Re: [Callers] A Call For Civility

2014-02-17 Thread jean francis
Fully agree. Well put, well thought out. Every sentence is right on.

On Sat, 2/15/14, Rickey Holt  wrote:

 Subject: Re: [Callers] A Call For Civility
 To: "'Caller's discussion list'" 
 Date: Saturday, February 15, 2014, 1:58 PM
 
 Greg,
 I am afraid I fine it ironic at the very least, for
 you  to call for a more
 civil discourse. Your tone has been so denigrating and
 disrespectful of
 others for so long that I too have been ignoring your posts
 pretty
 regularly. That is easy enough.  But when I read that a
 caller as well
 established as Martha Wild has not posted for a long time
 because of the
 treatment she received from you on this list, I am much more
 worried.  Far
 from encouraging an open exchange this is evidence that you
 have stifled it.
 As I remember it, folks posting here have tried to point
 this out to you
 several times in the past. 
 Moderators,
 I propose that Greg not be allowed to post here for perhaps
 a month. I do
 not take such a step lightly and rather than suppressing
 free speech, this
 would encourge it.
 Rickey Holt
 
 -Original Message-
 From: callers-boun...@sharedweight.net
 [mailto:callers-boun...@sharedweight.net]
 On Behalf Of Greg McKenzie
 Sent: Saturday, February 15, 2014 3:28 PM
 To: Caller's discussion list
 Subject: Re: [Callers] A Call For Civility
 
 Lindsay wrote:
 
 > Well, you might want to walk this one back, then:
 >
 > >> "The dancers in your video look like a
 competent group of regulars 
 > >> who
 > are
 > >> able to adapt to poorly-structured calls
 quickly and graciously. 
 > >> I'm
 > sure
 > >> they have a lot of practice at it. I find it
 very productive to be 
 > >> more diligent in my own calling."
 >
 
 Alright.  I only watched part of the first video. 
 I didn't really note who
 the caller was.  And I certainly didn't mention any
 caller.  (The names of
 the callers were inserted into my post by a subsequent
 poster.  I never
 mentioned them.)  I was trying to make the point that
 this was a group of
 regular contra dancers, with few, if any, first-timers in
 the crowd.  Since
 there are no callers I know of who use structured calls
 regularly it is a
 sure bet that these folks have had lots of experience
 interpreting
 unstructured calls.
 
 I seldom call for such experienced groups. 
 Consequently I use structured
 calls more than most callers do to maintain the confidence
 of newcomers.  I
 should have been more clear in my post, and I should have
 anticipated that
 some folks might take it personally.  I'm sorry about
 that.  As a policy I
 try to avoid taking anything posted here personally unless
 it has my name on
 it.
 
 - Greg McKenzie
 West Coast, USA
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 call...@sharedweight.net
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Re: [Callers] Allemandes

2014-02-17 Thread joda_rogers
OK, I don't usually enter these discussions because, although I find reading 
the posts interesting, by the time I see them, every possible opinion has 
already been expressed, with approximately equal vehemence on all sides, and as 
a result I don't usually feel that I have much to add.  However, in this case 
I'll chime in that I agree with Eric, that the interlocking thumbs is rather 
nice, at least for those who can tolerate it.  For one thing, it is how I 
learned to dance, and it feels more "right" that way.  For another, it provides 
(in my opinion) a more firm connection between the dancers.  (Here, Larry 
Jennings' description - in Zesty Contras - of what he called a "zesty" dancing 
style comes to mind.)  But, as I point out in my beginners' sessions, some 
people - I am married to one - prefer not to have their thumbs involved, so 
they will come to you "without a thumb showing"… so, take what they give you 
and work with it.  No big deal.

Someone pointed out that the interlocking thumb grip doesn't fit their style of 
dancing, because (I gather) they do a lot of spinning, or something.  That's 
fine, don't use the interlocking grip.  In fact, please don't.  No big deal.  
My main point is that personally, I would find it a loss if the interlocking 
grip went away entirely.  I enjoy using it with others who know how to use it.  

