Re: [OT] Droit d'auteur vs. free software?
--- Kai Henningsen [EMAIL PROTECTED] からのメッ セージ: [EMAIL PROTECTED] (Nathanael Nerode) wrote on 19.05.03 in [EMAIL PROTECTED]: How different are things really on the Continent? Is *everthing* codified? [...] The important point being drawn out here is that the common law (U.S. U.K. et al) tradition relies on a notion of law drawn from a variety of sources but with special emphasis on past opinions of Courts, eg. precedent or stare decisis. In the continental or civil law approach drawing on Roman iustinian code and other traditions, laws are those found on the books, and the role for justices of a court has traditionally been much more constrained. Jurisdictions like Japan, Israel, and Canada I find especially interesting because they tend to mix these approaches more liberally. Note Japan, for example, who's statutes are called the ROPPO or six books after the German legal codes adopted during the Meiji Restoration in the 1860's. Despite this strong civil law tradition today there is a revolution in attorney licensign and a strong emphasis on modelling new legal practice on the common law approach. Also it's of note that many here in the U.S. also observe that there are ebbs and flow on emphasis on statutory (civil codes) and Court based precedent. Two good examples are debates on what to do about IP and anti-trust (competition) law. Some argue make property rights robust, well defined, and rely on the courts to work things out. Others argue for more interventionary (regulatory) approaches with laws to spell out the permitted and prohibited acts. Google will give you mostly Law School syllabus refs, but you can glean something here on Comparative law discussion of civil/common law. http://www.ejil.org/journal/Vol10/No1/br10.html. Also Luke Nottage, COMMENT ON CIVIL LAW AND COMMON LAW: TWO DIFFERENT PATHS LEADING TO THE SAME GOAL, provides an interesting discussion of maybe how things aren't usually all that different in practice anyway.. http://www.upf.pf/recherche/fichiers%20RJP7/17Nottage.doc Please note that Germany is neither common law nor Napoleonic Code. We have our own legal traditions. (Going back to Rome, in fact.) [legal vs. sittenwidrig discussion] I agree it is not Napoleonic. You would agree it is a civil law jurisdiction, though right? Really, Europe is much more diverse legally than people seem to think. I agree; a very important point. It is a common problem to accept propositions based on I read in xx that yy is illegal kind of research and analysis. There may certainly be circumstances where such conclusions will be warranted but *unfortunately* the law is in practice usually much more complicated to nail down. None to often it takes a case in your jurisdiction to give you a definitive response. I do read that there are a variety of efforts in the EU moving codes to harmonization. IP is an obvious example. Perhaps you could comment on this trend? MfG Kai -- James Miller [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! BB is Broadband by Yahoo! http://bb.yahoo.co.jp/
Re: [OT] Droit d'auteur vs. free software?
[EMAIL PROTECTED] (Nathanael Nerode) wrote on 19.05.03 in [EMAIL PROTECTED]: How different are things really on the Continent? Is *everthing* codified? Perhaps it is; I believe the French (Napoleonic Code) system requires *every* ruling to be based on a specific article of the code. Please note that Germany is neither common law nor Napoleonic Code. We have our own legal traditions. (Going back to Rome, in fact.) In Germany, you can fail to obey specific law, or you can do something sittenwidrig (approx. immoral, literally against custom) - the latter is, I believe, only relevant in civil law. However, the supreme court sometimes finds stuff written in our constitution that you would have sworn wasn't actually in there ... both good and bad. Really, Europe is much more diverse legally than people seem to think. MfG Kai
Re: [OT] Droit d'auteur vs. free software?
[EMAIL PROTECTED] (Nathanael Nerode) wrote on 03.05.03 in [EMAIL PROTECTED]: Basically, it's a free speech issue. The concept that authors and their heirs have inherent rights of control over their writings, in eternity (which is the basic concept of the system) is effectively in opposition to freedom of speech, as it requires all ideas to be recast so as to avoid the use of the forms used by anyone else, throughout history. Which parts of Europe are we talking about here? As far as I can tell, German Urheberrecht is pretty close to the Berne Convention (we were, after all, among the first nations to ratify it) and does not seem to recognize any such eternal rights. All our constitution (Grundgesetz) says about it is that it is the sole responsibility of the federal level (i.e. out of bounds for the states) (73(9)). As for the Urheberrecht itself, the key points are: (1) Die Urheber von Werken der Literatur, Wissenschaft und Kunst genießen für ihre Werke Schutz nach Maßgabe dieses Gesetzes. (The originators of works of literature, science, and art, enjoy protection for their works in accordance with this law.) (28(1)) Das Urheberrecht ist vererblich. (Copyright is inheritable.) (64) Das Urheberrecht erlischt siebzig Jahre nach dem Tode des Urhebers. (Copyright ceases 70 years after the death of the originator.) [Incidentally, I believe these points are substantially unchanged from the state of law in the Weimar Republic, i.e. before WW II, long before the US recognized the Berne Convention; including the number of 70 years (Berne says 50). That is, the number is neither an invention of Disney nor (as is sometimes claimed) a way for Bavaria to keep rights for Mein Kampf - the number was already in effect when that book was written, and has not changed in the meantime. I suspect it is older than (working) digital computers.] All in the same law. I don't see anything eternal here. And in any case, if it were about natural rights it would belong in the rights part of the constitution, and it's not there. (All that says about it is that art is free (from censors, that is).) The right to freely express your opinion is a fundamental right. Copyright is just a law. (Which means that it's rather hard for copyright to intrude on free speech, of course.) Yet this law does recognize some rights that cannot be conferred to someone else (except by inheritance). MfG Kai
Re: [Way OT] Droit d'auteur vs. free software
Kai Henningsen said: Which parts of Europe are we talking about here? Those with French-style moral rights, I guess. [Discussion of German copyright/moral rights basis snipped] So German law seems very good on this point. :-) [Incidentally, I believe these points are substantially unchanged from the state of law in the Weimar Republic, i.e. before WW II, long before the US recognized the Berne Convention; including the number of 70 years (Berne says 50). That is, the number is neither an invention of Disney nor (as is sometimes claimed) a way for Bavaria to keep rights for Mein Kampf - the number was already in effect when that book was written, and has not changed in the meantime. I suspect it is older than (working) digital computers.] It's not life+70 which is an invention of Disney; it's the 95-year copyright given retroactively to pre-1976 works in the US which is an invention of Disney. *frown* --Nathanael
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
On Wed, Apr 30, 2003 at 11:00:48AM -0400, Jeremy Hankins [EMAIL PROTECTED] wrote a message of 15 lines which said: Since there's been a lot of talk about the difficulty in making a distinction between software and non-software, do you know how the law you're referring to makes this distinction? Where would fonts, javascript embedded in html, latex source, postscript, etc, fit into this scheme? Tough question. I just studied it and here is the result (warning: most software engineers will not find the reply satisfactory, see the soap box). legalRemember, IANAL./legal First, the only pan-European text I can find is Council Directive 91/250/EEC of 14 May 1991 on the legal protection of computer programs URL:http://europa.eu.int/smartapi/cgi/sga_doc?smartapi!celexapi!prod!CELEXnumdoclg=ennumdoc=31991L0250model=guichett. This directive, which every European Union country is supposed to implement, says only one thing which seems related to your question: Whereas, for the purpose of this Directive, the term 'computer program` shall include programs in any form, including those which are incorporated into hardware; whereas this term also includes preparatory design work leading to the development of a computer program provided that the nature of the preparatory work is such that a computer program can result from it at a later stage; It clearly does not address your problem. Let's turn now to French-specific law. There is no general definition of a program (see the soapbox later). The closest things we find are: * JONC, 17 janvier 1982, p. 624. A terminology document (French language is specified in the Journal Officiel, the paper which publishes laws and decrees...) which says that Logiciel [software]: L'ensemble des programmes, procédés et règles et éventuellement de la documentation, relatifs au fonctionnement d'un ensemble de traitement de l'information. * BODGI 4 C-7.84. A tax regulation about software which gives a definition (almost the same). In both cases, the associated documentation is mentioned (which seems that the case of the Emacs manual is settled: it is regarded as a program and hence not subject to the full extent of moral rights). The case of documentation embedded in a program (Lisp or Python docstrings) is also quite clear: it is part of the program. The case of a text outside of a program (such as a lecture on dynamic routing like URL:http://www.nic.fr/formation/supports/formation-routagedyn/ which is under the GFDL) is still open but it is clearly not software. The funny cases like a novel implemented as an ebook are still open. Soap box: law is not computer science. Most terms used in law are never defined somewhere. This is because, unlike programs, law is processed by humans, not by computers. And it is also because it needs to be flexible enough to cover future cases without requiring an update of the law (it would be ridiculous to write in law texts a list of technologies such as a list of file formats, for instance: it changes too fast).
Re: [OT] Droit d'auteur vs. free software?
--- Thomas Bushnell, BSG [EMAIL PROTECTED] からのメッセ ージ: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. *Forced*? Forced exactly *how*? At gunpoint? In the US, and in Europe, a contract extracted at gunpoint is not valid. If the European public really thinks that these rights are important, then why would they be reluctant to sign contracts in which those rights are preserved to the artist? Note US Courts choose not to enforce or allow voiding of some contracts, as well. There are considerations that as a matter of public policy end up in exception lists. We care about protecting gamblers; they care about their artists. :) Also sometimers there are are economic arguments proferred to support limitations, eg. Valuing and transacting for an Artist's integrity or other interests in a work pose high transaction costs, or suffer from Artists valuation problems. -- James Miller [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! BB is Broadband by Yahoo! http://bb.yahoo.co.jp/
limits to contract formation, force, and more of the.. Re: [OT] Droit d'auteur vs. free software?
--- Thomas Bushnell, BSG [EMAIL PROTECTED] からのメッセ ージ: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Glenn Maynard wrote: On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote: The motivation for making them unrevokable is to prevent authors from being forced to accept unconditional surrender of their works. Then they could be made to look like total So the only way to prevent this is to remove my right to do it at all? That's ludicrous. Rights are not preserved by revoking other rights. The law wants to prevent you, as an author, from being forced to unconditionally surrender your copyrights. That's why the moral rights are not revokable and not tranferable. Forced? Please explain what this supposed force is to consist in. There are alot of articles exploring the philosophical basis and justifications for the proposition; suffice to say even here in the land of apple pie and baseball, you *cannot* make an enforcable contract if the court deems you incapable of making legal agreements, eg. capacity to contract. Moreover, if you contract for something or exchange with something the law has determined is out of bounds, you are agreement is a nullity, eg. illegality. There are other examples related other fairness issues but you might consider that even with contract the law protects you from being taken advantage, irrespective of what personal opinion may be. You are forced to accept the benefit of the law's protection of you... Consider though though that whether you are given a choice to opt-in to protections varies on the circumstances. For example, if you are a mentally incompetent individually your contracts are always void, but as an adult you have the choice to accept a contract you made as a minor--or reject it. All notions of freedom have limits, and are always subject to interpretation. There are many examples outside of U.S. contract law. For more research on the topic review the Contract Defenses to Formation of capacity, illegality, unconscionability, fraud, mistake, and undue influence. Illinois Legal Aid has a decent description at http://www.illinoislegalaid.org/index.cfm?fuseaction=home.dsp_contentcontentID=290. -- James Miller [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! BB is Broadband by Yahoo! http://bb.yahoo.co.jp/
Re: [OT] Droit d'auteur vs. free software?
For Duchamp, violating the Mona Lisa was an integral part of the artistic statement being made. Whatever Duchamp has done, I'm sure he did it more than 50 (70) years after Leonardo died. He drew mustaches on a photograph of the painting, I think, and exposed it. He could show his photograph around because copyright had expired on the painting, but moral rights do not expire, at least accoding to Italian law (just stepped on that point today). [FWIW, I'm positive we have no problem with moral rights and free software]
Re: [OT] Droit d'auteur vs. free software?
Scripsit Alessandro Rubini [EMAIL PROTECTED] Whatever Duchamp has done, I'm sure he did it more than 50 (70) years after Leonardo died. He drew mustaches on a photograph of the painting, I think, and exposed it. I'm fairly certain that would fall under the right to quote. (Most European copyright laws give the public an explicit right to quote from protected works for the purpose of parody, satire or commentary on the quoted work - akin to the somewhat more fuzzy American concept of fair use.) He could show his photograph around because copyright had expired on the painting, but moral rights do not expire, at least accoding to Italian law (just stepped on that point today). Well, one also has to take into account that Mona Lisa with moustaches only works as an artistic statement because everybody *knows* how she looks without. Because of that same fact it would be difficult to argue that such an obviously extraneous modification would do anything to change the viewer's perception of Leonardo's original work. -- Henning Makholm - Or hast thee (perverted) designs to attempt (strange, hybrid) procreation experiments with this (virginal female) self?
