Re: Issue 717 in lilypond: make python scripts work (better) in OSX 10.4

[Jan Nieuwenhuizen]

Op woensdag 24-06-2009 om 15:35 uur [tijdzone +], schreef
codesite-nore...@google.com:

 The actual substitution is done by the lilypond make system according to  
 the setting
 in config.make.  You need to change the lilypond configure stage in gub (2  
 or 3) to
 set TARGET_PYTHON=..

Yeah, but note that you must only do this for OSX, eg Linux builds
need TARGET_PYTHON to be pointing at the gub-included python.

Jan.

-- 
Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond - The music typesetter
Avatar®: http://AvatarAcademy.nl| http://lilypond.org



___
bug-lilypond mailing list
bug-lilypond@gnu.org
http://lists.gnu.org/mailman/listinfo/bug-lilypond

Bug report: measure numbering after repeat with alternative endings

[Paul de Bruin]

 I'm not top posting.

%% BUG in Measure Numbering:
%% after a \repeat ending in two \alternative measures, these two measures 
should bear the same number;
%% however, Lilypond gives them subsequent numbers; the next section of the 
piece starts with a measure
%% number one too high.
%% Example, see line 50.

\version 2.10.10

\paper{ ragged-right=##t }

%  JSB Sonata BWV1017
%  Sonata Cembalo+Violino
%  1 Siciliano

\header {
title = SONATA IV
subtitle = BWV 1017
composer = Johann Sebastian Bach (1685-1750)
}

#(set-global-staff-size 19)

SicilianoS = \relative c' { 
  \key c \minor
  \time 6/8
  \clef treble

  \repeat volta 2 {  
  \stemUp
c16( es g c g es)   c( es g c g es)
c( f as c as f) c( e g bes as g)
  \stemDown
as( bes c f c as)   f( as c f c as)
f b d f d b f as c f c as
g b d f d c b d f as c, b
c es g c g es   c es g c g es
c f as c as f   d f g bes g es
c es f as g f   c es f as g f
bes, c d f es d as' g f es d c
bes d f bes f d es ges a c bes a
es f ges bes d, c   d f d bes f as

g bes es g es bes   g b d f d b
g b c es d cd fis g a bes g
fis g a es d c  bes c d a' fis g
c, es fis a fis es  c es c a c fis
}
  \alternative {
  { g16 d b g b d   g4. }   % THIS is bar 16;
  { g16 d b g b d   g4. }   % THIS is the alternative bar 16!
  }
  \pageBreak
  \repeat volta 2 {
  \stemDown
g,16( b d g d b)g( b d f d b)% THIS BAR should be numbered 17; 
however, it is 18!
g b c es c bc es g c g f
g bes! g e des cbes c e g f e
c e f as f c 
  \stemUp   f, g as c as f
des f bes des c bes
  \stemDown a c es ges f es
f a bes as ges fes ges f es des c

des c bes a bes e   f g as f c e
f as c as f e   f as f c as g
  \stemUp
f g as d as g
  \stemDown as bes c es d c
bes c d f d c   d es f as g f
g f es d c es   as g f es d c
g b d f d b g b d g d b
g b c es d cg' f es d c b
c e f as g fc' g es g c, es
as c, f as f d  b d f d b g
  \stemUp
es' c bes! as g f   es as g f es d
c f as c as f   d f g bes g es
  \stemDown
f as des f des bg as' g f es d
  \stemUp
c b a g f d'es, d es c' d, b'
c2.
  }
}

SicilianoB =  \relative c {
  \key c \minor
  \time 6/8
  \clef bass

  \repeat volta 2 { 
  \stemDown
c8( es g)bes,( es g)
  \stemUp
as,( c f)g,( bes e)
f,( as c)es,( as c)
d, f as  c, f as
  \stemDown
b f' as  g, d' g
c, es g  bes, es g
  \stemUp
as, c f  g, bes es
  \stemDown
f as c   es, as c
d, f as  es f g
  \stemUp
as, d f  a, c es
  \stemDown
bes es f bes, d as'
es g bes d, g b
c, es g  bes,! d g
  \stemUp
a, c es  g, bes es
fis, a c d, a' d
}
  \alternative {
  { g,4.~ g16 b d f d b }
  { g2. }
  }

  \repeat volta 2 {
  \stemUp
g8 b d \stemDown g b d
c es g   g, c es
e, g bes c, g' c
  \stemUp
f,, as c as c f
  \stemDown
bes, f' bes  c, es a
des, f bes   c, es as
bes, des g   c, f c'
  \stemUp
f,, as c as c f
  \stemDown
bes, d bes'  c, es as
d, f as  bes, d bes'
es, g c  f, as d
g, b d   f, b d
es, g c  c, es g
  \stemUp
as, c f  g, c es
f, c' d   g, b g'
c, es g  bes, es g
as, c d  g, bes es
f, as f' es, g c
d, c' b  c es, g
c16 es c g es gc,4.
  }
}



\score {
\new PianoStaff 
\set PianoStaff.instrumentName = Cembalo
\new Staff = upper  \SicilianoS 
\new Staff = lower  \SicilianoB 


\layout { }
\midi { }
}



___
bug-lilypond mailing list
bug-lilypond@gnu.org
http://lists.gnu.org/mailman/listinfo/bug-lilypond

Re: Bug report: measure numbering after repeat with alternativeendings

[Bertalan Fodor]

If I remember well it's already been discussed: it is not a bug but a matter of 
taste. I think most scores use this numbering, because this is the only way to 
refer to the 16th and 17th bar unambiguously. There must not be two 16th bars.