On Feb 17, 2014, at 9:00 AM, callers-requ...@sharedweight.net wrote:

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> than "Re: Contents of Callers digest..."
> 
> 
> Today's Topics:
> 
>   1. Re: Dances with three or more allemandes (Michael Fuerst)
>   2. Re: Dances with three or more allemandes (Michael Dyck)
>   3. Re: allemandes (Russell Frank)
>   4. Re: Dances with three or more allemandes (Jerome Grisanti)
> 
> 
> --
> 
> Message: 1
> Date: Sun, 16 Feb 2014 09:43:11 -0800 (PST)
> From: Michael Fuerst 
> To: Caller's discussion list 
> Subject: Re: [Callers] Dances with three or more allemandes
> Message-ID:
>   <1392572591.59857.yahoomail...@web140705.mail.bf1.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
> 
> Thanks you Joy and Les for the suggested dances. ? ?
> Does anyone have additional suggestions?
> I think what I had in mind are dances where everyone allemandes 1 1/2 at 
> least once plus allemande 3/4 or more at least one additional time
> ?
> Michael Fuerst ? ? ?802 N Broadway ? ? ?Urbana IL 61801?? 217-239-5844
> 
> 
> 
> On Sunday, February 16, 2014 10:25 AM, Aahz Maruch  wrote:
> 
> On Sun, Feb 16, 2014, Erik Hoffman wrote:
>> On 2/15/2014 10:32 PM, Aahz Maruch wrote:
>>> On Sat, Feb 15, 2014, Michael Fuerst wrote:
 
 I should have said thumbs an wrapped around the other's hand.
 Interlocked was the wrong.
>>> 
>>>  I do know people who believe that interlocked thumbs are
>>> correct, and I've been on a campaign to discourage the practice. ;-)
>> 
>> So, Aahz, why do you want to eliminate it? I'm talking about the
>> thumbs up as guideposts, fingers hooked around the others hand, a
>> hook, not a grip, wrists straight, fingers curved. Is it just the
>> safety issue? I play music. I teach music. I worry a lot about my
>> hands! I have things I do to protect myself, and I don't let people
>> grab and grip, or bend my wrist in some painful way.
> 
> Oddly enough, as has been pointed out here, you are a somewhat large-ish
> man -- that means your personal safety requirements are not necessarily
> what's appropriate for the general dancer population.
> 
> So yeah, it's pretty much all about safety from my POV.? Any kind of
> spinning move out of allemande or wave risks yanking the thumb.? And
> actually, my concern is more about waves than allemandes: the grip is
> mostly the same for both and the spinning half-sashy is pretty much
> standard these days.
> 
> I have no idea what you mean by "guideposts", though; from my POV either
> the thumbs are interlocked or they're not.? (If each person's thumb can
> touch the other person's webbing between thumb and forefinger they're
> interlocked.)
> -- 
> Hugs and backrubs -- I break Rule 6? ? ? ? ? ? ? ? ? ? ? ? http://rule6.info/
> ? ? ? ? ? ? ? ? ? ? ? <*>? ? ? ? ?  <*>? ? ? ? ?  <*>
> Help a hearing-impaired person: http://rule6.info/hearing.html
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> 
> --
> 
> Message: 2
> Date: Sun, 16 Feb 2014 10:46:27 -0800
> Fr

Re: [Callers] Allemandes

2014-02-17 Thread Ron Blechner
My 2¢, for what it's worth:

The worst that happens without thumbs is bad shared weight. And there's
plenty of times when thumbs still meant no shared weight, so adding thumbs
hardly guarantees avoiding thus issue.

The worst that happens with thumbs is my wrist is torqued. Sadly, this is a
frequent occurrence for me, at least around many dances in the Northeast. I
usually get torqued on average once a night, and I dance defensively.