Re: [OT] Droit d'auteur vs. free software?
On Tue, May 20, 2003 at 04:08:33PM -0700, Thomas Bushnell, BSG wrote: What about Marcel Duchamp? Dammit, stop ignoring the question! For Duchamp, violating the Mona Lisa was an integral part of the artistic statement being made. Does that not count? Address the case. So far it merely looks like you think that it's ok, except when it isn't, and you can't or won't say which. Perhaps many Europeans understood droit d'auteur as one U.S. Supreme Court justice famously understood pornograhy: I can't define it, but I know it when I see it. Three cheers for non-objective law. -- G. Branden Robinson|A celibate clergy is an especially Debian GNU/Linux |good idea, because it tends to [EMAIL PROTECTED] |suppress any hereditary propensity http://people.debian.org/~branden/ |toward fanaticism.-- Carl Sagan pgpbLfALNJXH4.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
On Sun, May 18, 2003 at 08:21:18PM -0700, Thomas Bushnell, BSG wrote: Nathanael Nerode [EMAIL PROTECTED] writes: In the US, I could mutilate your work, but I couldn't pass it off as yours (that would be misrepresentation, possibly fraud). If you were alive, I couldn't distort it to give you a bad reputation: that would be libel or slander, depending. (Dead people have no right to defend their reputations in the US.) I think I've figured out what's really going on with Duchamp. The French think Duchamp can mutilate the Mona Lisa because he's French, and Da Vinci is Italian. Hey, wait, I thought only the Americans, British, and Germans were nationalistic chauvinists. /me coughs while people forget the etymology of chauvinism -- G. Branden Robinson| You live and learn. Debian GNU/Linux | Or you don't live long. [EMAIL PROTECTED] | -- Robert Heinlein http://people.debian.org/~branden/ | pgpdiWzKmX6hi.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
On Sun, May 18, 2003 at 04:25:34PM -0400, Nathanael Nerode wrote: Branden mentioned: In the U.K., truth is not a defense to libel. It's my understanding that it *is* a defense in the U.S. In fact, I believe the burden of proof in the US is on the plaintiff to *prove* that the alleged 'libel' is false. So, when an American sues for libel in the U.K., it's a smoking gun that the libellous statements are in fact true. Hrrrm? When an American sues in the UK? A smoking gun for whose side? Make up your own mind... http://daily.nysun.com/Repository/getFiles.asp?Style=OliveXLib:ArticleToMailType=text/htmlPath=NYS/2003/03/12ID=Ar00200 -- G. Branden Robinson| Don't use nuclear weapons to Debian GNU/Linux | troubleshoot faults. [EMAIL PROTECTED] | -- US Air Force Instruction 91-111 http://people.debian.org/~branden/ | pgpm923Qf2fHp.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software
On Sun, May 18, 2003 at 04:40:01PM -0400, Nathanael Nerode wrote: Yes, which is why European copyright law is fundamentally opposed to free speech. There isn't harmony among all European jurisdictions in matters of copyright, so this statement seems overbroad. This basis for copyright is expressly forbidden by the United States Constitution, despite some abusive laws and court rulings recently. I think this is also overbroad; however, I do not think the unconstitutional development of copyright laws are a recent phenomenon. I think in theory it should be possible to construct a scheme for copyrights and patents that would not run afoul of the First Amendment, for instance through mandatory licensing and mechanical royalties rendered from producers of works designed to reap a profit. Under such an arrangement, not-for-profit organizations could publish or build anything they like without having to pay royalties to copyright or patent holders. If one sought to make a profit, though, one could share the wealth. There are other concepts which have been the basis of legal systems in the past which are also dangerous, and are also still very real and alive. What do you mean by in the past? For instance: All rights whatsoever come from the king (or government). Today: you have whatever rights are compatible with 'compelling state interests'.[1] As opposed to People are endowed by their creator with certain unalienable rights. The Delcaration of Independence is not binding upon anyone even in theory, and is used by the U.S. government for toilet paper just as the Bill of Rights is. For another instance: Some people are obviously inferior to others, and should be treated so by the legal system. Indeed. Some people are enemy combatants, not entitled to any rights whatsoever, even when they haven't been convicted of -- or even charged with -- a crime.[2] For another instance: Criticizing the government obviously means that you are disloyal and treasonous. Yup.[3] Under the US system as envisioned by the Founders, some rights may be natural (such as the right to be identified as the author or not), but copyright, which can be used to *suppress* speech, is *not* natural; it is an artificial government-granted right. Well, whatever we have in the U.S. today, it ain't what was envisioned by the Founders. [1] http://www.thrf.org/cases/Lawrence.htm [2] http://cnss.gwu.edu/~cnss/combatants.htm [3] http://www.whitehouse.gov/news/releases/2001/09/20010926-5.html -- G. Branden Robinson|You can have my PGP passphrase when Debian GNU/Linux |you pry it from my cold, dead [EMAIL PROTECTED] |brain. http://people.debian.org/~branden/ |-- Adam Thornton pgpAYep5xDnaK.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
Scripsit [EMAIL PROTECTED] (Brian T. Sniffen) Henning Makholm [EMAIL PROTECTED] writes: Does this clear implication extend to documentation released under a Free licence? Does this clear implication extend to literary, visual arts, or audio works released under a Free license? I'd say yes, *if* the author *voluntarily* made the software free. Your emphasis is disturbing: does the exchange of licenses involved in distributing GPL'd software derivative of other GPL'd software count as voluntary throughout Europe? Note that using the word voluntary is my own invention here; it's not a test that I know courts explicitly to use. But essentially you're right: If the modifier only uses a free license because that will give him some benefits (such as the opportunity to reuse code written by someone else) rather than because he himself believes that software should be free, then it will be harder or impossible to carry my argument through. That is, is Freedom to Modify and Distribute an essential part of the artistic character of MySQL, XEmacs, and other works which the authors would rather have proprietary, but which they can't distribute except under the GPL? I don't know. Would the authors really harder have them proprietary? If that is the case, it may be possible to convince a court that the law does not distinguish between a Big Bad Media Conglomerate the Big Bad FSF in this respect. However, since the moral rights do not prevent FSF from countersuing for massive infringement (viz. GPL #7), the likely outcome of an attempt to use moral rights to quench a derived work would be that all of XEmacs, including the original, becomes nondistributable everywhere. So the author would have to be particularly sinister or desperate to choose that way out. And I think it would be impossible for the hypothetical Evil Heirs to convince a court that such an outcome is really what the author would have liked. -- Henning Makholm Den nyttige hjemmedatamat er og forbliver en myte. Generelt kan der ikke peges på databehandlingsopgaver af en sådan størrelsesorden og af en karaktér, som berettiger forestillingerne om den nye hjemme- og husholdningsteknologi.
Re: [OT] Droit d'auteur vs. free software?
Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG) Henning Makholm [EMAIL PROTECTED] writes: No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. This is horrid. I believe quite firmly that my work has an intrinsic artistic character. Sure. But do you believe that the intrinsic artistic character it has is one that could be violated by a third-party modification? -- Henning Makholm Jeg forstår mig på at anvende sådanne midler på folks legemer, at jeg kan varme eller afkøle dem, som jeg vil, og få dem til at kaste op, hvis det er det, jeg vil, eller give afføring og meget andet af den slags.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG) Henning Makholm [EMAIL PROTECTED] writes: No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. This is horrid. I believe quite firmly that my work has an intrinsic artistic character. Sure. But do you believe that the intrinsic artistic character it has is one that could be violated by a third-party modification? In so far as *any* work has artistic character that can be so violated, yes. In other words, whatever kinds of violations there are for other works apply just so to the artistic value of software. Someone turning a nicely written program into a pile of spaghetti code, for example, would be just such a degradation. Thomas
Re: [OT] Droit d'auteur vs. free software?
Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG) Henning Makholm [EMAIL PROTECTED] writes: Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG) This is horrid. I believe quite firmly that my work has an intrinsic artistic character. Sure. But do you believe that the intrinsic artistic character it has is one that could be violated by a third-party modification? In so far as *any* work has artistic character that can be so violated, yes. Does that mean that you don't release your programs under a free license, or that you never thought about the license you use, or that you consider your choice of license to be severable from the artistic statement you make with your code? In other words, whatever kinds of violations there are for other works apply just so to the artistic value of software. But not, in my opinion to free software, where the freedom is an integrated part of the artistic statement being made. On the contrary, the artistic statement would often be lost if the author went on to consider his program improperly violated by third-party modification. In that case it would be the author, not the third party, who were not true to his original artistic purpose. Someone turning a nicely written program into a pile of spaghetti code, for example, would be just such a degradation. And yet, part of the artistic vision of the original work is that such a modification is permitted. -- Henning Makholm Hør, hvad er det egentlig der ikke kan blive ved med at gå?
Re: [OT] Droit d'auteur vs. free software?
* Nathanael Nerode [EMAIL PROTECTED] [030518 22:18]: Why do you think the concept is bogus? In principle I think it's a good idea to have something that prevents others from mutilating my work. The implementation sucks greatly though. It's bogus because it impinges on free speech and gives heirs of the dead rights over the living. (Just like excessive copyright durations do, but I digress...) In the US, I could mutilate your work, but I couldn't pass it off as yours (that would be misrepresentation, possibly fraud). If you were alive, I couldn't distort it to give you a bad reputation: that would be libel or slander, depending. (Dead people have no right to defend their reputations in the US.) That's plenty sufficient to protect authors' reputations and works' integrity without the need for an extra bogus 'author's rights' concept. I suspect this is why the US was able to say We protect moral rights plenty for Berne. Please note, that this could also played backward. Why should libel or slander be extended to the work of the authors? Consider European tradition are more specific laws. The first person stealing electricity in Germany could AFAIK not be sentenced, because an abstractum like electric energy was not covered by the law. (And proper looked at it, there is nothing stolen, with AC not even the electrons). Please note that different law systems cathegorize differently. I for example never understood this bogus freedom of speech covering pornography. The German (I don't how it is handled in the rest of Europe) freedom of opinion granting the right to have an opinion and express it (or not express it), together with freedom of press and some other freedoms is the thing I want, not this overly broad statement. (Which makes it too easy to abuse it for the wrong things or abolish it in the really important aspects). Hochachtungsvoll, Bernhard R. Link -- Sendmail is like emacs: A nice operating system, but missing an editor and a MTA.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm said: Scripsit Nathanael Nerode [EMAIL PROTECTED] RMS could use his 'moral rights' to prevent someone from distributing a version of Emacs which could read and write Microsoft Word files (file format being reverse-engineered). No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. Is this (no intrinsic artistic character) a characteristic of Emacs, or of Free Software in general? Does this clear implication extend to documentation released under a Free licence? Does this clear implication extend to literary, visual arts, or audio works released under a Free license? There have been conflicting statements on d-l about the applicability of Free Software licenses in countries where 'moral rights' are irrevokable. The boundary of your inference above is unclear. --Joe
Re: [OT] Droit d'auteur vs. free software?
Scripsit [EMAIL PROTECTED] Henning Makholm said: No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. Is this (no intrinsic artistic character) a characteristic of Emacs, or of Free Software in general? Free software in general. But you are parsing it wrong. It is no (intrinsic artistic character that could possibly be violated by any third party modification). There's lot of artistic character, but it consists, among other things, in the permission to modify freely. Does this clear implication extend to documentation released under a Free licence? Does this clear implication extend to literary, visual arts, or audio works released under a Free license? I'd say yes, *if* the author *voluntarily* made the software free. There have been conflicting statements on d-l about the applicability of Free Software licenses in countries where 'moral rights' are irrevokable. Notice that all of those who claim that free software is impossible come from common law-countries themselves. -- Henning Makholm Larry wants to replicate all the time ... ah, no, all I meant was that he likes to have a bang everywhere.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. This is horrid. I believe quite firmly that my work has an intrinsic artistic character.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: Does this clear implication extend to documentation released under a Free licence? Does this clear implication extend to literary, visual arts, or audio works released under a Free license? I'd say yes, *if* the author *voluntarily* made the software free. Your emphasis is disturbing: does the exchange of licenses involved in distributing GPL'd software derivative of other GPL'd software count as voluntary throughout Europe? That is, is Freedom to Modify and Distribute an essential part of the artistic character of MySQL, XEmacs, and other works which the authors would rather have proprietary, but which they can't distribute except under the GPL? Thanks for taking the time to explain this system to the Common Law folks here. -Brian -- Brian T. Sniffen[EMAIL PROTECTED] http://www.evenmere.org/~bts/
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: Scripsit Nathanael Nerode [EMAIL PROTECTED] RMS could use his 'moral rights' to prevent someone from distributing a version of Emacs which could read and write Microsoft Word files (file format being reverse-engineered). No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. But someone, I think you, said very early in this conversation that if an author is economically pressured to put his work under the GPL, that putting it under the GPL would not be regarded as proof of his intended artistic character. Doesn't that put the GPL'd work of groups like MySQL or the KDE group at risk under your system? -Brian
Re: [OT] Droit d'auteur vs. free software?
