Re: [SlimDevices: Audiophiles] Better SQ w/o iTunes integration

2014-07-11 Thread cliveb

netchord wrote: 
 you may be able to say the -files- have not changed.
 
 the music definitely has.
What has definitely changed is what you hear - your *perception* of the
soundfield generated by the system.
After you switched off iTunes integration (not really expecting any
difference), you did indeed perceive a difference.
And so quite reasonably you sought an explanation.
It seems logical to you to assume the difference must be due to some
change made to the system, and you homed in on the fact that iTunes
integration has been switched off.

But there are other explanations for why you perceive a difference in
what you hear. Human hearing varies day-to-day, even minute-to-minute,
and is affected by all kinds of external factors. It is overwhelmingly
more likely that you initially heard a difference due to some other
factor (such as your physiological state at the time) rather than any
change to the stereo system. But because you have internally correlated
it with the change to iTunes integration, that belief has become part of
your mental world model.



Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] Better SQ w/o iTunes integration

2014-07-11 Thread Julf

netchord wrote: 
 sure i do.  music is not defined by bits.

You can only know what you think you hear - unless you verify it by
objective means. Which you don't want to do. So we are back where we
started - no way of knowing if there was a change in the actual sound
waves in your room - and every reason to think there wasn't. 

Doesn't seem to be much point to keep rehashing this, I think this
thread can be summarized as Move on! Nothing to see here!.



To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people - Paul W Klipsch, 1953

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Re: [SlimDevices: Audiophiles] Better SQ w/o iTunes integration

2014-07-11 Thread netchord

cliveb wrote: 
 It is overwhelmingly more likely that you initially heard a difference
 due to some other factor (such as your physiological state at the time)
 rather than any change to the stereo system. But because you have
 internally correlated it with the change to iTunes integration, that
 belief has become part of your mental world model.

not at all- i'm open to alternate explanations, but i resist the idea
that i'm just imagining it, based on some unknown, and unknowable bias. 
i'm an educated listener, with a former career performing live, acoustic
music in real concert halls.  we don't listen with our ears, we listen
with our brains, our souls, our hearts, and bodies.

the belief in this forum that bits are bits and the zeal with which
most posters here insist on debunking something that can't be debunked
(ie, human beings experience the same music differently from one
another) borders frankly on the religious.

it's off-putting, and drives people away from both this forum, and the
hobby in general.



--
4 TB Drobo--FW 800--mac mini--Ethernet
Transporter-- Wireworld Eclipse 6 coax--Meridian G61
G61-- Nordost Red Dawn--Primare 30.3
Primare--Ocos--Vienna Acoustics Beethoven/Maestro

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Re: [SlimDevices: Audiophiles] Better SQ w/o iTunes integration

2014-07-11 Thread get.amped

I don't think everyone here believes that we all experience music in the
same way. I'm inclined to believe that you are hearing a difference.
It's the why that is somewhat confounding. And while our enjoyment of
music is highly subjective and individual, the mechanism by which
digital audio files are communicated to a device which converts them to
a signal that can be reproduced by analog amplifiers and speakers is
not. And it cannot be because digital data transmitted on a TCP/IP based
network *must* be bit perfect. When it's not, the packets of bits are
re-transmitted until they are perfect or the communication fails. If
that were not true, I could not be typing this message to you, could not
send it to the forum, and you could not read it. And the Internet would
not work. And my home network would not work. And every business network
would not work. I've been an IT professional for 30 years and know only
too well what happens when networks fail.

But what you are describing is not a network failure. Your network
works; bits are accurately communicated between your server and your
DAC. Either those are the same bits or they aren't. If they aren't the
same, why? If they are the same, then either 1) your analog set up is
different or 2) you are different. You made the proposition that iTunes
integration correlates with the difference and the question is, how? In
what way would iTunes affect what bits of data reach your DAC? And if it
doesn't, which according to people more knowledgeable about the subject
is the case, then what other change in the digital domain would affect
what bits reach your DAC?

But bits are bits is not a belief-system. It is an empirically
demonstrated quality intrinsic to the very fundamental operation of your
(and everyone's) network. It is true whether you accept it or not. It is
not alchemy, astrology, numerology, or some form of magic. The physics
and mathematics of how networks function is well understood and
documented in mind-numbing detail. So, yes, bits are bits.



Win7Pro(x64)[3.3Ghz i5, 8GB RAM, 120GB SSD system, 15TB storage], LMS
7.9.0 - Logitech Squeezebox Classic V.3 - Cambridge Audio DacMagic -
NAD C160 - 2 x NAD C272 - Quad 22L2

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Re: [SlimDevices: Audiophiles] Better SQ w/o iTunes integration

2014-07-11 Thread get.amped

netchord wrote: 
 there's a 3rd possibility- the same bits are being interpreted, or
 communicated, differently by some of the devices on the network.  i
 postulated iTunes integration, or lack there of, might have some,
 previously unexamined effect, perhaps a minuscule increase in jitter, or
 some other digital artifact- transmitting music bits is not the same as
 send text over a network.

