Re: [Callers] Name this Robert Cromartie dance!
Jim: Yes, Vicki Herndon from Chattanooga, and I, Vicki Morrison from Tallahassee, are indeed two different people! Yes, I saw the video she posted on FB and I got in touch with her to make sure I understood the dance. The dancers in the video are a little hard to see, but perhaps it would clear up the confusion to watch it, assuming folks are able to open this link. Not sure if non-Facebookers can. https://www.facebook.com/photo.php?v=10204059403144353&set=vb.1202573501&type=2&theater It is correct as I wrote it originally. When you go DTH, #1 lady on the end turns alone, #2 lady and #2 gent i the middle make an arch, the #1 gent pops through, the lady #2 twists around and #2 gent ends up on the outside and everyone is next to their partners. It's the same figure as April Blume just posted for a dance called "Pam's Four". Andrea Nettleton says the only name she knows of for this figure is "Right hand high, left hand low". Thanks for all the comments! If anyone ever finds out the name of the dance I'd love to know. I'm looking forward to calling it! On Wed, 7/23/14, Eric Black via Callers wrote: Subject: Re: [Callers] Name this Robert Cromertie dance! To: Callers@lists.sharedweight.net Date: Wednesday, July 23, 2014, 4:37 PM Oops. I should have read my own card more carefully. The dance titled “Dixie Gal” starts with: A: Long lines F & B, gents allemande left 1-1/2; Bal & Swing *partner* Different dance. Sorry. Back to work. -EricEric Black eric@mirador.comhttp://eric-black.com On Jul 23, 2014, at 1:21 PM, Dave Casserly wrote: Ok, sounds like I was wrong. If the line gets inverted entirely, then Keith is correct that this dance doesn't work. Neighbors are on the same side of the set to start the lines down, so they'll be on the same side coming back up, which won't work with a partner swing next. I'm pretty sure I've danced this dance before, but with Lady 2 doing a normal right-hand-high, left-hand-low, while Lady 1 turns alone. If that's not Robert's instruction then we must be missing something with the dance. On Wed, Jul 23, 2014 at 4:10 PM, Eric Black via Callers wrote: Sorry, I forgot that I have scanned images of my cards so I can check before I go home. I misremembered, the dance as I have it from Robert Cromartie is called “Dixie Gal”. The note about the Dixie Twirl move is: Dixit Twirl: don’t let go! Left-most leads under arch made by right-most pair to other side, right-most sweeps across to other side. Inverts the line, left-most down is left-most up. This is kind of like a “Right Hand High, Left Hand Low” except that it’s a line of 4, not just 3 (usually a gent and 2 ladies). I suppose it’s open to interpretation as to whether the “4 vs. 3” distinction warrants a different name for the move. I’ve also heard it described as a “California Twirl for couples”. I got it from Robert, don’t know when. I see that it’s published in Give and Take, my copy of which is at home. Theremay be more explanation there (or rather, less?). -Eric Eric Blackeric@mirador.comhttp://eric-black.com On Jul 23, 2014, at 12:29 PM, Dave Casserly via Callers wrote: Yes, that's my interpretation as well (or, in Keith's words, "W2 Dixie twirls the two M, while W1 lets go and turns alone"). On Wed, Jul 23, 2014 at 1:52 PM, Kalia Kliban via Callers wrote: So while the rest of the line is turning itself inside out, W1 is not involved at all? I thought W1 was part of the inversion, thus ending up on the R end of the line once it was facing up. I was having the same confusion Keith was. So to clarify, lines of 4 down the hall after the N swing. W2 (2nd from the L) raises R hand to swap the gents, while W1 simply turns to face up. At the end of this maneuver all are next to their partners in the line o' 4, ready for to come back up the hall and swing. Have I got that right? Kalia On 7/23/2014 10:34 AM, Dave Casserly via Callers wrote: Ahh, I see: it's the A1/A2 where there's confusion. It's the second *lady* who does the right hand high, left hand low. So, after that move, she is facing up the set, with her neighbor in her left hand, and her partner in her right hand. The first lady is on the left end of the set, facing up. So the balance and swing is on the side of the set, not in the middle. The gents do NOT stay in the same place after the down the hall; they switch places with each other when coming up. On Wed, Jul 23, 2014 at 1:28 PM, Keith Tuxhorn mailto:keith...@gmail.com>> wrote: A1/A2... I'm on the outside, holding my N's R hand... With the Dixie twirl, I'm still in that spot. When we bend the line, my P and I are above the 2s, in reversed position. B1: All are swinging in the center of the set. When the swing finishes
Re: [Callers] Amy Wimmer
Thanks Amy. Family Contra is my favorite go-to "real" contra dance for novices. I recently tried following it with Broken Sixpence but it fell apart. Good plan to lead everyone into a circle. I've also found leading people into a snake works well too. Cheers! Vicki Sent from my iPhone > On Aug 2, 2017, at 12:25 AM, Amy Wimmer via Callers > wrote: > > HA! My set list was "Family Contra" by Sherry Nevins, followed by an attempt > at "Reel Easy" by Cary Ravitz. That one fell apart and I turned it into a > barn dance: circle left, circle right, in to the center, back out, swing your > partner, repeat. Then it was quiet hour and we had to stop. We had very > little time to begin with, but it ended up being just enough. That was also > good because my voice was giving out, shouting over the chatter. > > -Amy > >> On Aug 1, 2017 5:17 PM, "Claire Takemori via Callers" >> wrote: >> Hi Amy, >> Would you be willing to share your program set list for the Cows/Chickens >> dance? >> I’m curious what kind of dances went so well. >> >> Thanks ! >> Claire Takemori (Campbell CA) >> >>> On Mon, Jul 31, 2017 at 12:59 PM, Amy Wimmer via Callers >>> wrote: Hi All, I recently had the opportunity to call a contra to a group of rank >>> beginners in a difficult situation: outdoors, on sloping concrete, without amplification for either myself or the band, to people not expecting a dance, with a band mostly unfamiliar with either contra or fiddle tunes, >>> who had no opportunity to practice or choose tunes. It was a staff party >>> with a barnyard theme. Granted, this particular good of people is accustomed to being spontaneous and silly at times, most are in their 20's, and it's a liberal, accepting group. The organizers wanted to use the terms "cows" and "chickens" instead of >>> any other usual terms for dancers. When they arrived at the party each person chose a name tag with either a cow or a chicken on it. They didn't know >>> it, but this determined which role they'd play in the dance. I arbitrarily >>> chose to "put the chicken on the right, because the chicken is always right." >>> (I keep chickens, and they ARE always right) There was not time for much of a lesson, either. It'd have been much >>> easier if everyone had joined the dance at the beginning. All said, just about everyone had a really great time, myself included. The band was hyped up >>> to try another dance evening later in the week, though that never >>> materialized. I never mentioned gender in any way. That part just seemed to not matter. They were dancing with their friends. It didn't matter that they weren't experts or even very good. I was heartened and encouraged to try something like this again, perhaps with more widely used dancer terms. -Amy >> >> ___ >> Callers mailing list >> Callers@lists.sharedweight.net >> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net >> > ___ > Callers mailing list > Callers@lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net ___ Callers mailing list Callers@lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
[Callers] One caller slot remaining for 2016 New Zealand tour
Hello! The Allemande Joy Contra Dance Tour is a group of 32 dancers, musicians, and callers from the US who spend a month every other year touring New Zealand, mostly the south island. We stop in cities along the way to conduct and/or participate in local contra dances. The trip also includes a dance weekend. The next trip is January 29-February 29, 2016. The 2016 trip is sold out except we are saving a slot for one more caller. Price is $4,050 for a single, which includes round trip air fare from LAX, lodging, meals, tour bus, and dances. If you or a caller you may know is interested in joining us, please contact Julie, 2016nzcon...@gmail.com. You can also find more information on our Facebook page. Search for Allemande Joy 2016 New Zealand Contra Dance Tour. Please feel free to share this information. Thanks! Vicki MorrisonTallahassee, fltallygal...@yahoo.com
Re: [Callers] [trad-dance-callers] Novelty & Gimmick Contras
Hello all! I've been meaning to chime in. Don't think anyone has mentioned this
one. I would consider Beneficial Tradition by Dan Pearl has having an unusual
sequence. A friend used the exact same words, gimmicky, when I called it. That
term hadn't occurred to me until he mentioned it. Anyway, here it is and a
youtube link:
Becket, double progression
A1 Ladies alle L 1.0 to form a wavy line; Bal wave, swing PA2 Circle L 3/4, N
swingB1 Ladies chain, LLFBB2 straight across with opposite sex, pull by left,
face in (4)on slight right diagonal, with same sex, pull by right, face in
(4)straight across, with opposite sex pull by left, face in (4)on slight right
diagonal with same sex, pull by right, face in (4)
The author advises: This one needs strong, clear four-beat phrases in B2. More
driving or exuberant and not mysterious or in a minor key.
I think Brian Hamshar did an excellent job teaching this dance.
https://www.youtube.com/watch?v=VvB0RCB-QIw From: Bob Green via Callers
To: "trad-dance-call...@yahoogroups.com"
Cc: Caller's discussion list
Sent: Saturday, March 19, 2016 12:48 PM
Subject: Re: [Callers] [trad-dance-callers] Novelty & Gimmick Contras
Here are a few
Unusual Formations:
Missionary Men ("proper Becket") by Jim Hemphill -
http://dancevideos.childgrove.org/contra/contra-modern/443-mission-men
Maple & Cedar (partners at the corners) by Bob Green -
https://www.youtube.com/watch?v=ZQBj-zyKjnA
Wes Side Story (Becket mixer) by Bob Green -
http://dancevideos.childgrove.org/contra/contra-modern/445-wes-side-story
Unusual moves:
Shaker Buddha (double back dip) by Norm Stewart & Bob Green -
http://dancevideos.childgrove.org/contra/contra-modern/444-shaker-buddha
Seesaw Surfer (courtesy fling) by Jim Hwnphill -
http://dancevideos.childgrove.org/contra/contra-modern/206-seesaw-surfer
Enjoy!
Bob Green
On Wed, Mar 16, 2016 at 1:13 PM, Rich Sbardella richsbarde...@gmail.com
[trad-dance-callers] wrote:
Here I am with another question. I learn so much from these threads.
What are some easy, but good, novelty, or gimmick contras. To elaborate, I
mean contras that have unusual moves, or contras that use basic moves in
unusual ways.
Maybe Ovals, Wholeset Promenades, Old-Timey square dance moves?Two of my
favorites are "Hot Buttered Rolls" and "Roll Over Johannes"
Rich SbardellaStafford, CT __._,_.___ Posted by: Rich Sbardella
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[Callers] Anyone know this dance?
Hello. I saw a video recently from Raindance with Deb Comly calling. Anyone know the name and author of this dance? Thanks! A1 with current neighbors star L; with former neighbors star R A2 with current N b&sB1 men alle L 1.5; P swing B2 circle L 1.25 (till the ones are looking down, twos looking up); with P zig left past current neighbors, zag right to greet new neighbors Vicki MorrisonTallahassee, FL
[Callers] Box circulate dances
Hello all. In addition to the lovely Du Quoin Races dance by Orace Johnson, are you familiar with any other box circulate dances that you could share? Thanks! Vicki MorrisonTallahassee, FL
Re: [Callers] Box circulate dances
Thank you everyone for the dances and tips!
From: Bob Isaacs via Callers
To: Ron Blechner ; Shared Weight
Sent: Wednesday, July 20, 2016 1:39 PM
Subject: Re: [Callers] Box circulate dances
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body.yiv9322925097hmmessage{font-size:12pt;font-family:Calibri;}#yiv9322925097
Hi All:
The dance Ron is referring to is:
Silent Partner
Becket-L, 4/4/15
A1. 8 L diagonalcircle L ¾
8 N1 swing
A2. 8 R and L through 2,6 Ladiespull by R,
partner allemande L 1¼ to long waves (1)
B1. 4,4 Balance,gents cross and ladies loop R to long waves
(2) 4,4 Balance,ladies cross and gents loop R to long waves
(3)
B2. 4,4 BalanceR and L, slide/spin R 8
Partnerswing
Thisway of combining box circulates and Rory spins is new, and it means
partnerscirculate in different boxes even though they start the waves together.