Please note, that this could also played backward. Why should libel or slander be extended to the work of the authors? Huh? It's not being extended at all. There's no right of the *work*. It's simply the right of the *author* not to be defamed. You can do whatever you want with the work if you don't do it in public, and you can say whatever you want about the work; it's only false claims about the *author* that you can't make in public (including implied claims). Consider European tradition are more specific laws. The first person stealing electricity in Germany could AFAIK not be sentenced, because an abstractum like electric energy was not covered by the law. (And proper looked at it, there is nothing stolen, with AC not even the electrons). In a common law country, you might not have been able to sentence them (which is just fine by me -- people shouldn't go to jail for 'stealing' electricity), but you would always have been able to sue them, and a judge could always order them to stop and repay costs. Without any specific statutes at all. Unfortunately (IMO) we have been on the trend towards codification of all possible laws for a long time. How different are things really on the Continent? Is *everthing* codified? Perhaps it is; I believe the French (Napoleonic Code) system requires *every* ruling to be based on a specific article of the code. Please note that different law systems cathegorize differently. I for example never understood this bogus freedom of speech covering pornography. The German (I don't how it is handled in Uh, it only covers pornography with 'social, literary, or scientific value', or something like that. (I may have got the phrase wrong.) That's not bogus at all. Perhaps you disagree with the wide latitude our courts traditionally give to claims that something has such value (as do many people, though not me). the rest of Europe) freedom of opinion granting the right to have an opinion and express it (or not express it), together with Many First Amendement cases on freedom of speech here feature the anti-freedom people arguing that the speech is worthless and the pro-freedom people arguing that it's socially valuable precisely because it expresses an opinion about an important issue. I don't see a difference between German and American law here, really. freedom of press and some other freedoms is the thing I want, not this overly broad statement. (Which makes it too easy to abuse it for the wrong things or abolish it in the really important aspects). Anyway, we're getting even further off topic.
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galatus Engelfriet said: Why do you think the concept is bogus? In principle I think it's a good idea to have something that prevents others from mutilating my work. The implementation sucks greatly though. It's bogus because it impinges on free speech and gives heirs of the dead rights over the living. (Just like excessive copyright durations do, but I digress...) In the US, I could mutilate your work, but I couldn't pass it off as yours (that would be misrepresentation, possibly fraud). If you were alive, I couldn't distort it to give you a bad reputation: that would be libel or slander, depending. (Dead people have no right to defend their reputations in the US.) That's plenty sufficient to protect authors' reputations and works' integrity without the need for an extra bogus 'author's rights' concept. I suspect this is why the US was able to say We protect moral rights plenty for Berne. --Nathanael
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote: If I transfer my copyright, I can not stop you from harming my reputation. That's why the law has the extra provision that helps me protect my moral rights. No. Under US law, you can stop me from harming your reputation under libel, slander, and other defamation laws. In fact, you can stop me even if you *don't* transfer your copyright to me! We don't need 'moral rights' for this! Don't you have libel, slander, and defamation laws in Continental Europe? I assume you do. This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. No. The US system thinks it is OK for authors to *allow* modifications which go against their artistic wishes. If you don't want to allow this, don't transfer your copyright; issue a license which requires your approval for modifications. The French system, at any rate, says that you can *never* waive your right to control derivative works. (This is the version where 'moral rights' are *perpetual*.) This is demented. The German and Netherlands versions of 'moral rights' may be weak enough not to be troublesome. The French version is *certainly* troublesome. --Nathanael
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] said: I suppose maybe Theo de Raadt could use his moral rights against people adding buffer overflows to his code, but otherwise it might be difficult to come up with this type of claim. You have to argue something that shows how your reputation is harmed. You just gave a good example, but here's a better one: RMS could use his 'moral rights' to prevent someone from distributing a version of Emacs which could read and write Microsoft Word files (file format being reverse-engineered). How's that for a nasty, unpleasant scenario? --Nathanael
Re: [OT] Droit d'auteur vs. free software?
Branden mentioned: In the U.K., truth is not a defense to libel. It's my understanding that it *is* a defense in the U.S. In fact, I believe the burden of proof in the US is on the plaintiff to *prove* that the alleged 'libel' is false. So, when an American sues for libel in the U.K., it's a smoking gun that the libellous statements are in fact true. Hrrrm? When an American sues in the UK? A smoking gun for whose side? --Nathanael
Re: [OT] Droit d'auteur vs. free software
Arnoud Galactus Engelfriet [EMAIL PROTECTED] said: I'm not sure it's entirely the right time, but the basic principle behind European copyright law is that you have by definition certain rights. Not just to promote progress, but simply because you made the work. It's your intellectual property. Yes, which is why European copyright law is fundamentally opposed to free speech. This basis for copyright is expressly forbidden by the United States Constitution, despite some abusive laws and court rulings recently. Anyway, I'm just trying to explain the concept. I think it's being taken very far right now. Feel free to consider it stupid or outdated, but that doesn't make the concept go away. I don't consider it *outdated*, I consider it *dangerous*. It's a very real concept, and a very real threat to freedom of speech. That's why I try to explain it to people. :-) There are other concepts which have been the basis of legal systems in the past which are also dangerous, and are also still very real and alive. For instance: All rights whatsoever come from the king (or government). As opposed to People are endowed by their creator with certain unalienable rights. For another instance: Some people are obviously inferior to others, and should be treated so by the legal system. For another instance: Criticizing the government obviously means that you are disloyal and treasonous. Perhaps these are more obvious, but I consider the idea that an author has natural, basic rights of total control over his writings (beyond the right to be identified or not identified as the author) to be another dangerous, anti-freedom idea. Under the US system as envisioned by the Founders, some rights may be natural (such as the right to be identified as the author or not), but copyright, which can be used to *suppress* speech, is *not* natural; it is an artificial government-granted right. --Nathanael
Re: [OT] Droit d'auteur vs. free software?
Scripsit Nathanael Nerode [EMAIL PROTECTED] RMS could use his 'moral rights' to prevent someone from distributing a version of Emacs which could read and write Microsoft Word files (file format being reverse-engineered). No he can't. His placing Emacs under a free license, aside from his numerous writings about software freedom, clearly imply that his works have no intrinsic artistic character that could possibly be violated by any third-party modification. I wonder why this is so hard a concept to understand. Are you just spreading FUD? -- Henning Makholm However, the fact that the utterance by Epimenides of that false sentence could imply the existence of some Cretan who is not a liar is rather unsettling.
Re: [OT] Droit d'auteur vs. free software?
Nathanael Nerode [EMAIL PROTECTED] writes: In the US, I could mutilate your work, but I couldn't pass it off as yours (that would be misrepresentation, possibly fraud). If you were alive, I couldn't distort it to give you a bad reputation: that would be libel or slander, depending. (Dead people have no right to defend their reputations in the US.) I think I've figured out what's really going on with Duchamp. The French think Duchamp can mutilate the Mona Lisa because he's French, and Da Vinci is Italian. The creator's rights apply only if it isn't a French mutilator of an Italian work. Or, maybe, just maybe, it's all smoke, and the French (and others) have some *other* reason for their new law other than their pretend respect for the reputations and work of the dead.
Re: [OT] Droit d'auteur vs. free software?
Nathanael Nerode [EMAIL PROTECTED] writes: Branden mentioned: In the U.K., truth is not a defense to libel. It's my understanding that it *is* a defense in the U.S. In fact, I believe the burden of proof in the US is on the plaintiff to *prove* that the alleged 'libel' is false. Um, it's really complex. If the target is not a public figure, and the statements are defamatory, then the plaintiff doesn't have to prove it's false--merely that the defendant acted with disregard for the truth. (Truth *is* a defense still, but the burden is on the defendant to argue it.) For public figures, this isn't true; in that case, the plaintiff must prove the falsehood of the statement. This means that public figures are more exposed to defamation, as the price of their publicity. My understanding is that in the UK truth is still a defense, it's just that the defendent must prove it in *all* cases, not just ones with non-public-figure plaintiffs, and that the burden of proof is much higher. Thomas
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. *Forced*? Forced exactly *how*? At gunpoint? In the US, and in Europe, a contract extracted at gunpoint is not valid. If the European public really thinks that these rights are important, then why would they be reluctant to sign contracts in which those rights are preserved to the artist?
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: People will think you made the silly modifications, and so your reputation is harmed. I am not required by law to say I modified the work if I bought the copyright from you. But that's true whether I start with your work at all. I can make something with nothing of your work at all in it, and say you made it, and soil your reputation.
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Possible, unless I'm so famous that people would recognize the painting as being from me anyway. Or the painting has been on display as being mine for some time. Or whatever. What about Marcel Duchamp? Was his work morally reprehensible? Why is it shown in French museums?
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Glenn Maynard wrote: On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote: The motivation for making them unrevokable is to prevent authors from being forced to accept unconditional surrender of their works. Then they could be made to look like total So the only way to prevent this is to remove my right to do it at all? That's ludicrous. Rights are not preserved by revoking other rights. The law wants to prevent you, as an author, from being forced to unconditionally surrender your copyrights. That's why the moral rights are not revokable and not tranferable. Forced? Please explain what this supposed force is to consist in.
Re: [OT] Droit d'auteur vs. free software?
On Sat, May 17, 2003 at 03:06:47PM -0700, Thomas Bushnell, BSG said: = Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: = = This approach means that authors will be forced to accept = any kind of modifications, even those that directly go against = their artistic wishes. The US system thinks this is OK since = you got paid. The European system thinks this is not OK. = = *Forced*? Forced exactly *how*? At gunpoint? In the US, and in = Europe, a contract extracted at gunpoint is not valid. Most common law jurisdictions I have studied treat even subtle pressures, including econimic threats as 'force'; you need not show that you signed with a gun at your head. Regards, Mahesh T. Pai. -- +==+ Mahesh T. Pai, Advocate, 'NANDINI', S. R. M. Road, Ernakulam, Cochin-682018, http;//in.geocities.com/paivakil Kerala, India. +==+
Example of inalienable copyright provisions in U.S. law and some other clarifications on Procedural Bars vs. Substantive Merits of Claims (long); was Re: [OT] Droit d'auteur vs. free software?
(My idea in participating in these debates is to provide some areas to research assertions. I will not express a legal opinion on the fact specific issues. I'm including citations and snippets for people's reference, not to be pedandic. People have been saying that's very helpful but let me know if you've already put me in your kill file... :) --- Thomas Bushnell, BSG [EMAIL PROTECTED] からのメッセ ージ: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: We already have that concept. Ownership. We even have an extra thing: Copyright. Both of these, under US law, are fully sufficient to prevent others from mutilating your work without your consent. If you don't want it mutilated, don't sell it. Or sell it subject to a contract that prevents unauthorized modification. The European system *forces* you to have such a contract. Would you agree that reliance on contractural bargaining alone to protect artists interests can exhibit less than desirable results? I think it is a serious problem and significantly related to the themes of freedom in software licensing. The U.S. copyright regime recognizes that artists are often inexperienced or underskilled negotiators and that the system needs to err on their side sometimes. An example that comes to mind is rights of renewal/termination. The law gives heirs the right to terminate and renew (essentially a second bite at the apple) but limits the circumstances. Quirky decision, but definitely recognizes that frequently artists get screwed (especially early in their career) and then end up with the $200 they got for selling their hit song that made the copyright owner billions. In fact you can't assign away your right to terminate--in effect an inalienable U.S. copyright provision, eh. See 17 U.S.C. Secs. 203(a)(5) 304(c)(5). Oh, here's the legistlative record on the issue, H.R. Rep. No. 94-1476, 94th Cong., 2d Sess. 125 (1976). Section 304(c) relates to a recovery of the a renewal term and an opportunity to terminate a transfer (even if they'd screwed up their first chance) and is discussed as a second bite at the termination apple by commentators. There's a very (inexpensive) good reference I recommend that discusses, inter alia, this issue pretty consisely. Marshall Leaffer, Understanding Copyright Law, at 247 (1999). You can find it on Amazon or at your library no doubt. Fred Fisher Music, v. M. Witmark Sons, 318 U.S. 643 (1943) is the big case in this area which is also something to famiiarize yourself with to understand termination of transfer and renewal rights (under the pre-1976 Act anyway...) Moreover, general economic analysis can support inalienability of certain rights. Right holders undervaluing of long-term vs. short-term returns, transactions costs, etc. could support a more public law approach to rights of paternity or integrity. We have seen the claim that a change in the color of curtains constitutes a damage to honor or reputation. Whether it's a claim is less relevant than whether there are decisions supporting the view right? It's not too far to say that a change which implements a protocol the original author hated would be a damage to honor or reputation. Or a change which alters the look and feel of an interface, given the heavy artistic content that really is a part of such things. Well, the case law I've seen suggests that even the French courts are reluctant to give authors too free rein on defining their harms and intent. The Courts seem to limit claims by a reasonableness test which tends to curtail the scope of potential claims. In light of that, authors might discuss the content of a reasonable statement of integrity and reputation for their licenses. An aspect might be what kind of reputation and integrity interests FOSS authors share. I wonder if the relevant *debian* integrity and reputation concerns would turn on subsequent free works congruence with the social contract and its notions of freedom? Existing precedent I've read suggests Courts give weight to the relationship between claims and objective view of author's interests, when interpreting moral rights claims--whether proffered by an author or his heirs/assigns. No. When property lands in the hands of heirs, they manage it however they want. That's the way normal property does. In the US view, copyrights are property rights. Author's rights are in the European view not property but natural rights. In some That's an interesting assertion. Moral rights are not treated as property rights? They are statutory rights then? cases they are treated as property rights for reasons of convenience. But you cannot argue using the law of property how author's rights are treated. How do moral rights jurisdictions treat the rights? My research suggests that Japan, UK, Germany, and France treat them as property rights. I understand that. My point is that author's rights are going to be
Re: [OT] Droit d'auteur vs. free software?
