Re: Aligning Contexts
Quoting Douglas Wilson <[EMAIL PROTECTED]>: The section on aligning contexts does not not tell you how to align contexts above or below the current context: http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Aligning-contexts Well, to see how it's done you have to click on the example (at least in the on-line manual), so see the corresponding source code. /Mats ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
leopard OS
With new MacOSX Leopard, Lilypond don't run. How can I do? thanks claudio ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
Re: leopard OS
It is known to be broken. Devs--is it possible to edit the download page with a warning that the Leopard version doesn't work at the moment? Just a thought. ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
Re: key sig fouls slur
There's a couple of "ugly slur" issues in the tracker. If you want me to add another, please submit a minimal example. I don't realistically expect anybody to start fiddling with the slur code for at least half a year, though. Cheers, - Graham David Bobroff wrote: In the following example, uncommenting the key signature causes the slur to flatten out with its ends far above the note heads. Without the key signature it looks fine. -David Bobroff %BEGIN LILYPOND % \version "2.11.34" \score { \transpose c d'{ \relative c { %\key as \major \clef F c8 es,( as c es) as,( c es as8 es c as es c as4) } } } % END LILYPOND % ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
Re: Need hooks
Are these different from falls and doits ? Could we get a scan of this notation? Cheers, - Graham Steven McDougall wrote: I'm not top posting. %{ I need hooks. They appear, for example in Bach BWV 691 measures 3 and 4. I've been making them from an appoggiatura with the grace note blanked out, but it typically takes some tweaking to make the hook look right. See also: Willard A. Palmer ed. J.S. Bach inventions & Sinfonias: 1991 (Van Nuys, CA: Alfred Publishing Co) pp. 4, 9 %} \version "2.10.25" \layout { ragged-right = ##t } \relative c' { fis16 \noBeam \once \override Score.SeparationItem #'padding = #2 \once \override Slur #'extra-offset = #'( -0.75 . 1.5 ) \hideNotes \appoggiatura a16 % 'a' was chosen to get the right shape for the hook, % not to indicate the pitch of the appoggiatura. \unHideNotes e8 d'16 \noBeam \once \override Score.SeparationItem #'padding = #1.5 % Lilypond makes a big slur to curve under the sharp sign, but it doesn't look right as a hook. % So we set the control points explicitly. \once\override Slur #'control-points = #'((0 . .5) (.2 . -.3) (.7 . -0.7) (1.5 . -.8)) \hideNotes \appoggiatura a16 \unHideNotes gis8. } ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond