[cia-drugs] Stone's Stupendous Masterpiece Raises Disturbing Questions

2006-08-12 Thread Vigilius Haufniensis





Once bitten, twice shy, Stone - no stranger to controversy or 
conspiracy - has not made a JFK-style expose of the 9-11 Commission. At first 
blush, grassy knollers may be disappointed, as Stone seems to steer clear of 
speculation about what "really" happened September 11th.
 
http://www.waynemadsenreport.com/poliwood/poliwoodmain.php
 
Aug. 11, 2006 
Stone’s Stupendous Masterpiece 
Raises Disturbing Questions 
By Ed Rampell 
Oliver Stone’s World Trade Center is among the greatest disaster movies ever 
shot, although it’s much more than a special effects spectacle. This colossal 
masterpiece returns the director of Kennedy assassination/ Vietnam/Central 
America classics to Hollywood’s front ranks and the frontlines of films about 
touchy subjects that raise troubling questions, with what appears to be a 
knowing nod to 9/11 conspiracy theories.
Based on actual accounts, WTC opens with just another day, as unsuspecting 
commuters rise and head towards Manhattan. Nicolas Cage and Michael Pena portray 
Sergeant John McLoughlin and rookie Will Jimeno (based on real Port Authority 
Police Department officers). Suddenly, a jet’s shadow zooms across a high rise; 
booms are heard. A veteran of 1993’s WTC bombing, McLoughlin leads a PADP 
detachment from midtown’s Bus Terminal to downtown’s disaster site.En route, 
a second plane strikes the South Tower. The sarge mutters that after the blind 
sheik’s assault, authorities became "prepared for everything, but not this, not 
for something this size. There’s no plan" for aerial surprise attacks. Arriving 
at the WTC, amidst mass carnage and confusion, the policemen see someone falling 
from the towering inferno. Nevertheless, the men-in-blue press on to the 
concourse, where McLoughlin asks for volunteers to rescue people stranded above. 

"I got it, sarge," says the rookie. As Jimeno, McLoughlin and others enter 
hell’s gates, viewers who know what will literally befall the first responders 
unaware of the impending apocalypse can’t help but be moved. At the screening I 
attended, two women brought tissue boxes and offered Kleenexes to audience 
members - it was here this Native New Yorker needed eye wipe number one.
It’s the first of many Kleenex moments: as the Twin Towers collapse, Jimeno 
and McLoughlin are trapped by rubble. Pinned down, they fight for their lives, 
and Stone opens up the action to their flashbacks and those left behind. Like 
many disaster flicks, personal stories unfold. Coping with the unraveling 
Armageddon, the cops’ families are brave in their own ways.
At a March 18 L.A. demo protesting the Iraq invasion’s third anniversary, I 
asked Maria Bello if she was in any upcoming socially conscious films. She 
replied, "I don’t ever plan to do a film with a message. I just happen to do 
films that move me, and if they happen to have a message for someone, that’s 
fantastic as well. I’m currently in Oliver Stone’s new film about 9/11." As 
McLoughlin and Jimeno’s wives, Bello and Maggie Gyllenhaal’s performances are 
eloquent rebukes to Squeaky Fromme-like "pundits" who mock 9/11 widows. 
But WTC is no tearjerker - or gung-ho flag waver. This homage to ordinary 
people’s extraordinary courage could have ended with Bush’s bullhorn speech atop 
Ground Zero’s remains. But Stone (who, unlike Bush, volunteered for Vietnam) 
knows that with turmoil in Afghanistan, Iraq and much of the Middle East, the 
presidential bravado rings hollow today. Instead, the wise director of the 1980s 
Vietnam and Central America dramas Platoon, Born on the Fourth of July and 
Salvador ends WTC on a note of hope and solidarity, as Cage says:
"9/11 showed us what humans are capable of, the evil, yeah sure, but it also 
brought out a goodness we forgot could exist. People taking care of each other, 
for no other reason than it was the right thing to do. It’s important for us to 
talk about that good, to remember, because I saw a lot of it that 
day."In Stone’s oeuvre, WTC may be closest to his other Lower Manhattan 
movie, 1987’s Wall Street, starring Charlie Sheen, who goes-for-broker when 
bullish Gordon Gekko (Michael Douglas) pronounces: "Greed is good." Charlie 
plays the son of blue collar worker Martin Sheen (his offscreen father and 
activist). Stone, the son of a Wall Streeter, extols the proletariat’s virtues 
in Wall Street and WTC, where plebians, not patricians, are working class 
heroes.
9/11 conspiracy theorists would naturally cast the first Stone to direct a 
September 11th feature. After all, he helmed 1991’s JFK, wherein Stone leaves no 
stone unturned in debunking the Warren Commission/lone gunman/"magic bullet" 
Kennedy assassination narrative. 
Similarly, today’s cabal-minded doubt the official version of September 11th 
in documentaries such as Michael Moore’s Fahrenheit 9/11, 911 in Plane Site and 
Confronting the Evidence. Among critics’ bone-chilling allegations is that the 
Pentagon’s 16 foot hole reportedly caused by Flight 77 is too small 

Re: [cia-drugs] Stone's Stupendous Masterpiece Raises Disturbing Questions

2006-08-13 Thread Arlene Johnson
The pictures from Stone's "JFK" masterpiece are in my first edition courtesy of 
Noticias magazine in Argentina which gave me permission to reprint. They're 
graphic; no child under 15 years of age should view.