I have never been injured without thumbs. I have with thumbs.

That is the factual, empirical part of what I have to say.

The opinion part:
I believe that if thumbs is required for a good connection, then a dancer
could consider whether they've learned how to properly share weight without
thumbs.

Dance safe,
Ron Blechner
Contradances.tumblr.com
On Feb 17, 2014 6:44 PM, "joda_rogers"  wrote:

> OK, I don't usually enter these discussions because, although I find
> reading the posts interesting, by the time I see them, every possible
> opinion has already been expressed, with approximately equal vehemence on
> all sides, and as a result I don't usually feel that I have much to add.
>  However, in this case I'll chime in that I agree with Eric, that the
> interlocking thumbs is rather nice, at least for those who can tolerate it.
>  For one thing, it is how I learned to dance, and it feels more "right"
> that way.  For another, it provides (in my opinion) a more firm connection
> between the dancers.  (Here, Larry Jennings' description - in Zesty Contras
> - of what he called a "zesty" dancing style comes to mind.)  But, as I
> point out in my beginners' sessions, some people - I am married to one -
> prefer not to have their thumbs involved, so they will come to you "without
> a thumb showing"... so, take what they give you and work with it.  No big
> deal.
>
> Someone pointed out that the interlocking thumb grip doesn't fit their
> style of dancing, because (I gather) they do a lot of spinning, or
> something.  That's fine, don't use the interlocking grip.  In fact, please
> don't.  No big deal.  My main point is that personally, I would find it a
> loss if the interlocking grip went away entirely.  I enjoy using it with
> others who know how to use it.
>
> On Feb 17, 2014, at 9:00 AM, callers-requ...@sharedweight.net wrote:
>
> > Send Callers mailing list submissions to
> >   call...@sharedweight.net
> >
> > To subscribe or unsubscribe via the World Wide Web, visit
> >   http://www.sharedweight.net/mailman/listinfo/callers
> > or, via email, send a message with subject or body 'help' to
> >   callers-requ...@sharedweight.net
> >
> > You can reach the person managing the list at
> >   callers-ow...@sharedweight.net
> >
> > When replying, please edit your Subject line so it is more specific
> > than "Re: Contents of Callers digest..."
> >
> >
> > Today's Topics:
> >
> >   1. Re: Dances with three or more allemandes (Michael Fuerst)
> >   2. Re: Dances with three or more allemandes (Michael Dyck)
> >   3. Re: allemandes (Russell Frank)
> >   4. Re: Dances with three or more allemandes (Jerome Grisanti)
> >
> >
> > --
> >
> > Message: 1
> > Date: Sun, 16 Feb 2014 09:43:11 -0800 (PST)
> > From: Michael Fuerst 
> > To: Caller's discussion list 
> > Subject: Re: [Callers] Dances with three or more allemandes
> > Message-ID:
> >   <1392572591.59857.yahoomail...@web140705.mail.bf1.yahoo.com>
> > Content-Type: text/plain; charset=iso-8859-1
> >
> > Thanks you Joy and Les for the suggested dances. ? ?
> > Does anyone have additional suggestions?
> > I think what I had in mind are dances where everyone allemandes 1 1/2 at
> least once plus allemande 3/4 or more at least one additional time
> > ?
> > Michael Fuerst ? ? ?802 N Broadway ? ? ?Urbana IL 61801??
> 217-239-5844
> >
> >
> >
> > On Sunday, February 16, 2014 10:25 AM, Aahz Maruch 
> wrote:
> >
> > On Sun, Feb 16, 2014, Erik Hoffman wrote:
> >> On 2/15/2014 10:32 PM, Aahz Maruch wrote:
> >>> On Sat, Feb 15, 2014, Michael Fuerst wrote:
> 
>  I should have said thumbs an wrapped around the other's hand.
>  Interlocked was the wrong.
> >>>
> >>>  I do know people who believe that interlocked thumbs are
> >>> correct, and I've been on a campaign to discourage the practice. ;-)
> >>
> >> So, Aahz, why do you want to eliminate it? I'm talking about the
> >> thumbs up as guideposts, fingers hooked around the others hand, a
> >> hook, not a grip, wrists straight, fingers curved. Is it just the
> >> safety issue? I play music. I teach music. I worry a lot about my
> >> hands! I have things I do to protect myself, and I don't let people
> >> grab and grip, or bend my wrist in some painful way.
> >
> > Oddly enough, as has been pointed out here, you are a somewhat large-ish
> > man -- that means your personal safety requirements are not necessarily
> > what's appropriate for the general dancer population.
> >
> > So yeah, it's pretty much