--- Steve Langasek [EMAIL PROTECTED] からのメッセ ージ: On Tue, May 13, 2003 at 01:48:47AM -0500, Branden Robinson wrote: On Mon, May 12, 2003 at 01:12:10PM -0500, Steve Langasek wrote: There are already libel and slander laws to prevent damaging a person's reputation through falsehoods. In the U.K., truth is not a defense to libel. It's my understanding that it *is* a defense in the U.S. So, when an American sues for libel in the U.K., it's a smoking gun that the libellous statements are in fact true. Which only strengthens the argument that droit d'auteur is unnecessary for protecting an author's reputation. -- Steve Langasek postmodern programmer Protections under trademark and other common law protections was one of the arguments used to support the U.S. position that no changes were needed to comply with Berne Convention requirements on protections for moral rights. It's not necessarily a well received argument though.. :) -- James Miller [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! BB is Broadband by Yahoo! http://bb.yahoo.co.jp/
Re: [OT] Droit d'auteur vs. free software?
--- Arnoud Galactus Engelfriet [EMAIL PROTECTED] から のメッセージ: Stephane Bortzmeyer wrote: As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE are quite limited, even in Europe. Moral rights are excluded for software? Can you please give me a citation for that? As far as I can tell, the Berne Convention nor any of the WIPO treaties say anything like this. Generally it varies pretty widely among jurisdictions, but I don't recal commentary on Berne or WIPO. Obviously it can be excluded from protection by Berne if signatories implement it domestically. I am looking for some cross sections I'd done of treatment of software in various jurisdictions. In the meantime Sterling and Stromholm are pretty standard international copyright references, and here's some cites below for UK, Japan, Germany. I seem to recal Canada was an interesting case. See J.A.L. Sterling, LL.B., World Copyright Law, Protection of Author's Works, Performances, Phonographs, Films Video, Broadcasts, and Published Editions in National, International and Regional Law 308, 322-27 (1998) (surveying the rights of adaptation and distribution in the economic rights context from national and international legislative and case law sources); see also Stig Stromholm, Copyright Comparison of Laws 16-18 (1990) (presenting the national treatment of adaptations and pointing out that although underlying principles of the domestic laws would support protection of adaptations most specifically enumerate adaptations or derivative works as protected works). See Sterling at 288 (describing Germany's general treatment and lack of restrictions of applying moral rights to software). See id. at 289 (noting the United Kingdom's lack of any moral rights protections for software). See id. at 291 (describing France and Japan's treatment of moral rights for software by limiting the application of the right of integrity by prohibiting invoking the rights against changes by users for compatibility). -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/ -- James Miller [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! BB is Broadband by Yahoo! http://bb.yahoo.co.jp/
Re: [OT] Droit d'auteur vs. free software?
On Tue, 13 May 2003, Arnoud Galactus Engelfriet wrote: This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. I think it's okay. If you no longer hold copyright, how can it affects your reputation? See above. People will recognize certain works as behind from a certain author. It could be the author sold the copyright, I'm wondering how people will recognise the work as being produced by a certain person. I see two sorts of people here: * Those who are familiar with the author's work, and will most likely know what is and isn't the author's style. * The rest of us. They need some means of linking the author to the work (whether it be a label, a book jacket, or whatever). But the act of labelling the work as the author's is saying this is a work by foo. If it has been modified, however, it is no longer a work by foo, and hence that would surely be libel (US or European, it doesn't really matter. Someone's telling porkies to make someone else look bad). IANAL, so if I've made any major mistakes of logic or law, please point them out (gently). This is _not_ a legal argument. It's a common sense argument. Unfortunately some laws don't make sense. Indeed. So I guess the question is, do you want to pay any attention to laws that do not make sense? Are you worried about the (remote) possibility of free software authors accusing people of violating their moral rights to stop certain modifications? Or their heirs and successors. Either way, there is a way to essentially take back what you've previously said, possibly leaving a lot of people in the lurch. I've seen a lot of people saying but author's rights are OK because courts won't make bad decisions, and then I look at the reams of really stupid judgements made by people in decision-making positions, and shudder. -- --- #include disclaimer.h Matthew Palmer, Geek In Residence http://ieee.uow.edu.au/~mjp16
Re: [OT] Droit d'auteur vs. free software?
--- James Miller [EMAIL PROTECTED] からのメッセー ジ: --- Arnoud Galactus Engelfriet [EMAIL PROTECTED] から のメッセージ: Stephane Bortzmeyer wrote: As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Moral rights are excluded for software? Can you please give me a citation for that? As far as I can tell, the Berne Convention nor any of the WIPO treaties say anything like this. [..] Obviously it can be excluded from protection by Berne if Opps, I mean cannot. signatories implement it domestically. I am looking for some cross sections I'd done of treatment I'll see if I can't track those down. -- James Miller [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! BB is Broadband by Yahoo! http://bb.yahoo.co.jp/
Re: [OT] Droit d'auteur vs. free software?
On Mon, 12 May 2003 14:50:28 -0400, Glenn Maynard wrote: On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote: The motivation for making them unrevokable is to prevent authors from being forced to accept unconditional surrender of their works. Then they could be made to look like total So the only way to prevent this is to remove my right to do it at all? That's ludicrous. Rights are not preserved by revoking other rights. Whatever you may think of the specific merits of the droit d'auteur system, please bear in mind that every legal system gives you rights you cannot barter away. For instance, no modern legal system lets you sell yourself into slavery, and I think that that is a good thing. So the question is which rights are fundamental and irrevocable and unable to be sold, not whether there are such rights. Peace, Dylan pgpDnbje69AMD.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 01:12:10PM -0500, Steve Langasek wrote: There are already libel and slander laws to prevent damaging a person's reputation through falsehoods. In the U.K., truth is not a defense to libel. It's my understanding that it *is* a defense in the U.S. So, when an American sues for libel in the U.K., it's a smoking gun that the libellous statements are in fact true. -- G. Branden Robinson| Don't use nuclear weapons to Debian GNU/Linux | troubleshoot faults. [EMAIL PROTECTED] | -- US Air Force Instruction 91-111 http://people.debian.org/~branden/ | pgpjkONPJB06s.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 09:05:59AM -0700, Thomas Bushnell, BSG wrote: Marcel Duchamp, is he no longer the hero of French artists? Given that our French participants keep ignoring this question from you, I guess the answer is yes, he is no longer the hero of French artists. Perhaps he has been supplanted by Derrida. -- G. Branden Robinson| You don't just decide to break Debian GNU/Linux | Kubrick's code of silence and then [EMAIL PROTECTED] | get drawn away from it to a http://people.debian.org/~branden/ | discussion about cough medicine. pgpaLTVNJWvbm.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 02:50:28PM -0400, Glenn Maynard wrote: That's ludicrous. Rights are not preserved by revoking other rights. Sure they are. My right to breathe clean air, drink clean water, not be bathed in gamma radiation, etc., is preserved by revoking the rights of U.S. corporations to pollute.[1] However, given the current de facto U.S. political system, I'm not going to count on my rights being so preserved. [1] Your right to swing your fist only ends at the tip of my nose if you haven't bought laws from the government that enable to keep on cruising, all the way through my skull and out the other side. Needless to say, large corporations in the U.S. and other countries have in fact bought precisely that. It's called limited liability. -- G. Branden Robinson| It's not a matter of alienating Debian GNU/Linux | authors. They have every right to [EMAIL PROTECTED] | license their software however we http://people.debian.org/~branden/ | like. -- Craig Sanders pgpC4F6dLh3Pg.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
Dylan Thurston [EMAIL PROTECTED]: Whatever you may think of the specific merits of the droit d'auteur system, please bear in mind that every legal system gives you rights you cannot barter away. For instance, no modern legal system lets you sell yourself into slavery, and I think that that is a good thing. So the question is which rights are fundamental and irrevocable and unable to be sold, not whether there are such rights. Agreed. However the use of the term rights is not universal and can cause annoyance. For example, in the UK there are huge restrictions on what is allowed in a contract of employment. For example, as far as I know, if the contract says the employee can't go and work for a competitor, then the employee can ignore that condition.[1] However, although people could call this a right to go and work for a competitor, they don't, and people don't use the word rights very much at all in this context. Also, there is no close comparison between a law against slavery and droit d'auteur. Treating someone as a slave is likely to be a criminal offense even if the abused person doesn't complain (in principle; in practice it might be hard to procecute if the abused person refuses to cooperate as a witness) and the law prevents slavery by refusing to enforce certain kinds of contract. This is rather different from the courts actively helping an author (or an author's heirs) who complain about moral rights. On the one hand we have the police refusing to help recapture an escaped slave and the courts not awarding damages to the slave owner. On the other hand we have the courts awarding damages against a building owner who changes the colour of the blinds on their own property. Not much of an analogy, IMHO. Edmund [1] A friend of mine got a job in London working for a US company. He was asked to travel to the USA to sign his employment contract, perhaps to prevent him leaving and going to work for a competitor in the USA, even if they couldn't stop him leaving to work for a (possibly US) competitor in Europe.
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 07:47:12PM +0200, Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote a message of 14 lines which said: Stephane Bortzmeyer wrote: As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE are quite limited, even in Europe. Moral rights are excluded for software? I never said so (unless my typing is so bad that I wrote excluded when meaning limited). Can you please give me a citation for that? See my previous messages and the quotes from Mélanie Clément-Fontaine's analysis.
Re: [OT] Droit d'auteur vs. free software?
On Tue, May 13, 2003 at 01:48:47AM -0500, Branden Robinson wrote: On Mon, May 12, 2003 at 01:12:10PM -0500, Steve Langasek wrote: There are already libel and slander laws to prevent damaging a person's reputation through falsehoods. In the U.K., truth is not a defense to libel. It's my understanding that it *is* a defense in the U.S. So, when an American sues for libel in the U.K., it's a smoking gun that the libellous statements are in fact true. Which only strengthens the argument that droit d'auteur is unnecessary for protecting an author's reputation. -- Steve Langasek postmodern programmer pgpODcefuIUo8.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
Steve Langasek wrote: On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote: If I transfer my copyright, I can not stop you from harming my reputation. No? What can the new copyright holder do to harm your reputation that you aren't protected from under other laws? He can modify the work in a way that makes it lose its artistic integrity. Since I'm a famous artist, people will recognize it as mine but with stupid modifications. That makes me look stupid. Or that's the theory. The author always retains the right to object to mutilations of the work. It's his natural right. What a funny use of the term natural right. I'm not sure it's entirely the right time, but the basic principle behind European copyright law is that you have by definition certain rights. Not just to promote progress, but simply because you made the work. It's your intellectual property. Anyway, I'm just trying to explain the concept. I think it's being taken very far right now. Feel free to consider it stupid or outdated, but that doesn't make the concept go away. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Peter S Galbraith wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote: If I transfer my copyright, I can not stop you from harming my reputation. That's why the law has the extra provision that helps me protect my moral rights. If I transfer my copyright to you, you can't (IMHO) damage my reputation by doing silly things to my work. You can damage _your_ reputation by doing that. People will think you made the silly modifications, and so your reputation is harmed. I am not required by law to say I modified the work if I bought the copyright from you. This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. I think it's okay. If you no longer hold copyright, how can it affects your reputation? See above. People will recognize certain works as behind from a certain author. It could be the author sold the copyright, but that's not important. If I see a painting or a photo, I do not care who has the copyright but I do care who is the painter. If it's a good painting, maybe I'll ask the painter to make one for me as well. If it's a silly painting, I will think the painter is silly. So what you do to works I created could harm my reputation. This is _not_ a legal argument. It's a common sense argument. Unfortunately some laws don't make sense. Indeed. So I guess the question is, do you want to pay any attention to laws that do not make sense? Are you worried about the (remote) possibility of free software authors accusing people of violating their moral rights to stop certain modifications? Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Glenn Maynard wrote: On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote: The motivation for making them unrevokable is to prevent authors from being forced to accept unconditional surrender of their works. Then they could be made to look like total So the only way to prevent this is to remove my right to do it at all? That's ludicrous. Rights are not preserved by revoking other rights. The law wants to prevent you, as an author, from being forced to unconditionally surrender your copyrights. That's why the moral rights are not revokable and not tranferable. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED]: So what you do to works I created could harm my reputation. I could make a silly modificaton to your painting and avoid mentioning that you created the original. This wouldn't harm your reputation. Alternatively I could create a totally original silly painting and claim you created it. This would harm your reputation. So the concept of droit d'auteur being discussed seems nicely orthogonal to the question of harming reputations. Perhaps this reputation business is a red herring.
