Re: PC-Letter "WUI" War over User Interface 1-1988

2017-11-22 Thread r.stricklin via cctalk

On Nov 21, 2017, at 8:36 AM, william degnan via cctech wrote:

> Basically I am unsure what planet the author was from, but you can decide
> for yourself.  Talks a little about HP's GUI product, Sun/AT&T, Apple
> Finder, etc.  Mentions NeXT is coming, Commodore is dead, ... opinionated.

I don't know, I found the authors observations apposite, and his conclusions 
pretty reasonable. He is more sympathetic toward DeskMate than I think I was 
inclined to be, but his angle re: Tandy's being in tune with small business is 
interesting, and something I hadn't really considered properly before.

'87 was a little early to declare Amiga "dead", I suppose, but his criticisms 
of what (if I've figured correctly) would've been Workbench 1.1 are pretty well 
on the mark (though I don't understand why he thinks having drives named df0: 
etc. represents some kind of problem). It did improve in many necessary ways, 
but sometime after the A3000, Amiga seemed to me to be pretty well "stuck".

New Wave was neat, but solved problems with Windows that ultimately nobody was 
interested in having HP solve. The proto-OLE features were very clumsy to make 
work in practice, as one might have predicted based on the state of the PC 
applications market at the time. I think the announcement of OLE probably took 
a lot of wind out of New Wave's sails (wind it may never really have had).

The Xerox 6085 is certainly interesting, but not an especially powerful 
machine, and ViewPoint does indeed suffer from Xerox' insular development 
culture. It is without question a great tool, within its specific design 
parameters. But those same design parameters gave it profound (I'd argue 
"catastrophic") limitations w/rt finding success in the more general purpose 
personal computer market.

Screenshots for a few of these systems (and a number of others from my 
collection) are on my site; http://www.typewritten.org/Media/

ok
bear.

-- 
until further notice



Re: Idle question: Color of tape coatings

2017-11-22 Thread Chuck Guzis via cctalk
On 11/22/2017 02:52 PM, Tom Gardner via cctalk wrote:

> The following answer comes from a retired IBM tape technologist:
> 
> The color of the coatings on a tape are dominated by the magnetic pigment (or 
> the carbon used in back coats..which is black)..the earliest iron oxide 
> coatings were based on the conversion of alpha-iron oxide which is a pale 
> yellow and some what needle shaped (longer than wide) but non-magnetic to 
> gamma iron oxide which is magnetic. The very early particles were not very 
> homogeneous and were very highly aggregatedpoor conversion as the early 
> particle were being produced by paint pigment manufactures as a specialty 
> product in low volume. These were a yellow brown color..but by the 60's  
> gamma iron oxide of 250-300 Oe was commonly used in the magnetic layer 
> coatings. These were typically brown to chocolate brown  (if they had some 
> carbon black mixed in for surface conductivity (anti-static) which depending 
> on the use as well as the manufacturer varied a lot i n surface finish 
> (gloss) as well). This market was driven by audio primarily and dynamic range 
> and analogue signal characteristics such wow & flutter were driving 
> formulation and magnetic particle development. 
> 
> In the late 60-s and 70's new particles began to enter the market..Cobalt 
> doped and later cobalt 'modified"  gamma iron oxide as well as chromium 
> dioxide..and some very early explorations of iron metal particles and some 
> exotic mixed metal crystals... The colors of the magnetic coatings based on 
> more acicular gamma iron oxide made specifically for the recording market 
> were now reddish brown , cobalt doped were a dark brown - to black, chromium 
> dioxide is very black..remember during this period digital recording in both 
> tapes and disks were now the growth areas driving new pigment development and 
> drastically improved formulations driven by the need for improved durability, 
> longevity and wear characteristics (drop outs (defects & debris), head wear 
> and head/drive contamination being increasingly problematic)..in the 90's 
> metal particle and BaFe pigments took over tape while disks moved to thin 
> film magnetic layers.
> 
> As for reel materials and hub evolution..the initial reels were metal and 
> expensive...plastic became normal in the 60's and beyond for the most 
> part..but for master copies or sensitive archival reels..glass or metal were 
> preferred... but changes in the  materials were driven by the higher tape 
> speeds,tensions and demands for improved reliability and durability. Hubs in 
> some drives  had to be conductive so had carbon black or metals added to them 
> to improve the compressive strength and conductivity.  A lot of very 
> innovative but subtle design features moved into tape reels/hubs specifically 
> designed for various transports and industry demands. In addition lubrication 
> and binder changes were common as the needs for the various products in 
> audio, video and digital recording  advanced. 
> 
> Hope this helps..but if the interest is primarily in getting a useful 
> detailed knowledge of a particular tape..color is pretty much useless..you 
> need SEM/EDAX and GC/MS and a database of tape analyses to compare to in 
> order to really begin..and then to really know the tape you need DMA/DMTA 
> mechanical analysis, and AFM/MFM surface profiles.but to my knowledge 
> only IBM had that data and I imagine it ..like so much of that knowledge 
> learned from 1962-2008 is now gone.

