[BAROQUE-LUTE] Re: duos with alto recorder
I think these would be very useful and it shouldn’t be at all hard to locate the missing melody parts. The Corelli is a little problematic for recorder in the original key (I have an alto recorder version transposed to Gm in my files), but the Sarabanda and Giga would only require a few notes to be transposed up an octave. Thanks for reminding us for these. — R On Jun 22, 2014, at 7:22 AM, Edgar Aichinger edgar.aichin...@aon.at wrote: Am Freitag, 20. Juni 2014, 08:58:23 schrieb Ken Brodkey: Hi Everyone, A friend's friend will be visiting next month and she's an excellent alto recorder player. I'm trying to find some music for us to play together. Can anyone be so kind to send me some pdf's for baroque lute and alto recorder? What about flute? Can the recorder play most baroque flute music or is the range of the flute to broad? Thanks, in advance, for all your help. Ken Brodkey About three weeks ago I posted a link to my scribd site where I occasionally upload my own amateur intabulations/transcriptions of lute and guitar music, the latest addition being Sonata No. VII in d-minor from op.5 by Corelli, a 1:1 intabulation of a B.C. realisation for classical guitar. For that same reason it lacks low basses, and the melody part (for violin) is missing too, but can be found on IMSLP. See my other post from 2nd June for a link. I'm not sure anymore but I think I've played it with my girlfriend on alto recorder and in general it worked for her, and the Continuo may be guitar-style but isnice and not hard to play on lute, IMHO. I just wonder why noone reacted to my previous mail... my efforts may be dilettantic but are they that bad? :) Apart from that I've done tabs for the B.C. of a few other single movements by different Composers, all 4 movements from Haendel Sonata op. 1/5 in a-minor (I still have printouts of that, which I could scan, but lost the Cripps tab source due to a disk crash), and De Visee (Suite d-minor from the melody/B.C. version starting at p. 45 in the 1686 book). If you're interested in these, mail me privately and I'll see how to pass them on to you, if needed I can scan the melody parts. Edgar To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Re: duos with alto recorder
Ken, Are you needing to find things with baroque lute tabs? Or is reading figured bass possible? (I’m guessing you are looking for things in tab.) — Rocky On Jun 20, 2014, at 10:58 AM, Ken Brodkey kbrod...@pacbell.net wrote: Hi Everyone, A friend's friend will be visiting next month and she's an excellent alto recorder player. I'm trying to find some music for us to play together. Can anyone be so kind to send me some pdf's for baroque lute and alto recorder? What about flute? Can the recorder play most baroque flute music or is the range of the flute to broad? Thanks, in advance, for all your help. Ken Brodkey To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Re: MARGIT HJUXE
Jeg beklager for feilen, Trond! I'm sorry for the mistake, Trond! -- R On Nov 28, 2013, at 9:40 AM, Roman Turovsky wrote: On 11/17/2013 11:14 PM, Roman Turovsky wrote: MARGIT HJUXE Une Ariette de Norvègeavec cinq doubles - http://polyhymnion.org/swv/music/margit/margit.mp3 http://polyhymnion.org/swv/music/margit/margit.pdf Enjoy. Amities, RT https://www.youtube.com/watch?v=Z9Q4qZ7gWtc with Trond Bengtson! RT To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Re: MARGIT HJUXE
Takk Roman och Bengt! Here is the correct link to the score: http://polyhymnion.org/swv/music/liti/liti1.pdf -- Rocky On Nov 28, 2013, at 9:40 AM, Roman Turovsky wrote: On 11/17/2013 11:14 PM, Roman Turovsky wrote: MARGIT HJUXE Une Ariette de Norvègeavec cinq doubles - http://polyhymnion.org/swv/music/margit/margit.mp3 http://polyhymnion.org/swv/music/margit/margit.pdf Enjoy. Amities, RT https://www.youtube.com/watch?v=Z9Q4qZ7gWtc with Trond Bengtson! RT To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] BWV 997 and 998 (and more)