Re: [OT] Droit d'auteur vs. free software?
Peter S Galbraith wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote: People will think you made the silly modifications, and so your reputation is harmed. I am not required by law to say I modified the work if I bought the copyright from you. Okay. But in the case of free software, the author _still_ does hold the copyright. So the silly derived works must be marked as modified (following the license). What extra protection is required? I think this is a pretty good argument, actually. Because the license requires me to identify myself and my changes, the public will know that the silly bits originated with me and are not your doing. So my modifications cannot harm your reputation. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Edmund GRIMLEY EVANS wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED]: So what you do to works I created could harm my reputation. I could make a silly modificaton to your painting and avoid mentioning that you created the original. This wouldn't harm your reputation. Possible, unless I'm so famous that people would recognize the painting as being from me anyway. Or the painting has been on display as being mine for some time. Or whatever. I'm sure it's quite possible to make modifications that destroy the integrity of the work and yet do not harm the author's reputation. Those are fine. The law simply forbids such bad modifications *if* they harm my reputation. Alternatively I could create a totally original silly painting and claim you created it. This would harm your reputation. Correct. I could sue you for defamation or whatever though. And yes, I could do the same if you harmed my reputation by mutilating my picture. The law just gave me an extra tool in the form of my moral rights on the picture. So the concept of droit d'auteur being discussed seems nicely orthogonal to the question of harming reputations. Perhaps this reputation business is a red herring. It's quite possible the concept has outlived its usefulness. Keep in mind these things started out in the 19th century. And European copyright law in particular still has many romantic ideas about authors and other creators. It's always the starving musician with the ten hungry children in the basement who needs more and longer protection. And of course this genius also should be protected against unscrupulous businesses that will make stupid changes to his work and totally destroy his reputation. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote: Peter S Galbraith wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote: People will think you made the silly modifications, and so your reputation is harmed. I am not required by law to say I modified the work if I bought the copyright from you. Okay. But in the case of free software, the author _still_ does hold the copyright. So the silly derived works must be marked as modified (following the license). What extra protection is required? I think this is a pretty good argument, actually. Because the license requires me to identify myself and my changes, the public will know that the silly bits originated with me and are not your doing. So my modifications cannot harm your reputation. Hmmm. You're agreeing with me. Do you realize this is a Debian list? How are we supposed to flame each-other if you do that? :-) [For the humour-impaired, the above is a joke.] Peter
Re: [OT] Droit d'auteur vs. free software?
* Steve Langasek [EMAIL PROTECTED] [030512 22:50]: Natural is a quite common description for something seen as so evident, that it needs no justification. So one can argue, if it is a natural right, but after I saw people pretending a right to own weapons this one is not funny at all. It is not evident at all to me that anyone has a *right* to a positive reputation; This does not matter, as long as you do not critisize your own usage of natural. (And it's not about a positive reputation but about protection against worsening it in a unfair way). nor is it evident to me that protecting one's work from alteration is the most effective way to ensure a good reputation. Censoring all criticism of the work is certainly far more effective, so why not regard freedom from criticism as a natural right? It's not about criticism. It's about things like tear your artwork on a public place and dancing a jig on it. I think the direct and natural way to avoid damnifing contracts is to make them void. Laws need to be enforceable to be useful. This law does so at the expense of other, valid motives -- such as Free Software. I'm still waiting for explanation how it could do so. Remember that it does not differentiate between a person giving things away for free and a programmer fired from a large corporation. Hochachtungsvoll, Bernhard R. Link -- Sendmail is like emacs: A nice operating system, but missing an editor and a MTA.
Re: [OT] Droit d'auteur vs. free software?
Thomas Bushnell, BSG wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: As far as I know, the heirs must follow the author's intentions when applying the inherited moral right. They cannot decide for themselves whether *they* like the change, they must guess whether the now deceased author would have liked it. But the author is dead. And people all the time guess wrong. For example, imagine a closeted gay author who died fifty years ago. His heirs are homophobic, and oppose the publication of any biography that accurately describes the man's life. And accordingly they oppose any use of his works in the biography. Then they're not doing what the law says they must. Not much you can do about that, other than hoping the judge will see it differently. What the person thinks is defamatory, and what the heirs think, are simply not the same thing. Even if the heirs do their very best job, the whole point of the set up is that you *discount* what the author says, because the author *cannot* be deemed to be renouncing the right. If the heirs can convince a court, it won't matter at all whether they are right. If the author does not complain, then it's reasonable to assume his moral right isn't harmed. And if after his death his heirs do complain, then the court is faced with the question whether this is in line with what the author would have wanted. Of course, if the heirs are good liars and/or the court is gullible, then you can arrive at something that's totally contrary to the author's wishes. Heirs unfortunately sometimes do things to works that the author probably would not have liked (like publishing unpublished works he considered not good enough). Strangely enough no one can do anything about that. Strangely? THE MAN IS DEAD. Dead men have no rights. How hard is this? When he died, his copyright and moral rights went to his heirs. It is now their responsibility to manage those rights in the way the deceased author would have wanted. I think it is strange that this responsibility does not extend to, say, publishing something the author wanted to keep a secret. By giving a copyright license you don't give up your moral rights. It would be unreasonable to say that if you license a work for publication, you could then assert your moral right to stop that publication. I would argue that if the publication license were general like with free software, you couldn't stop any further publication. I don't think that you *have* any such moral rights. I think it's a crazy and insane concept, and I will fight it tooth and nail. I think you'll find this concept is very much embedded in European copyright law. In fact it's in the Berne Convention from the very beginning. That's why it's called author's rights and not just copyright (as is the case in the USA). Among other things, it totally contradicts the notion of free software, especially given that these rights cannot be renounced. To clarify: the right to object to mutilations of the work that harm the honor or reputation of the author cannot be renounced. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Then they're not doing what the law says they must. Not much you can do about that, other than hoping the judge will see it differently. The copyright laws in the US do *not* say that the heirs are restricted to what the author wants. But even so, that's not the point. In my example case, the heirs *think* they are doing what the author wants, but they are wrong, because the author is not as bigoted as they are. Not much you can do about that? Hardly--you could, for example, *not have the whole bogus concept in the first place*. If the author does not complain, then it's reasonable to assume his moral right isn't harmed. And if after his death his heirs do complain, then the court is faced with the question whether this is in line with what the author would have wanted. Of course, if the heirs are good liars and/or the court is gullible, then you can arrive at something that's totally contrary to the author's wishes. Or if the heirs are simply mistaken. Your first sentence, however, is false. Suppose you were right: that if the author does not complain, his right can't possibly be violated. Then the author would be able to cede his right, right? He could say I promise not to complain. And a free software license is just that, isn't it? If the author can say I promise not to complain then he can cede his right. But the law says he cannot cede his right, so he cannot promise to complain. Which means, in turn, that he cannot validly give away his software under a free software license, because, whether he wants it or not, the law *preserves* his right, such that if he later changes his mind, he can insist that his inalienable author's rights be respected. When he died, his copyright and moral rights went to his heirs. It is now their responsibility to manage those rights in the way the deceased author would have wanted. No. When property lands in the hands of heirs, they manage it however they want. That's the way normal property does. The author's rights say that it must not be defamatory of the author, but nothing in that says that it is the *author's* determination of what is defamatory which counts. And in many cases, great harm can be wreaked by well-meaning, *not* dishonest, but still incorrect, guesses about what the author wanted. And since the *author* has the permanent, inalienable right to change his mind, that right itself also passes to the heirs, does it not? I think it is strange that this responsibility does not extend to, say, publishing something the author wanted to keep a secret. Not me. But then US law is nowhere near as censorious as what Europeans seem happy to put up with. I think you'll find this concept is very much embedded in European copyright law. In fact it's in the Berne Convention from the very beginning. That's why it's called author's rights and not just copyright (as is the case in the USA). The Berne Convention is very carefully ambiguous, permitting both the European and the US versions of copyright. If it were not for that, the US wouldn't have gone along at all. To clarify: the right to object to mutilations of the work that harm the honor or reputation of the author cannot be renounced. Right. And the author *cannot* renounce that. No matter *what* he says. And if ten years after he dies, his heirs think something is defamatory, then they can sue, even if the author says no changes to this work will count as defamatory, precisely because that statement by the author is an attempt to renounce something that *cannot* be renounced. Thomas
Re: [OT] Droit d'auteur vs. free software?