Re: [Callers] Allemandes

2014-02-17 Thread Aahz Maruch
On Mon, Feb 17, 2014, Ron Blechner wrote:
> 
> The worst that happens with thumbs is my wrist is torqued. Sadly, this
> is a frequent occurrence for me, at least around many dances in the
> Northeast. I usually get torqued on average once a night, and I dance
> defensively.

The worst that I've heard of with thumbs is a jammed thumb.  I haven't
heard of anyone needing medical care, but I've heard of people getting
injured thumbs.
-- 
Hugs and backrubs -- I break Rule 6http://rule6.info/
  <*>   <*>   <*>
Help a hearing-impaired person: http://rule6.info/hearing.html


Re: [Callers] Dances with three or more allemandes

2014-02-17 Thread Aahz Maruch
On Sun, Feb 16, 2014, Jerome Grisanti wrote:
> Aahz wrote to Erik:
>>
>> I have no idea what you mean by "guideposts", though; from my POV either
>> the thumbs are interlocked or they're not.  (If each person's thumb can
>> touch the other person's webbing between thumb and forefinger they're
>> interlocked.)
> 
> I believe most dancers can make a distinction between holding your
> hand in a position (e.g. with interlocking thumbs), and gripping based
> on that same position. How can we best communicate that difference?

Maybe they can make that distinction, but I sure can't based on what
you're writing here.  ;-)

What is the distinction/difference?
-- 
Hugs and backrubs -- I break Rule 6http://rule6.info/
  <*>   <*>   <*>
Help a hearing-impaired person: http://rule6.info/hearing.html


Re: [Callers] Circle & pass through as the last move of a dance

2014-02-17 Thread Maia McCormick
As was annunciation (enunciation), perhaps:
http://en.wikipedia.org/wiki/Annunciation :P


On Sat, Feb 15, 2014 at 7:18 PM, rich sbardella wrote:

> was avid (avoid) a Freudian slip?
>
>
> 
>  From: rich sbardella 
> To: Erik Hoffman ; Caller's discussion list <
> call...@sharedweight.net>
> Sent: Saturday, February 15, 2014 7:12 PM
> Subject: Re: [Callers] Circle & pass through as the last move of a dance
>
>
> Thanks Erik,
> Your comments were helpful.  I use Ladies and Gents so I connected, but
> your annotation will help avid left/right confusion.  Is there a standard
> annotation for calls, and where do I find it?
> Rich
>
>
> 
> From: Erik Hoffman 
> To: rich sbardella ; Caller's discussion list <
> call...@sharedweight.net>
> Sent: Thursday, February 13, 2014 11:47 AM
> Subject: Re: [Callers] Circle & pass through as the last move of a dance
>
>
>
> On 2/13/2014 7:53 AM, rich sbardella wrote:
> > I love the way the Hey is described in the dance below.  As a caller
> that is new to contra, the notation helps to understand the flow a little
> better.
> > Thanks,
> > Rich
> Snip >>>
> > B1.  Hey (LR, NL, GR, PL)
> When I first looked at this, I had to get away from "Left Right" to
> "Ladies Right." I'd write: (WR, NL, MR, PL). Then looking at this, one need
> note this is a half-hey. I suppose the person jotting this down knows that,
> but for the rest of us, adding a X2 could help. Then to be explicit, one
> has to leave out the last PL. Thus to be totally accurate it's:
>
> (WR, NL, MR, PL, WR, NL, MR)
>
> Which is common, and only 7/8ths of a full hey...
>
> ~erik hoffman
> oakland, ca
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Re: [Callers] Dances with three or more allemandes