Thank you for a very detailed answer, Tom!

What's surprised me is how the 60's tapes have survived so well.  Most
of the problems that I've encountered have been with leaky leader
splices and missing BOT markers--and a few broken flanges, all easily
remedied.

FWIW, I repair flanges when the pieces are still intact by slipping a
sheet of Tyvek between the tape and the flange, then solvent-welding the
flange pieces back together using MEK sparingly.   The result is quite
solid after a day of drying--and the Tyvek keeps any MEK  out of the
tape itself.

I can usually pick up where a BOT marker used to be by shining a strong
light on the back of the tape and slowly unspooling it until I can see
the faint outline of where the BOT marker used to be and then apply a
new one.  Many tapes seem to lack EOT markers, but that's not an issue
for these tapes.

Dried-out glue on paper labels can be replaced with a bit of Scotch 77
spray adhesive.

As far as redoing splices, I use a VHS tape editing kit.  Works very well.

80's Memorex tapes, however have taught me to be cautious, some of them
get very sticky.

--Chuck



RE: Idle question: Color of tape coatings

2017-11-22 Thread Tom Gardner via cctalk
Hi:

The following answer comes from a retired IBM tape technologist:

The color of the coatings on a tape are dominated by the magnetic pigment (or 
the carbon used in back coats..which is black)..the earliest iron oxide 
coatings were based on the conversion of alpha-iron oxide which is a pale 
yellow and some what needle shaped (longer than wide) but non-magnetic to gamma 
iron oxide which is magnetic. The very early particles were not very 
homogeneous and were very highly aggregatedpoor conversion as the early 
particle were being produced by paint pigment manufactures as a specialty 
product in low volume. These were a yellow brown color..but by the 60's  gamma 
iron oxide of 250-300 Oe was commonly used in the magnetic layer coatings. 
These were typically brown to chocolate brown  (if they had some carbon black 
mixed in for surface conductivity (anti-static) which depending on the use as 
well as the manufacturer varied a lot i n surface finish (gloss) as well). This 
market was driven by audio primarily and dynamic range and analogue signal 
characteristics such wow & flutter were driving formulation and magnetic 
particle development. 

In the late 60-s and 70's new particles began to enter the market..Cobalt doped 
and later cobalt 'modified"  gamma iron oxide as well as chromium dioxide..and 
some very early explorations of iron metal particles and some exotic mixed 
metal crystals... The colors of the magnetic coatings based on more acicular 
gamma iron oxide made specifically for the recording market were now reddish 
brown , cobalt doped were a dark brown - to black, chromium dioxide is very 
black..remember during this period digital recording in both tapes and disks 
were now the growth areas driving new pigment development and drastically 
improved formulations driven by the need for improved durability, longevity and 
wear characteristics (drop outs (defects & debris), head wear and head/drive 
contamination being increasingly problematic)..in the 90's metal particle and 
BaFe pigments took over tape while disks moved to thin film magnetic layers.

As for reel materials and hub evolution..the initial reels were metal and 
expensive...plastic became normal in the 60's and beyond for the most part..but 
for master copies or sensitive archival reels..glass or metal were preferred... 
but changes in the  materials were driven by the higher tape speeds,tensions 
and demands for improved reliability and durability. Hubs in some drives  had 
to be conductive so had carbon black or metals added to them to improve the 
compressive strength and conductivity.  A lot of very innovative but subtle 
design features moved into tape reels/hubs specifically designed for various 
transports and industry demands. In addition lubrication and binder changes 
were common as the needs for the various products in audio, video and digital 
recording  advanced. 

Hope this helps..but if the interest is primarily in getting a useful detailed 
knowledge of a particular tape..color is pretty much useless..you need SEM/EDAX 
and GC/MS and a database of tape analyses to compare to in order to really 
begin..and then to really know the tape you need DMA/DMTA mechanical analysis, 
and AFM/MFM surface profiles.but to my knowledge only IBM had that data and 
I imagine it ..like so much of that knowledge learned from 1962-2008 is now 
gone.

Tom

 

-Original Message-
From: Chuck Guzis [mailto:ccl...@sydex.com] 
Sent: Monday, November 20, 2017 10:35 PM
To: CCtalk
Subject: Idle question: Color of tape coatings

 

While working on some old (again!) half-inch tapes, I note that some of the 
very old ones have an oxide coating about the color of milk

chocolate.   Newer ones are anywhere from dark chocolate to black.

 

Reel construction is another aspect.  The really old ones tend to be all clear 
plastic, including the hub area.  Newer ones have either a black plastic 
reinforcement to the hub or employ an aluminum sleeve.

 

In most cases, the oldest of these is from around 1964, but probably older than 
that, as the only clues I have are dates placed by the tape librarian when a 
tape is put back into the pool or a label indicating when the tape was last 
recertified.

 

Was there a date after which *all* half-inch tape became the dark brown to 
nearly black in color?

 

--Chuck

 



Re: Ideas for a simple, but somewhat extendable computer bus

2017-11-22 Thread ben via cctalk

On 11/20/2017 8:41 AM, Tapley, Mark via cctalk wrote:

On Nov 19, 2017, at 11:54 PM, Chuck Guzis via cctalk  
wrote:


So we agree on parallel standard buses, that STD bus is a strong
contender with varied processor base.


Catching up late, sorry if this is an old question, but what did the 
Digital Group computers use? My recollection is that they offered cards with 
6800, 6502, 8080, and Z-80 CPUs on the same bus, and that part of the system 
seemed to work reasonably well.  (At least, the Digital Group system complaints 
I read seem to center on the PhiDeck mass storage system not the 
CPU/memorylperihperal bus.)
There is a nice website at: http://www.bytecollector.com/dg_cards.htm 
which seems to show cards with not a whole lot of pins to connect to the bus - 
maybe 36 pins on the visible side, though the card is definitely 2-sided so 
probably 36 more on the back side?


I think they also had the chip that did the pdp8 instruction set too.
That also brings up the other point, what software did they have?
Ben.
I can see it now, a pdp 8 time sharing emulating a 6502 emulating a 8080. :)



Re: DR-DOS

2017-11-22 Thread Peter Corlett via cctalk
On Tue, Nov 21, 2017 at 08:15:00PM +0100, Liam Proven via cctalk wrote:
[...]
> A file-based virus could escape _if_ the VM had access to the host
> filesystem. But mine don't, partly because it's moderately hard, partly
> because it takes a _ton_ of RAM in DOS terms.

Not really: QEMU can be configured to add a Virtio device, which exposes a host
filesystem via 9P (the Plan 9 filesystem protocol). A DOS device driver for
that would be of comparable complexity to a CD-ROM driver.

[...]
> DOSbox is an emulator, so I've not looked at it. Ditto Bochs.
> DOSemu works but it's not very stable. It's easy to crash it and lose
> your session.
> I don't think there's much chance of getting DESQview or anything
> ambitious like that running on it.

I bet QEMU would run them. The only real downside is that its documentation is
dire so advanced configuration to cope with more bizarre requirements is more
difficult than it ought to be.

The gdbserver support is also invaluable for people who hack on kernels. It
works nicely on 32 and 64 bit code, but I've never tried to debug 16 bit code
with it.



Re: Looking for AT&T 3B2 Networking diskettes

2017-11-22 Thread Seth Morabito via cctalk
Hi Alan,

* On Wed, Nov 22, 2017 at 12:26:53AM -0500, alan--- via cctalk 
 wrote:
> 
> I believe the yahozna archive has them under misc/network. 

Yup, this is where I originally got the NI card driver disk, and
the Wollongong TCP/IP disks.

Unfortunately, when I attempt to install the Wollongong package, I
get the message:


  Installing Wollongong Integrated Networking WIN/3B: Release 3.0.1.
  Copyright (c) 1985 The Wollongong Group, Inc.
  All Rights Reserved
  **ERROR**  Wollongong Integrated Networking WIN/3B: Release 3.0.1 
  cannot be installed --
  It requires the Networking Support Utilities package to be 
  installed first.

Digging deeper, it appears that "Network Support Utilities" was a
yet a third package that was distributed separately. It's mentioned
in the STREAMS programming guide.

> I believe Mowgli Assor also has a copy as I think he got his NI card
> working in his 300.  I can give you his contact info off list.

Awesome, thanks, I appreciate it!

> -Alan

-Seth
-- 
Seth Morabito
w...@loomcom.com


Re: DS12887 pcb substitute with battery

2017-11-22 Thread alan--- via cctalk


What are you talking about?

https://www.digikey.com/product-detail/en/maxim-integrated/DS12885/DS12885-ND/1196867

-Alan

On 2017-11-21 14:16, Maciej W. Rozycki via cctech wrote:

On Mon, 13 Nov 2017, systems_glitch wrote:

Good stuff! I recently designed a module to build new DS1287 and 
DS12887

modules from the bare DS1285 and DS12885 ICs:

https://imgur.com/a/cgKm5


 Nice!

 That wouldn't solve my problem though, given the apparent 
unavailability
of DS1285 chips (in any packaging, whether surplus or used), compared 
with
the ubiquity of used DS1287 and DS1287A ones, possibly because they 
were
often socketed.  Using my systems as a reference for the Linux port I 
want
to avoid any deviation from their original specification so that 
software

does not make use of it by chance.

 As to the DS12887 and DS12887A chips -- these are still manufactured 
and
readily available, as someone mentioned a while ago, although a bit 
highly
priced, so either reworking an old one or using your alternative does 
help

cutting cost, which may especially matter if you need more than just a
few.

  Maciej