Thomas Bushnell, BSG wrote: In my example case, the heirs *think* they are doing what the author wants, but they are wrong, because the author is not as bigoted as they are. Isn't that always a problem when you can't ask the person himself anymore? Not much you can do about that? Hardly--you could, for example, *not have the whole bogus concept in the first place*. Why do you think the concept is bogus? In principle I think it's a good idea to have something that prevents others from mutilating my work. The implementation sucks greatly though. If the author does not complain, then it's reasonable to assume his moral right isn't harmed. And if after his death his heirs do complain, then the court is faced with the question whether this is in line with what the author would have wanted. Of course, if the heirs are good liars and/or the court is gullible, then you can arrive at something that's totally contrary to the author's wishes. Or if the heirs are simply mistaken. Your first sentence, however, is false. Suppose you were right: that if the author does not complain, his right can't possibly be violated. I did not say that. I said it would be reasonable to assume that it's OK if the author does not complain. Otherwise I cannot do anything even if I have a license. If the author can say I promise not to complain then he can cede his right. But the law says he cannot cede his right, so he cannot promise to complain. Indeed. Which means, in turn, that he cannot validly give away his software under a free software license, because, whether he wants it or not, the law *preserves* his right, such that if he later changes his mind, he can insist that his inalienable author's rights be respected. He can only insist that a particular modification be retracted because it damages his honor or reputation. And the court has to be convinced that it does damage him. If the work is not modified it would be very difficult for him to assert his moral rights. When he died, his copyright and moral rights went to his heirs. It is now their responsibility to manage those rights in the way the deceased author would have wanted. No. When property lands in the hands of heirs, they manage it however they want. That's the way normal property does. In the US view, copyrights are property rights. Author's rights are in the European view not property but natural rights. In some cases they are treated as property rights for reasons of convenience. But you cannot argue using the law of property how author's rights are treated. The author's rights say that it must not be defamatory of the author, but nothing in that says that it is the *author's* determination of what is defamatory which counts. And in many cases, great harm can be wreaked by well-meaning, *not* dishonest, but still incorrect, guesses about what the author wanted. Well, in first instance it would be the author who feels harmed by the modification of course. He's the only one with standing to sue. And then he has to convince the judge that it is really harmful to him. So I guess there is some kind of objectivity in the system, if you consider what the judge thinks to be objective. I think you'll find this concept is very much embedded in European copyright law. In fact it's in the Berne Convention from the very beginning. That's why it's called author's rights and not just copyright (as is the case in the USA). The Berne Convention is very carefully ambiguous, permitting both the European and the US versions of copyright. If it were not for that, the US wouldn't have gone along at all. True. But the BC was drafted by author's rights supporters. That's why it has life plus 50 for example. And that's also why you have the moral rights (article 6bis). The USA simply copied those provisions and carefully does not pay any attention to them. To clarify: the right to object to mutilations of the work that harm the honor or reputation of the author cannot be renounced. Right. And the author *cannot* renounce that. No matter *what* he says. Correct. And if ten years after he dies, his heirs think something is defamatory, then they can sue, even if the author says no changes to this work will count as defamatory, precisely because that statement by the author is an attempt to renounce something that *cannot* be renounced. Indeed. But if he had said that, someone relying on that could conceivably use that statement to argue that the change did not harm the author's reputation. The author apparently regarded changes like that to be right. I'll see if I can get some European copyright law scholars interested in this topic. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Not much you can do about that? Hardly--you could, for example, *not have the whole bogus concept in the first place*. Why do you think the concept is bogus? In principle I think it's a good idea to have something that prevents others from mutilating my work. The implementation sucks greatly though. We already have that concept. Ownership. We even have an extra thing: Copyright. Both of these, under US law, are fully sufficient to prevent others from mutilating your work without your consent. If you don't want it mutilated, don't sell it. Or sell it subject to a contract that prevents unauthorized modification. The European system *forces* you to have such a contract. Which means, in turn, that he cannot validly give away his software under a free software license, because, whether he wants it or not, the law *preserves* his right, such that if he later changes his mind, he can insist that his inalienable author's rights be respected. He can only insist that a particular modification be retracted because it damages his honor or reputation. And the court has to be convinced that it does damage him. If the work is not modified it would be very difficult for him to assert his moral rights. We have seen the claim that a change in the color of curtains constitutes a damage to honor or reputation. It's not too far to say that a change which implements a protocol the original author hated would be a damage to honor or reputation. Or a change which alters the look and feel of an interface, given the heavy artistic content that really is a part of such things. No. When property lands in the hands of heirs, they manage it however they want. That's the way normal property does. In the US view, copyrights are property rights. Author's rights are in the European view not property but natural rights. In some cases they are treated as property rights for reasons of convenience. But you cannot argue using the law of property how author's rights are treated. I understand that. My point is that author's rights are going to be interpreted by people after the author is dead, who, even if they are doing their very best, might get it wrong. That's no harm to free software, except that the author is *prohibited* from relinquishing this right, and so the author *cannot* guarantee that his heirs and the court won't conclude that some change really does harm his honor. Even if you say I hereby regard all changes as such things as cannot harm my honor and reputation, that's no good. The whole point of the law is to prohibit author's from making such statements. Why this restriction on the rights of authors is called authors' rights is beyond me. Well, in first instance it would be the author who feels harmed by the modification of course. He's the only one with standing to sue. And then he has to convince the judge that it is really harmful to him. So I guess there is some kind of objectivity in the system, if you consider what the judge thinks to be objective. Right, but the point is that the author can't--can't--can't promise not to sue. A free software license is, at core, just such a promise. But in Europe, the author can, at any time, rescind it, and say you are violating my authors' rights. Since changing the color of curtains violates the rights of an architect, it's hard to imagine any significant change to any piece of software that would not wreak similar harm to honor and reputation if the author decided to complain: That totally violates my original vision; it never occurred to me that anyone would so horribly damage my program, and bingo--license revoked. And if ten years after he dies, his heirs think something is defamatory, then they can sue, even if the author says no changes to this work will count as defamatory, precisely because that statement by the author is an attempt to renounce something that *cannot* be renounced. Indeed. But if he had said that, someone relying on that could conceivably use that statement to argue that the change did not harm the author's reputation. The author apparently regarded changes like that to be right. Except: if that were really true, then the law would be dead, because an author could effectively renounce his rights. If the law means anything, it means that the author *cannot* renounce certain rights, one of them is the right to complain later. Free software *depends* on the author promising I won't complain later. These seem to be hopelessly contradictory. I have little objection to legal protection for contracts, and even things which swing the bar somewhat to make it harder for authors to renounce such rights. But the notion that they *cannot* be renounced is ludicrous, and totally kills a jillion freedoms. Again, it doesn't just kill free software. It kills Marcel Duchamp too. And what about the marvelous Berstein recording of
Re: [OT] Droit d'auteur vs. free software?
I understand that Adolf Hitler's copyright in Mein Kampf was acquired by the state of Bavaria, who use it for suppressing the book. If and when the copyright expires (2015 if the duration is not further extended; in many EU countries copyright was extended from 50 to 70 years in 1995, with the effect that Mein Kampf was out of copyright for 3 months before disappearing for another 20 years) it will be interesting to see whether Bavaria tries to use moral rights to further suppress the book, arguing that in this day and age Adolf Hitler certainly wouldn't want to be associated with a book that promotes fascism! Edmund
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 02:25:05AM -0700, Thomas Bushnell, BSG [EMAIL PROTECTED] wrote a message of 111 lines which said: Since changing the color of curtains violates the rights of an architect, it's hard to imagine any significant change to any piece of software that would not wreak similar harm to honor and reputation if the author decided to complain: That totally violates my original vision; it never occurred to me that anyone would so horribly damage my program, and bingo--license revoked. As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE are quite limited, even in Europe. Of course, many issues are still open: * what's the lawyer's definition of software, any way? * what about artistic work published under a GPL or GFDL licence? But your example is wrong: wether the author wants it or not, he cannot oppose a change in his/her program.
Re: [OT] Droit d'auteur vs. free software?
Stephane Bortzmeyer [EMAIL PROTECTED] writes: As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE are quite limited, even in Europe. Right, that's why this is all OT. ;) What I'm saying is why authors' rights is a sucky concept, and how (if it were freely extended to software) it would kill the possibility of free software. It already kills free architecture, and free painting. Marcel Duchamp, is he no longer the hero of French artists?
Re: [OT] Droit d'auteur vs. free software?
Edmund GRIMLEY EVANS wrote: years in 1995, with the effect that Mein Kampf was out of copyright for 3 months before disappearing for another 20 years) it will be interesting to see whether Bavaria tries to use moral rights to further suppress the book, arguing that in this day and age Adolf Hitler certainly wouldn't want to be associated with a book that promotes fascism! The moral rights expire together with the economic rights, so that won't fly. But I guess they'll try to come up with something. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Thomas Bushnell, BSG wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Why do you think the concept is bogus? In principle I think it's a good idea to have something that prevents others from mutilating my work. The implementation sucks greatly though. We already have that concept. Ownership. We even have an extra thing: Copyright. Both of these, under US law, are fully sufficient to prevent others from mutilating your work without your consent. If I transfer my copyright, I can not stop you from harming my reputation. That's why the law has the extra provision that helps me protect my moral rights. If you don't want it mutilated, don't sell it. Or sell it subject to a contract that prevents unauthorized modification. This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. He can only insist that a particular modification be retracted because it damages his honor or reputation. And the court has to be convinced that it does damage him. If the work is not modified it would be very difficult for him to assert his moral rights. We have seen the claim that a change in the color of curtains constitutes a damage to honor or reputation. Indeed. And the court awarded that claim, so I suppose the judge found some merit in the claim. It's not too far to say that a change which implements a protocol the original author hated would be a damage to honor or reputation. Or a change which alters the look and feel of an interface, given the heavy artistic content that really is a part of such things. I suppose maybe Theo de Raadt could use his moral rights against people adding buffer overflows to his code, but otherwise it might be difficult to come up with this type of claim. You have to argue something that shows how your reputation is harmed. Why this restriction on the rights of authors is called authors' rights is beyond me. The author always retains the right to object to mutilations of the work. It's his natural right. Well, in first instance it would be the author who feels harmed by the modification of course. He's the only one with standing to sue. And then he has to convince the judge that it is really harmful to him. So I guess there is some kind of objectivity in the system, if you consider what the judge thinks to be objective. Right, but the point is that the author can't--can't--can't promise not to sue. Indeed. But the question is, would he be likely to win such a suit? A free software license is, at core, just such a promise. But in Europe, the author can, at any time, rescind it, and say you are violating my authors' rights. No, he cannot rescind the license. He can object to a particular modification on the grounds that that modification harms his reputation, if he can argue this harmfulness. The license remains as valid. Since changing the color of curtains violates the rights of an architect, it's hard to imagine any significant change to any piece of software that would not wreak similar harm to honor and reputation if the author decided to complain: That totally violates my original vision; it never occurred to me that anyone would so horribly damage my program, and bingo--license revoked. That's not how it works. First, the curtains change thing was harmful because it radically changed the design/look of the house. Second, a mere assertion by the author is not sufficient. There has to be some kind of argument as to *why* there is damage to his reputation. I have little objection to legal protection for contracts, and even things which swing the bar somewhat to make it harder for authors to renounce such rights. But the notion that they *cannot* be renounced is ludicrous, and totally kills a jillion freedoms. The motivation for making them unrevokable is to prevent authors from being forced to accept unconditional surrender of their works. Then they could be made to look like total fools by the person acquiring their copyright, and they could not do anything about it. And yes, they could theoretically negotiate a transfer on the condition the other guy would not do that; but given the way copyright licensing works in practice the chance of that working is practically nil. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Stephane Bortzmeyer wrote: As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE are quite limited, even in Europe. Moral rights are excluded for software? Can you please give me a citation for that? As far as I can tell, the Berne Convention nor any of the WIPO treaties say anything like this. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote: Thomas Bushnell, BSG wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Why do you think the concept is bogus? In principle I think it's a good idea to have something that prevents others from mutilating my work. The implementation sucks greatly though. We already have that concept. Ownership. We even have an extra thing: Copyright. Both of these, under US law, are fully sufficient to prevent others from mutilating your work without your consent. If I transfer my copyright, I can not stop you from harming my reputation. That's why the law has the extra provision that helps me protect my moral rights. If I transfer my copyright to you, you can't (IMHO) damage my reputation by doing silly things to my work. You can damage _your_ reputation by doing that. If you don't want it mutilated, don't sell it. Or sell it subject to a contract that prevents unauthorized modification. This approach means that authors will be forced to accept any kind of modifications, even those that directly go against their artistic wishes. The US system thinks this is OK since you got paid. The European system thinks this is not OK. I think it's okay. If you no longer hold copyright, how can it affects your reputation? He can only insist that a particular modification be retracted because it damages his honor or reputation. And the court has to be convinced that it does damage him. If the work is not modified it would be very difficult for him to assert his moral rights. We have seen the claim that a change in the color of curtains constitutes a damage to honor or reputation. Indeed. And the court awarded that claim, so I suppose the judge found some merit in the claim. Courts follow the law, however silly the law may be. This is _not_ a legal argument. It's a common sense argument. Unfortunately some laws don't make sense. Peter
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote: The motivation for making them unrevokable is to prevent authors from being forced to accept unconditional surrender of their works. Then they could be made to look like total So the only way to prevent this is to remove my right to do it at all? That's ludicrous. Rights are not preserved by revoking other rights. -- Glenn Maynard
Re: [OT] Droit d'auteur vs. free software?
* Steve Langasek [EMAIL PROTECTED] [030512 20:42]: That's why the law has the extra provision that helps me protect my moral rights. It has a superfluous provision that unnecessarily restricts the author's freedom to form contracts. It is as idiotic and misguided as the attempts to criminalize the circumvention of technological safeguards in the US. It's assumed to be a right. Basic thing about rights (at least in German law, as far as I understand it) is that rights cannot be transfered. You can not tranfer your right to vote, your right to not be hurt nor any other right. Even your copyright can not be sold. The German analogon to a tranfer of copyright is a exclusive licence. The author always retains the right to object to mutilations of the work. It's his natural right. What a funny use of the term natural right. Natural is a quite common description for something seen as so evident, that it needs no justification. So one can argue, if it is a natural right, but after I saw people pretending a right to own weapons this one is not funny at all. I can think of plenty of more effective ways to prevent authors from being *forced* to accept unconditional surrender of their works. Providing authors with a better education when it comes to contract law, for example, or promulgating alternate vectors for the publication of works that don't involve currently-standard copyright contract terms. I think the direct and natural way to avoid damnifing contracts is to make them void. Laws need to be enforceable to be useful. Though German law is often broken and tends to become more so due to corporation lobiism, some aspects are still nice. I like a system making warrenty statements void at all, that restricts warenty to much or doing such bubbling as as permitted by applicable law. Hochachtungsvoll, Bernhard R. Link -- Sendmail is like emacs: A nice operating system, but missing an editor and a MTA.
Re: [OT] Droit d'auteur vs. free software?
* Arnoud Galactus Engelfriet [EMAIL PROTECTED] [030512 19:52]: As I already explained several days ago, the right to prevent modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE are quite limited, even in Europe. Moral rights are excluded for software? Can you please give me a citation for that? As far as I can tell, the Berne Convention nor any of the WIPO treaties say anything like this. Software is normally treated specially in Europe. In Germany I was told a necessary condition for something to be protectable by copyright law (or Author's Rights, as the verbatim translation for its German word), is to be made by human (in contrast to animals or computers) OR beeing software. They said this was introduced to make the USA sign international copyright treaties. While I think copyright on sourcecode can be an accaptable thing, I think protection of binaries is very unnatural. Hochachtungsvoll, Bernhard R. Link -- Sendmail is like emacs: A nice operating system, but missing an editor and a MTA.