Peace,

Arlene Johnson
Publisher/Author
http://www.truedemocracy.net
Click on the icon that says Magazine to access my e-zine.


-Original Message-
>From: Vigilius Haufniensis <[EMAIL PROTECTED]>
>Sent: Aug 12, 2006 10:44 PM
>To: [EMAIL PROTECTED]
>Subject: [cia-drugs] Stone's Stupendous Masterpiece Raises Disturbing Questions
>
>Once bitten, twice shy, Stone - no stranger to controversy or conspiracy - has 
>not made a JFK-style expose of the 9-11 Commission. At first blush, grassy 
>knollers may be disappointed, as Stone seems to steer clear of speculation 
>about what "really" happened September 11th.
>
>http://www.waynemadsenreport.com/poliwood/poliwoodmain.php
>
>Aug. 11, 2006 
>Stone's Stupendous Masterpiece Raises Disturbing Questions
> 
>
>By Ed Rampell
> 
>
>Oliver Stone's World Trade Center is among the greatest disaster movies ever 
>shot, although it's much more than a special effects spectacle. This colossal 
>masterpiece returns the director of Kennedy assassination/ Vietnam/Central 
>America classics to Hollywood's front ranks and the frontlines of films about 
>touchy subjects that raise troubling questions, with what appears to be a 
>knowing nod to 9/11 conspiracy theories.
>
>Based on actual accounts, WTC opens with just another day, as unsuspecting 
>commuters rise and head towards Manhattan. Nicolas Cage and Michael Pena 
>portray Sergeant John McLoughlin and rookie Will Jimeno (based on real Port 
>Authority Police Department officers). Suddenly, a jet's shadow zooms across a 
>high rise; booms are heard. A veteran of 1993's WTC bombing, McLoughlin leads 
>a PADP detachment from midtown's Bus Terminal to downtown's disaster site.
>En route, a second plane strikes the South Tower. The sarge mutters that after 
>the blind sheik's assault, authorities became "prepared for everything, but 
>not this, not for something this size. There's no plan" for aerial surprise 
>attacks. Arriving at the WTC, amidst mass carnage and confusion, the policemen 
>see someone falling from the towering inferno. Nevertheless, the men-in-blue 
>press on to the concourse, where McLoughlin asks for volunteers to rescue 
>people stranded above. 
>
>"I got it, sarge," says the rookie. As Jimeno, McLoughlin and others enter 
>hell's gates, viewers who know what will literally befall the first responders 
>unaware of the impending apocalypse can't help but be moved. At the screening 
>I attended, two women brought tissue boxes and offered Kleenexes to audience 
>members - it was here this Native New Yorker needed eye wipe number one.
>
>It's the first of many Kleenex moments: as the Twin Towers collapse, Jimeno 
>and McLoughlin are trapped by rubble. Pinned down, they fight for their lives, 
>and Stone opens up the action to their flashbacks and those left behind. Like 
>many disaster flicks, personal stories unfold. Coping with the unraveling 
>Armageddon, the cops' families are brave in their own ways.
>
>At a March 18 L.A. demo protesting the Iraq invasion's third anniversary, I 
>asked Maria Bello if she was in any upcoming socially conscious films. She 
>replied, "I don't ever plan to do a film with a message. I just happen to do 
>films that move me, and if they happen to have a message for someone, that's 
>fantastic as well. I'm currently in Oliver Stone's new film about 9/11." As 
>McLoughlin and Jimeno's wives, Bello and Maggie Gyllenhaal's performances are 
>eloquent rebukes to Squeaky Fromme-like "pundits" who mock 9/11 widows. 
>
>But WTC is no tearjerker - or gung-ho flag waver. This homage to ordinary 
>people's extraordinary courage could have ended with Bush's bullhorn speech 
>atop Ground Zero's remains. But Stone (who, unlike Bush, volunteered for 
>Vietnam) knows that with turmoil in Afghanistan, Iraq and much of the Middle 
>East, the presidential bravado rings hollow today. Instead, the wise director 
>of the 1980s Vietnam and Central America dramas Platoon, Born on the Fourth of 
>July and Salvador ends WTC on a note of hope and solidarity, as Cage says:
>
>"9/11 showed us what humans are capable of, the evil, yeah sure, but it also 
>brought out a goodness we forgot could exist. People taking care of each 
>other, for no other reason than it was the right thing to do. It's important 
>for us to talk about that good, to remember, because I saw a lot of it t