Hello Arthur. Thank you for pointing us to Lebetter's article. The first footnote is very interesting and has had me doing a little further searching about Dirksen's ideas about the lute/lautenwerk online. (The books don't seem to be in our library's holdings.) Pieter Dirksen's site does tempt with these comments: http://www.pieterdirksen.nl/Articles.htm Überlegungen zu Bachs Suite f-Moll BWV 823, in: Bachs Claviermusik. Bericht über das 4. Dortmunder Bach-Symposion 2002, ed. Martin Geck (Dortmunder Bachforschungen, Bd. 5; Witten: Klangfarben-Verlag, 2003), 119-131. A study of a much-neglected keyboard work by Bach, demonstrating that it is neither early nor incomplete (as has been suggested in earlier research) but rather stems from Bachs maturity. This three-movement suite belongs to a group of pieces from c.1740 which demonstrates his fascination with the lute and lute-inspired writing as well as with the lute harpsichord. and Johann Sebastian Bach en het Luitclavecimbel, in: Het Clavecimbel 9/2 (November 2002), 29-33. Johann Sebastian Bach seems to have been fascinated by the lute harpsichord throughout his life, and many of the documents concerning this vanished instrument type are directly or indirectly related to him. His so-called lute music BWV 995-1000 is on the whole as problematic with regard to the real lute as it seems inextricabily bound up with the lute harpsichord. Several other pieces such as BWV 823, 876/1, 964, 968 and 1006a seem associable with this exotic keyboard instrument type as well. and also this addendum to Unaccompanied Bach http://davidledbetter-music.com/?page_id=25 238 For a possible further suite for lute/Lautenwerk see Pieter Dirksen, Überlegungen zu Bachs Suite f-Moll BWV 823, Bachs Musik für Tasteninstrumente, ed. M. Geck (Dortmund: Klangfarben- Musikverlag, 2003) 11931 Thanks again! -- R On Dec 6, 2011, at 12:13 PM, A. J. Ness wrote: This anthology includes and interesting essay by David Ledbetter on BWV 997 and BWV 998: [1]http://www.bachnetwork.co.uk/ub6-2011.html He also cites a writer who believes BWV 823 might also be intended for lute. David Ledbetter is best known for his excellent monograph on 17th-century French keyboard and lute music, a book that might well be consulted in the study of that repertory. In reference to Ed Martin's query, Ledbetter authored the Dubut and Mercure articles in New Grove. The CNRS edition of Debut and Mercure are both edited by Monique Rollin and Jean-Michael Vaccaro (not Souris). -- References 1. http://www.bachnetwork.co.uk/ub6-2011.html To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html --
[BAROQUE-LUTE] Love is the Cause CD (17c Scottish music)
Love is the Cause Jonathan Dunford Rob MacKillop Alpha 530 - 1 CD This is a lovely CD! I enjoyed the lyrical, singing quality that both MacKillop (on Baroque guitar) and Dunford (on viola da gamba) brought to these wonderful pieces. (And who doesn't love good Scottish tunes?) The program is drawn from a wide range of sources, including a print by Thomson, and the Wemyss, Straloch, Panmure, de Gallot, Princess Anne, Schiller, and Leyden manuscripts. The mood ranges from the boisterous to tender. There are 11 pieces played as duets, 12 viol solos, and 12 guitar solos. The duets are nicely arranged and the performers often exchange roles of soloist and accompanist. I liked the lusty tunes with Robs spirited and zesty strumming (and percussion)! I can imagine both of the performers breaking into a good laugh after several of the pieces -- they certainly brought a smile to me! Robs arrangements of five lute pieces sound very good on the guitar. The original guitar pieces have not been recorded before, as far as I know. I commend him for making those shifts in the original guitar pieces sound so effortless -- all I hear is music. The recorded sound is terrific, too. It seems intimate and real, capturing even the delicate string of slurred notes in Virginitie. Rob has a lovely touch and tone on the instrument, as does Dunford. I appreciate the gambists sensitivity to Robs playing. Very nice liner notes. They are informative and give a good overview of the context and sources. A complete track list can be found here: http://www.outhere-music.com/store-Alpha_530 My sincere congratulations! -- Rocky Mjos -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