Re: [OT] Droit d'auteur vs. free software?
On Mon, May 12, 2003 at 09:13:23PM +0200, Bernhard R. Link wrote: It's assumed to be a right. Basic thing about rights (at least in German law, as far as I understand it) is that rights cannot be transfered. You can not tranfer your right to vote, your right to not be hurt nor any other right. Yes, this is entirely reasonable. Natural rights should be unalienable. Even your copyright can not be sold. The German analogon to a tranfer of copyright is a exclusive licence. This, however, is an unfortunate defect of European legal theory. Intellectual property is not property, and all rights pertaining to ideas and their expression are artificial rights. The limited monopolies granted to creators are sometimes socially useful, but that does not justify the claim that a person can *own* an idea. The author always retains the right to object to mutilations of the work. It's his natural right. What a funny use of the term natural right. Natural is a quite common description for something seen as so evident, that it needs no justification. So one can argue, if it is a natural right, but after I saw people pretending a right to own weapons this one is not funny at all. It is not evident at all to me that anyone has a *right* to a positive reputation; nor is it evident to me that protecting one's work from alteration is the most effective way to ensure a good reputation. Censoring all criticism of the work is certainly far more effective, so why not regard freedom from criticism as a natural right? I can think of plenty of more effective ways to prevent authors from being *forced* to accept unconditional surrender of their works. Providing authors with a better education when it comes to contract law, for example, or promulgating alternate vectors for the publication of works that don't involve currently-standard copyright contract terms. I think the direct and natural way to avoid damnifing contracts is to make them void. Laws need to be enforceable to be useful. This law does so at the expense of other, valid motives -- such as Free Software. -- Steve Langasek postmodern programmer pgpzid3qgdQm5.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
Thomas Bushnell, BSG wrote: Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Note that the distortion or mutilation has to hurt the honor or reputation of the author. Here in the Netherlands this is the case if the owner of a house decides to put up new blinds in a color the architect does not like. Since people will know this wasn't the architect's design, how does it damage his honor or reputation? People that pass by the house do not know whether the blinds were the architect's design or not. They might remember that the house was designed by him, and then conclude that he was very stupid for putting those ugly blinds on the house. And that thus harms his reputation. It's extremely silly but that's the argument. Dutch lawyers may want to look it up: Gerechtshof 's Hertogenbosch 24 feb 1993, AMI 1994, 116. The court noted that demolishing the house would not violate the architect's moral rights. This has been used in some cases to force architects to accept certain changes. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software?
Thomas Bushnell, BSG wrote: As I read the law, it says that there are some rights over the work which the artist *cannot* renounce. You would have it that if the artist uses a certain form of license, the rights have been effectively renounced. If that were a correct interpretation, then there would be nothing that cannot be renounced. Moral rights indeed cannot be renounced. The motivation is that if they could, every author would be forced to renounce them every time. Moral rights are restricted in that the courts must find the violation must harm the author's honor or reputation. This is not the same as being able to restrict all forms of reuse. I would say that with free software, a modified verison of the program adds to the author's honor, since honor and reputation in the free software community are based on your code and its reuse. The purpose of the law is, for example, to say that if an artist sells a painting, the purchaser cannot tear it up, destroy it, sprinkle more paint across the surface, and the like. A recent post also gave the example of an architect, who can prevent the homeowner from making changes that violate the integrity of his work. If it harms the author's reputation, he has the right to stop the modification. The basis of author's rights is that an author is the owner of a work. It's not just a government-granted temporary monopoly, but a natural right to control a work. Now the law says that the artist *cannot* relinquish this right. He has a *permanent* right to prevent such things being done with his work, and that this *permanent* right is one that his heirs can inherit. The law says that the artist *cannot* sell this right. He has it *no matter what*. As far as I know, the heirs must follow the author's intentions when applying the inherited moral right. They cannot decide for themselves whether *they* like the change, they must guess whether the now deceased author would have liked it. Heirs unfortunately sometimes do things to works that the author probably would not have liked (like publishing unpublished works he considered not good enough). Strangely enough no one can do anything about that. Now you are saying that if the artist releases the work under a free software license, he has in effect relinquished those rights which the law says he cannot. By giving a copyright license you don't give up your moral rights. It would be unreasonable to say that if you license a work for publication, you could then assert your moral right to stop that publication. I would argue that if the publication license were general like with free software, you couldn't stop any further publication. The interesting case of course is with modifications. Free software can be incorporated in new (free) software that has an entirely different purpose. If you make some library and I incorporate it in a program that makes child pornography or is used for nazi propaganda, you couldn't do anything about that by using your free software license. But I think you could assert your moral right if being associated with child pornographers or nazis would hurt your honor or reputation. And thus you could stop me from distributing the program. Arnoud -- Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself Patents, copyright and IPR explained for techies: http://www.iusmentis.com/
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: People that pass by the house do not know whether the blinds were the architect's design or not. They might remember that the house was designed by him, and then conclude that he was very stupid for putting those ugly blinds on the house. And that thus harms his reputation. It's extremely silly but that's the argument. Dutch lawyers may want to look it up: Gerechtshof 's Hertogenbosch 24 feb 1993, AMI 1994, 116. The court noted that demolishing the house would not violate the architect's moral rights. This has been used in some cases to force architects to accept certain changes. This is exactly why the concept of unrenouncable authors' moral rights offends me. If the architect wants the right to review any proposed changes, then that should be part of the contract of sale, and he will get a little less money, because he's imposing a restriction of such a sort. I believe that there *have* been cases where the owner of a work of art was told that outright destruction of the work would also violate the author's supposed moral rights.
Re: [OT] Droit d'auteur vs. free software?
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: As far as I know, the heirs must follow the author's intentions when applying the inherited moral right. They cannot decide for themselves whether *they* like the change, they must guess whether the now deceased author would have liked it. But the author is dead. And people all the time guess wrong. For example, imagine a closeted gay author who died fifty years ago. His heirs are homophobic, and oppose the publication of any biography that accurately describes the man's life. And accordingly they oppose any use of his works in the biography. But the man himself might well, if he were alive today, rejoice in the more tolerant atmosphere we now share, deplore the bigotry of his heirs, and happily agree to publication. What the person thinks is defamatory, and what the heirs think, are simply not the same thing. Even if the heirs do their very best job, the whole point of the set up is that you *discount* what the author says, because the author *cannot* be deemed to be renouncing the right. If the heirs can convince a court, it won't matter at all whether they are right. Heirs unfortunately sometimes do things to works that the author probably would not have liked (like publishing unpublished works he considered not good enough). Strangely enough no one can do anything about that. Strangely? THE MAN IS DEAD. Dead men have no rights. How hard is this? By giving a copyright license you don't give up your moral rights. It would be unreasonable to say that if you license a work for publication, you could then assert your moral right to stop that publication. I would argue that if the publication license were general like with free software, you couldn't stop any further publication. I don't think that you *have* any such moral rights. I think it's a crazy and insane concept, and I will fight it tooth and nail. Among other things, it totally contradicts the notion of free software, especially given that these rights cannot be renounced. Thomas
Re: [OT] Droit d'auteur vs. free software?
Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG) Henning Makholm [EMAIL PROTECTED] writes: Did you read the exact wording I posted? It very specifically protects exactly the author's intention. Nothing more. What if the author's intention is that anyone do whatever they want with the work, and explicitly says I hereby waive any of my so-called moral rights? He cannot do that. But his action of releasing the work under a free license will have the coincidental effect that it becomes impossible to violate the artistic integrity of the work, because the integrity consists exactly in the work being free. In that case, his heirs can *still* come back and say no waiver is possible, The moral rights cannot be waived, but they can become irrelevant, which is the situation we're taling about here. and your modification of the work makes his artistic integrity look bad, and it will be their judgment and the court's that controls. The heirs' judgement controls nothing at all. The court's does, of course, but the unless the court purposefully misunderstands the intent of the law and the author's intention [1] it will of course rule in favor of the author's explicit wishes. [1] In which case every bet is off. But in that case the problems arise IN SPITE OF to the law, not BEACAUSE of it. -- Henning Makholm ... not one has been remembered from the time when the author studied freshman physics. Quite the contrary: he merely remembers that such and such is true, and to explain it he invents a demonstration at the moment it is needed.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED]: He cannot do that. But his action of releasing the work under a free license will have the coincidental effect that it becomes impossible to violate the artistic integrity of the work, because the integrity consists exactly in the work being free. I'm not sure whether that argument would work in practice. However, even if it did, what about the droit repentir that was mentioned earlier? Edmund
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: The heirs' judgement controls nothing at all. The court's does, of course, but the unless the court purposefully misunderstands the intent of the law and the author's intention [1] it will of course rule in favor of the author's explicit wishes. [1] In which case every bet is off. But in that case the problems arise IN SPITE OF to the law, not BEACAUSE of it. The heirs certainly matter because it would be they who bring suit. If nobody brings suit, the court says nothing. The court might well say he certainly couldn't have intended a change that was defamatory of him, and declare that essentially irrebutable. The whole European concept of author's rights makes me sick; it's bad enough that it exists. The fact that it's *irrevocable* in any way makes it a jillion times worse. If you, the artist, don't want someone destroying your work, then dammit, don't sell them the painting. It's bad enough that if an artist sells a painting (or an architect sells a house) he retains a permanent right to control what you do with it. It's extremely horrid that there is no way for him to relinquish that control.
Re: [OT] Droit d'auteur vs. free software?
Scripsit Thomas Bushnell, BSG The whole European concept of author's rights makes me sick; If you insist on misunderstanding the concept in the face of sevral attempts to explain to you that you're misunderstanding it, then it is certainly your democratic right to let your own delusions about a concept you refuse to understand make you sick. I have no further comments. -- Henning MakholmHvorfor skulle jeg tale som en slave og en tåbe? Jeg ønsker ikke, at han skal leve evigt, og jeg ved, at han ikke kommer til at leve evigt, uanset om jeg ønsker det eller ej.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: Scripsit Thomas Bushnell, BSG The whole European concept of author's rights makes me sick; If you insist on misunderstanding the concept in the face of sevral attempts to explain to you that you're misunderstanding it, then it is certainly your democratic right to let your own delusions about a concept you refuse to understand make you sick. What, exactly, is supposed to be the content of the right, the part that an artist *cannot* renounce? You are saying that the artist can, in fact, renounce everything, when the law says that somethings cannot be renounced. Which is it? As I read the law, it says that there are some rights over the work which the artist *cannot* renounce. You would have it that if the artist uses a certain form of license, the rights have been effectively renounced. If that were a correct interpretation, then there would be nothing that cannot be renounced. The purpose of the law is, for example, to say that if an artist sells a painting, the purchaser cannot tear it up, destroy it, sprinkle more paint across the surface, and the like. A recent post also gave the example of an architect, who can prevent the homeowner from making changes that violate the integrity of his work. Now the law says that the artist *cannot* relinquish this right. He has a *permanent* right to prevent such things being done with his work, and that this *permanent* right is one that his heirs can inherit. The law says that the artist *cannot* sell this right. He has it *no matter what*. Now you are saying that if the artist releases the work under a free software license, he has in effect relinquished those rights which the law says he cannot.
Re: [OT] Droit d'auteur vs. free software?
Scripsit Edmund GRIMLEY EVANS [EMAIL PROTECTED] However, even if it did, what about the droit repentir that was mentioned earlier? I don't know about that. It is certainly not part of Danish law. -- Henning Makholm Der er ingen der sigter på slottet. D'herrer konger agter at triumfere fra balkonen når de har slået hinanden ihjel.
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
Henning Makholm [EMAIL PROTECTED] writes: sub 2. The work must not be changed or made available to the public in a way or in a context that violates the author's literary or artistic reputation or character. And this is the number one lose for this bogus sort of copyright regime. For example, Marcel Duchamp would have been prohibited.
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: Of course they are. The fact that the author intends for his work to be free is made very explicit by applying the GPL to it. Since moral rights are about protecting the author's intentions with creating the work, there cannot, logically, be any conflict between moral rights and freedom. Moral rights protect things even when they are *not* the author's intention.
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes: Note that the distortion or mutilation has to hurt the honor or reputation of the author. Here in the Netherlands this is the case if the owner of a house decides to put up new blinds in a color the architect does not like. Since people will know this wasn't the architect's design, how does it damage his honor or reputation?
Re: [OT] Droit d'auteur vs. free software?