This is simply not true. Once they hit the network interface they are
exactly the same as sending text (or images or program code or
*anything*) over the network. Again, digital music files are not special
because they contain data that gets converted at the destination to
analog representations of sound waves. Jitter is a question of how that
data is assembled and handled by the DAC. It has nothing to do with
TCP/IP network communications. If you don't get the data from the server
to the DAC, you will see rebuffering issues or disconnections, not
subtle variations in sound quality. 

If there are digital artifacts, they are either present in the encoded
digital file, meaning they were introduced during the analog to digital
conversion, or they are a consequence of how the DAC has decoded the
data it receives. They are not introduced by the transmission of the
data over your network. The network protocols which allow any of this to
work have checksums and error correction to verify that the data sent is
the data received and do so on relatively small amounts of data at a
time. Most home networks use a default Maximum Transmission Unit (MTU)
of 1500 bytes. A typical ethernet packet, including headers and data is
1530 bytes. Every one of those packets is guaranteed by the
specification of the protocol to arrive at its destination complete and
in sequential order. If an error occurs, the packet is re-transmitted. 

It's possible that software on the server (i.e. transcoding on the
server) modifies those files *before* transmitting them. Maybe the files
were being transcoded before and they are not now. I don't know. But I
am 100% certain that the network i.e. device interfaces, routers and
switches are not the place to look for any sound quality differences of
the type you are describing.



Win7Pro(x64)[3.3Ghz i5, 8GB RAM, 120GB SSD system, 15TB storage], LMS
7.9.0 - Logitech Squeezebox Classic V.3 - Cambridge Audio DacMagic -
NAD C160 - 2 x NAD C272 - Quad 22L2

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Re: [SlimDevices: Audiophiles] Better SQ w/o iTunes integration

2014-07-11 Thread RonM

It's not really surprising that the same themes keep arising around the
questions of digital sound capture/transmission/decoding and sound
perception.  Some of the facts can seem counter-intuitive to many, and
it can be a struggle to assimilate the information.  

I think there are two fundamental issues here:  a) the nature of digital
sound encoding vs analog encoding and b) the nature and malleability of
perception.  These have been addressed by others more cogently than can
I, but here is my perspective.

It's instructive to think about the differences between telegraphs and
early telephones, which can be understood as digital and analog devices
respectively.  A telegraph is a kind of binary device.  There are dots
and there are dashes (and the spaces in-between).  The signal is very
nearly impervious to poor transmission conditions, as the dot/dash
signal can be easily picked out from very substantial background noise; 
when decoded, the error rate will be practically zero (assuming a
trained operator) regardless of noise on the line.  The resulting
typescript will always be the same, regardless of operator.

An early telephone, on the other hand, was very much impacted by
transmission noise. The analog signal (the words being spoken at one
end, and transmitted as an analog waveform) can be masked or altered
substantially by line conditions, with great risk of data loss, and
certainly loss of audio quality.

In the case of digital sound, the data is binary in the same way that
the telegraph is binary.  Noise is largely irrelevant, the digital
packets are managed in a way that information is NOT lost during
transmission. An exact copy of the digitized data is made available by
the transport mechanism to the DAC, regardless of transmission
conditions.  Of course, the sound quality is impacted by the DAC, the
amplifer/preamp and the speakers, but the DAC will get the same
information to work with regardless of how the digital packets are
provided to it. This is not true for an analog process.

Perception is a vast topic, and one that has been covered well here.  I
am by profession a psychologist, and familiar with (but not remotely an
expert on) the literature on perception and memory, and how our
experience of things like sound is very much mediated by factors other
than the energy impacting our ears in the form of sound waves. 
Experience is CONSTRUCTED by our brains; the bottom line is that we
should never trust eyewitness (or earwitness) accounts of anything
unless corroborated by hard data, if we're actually interested in the
truth.  

It's why double-blind tests are essential if we are to trust anyone
claiming to hear a difference between two signals. 

R.



LMS on a dedicated music server (FitPC2)
Transporter (ethernet) - main music listening, Onkyo receiver, Paradigm
speakers
Duet (wifi) - home theatre 5.1, Sony receiver, Energy speakers
Boom 1 (wifi) - workspace
Boom 2 (wifi) - various (deck, garage, etc.)
Radio (wifi) - home office
Touch x 2 - awaiting deployment
UE Radio - awaiting deployment
Control - 2 Controllers (main listening, home theatre, all others),
Squeeze Remote (on Surface Pro 2), Music2Touch (BB Playbook)

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Re: [SlimDevices: Audiophiles] What Would You Replace a Transporter With?

2014-07-11 Thread audiomuze

Simple answer is get something like a Wandboard + Squeezelite as
transport and add the asynchronous USB DAC of your choosing.



SqueezeWand | 'Vivere DAC MKI'
(http://vivereaudio.com/post/2013/08/16/DAC-I-is-Born!.aspx) | 'ATC
SCA2'
(http://www.atcloudspeakers.co.uk/hi-fi/electronics/source-pre-amplifiers/sca2/)
| 'ATC SCM100ASLT'
(http://www.atcloudspeakers.co.uk/hi-fi/loudspeakers/tower-series/scm100aslt/)

*'Linux finally gets a great audio tagger'
(http://www.ubuntugeek.com/linux-finally-gets-a-great-audio-tagger.html):
'puddletag' (http://puddletag.sourceforge.net/)* - now packaged in most
Linux distributions.

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