(1)– With ladies facing out and gents facing in, partner in L and Sh1, the
silentpartner, in R.(2)– With gents facing out and ladies facing in, N1 in R
and N0 in L.
(3)– With ladies facing out and gents facing in, Sh1 in R and Sh2 in L.
I also agree with John Sweeney that the circulate balances should be balanced
forward and back - Bob Date: Tue, 19 Jul 2016 16:54:17 -0400
CC: callers@lists.sharedweight.net
Subject: Re: [Callers] Box circulate dances
From: callers@lists.sharedweight.net
If you feel like mixing Box Circulate with Rory, here are two I've written and
called:http://contradances.tumblr.com/post/117811884210/astral-navigationhttp://contradances.tumblr.com/post/117812007820/playground-stompBob
Isaacs also has a really nice Rory/Box Circulate mix, which I don't have the
notes for.
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Re: [Callers] Name that dance
Definitely right shoulder gypsy! But is "Cheri" the author? Good dance! From: Lisa Greenleaf via Callers To: Amy Wimmer Cc: call...@sharedweight.net Sent: Thursday, July 21, 2016 12:16 PM Subject: Re: [Callers] Name that dance Cheri prefers that the Ladies do a R shoulder gypsy. Lisa > On Jun 23, 2016, at 5:46 PM, Amy Wimmer via Callers > wrote: > > Hi All, > I collected a dance from Lisa Greenleaf. Neither she nor the person > from whom she collected it knows the author. I'm hoping you can help > me. Here it is: > > Holiday Daze > Becket > A1 Cir L 3/4, pass through > New neighbor swing > A2 Long lines F&B > Ladies chain > B1 Left diag. hey for 4 > B2 (original) Ladies L shoulder gypsy > Partner swing > > Thanks > -Amy > ___ > Callers mailing list > Callers@lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net ___ Callers mailing list Callers@lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Re: [Callers] Positive values on the mic
Beth Molaro has a great series of videos about calling, one of which addresses this question about half way through. Thank you Beth! Beth Molaro -- Efficient Contra Dance Walk Throughs | | | | || | | | || Beth Molaro -- Efficient Contra Dance Walk Throughs Beth Molaro describes her approach to walk throughs, being as efficient as she can with the instruction and gett... | | | | From: John W Gintell via Callers To: callers Sent: Monday, October 31, 2016 1:46 PM Subject: Re: [Callers] Positive values on the mic Often it is hard to hear the caller during the Walkthrough because of chatter from some of the dancers and the people sitting out. Any thoughts as to what the caller should say to politely get people to be quiet? John ___ Callers mailing list Callers@lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Re: [Callers] Positive values on the mic
Thanking the set in squares enhances the community involvement aspect. Very beneficial. Sent from my iPhone > On Oct 31, 2016, at 6:07 PM, Ron Blechner via Callers > wrote: > > Reading all of these... So far everyone has had good suggestions. Keep 'em > coming! > > >> On Oct 31, 2016 5:38 PM, "Richard Fischer via Callers" >> wrote: >> Especially at community dances, but also at contras, I look for was to >> encourage dancers to say thank you. At community events one of my first >> dances is usually a kind of Appalachian square dance. Couples do one or two >> simple figures to my calls with another couple, and then I go, "Everybody, >> face your neighbors. ... Say, "Thank you!" ... Take your partner and >> find new neighbors." People seem to enjoy the opportunity to say thanks. At >> contras, if there is a pre-dance lesson, I try to work in some experience on >> progressing, even if it's in a mini-contra. (E.g., Circle left, circle >> right, dosido your neighbor, say thanks to your neighbor, walk forward to a >> new neighbor.) And having the mic all evening I get opportunities to thank >> the band, sound personnel, organizers, and the dancers