Re: Wrong bar line placement
Not sure why you coded \times 8/3 for the triplet. You seem to have
gotten the others right. Change it to...
\times 2/3 { g8 a''4 ~ }
...and I think that will do what you want. You want a regular
eighth-note triplet, correct?
-David
Edward Caine wrote:
Hello there,
with the following code the quaver triplet defined by "\times 8/3 { g8 a''4 ~ }"
seems to take up the whole bar of 4/4. I may be doing some thing wrong though -
I am a new user. Here is the code:
\version "2.13.3"
\header {
title = "Madrigale III"
composer = "Edward Caine"
subtitle = "for solo 'cello"
}
\relative c
{
\clef bass
\override Staff.TimeSignature #'style = #'()
\time 4/4
r4 d2.\pp ~
\times 4/5 { d4 g,1 }
\times 8/3 { g8 a''4 ~ } a2. ~
\times 8/5 { a4 bes,4. ~ } << bes2 cis, ~ >>
<< { \times 4/6 { cis4 g'' ~ g1 ~ } g1 r2. a,4 ~ a1 ~ a1 ~ a4} \\
{ \times 4/5 { r2. gis2 ~ } gis1 ~ gis1 ~ s4 ~ a2. ~ a4} >>
}
Many thanks
Edd Caine
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Wrong bar line placement
Hello there,
with the following code the quaver triplet defined by "\times 8/3 { g8 a''4 ~
}"
seems to take up the whole bar of 4/4. I may be doing some thing wrong though -
I am a new user. Here is the code:
\version "2.13.3"
\header {
title = "Madrigale III"
composer = "Edward Caine"
subtitle = "for solo 'cello"
}
\relative c
{
\clef bass
\override Staff.TimeSignature #'style = #'()
\time 4/4
r4 d2.\pp ~
\times 4/5 { d4 g,1 }
\times 8/3 { g8 a''4 ~ } a2. ~
\times 8/5 { a4 bes,4. ~ } << bes2 cis, ~ >>
<< { \times 4/6 { cis4 g'' ~ g1 ~ } g1 r2. a,4 ~ a1 ~ a1 ~ a4} \\
{ \times 4/5 { r2. gis2 ~ } gis1 ~ gis1 ~ s4 ~ a2. ~ a4} >>
}
Many thanks
Edd Caine
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Re: New user question - relative bowing and fingering marks
Jan Nieuwenhuizen writes: > Op maandag 07-09-2009 om 14:32 uur [tijdzone -0700], schreef John Ervin: > >> This is rather atypical in my experience. Is there a way to have the >> fingering close to the note and the bowing instruction above that? > > It looks like you may have found a bug. LilyPond should format > stuff correctly, if she produces atypical results we should > check our references and teach her, rather than look for tweaks. > > So...looking for references on this is not so easy. Stone doesn't > say anything, Reed doesn't, Ross merely states that "probably no > two experienced engravers will always" [place fingering in the same > spot], but notes that "when accents are used [] with fingerings, > the accents take their normal positions and fingerings are placed > either abover or below [] according to the available space. > > Now...are bowing instructions accents? For the purposes of typesetting, I think they are. Except that in the "order of accents", they are usually placed outermost IIRC. -- David Kastrup ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
Issue 839 in lilypond: Enhancement: improving midi2ly conversion
Status: Started Owner: v.villenave Labels: Type-Enhancement OpSys-All Priority-Low midi2ly New issue 839 by v.villenave: Enhancement: improving midi2ly conversion http://code.google.com/p/lilypond/issues/detail?id=839 Martin Tarenskeen has been working on a patch for midi2ly: http://lists.gnu.org/archive/html/lilypond-user/2009-09/msg00459.html " The main problem I wanted to fix first: Midifile format-1 files often (always ?) have the time signature (and tempo) information in the very first track, but without any notes. midi2ly reads this track, but does not print it because it contains no notes. Result: a tune in 3/4 time will still be printed in 4/4 time. " Please read his mail, and test the attached script. Attachments: midi2ly 29.6 KB -- You received this message because you are listed in the owner or CC fields of this issue, or because you starred this issue. You may adjust your issue notification preferences at: http://code.google.com/hosting/settings ___ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