2014-02-17 Thread Jonathan Sivier

On 2/17/2014 6:39 PM, Aahz Maruch wrote:

On Sun, Feb 16, 2014, Jerome Grisanti wrote:

Aahz wrote to Erik:


I have no idea what you mean by "guideposts", though; from my POV either
the thumbs are interlocked or they're not.  (If each person's thumb can
touch the other person's webbing between thumb and forefinger they're
interlocked.)


I believe most dancers can make a distinction between holding your
hand in a position (e.g. with interlocking thumbs), and gripping based
on that same position. How can we best communicate that difference?


Maybe they can make that distinction, but I sure can't based on what
you're writing here.  ;-)

What is the distinction/difference?


   This is probably one of those things that is easier to show than it 
is to explain in words.  However, I'll give it a try.


   I think referring to "interlocking" could be a confusion.  I 
wouldn't tell anyone to interlock their hands or thumbs.  Instead I like 
to tell people to hook their fingers behind the other person's thumb, 
between the thumb and the wrist, and to keep their thumbs in the "thumbs 
up" position, not closing them on the other persons hand.  That way 
either person can easily let go without any problem by just 
straightening their fingers.  Nothing is holding their hands together 
except their own bent fingers.  The hands and wrists should be held 
straight, without twisting or bending, so that when the fingers are 
straightened they will point at the other person's face (or 
thereabouts).  Arms should be held with with a slight bend in the elbow, 
adjusting the distance between the dancers by bending the elbows greater 
or lesser, to enable them to get around in more or less time depending 
on the time allowed for the figure.  All force should be straight along 
the arms from the shoulder of one person to the shoulder of the other, 
with no side force.  That way it is easy to give the appropriate amount 
of "weight" without any twisting or bending of the wrists.  In fact, I 
think that optimally both shoulders of both dancers, as well as their 
elbows and hands, should all lie in the same plane, perpendicular to the 
floor.  So you might start by having the two dancers stand facing in 
opposite directions, pointing their (right) shoulders at each other, 
then extent their (right) arms towards the other person and hooking 
their fingers around the other's thumb/wrist junction, keeping their own 
thumbs pointing straight up.


Jonathan
-
Jonathan Sivier
Caller of Contra, English and Early American Dances
jsivier AT illinois DOT edu
Dance Page: http://www.sivier.me/dance_leader.html
-
Q: How many angels can dance on the head of a pin?
A: It depends on what dance you call!



Re: [Callers] Dances with three or more allemandes

2014-02-17 Thread Don Veino
[Lots of other posts trimmed...]

Similar to a previous comment, and knowing one size does not fit all, I try
to preface any "style points" with a fellow dancer with "it would help me
if..." and then describe or show my desired interaction behavior. Puts the
issue totally on me and makes it sound like I'm asking a favor of them to
adjust to my needs, not correcting them -- if it leads to further good form
from them generally thereafter, so much the better. I've not had a negative
reaction to this since I started doing it.

BTW, for allemandes I use a connection that I picked up somewhere in my
contra travels (which sounds a lot like some of he best practices described
to this point). I find this to be fairly common where I dance. As a picture
is worth a thousand words, here it is (note I'm torqued slightly in these
due to holding the camera with the other hand for the photo -- the normal
connection is neutral and unstressed but results in good weight):
https://drive.google.com/file/d/0B3My2DFMxZpOb3g1MVJWSS1lOGc/edit?usp=sharing

-Don