I think it's just another way of presenting music. If you compare to the
visual arts for a long time there was a striving to "reproduce" and not
interpret, but it changed. Techniques came in on how to interpret images
to make them the most impactful they can be. I think the advances of
production techniques have allowed more creativity in the way the final
sound will, ahem, sound.

Done well, the compressed sound fills a certain need, providing a hugely
impactful direct, driving sound that has a place in the list of options
out there, but.. I do wish it wasn't so needlessly applied to less
stylised music across the board. And it's just so *badly* applied in so
many cases that it has a really bad name. I've lost count how many
albums I can't listen to because of distortion caused by over
compression, and that's just dumb.

I suspect the music industry is still suffering from teenage fads and
when it's reached maturity and tech like this has been done to death and
the novelty goes away things will hopefully improve a little. Perhaps
I'll still be able to hear over about 10khz by the time that happens....
I doubt it..


-Transcoded from Matt's brain by Tapatalk-



--
Hardware: 3x Touch, 1x Radio, 2x Receivers, 1 HP Microserver NAS with
Debian+LMS 7.9.0
Music: ~1300 CDs, as 450 GB of 16/44k FLACs. No less than 3x 24/44k
albums..
------------------------------------------------------------------------
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