themselves. Squares >> and triplets (and other set dances) give us a chance to encourage people to >> thank their whole set as well as their partner. >> >> Richard >> >>> On Oct 31, 2016, at 1:47 PM, via Callers wrote: >>> >>> Once or twice a night, remind the dancers to hydrate and tell them where to >>> find the punch bowl, drinking fountains, etc. If there are a lot of >>> newcomers, they may not know where the water source is located (and you can >>> joke that it's included with the price of admissionwho can resist!). >>> Make it clear that you won't be starting the next dance for a few minutes - >>> this encourages hydration, plus many dancers will be happy for the quick >>> break and a chance to move to the side of the hall where they can mingle >>> and find their next partner without fear that they'll be left out. >>> >>> Sue Gola >>> >>> >>> -Original Message- >>> From: Ron Blechner via Callers >>> To: Caller's discussion list >>> Sent: Mon, Oct 31, 2016 12:56 pm >>> Subject: [Callers] Positive values on the mic >>> >>> Hi Shared Weight, >>> I'd like to hear some examples of things you as a caller (or you as an >>> organizer encouraging callers) say on the mic during a dance to promote >>> positive dance values. >>> I ask because I'm reviewing my own dance's "calling our dance" >>> communication with callers, as well as evaluating my own statements on mic. >>> I'll get us started. >>> I like to say, a couple times per evening, for dancers to look to the >>> sidelines for dancers who were sitting out, in considering a partner. >>> In dance, >>> Ron Blechner >>> ___ >>> Callers mailing list >>> Callers@lists.sharedweight.net >>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net >>> ___ >>> Callers mailing list >>> Callers@lists.sharedweight.net >>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net >> >> >> ___ >> Callers mailing list >> Callers@lists.sharedweight.net >> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net >> > ___ > Callers mailing list > Callers@lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Re: [Callers] Looking for Author of Dance - The Cows Go Marching
It's called Cows are Watching by Bill Pope. Note also that it's becket. Great dance! Yes, Cary Ravitz has a "Ravitized" version of it on his site. There's a YouTube video with Cis Hinkle calling it at Mentone in 2012 that I made. Vicki Morrison Tallahassee, FL Sent from my iPhone > On Mar 22, 2017, at 10:38 AM, Meg Dedolph via Callers > wrote: > > Cary Ravitz has The Cows are Watching (which looks quite close to what you > have) on a page of dances he's collected - link below. > > http://www.miscdances.ravitz.us/#cw > > Meg > >> On Wed, Mar 22, 2017 at 9:34 AM Cheryl Joyal via Callers >> wrote: >> I have a wonderful dance in my box that I enjoy dancing and calling - but do >> not know who wrote it…. can anyone tell me who wrote it? >> >> Also - is this the correct name since another caller said they had a dance >> called “the Cows are Watching” ? >> >> Anyone have any other “Cow” dances since we are on a theme ? >> >> The Cows go Marching by _ >> >> A1 (8) Long lines, forward and back >> (8) Women allemande Right 1-1/2 >> >> A2 (16) Neighbor balance and swing >> >> B1 (8) Balance the ring >> (8) Gents Roll/Sashay Partner across set >> >> B2 (4) Zig to Left (w/Partner), >> (4) Zag to Right and Gents catch by Left >> (8) Men allemande Left 1x to Partner Swing >> >> Thanks - Cheryl >> >> Cheryl Joyal >> clmjo...@gmail.com >> clmjo...@aol.com >> 630-667-3284 (cell) >> Cheryl Joyal >> clmjo...@gmail.com >> clmjo...@aol.com >> 630-667-3284 (cell) >> >> >> >> >> ___ >> Callers mailing list >> Callers@lists.sharedweight.net >> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net > ___ > Callers mailing list > Callers@lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Re: [Callers] Full hey spanning two phrases?
