potential purchase

2010-03-27 Thread Ron Olsen

I'm using a Parasound Halo A23 with a Transporter, using the balanced
inputs, to drive Sonus Faber Cremona Auditor speakers.  Love the sound!
Very sharp-looking amp.


-- 
Ron Olsen

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Re: [SlimDevices: Audiophiles] Aperion Speakers Peachtree

2010-03-27 Thread ajkidle

iPhone;528056 Wrote: 
 Why don't we start with what they will be used for? How big is the room?
 How loud do you listen to music (mainly party use or serious listening)?
 What other sources do you want to support?

The room is approx 14' x 14', but opens up to the kitchen and eating
area -- so I suppose you could consider it 14' x 30', depending on how
we're defining the room.

My current equipment is a pair of Bose 201 bookshelf speakers and a
$150 Sony receiver, both over 15 years old.  Call a $2,500 setup MidFi
or whatever, but I'm expecting a big upgrade in sound quality with this
purchase.  This will be a one-time buy and will be dedicated to
2-channel audio delivered via either an SB3 or an SBR.  (Someday maybe
a Touch, although I don't have any current plans to buy one.)  I might
connect the TV and BluRay player to this setup, but that is a secondary
and unimportant use.

Source material is about 50/50 between local FLACs and
Rhapsody/Pandora.  Mostly Rock/Pop genre, with a little Jazz or
Classical from time to time (just enough so I can tell myself I'm
cultured.)

Volume is normally set at a level where one could easily carry on a
conversation while the music is playing.  The 4-year old and 2-year old
prevent us from spending much time doing critical listening.  That
said, I want the system to be capable of cranking on the rare occasion
that I can turn up the volume.

Sounds like I need to spend some time at the local audio store.  (Was
hoping for super positive reviews, making this a slam dunk to pursue --
reviews online for Aperion and the Nova have been consistently very
positive.)  I looked at the Thiel CS1.6, seems to be a bit more money,
$2,400 for a pair.  Doesn't leave much coin left for the amp.  I'll
also check out the NAD amps, thanks for the suggestion.

iPhone, have you heard the Aperion's?


-- 
ajkidle

2x SBR, SB3, Boom, Radio, iPeng

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