  Original message  
From: Graham Percival gra...@percival-music.ca
Sent: 25 Jun 2009 13:31 -07:00
To: Paul de Bruin paul.de.br...@chello.nl
Cc:  bug-lilypond@gnu.org
Subject: Re: Bug report: measure numbering after repeat with alternativeendings

Please create a minimal example of this; turn on bar numbers on
every bar, and then it should be showable in 4-5 bars.

Cheers,
- Graham

On Thu, Jun 25, 2009 at 07:37:33PM +, Paul de Bruin wrote:
  I'm not top posting.
 
 %% BUG in Measure Numbering:
 %% after a \repeat ending in two \alternative measures, these two measures 
 should bear the same number;
 %% however, Lilypond gives them subsequent numbers; the next section of the 
 piece starts with a measure
 %% number one too high.
 %% Example, see line 50.
 
 \version 2.10.10
 
 \paper{ ragged-right=##t }
 
 %  JSB Sonata BWV1017
 %  Sonata Cembalo+Violino
 %  1 Siciliano
 
 \header {
 title = SONATA IV
 subtitle = BWV 1017
 composer = Johann Sebastian Bach (1685-1750)
 }
 
 #(set-global-staff-size 19)
 
 SicilianoS = \relative c' { 
   \key c \minor
   \time 6/8
   \clef treble
 
   \repeat volta 2 {  
   \stemUp
 c16( es g c g es)   c( es g c g es)
 c( f as c as f) c( e g bes as g)
   \stemDown
 as( bes c f c as)   f( as c f c as)
 f b d f d b f as c f c as
 g b d f d c b d f as c, b
 c es g c g es   c es g c g es
 c f as c as f   d f g bes g es
 c es f as g f   c es f as g f
 bes, c d f es d as' g f es d c
 bes d f bes f d es ges a c bes a
 es f ges bes d, c   d f d bes f as
 
 g bes es g es bes   g b d f d b
 g b c es d cd fis g a bes g
 fis g a es d c  bes c d a' fis g
 c, es fis a fis es  c es c a c fis
 }
   \alternative {
   { g16 d b g b d   g4. }   % THIS is bar 16;
   { g16 d b g b d   g4. }   % THIS is the alternative bar 16!
   }
   \pageBreak
   \repeat volta 2 {
   \stemDown
 g,16( b d g d b)g( b d f d b)% THIS BAR should be numbered 17; 
 however, it is 18!
 g b c es c bc es g c g f
 g bes! g e des cbes c e g f e
 c e f as f c 
   \stemUp   f, g as c as f
 des f bes des c bes
   \stemDown a c es ges f es
 f a bes as ges fes ges f es des c
 
 des c bes a bes e   f g as f c e
 f as c as f e   f as f c as g
   \stemUp
 f g as d as g
   \stemDown as bes c es d c
 bes c d f d c   d es f as g f
 g f es d c es   as g f es d c
 g b d f d b g b d g d b
 g b c es d cg' f es d c b
 c e f as g fc' g es g c, es
 as c, f as f d  b d f d b g
   \stemUp
 es' c bes! as g f   es as g f es d
 c f as c as f   d f g bes g es
   \stemDown
 f as des f des bg as' g f es d
   \stemUp
 c b a g f d'es, d es c' d, b'
 c2.
   }
 }
 
 SicilianoB =  \relative c {
   \key c \minor
   \time 6/8
   \clef bass
 
   \repeat volta 2 { 
   \stemDown
 c8( es g)bes,( es g)
   \stemUp
 as,( c f)g,( bes e)
 f,( as c)es,( as c)
 d, f as  c, f as
   \stemDown
 b f' as  g, d' g
 c, es g  bes, es g
   \stemUp
 as, c f  g, bes es
   \stemDown
 f as c   es, as c
 d, f as  es f g
   \stemUp
 as, d f  a, c es
   \stemDown
 bes es f bes, d as'
 es g bes d, g b
 c, es g  bes,! d g
   \stemUp
 a, c es  g, bes es
 fis, a c d, a' d
 }
   \alternative {
   { g,4.~ g16 b d f d b }
   { g2. }
   }
 
   \repeat volta 2 {
   \stemUp
 g8 b d \stemDown g b d
 c es g   g, c es
 e, g bes c, g' c
   \stemUp
 f,, as c as c f
   \stemDown
 bes, f' bes  c, es a
 des, f bes   c, es as
 bes, des g   c, f c'
   \stemUp
 f,, as c as c f
   \stemDown
 bes, d bes'  c, es as
 d, f as  bes, d bes'
 es, g c  f, as d


___
bug-lilypond mailing list
bug-lilypond@gnu.org
http://lists.gnu.org/mailman/listinfo/bug-lilypond