Take All of the Credit, None of the Blame by Larry Elderman has a full hey with bonus balances that spans 24 beats, if this is similar to what you're looking for: A1 N dosido 1.25 to short wavy lines (8); bal R-L (4), N alle rt 1/2, men alle left 1/2 A2 give P your right hand and bal (4), 1/2 (pass by right) to the other side (8), give P your right hand and balance B1 1/2 hey, P swing B2 prom; ladies chain Sent from my iPhone > On Mar 28, 2017, at 10:10 PM, Rich Sbardella via Callers > wrote: > > Maia, > > I wrote a simple square "Hey Square, Let's Dance" that has the hey crossing > phrases. > It must be called Heads, Sides, Heads, Sides to have a complete mixer square. > > A1 Heads Lead Right & Circle to a Line, F&B > A2 Ladies Chain, Start a Full Hey > B1 Finish the Hey, Swing the one you meet > B2 Promenade > > I have only shared this with one caller, and she remarked that the hey > crosses phrases, and she would not use it. > I must often use it wit singing calls, or square dance music that has strong > 8 beat phrasing. > > Bob Isaacs "To Turn a Phrase" has the Oval crossing phrases. I have danced > it when it feels good, but also when it did not. I think the music selection > is more critical. > > Rich Sbardella > >> On Tue, Mar 28, 2017 at 7:31 PM, Maia McCormick via Callers >> wrote: >> Hi folks, >> >> I'm running up against a wall in a dance I'm currently writing, and it's >> making me wonder: what dances, if any, have a full hey that spans two >> sections* and really WORKS? I feel like in general, if I danced such a >> dance, I would roll my eyes at the choreographer "breaking the rules", but I >> can also imagine delightful dances a hey spanning two phrases that justify >> their own existence and feel great to dance. >> >> Thoughts? Dances to point me to? >> >> As always, in dance, >> Maia >> >> * e.g. hey occurs during the last eight counts of B1 and the first eight of >> B2 >> >> ___ >> Callers mailing list >> Callers@lists.sharedweight.net >> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net >> > > ___ > Callers mailing list > Callers@lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Re: [Callers] Multiple partner swings?
Another Second Time Around by Robert Cromartie and Gene Hubert — becket A1 circle L 3/4; N swing A2 circle L 3/4; P swing B1 LLFB; left diagonal ladies chain B2 ladies pull by across, with gent alle L 3/4, P swing One of my favorites! Vicki Morrison Sent from my iPhone > On May 1, 2018, at 3:47 PM, Maia McCormick via Callers > wrote: > > Hey folks, > > For REASONS, I'm in search of dances with more than one partner swing -- > preferably one of which is a balance and swing. Thoughts? > > Cheers, > Maia > ___ > List Name: Callers mailing list > List Address: Callers@lists.sharedweight.net > Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/ ___ List Name: Callers mailing list List Address: Callers@lists.sharedweight.net Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
Re: [Callers] Spring Cleaning
My taste in dances evolves. Recently I cleaned out many dances, especially glossary-type dances, that end with a ladies chain to face a new neighbor because I find it awkward, especially for new dancers, for the gent to escort the lady around and then turn to face his new neighbor and be there on time. I also have whittled down my glossary dances to a few intuitive ones that flow well since many of them are very similar. Vicki Morrison Tallahassee Sent from my iPhone > On Sep 25, 2019, at 11:20 AM, Gregory Frock via Callers > wrote: > > Annually. I make room for new dances I add over the course of the year, and > try to keep my working pile to under 250. > >> On Tue, Sep 24, 2019 at 10:42 PM Maia McCormick via Callers >> wrote: >> How often do folks on here clean out (or not) their dance collections? I >> went through mine this evening and found some that I never call and keep >> meaning to, but it never happens -- even though some I recall really >> enjoying when I danced them. When and how do you decide to take a dance out >> of your collection? >> >> In clutter, >> Maia >> ___ >> List Name: Callers mailing list >> List Address: Callers@lists.sharedweight.net >> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/ > ___ > List Name: Callers mailing list > List Address: Callers@lists.sharedweight.net > Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/ ___ List Name: Callers mailing list List Address: Callers@lists.sharedweight.net Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