Scripsit Thomas Bushnell, BSG Henning Makholm [EMAIL PROTECTED] writes: Of course they are. The fact that the author intends for his work to be free is made very explicit by applying the GPL to it. Since moral rights are about protecting the author's intentions with creating the work, there cannot, logically, be any conflict between moral rights and freedom. Moral rights protect things even when they are *not* the author's intention. Did you read the exact wording I posted? It very specifically protects exactly the author's intention. Nothing more. -- Henning Makholm PROV EN FORFRISKNING FRISKLAIL DEM
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED] writes: Scripsit Thomas Bushnell, BSG Henning Makholm [EMAIL PROTECTED] writes: Of course they are. The fact that the author intends for his work to be free is made very explicit by applying the GPL to it. Since moral rights are about protecting the author's intentions with creating the work, there cannot, logically, be any conflict between moral rights and freedom. Moral rights protect things even when they are *not* the author's intention. Did you read the exact wording I posted? It very specifically protects exactly the author's intention. Nothing more. What if the author's intention is that anyone do whatever they want with the work, and explicitly says I hereby waive any of my so-called moral rights? In that case, his heirs can *still* come back and say no waiver is possible, and your modification of the work makes his artistic integrity look bad, and it will be their judgment and the court's that controls.
Re: [OT] Droit d'auteur vs. free software?
On Fri, May 02, 2003 at 08:11:02PM +0200, Henning Makholm wrote: It is stupid if they released their software under a free license without realizing what freedom means. Well, the realization of what freedom means does in fact appear to be escaping some advocates of the GNU FDL... -- G. Branden Robinson| Never attribute to malice that Debian GNU/Linux | which can be adequately explained [EMAIL PROTECTED] | by stupidity. http://people.debian.org/~branden/ | pgpTee4iXnOAq.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
[snip] It looks like Republican notions of tort reform[1] might have a lot of support in Europe. [1] Before being appointed to the U.S. Supreme Court, William Rehnquist *defined* judicial conservatism as being a technique for reading the law such that criminal defendants and civil plaintiffs are disadvantaged. _The Rehnquist Choice_, John W. Dean, New York: The Free Press, 2001. -- G. Branden Robinson|I just wanted to see what it looked Debian GNU/Linux |like in a spotlight. [EMAIL PROTECTED] |-- Jim Morrison http://people.debian.org/~branden/ | pgpE5RxTtnykF.pgp Description: PGP signature
Re: [OT] Droit d'auteur vs. free software?
Scripsit Branden Robinson [EMAIL PROTECTED] On Fri, May 02, 2003 at 08:11:02PM +0200, Henning Makholm wrote: It is stupid if they released their software under a free license without realizing what freedom means. Well, the realization of what freedom means does in fact appear to be escaping some advocates of the GNU FDL... Point taken. -- Henning MakholmWhat a hideous colour khaki is.
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
Stephane Bortzmeyer wrote: [This is starting to shift away from the GFDL so I modified the subject. Georg, I can suppress you from the Cc: if you wish so.] On Sun, Apr 27, 2003 at 11:25:43PM -0400, Nathanael Nerode [EMAIL PROTECTED] wrote a message of 29 lines which said: Naturally, I'm more familiar with the European Copyright -- or Droit d'Auteur, rather -- systems, but since Europe is a very active region for Free Software, considering the European situation seems useful. Please note that this system is contrary in its basis to the system in the US, which is also used in some form in most common-law based countries (most of the world). Under these systems copyright is a government-granted monopoly and not a 'natural right'. The 'Droit d'Auteur' system is *much* more hostile to free software, free documentation, free speech, fair use rights, library privilege, the public domain, etc., etc., etc. Can you explain the above? I do not see why and in which way the Droit d'auteur system is more hostile to free software. There is currently a lot of lobbying in Europe and in the world against this Droit d'auteur system and pro-copyright and this lobbying is mostly driven by the same companies that oppose free software... Interesting. I've never heard of any of this and I do keep up on these issues. Perhaps you are thinking of a campaign to make moral rights alienable, which is really a much more specific matter? The corporate copyright interests are certainly not interested in promoting the idea that copyright is a government-granted monopoly rather than a natural right! Consider the statements to the effect that copyright violation is theft -- this actually has a legal basis under the Droit d'Auteur system. Basically, it's a free speech issue. The concept that authors and their heirs have inherent rights of control over their writings, in eternity (which is the basic concept of the system) is effectively in opposition to freedom of speech, as it requires all ideas to be recast so as to avoid the use of the forms used by anyone else, throughout history. Historically, the system has been tempered by limits on copyright length, establishment of fair use rights, and so forth, but the *basis* of the system denies such things and treats them as unusual exceptions to the general rule that authors have total, eternal control over their works, based on the sweat of the brow they put into it. There is really no reason, under a true Droit d'Auteur copyright system, why copyrights should not be eternal, why authors (or their heirs) should not have the ability to revoke copyright licences at will, why authors should not be allowed to write copyright licences with arbitrary biases (this work may not be sold to black people), why compilations of arbitrary data should not be copyrightable, etc. The revokable license issue is certainly an issue for free software, and the protected database issue is another anti-free problem originating directly from the European system. I am not referring, per se, to moral rights. I am referring to the treatment of copyright as being based in the right of the author. The treatment of copyright under common law systems is generally that it is a government-granted monopoly. In the US, this is explicit, and it is specified that the monopoly is for the purpose of promoting the progress of knowledge. Historically, this has been seriously *abused* in the US, to the point where the system as implemented comes close to the European system. So in *implementation* there's not that much of a difference. In the *basis* of the system, however, the Continental European system is fundamentally opposed to free information, and the US system is fundamentally in favor of it. If you believe that code wants to be free, well, the Continental system says Code wants to be owned by its author and his heirs and assigns in eternity. At least this is my well-informed understanding. I am not a lawyer, or I'd be making more money. --Nathanael
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
* Mark Rafn [EMAIL PROTECTED] [030501 21:57]: On Thu, 1 May 2003, Bernhard R. Link wrote: I cannot see the problem here. Even if the quoted sub 2 can be applied, it may only disallow you making something available to the public (i.e. some forms of distributing it). It says changed _OR_ made available to the public. This restricts private modifications as well. But even without that, the restriction on made available to the public ... in a context that violates the author's literary or artistic reputation or character is enough to prevent any distribution under the GPL. First of all, it speaks of changed or made available to the public in a way, that ..., which clearly indicates, that changing is just meant as special form of discrediting the author. (Also consider the wording is the wording of a translation, so please read by meaning and not by letter). The quoted point 7 would only apply, if one wasn't allowed to distribute copies with source and allowing the receiver everything allowed by GPL. (As this are the mentioned obligations mentioned in the GPL). Under droit d'auteur, you're not allowed to grant unqualified permission to the reciever of a work to make modifications or to distribute the work. You cannot fulfil the GPL requirements, so you cannot distribute the work. If author's rights would be introduced in the USA, this might be the case. I do not know about denmark, but here in Germany I am allowed to give any permissions I want. (People might not be able to do so, as law or other people forbid them to exercise it, but this does not limit me, as long as I do not formulate a incitement in the form of a permission) Just ask yourself: Are you allowed to grant a permission to someone to use a piece of GPL'd software to drive a plane in an arbitrary tower? If not, are you still allowed to distribute software under the GPL? /me wonders if there are more countries besides his own that need to be no longer considered part of the free world. :-D Even extreme legislations for author's rights does not reduce the ability to create free software (though those rights might only performed in other countries), as long as law does not demand, that people have to encode laws in contracts they make. This I heartily agree with. A work created in a droit d'auteur location and released under the GPL is freely distributable and modifiable in a common-law jurisdiction. It may be undistributable at all in it's home country, though. As stated before, such laws only limit ways of distribution, not distribution at all. I guess here in Germany, law will allow you to stop me, if I take any of your code and produce some movie where an actor dressed as Hitler sits before a computer and types in your code, if it is easily enough seen as attack on you. Distributions not forbidden directly by law are not affected by this. This is like those warrenty disclaimers or disassembling prohibitions in many EULAs or licenses, that AFAIK just disappear in a puff of logic when they pass the German border. Hochachtungsvoll, Bernhard R. Link -- Sendmail is like emacs: A nice operating system, but missing an editor and a MTA.
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
On Thu, May 01, 2003 at 11:11:41AM -0700, Mark Rafn wrote: Under droit d'auteur, you're not allowed to grant unqualified permission to the reciever of a work to make modifications or to distribute the work. You cannot fulfil the GPL requirements, so you cannot distribute the work. You appear to be confusing things. The GPL places no restriction on the original author, so the original author may obviously distribute their own work. As a redistributor of a GPL'ed work, you are not involved in the granting of rights in any way -- the rights are automatically granted by the original author to a recipient at the point when the recipient receives. The problem would only arise in a situation where you were the author of a work which used a GPL'ed library and were in a position where you were forbidden to license your work under the GPL. I don't see anything to that effect here, merely that some portions of it may not be enforcible by recipients who wish to redistribute if at some later point you decide that your previous work now offends your newfound delicate moral sensibilities. And that only if that element of the Droits d'Auteur were applied to software (or if your work were not deemed to be software, but rather something more artistic instead... what the f*** were the guys who thought this up smoking?) Cheers, Nick -- Nick Phillips -- [EMAIL PROTECTED] You will be Told about it Tomorrow. Go Home and Prepare Thyself.
Re: [OT] Droit d'auteur vs. free software?
Scripsit Mark Rafn [EMAIL PROTECTED] Ok, how about Tuomas Kuosmanen, the creator of a whole lot of fine icons in various free software packages? Would his qualify as an artistic reputation? Perhaps. Would he be able, regardless of the fact that his icons are released under GPL, to prevent his work from being included in an accounting package he didn't like? I don't think so. On the contrary, BECAUSE of the fact that he voluntarily released his icons under GPL, it is an integral part of the artistic character of the work that it can be used in any context and with any modifications anyone pleases. Therefore, no actual use or modification can conceivably violate that artistic character, so §3 subsection 2 can never apply to the work. It might be a different story if he released them under GPL not because of artistic vision but because someone paid him to do so. Any place which disallows a permission to create derived works without reservation. Which Denmark is not, your inability to understand it (or my inability to explain it) nonwithstanding. -- Henning MakholmDe kan rejse hid og did i verden nok så flot Og er helt fortrolig med alverdens militær
Re: [OT] Droit d'auteur vs. free software?
Scripsit Greg Pomerantz The main problem with moral rights seems to be inalienability. As far as I understand it, artists can decide at the time of the use of the work whether they believe it is prejudicial to their honor and reputation. That's a misunderstanding. It is not the artist who decides this. Sure, the artist may have an *opinion* about it, but the law calls for an *objective* judgement. And if the use does not objectively violate the artistic character of the work, the artist's opinion will not help him in court. They cannot promise to never raise such an objection. You seem to be implying that by applying the GPL to a work, the developer irrevocably divests herself from certain moral rights. No. The moral rights still exist, but they must be interpreted in the context of the particular work. If the particular work is created to be free, the moral right becomes harder to violate. Can't a developer GPL a work today, but tomorrow decide that use in cruise missiles is not allowed? He can decide whatever he wants for himself (we do have freedom of thought), but it will have no effect at all on the decision whether use in cruise missiles violates the work's artistic character. In other words, if that developer walked into court, would the judge ask what the artistic character of the work is today, or at the time of its initial creation? That is the same thing - the artistic character of the work logically cannot change because of the artist's later action. Second, I would imagine that a developer can argue or reinterpret their initial intent. Possibly, but that is not a case of moral rights - it is just a matter of conventional contract interpretation. For example, they may never have thought that a particular piece of code could find its way into a DRM system. Stupidity does not create rights. (Opposite in some other parts of the world where one can become rich simply by being too stupid to imagine that coffee might be hot). -- Henning Makholm Hi! I'm an Ellen Jamesian. Do you know what an Ellen Jamesian is?
Re: [OT] Droit d'auteur vs. free software?
I don't think so. On the contrary, BECAUSE of the fact that he voluntarily released his icons under GPL, it is an integral part of the artistic character of the work that it can be used in any context and with any modifications anyone pleases. Therefore, no actual use or modification can conceivably violate that artistic character, so §3 subsection 2 can never apply to the work. It might be a different story if he released them under GPL not because of artistic vision but because someone paid him to do so. In many cases of interest, works are released under the GPL because they are derivative works of prior GPL'd works. Contributors to GPL'd projects are required to license under the GPL and do not do so because it expresses the artistic character of their work. Under your test, it would appear that contributors would retain free-software-incompatible moral rights over their contributions. The main problem with moral rights seems to be inalienability. As far as I understand it, artists can decide at the time of the use of the work whether they believe it is prejudicial to their honor and reputation. They cannot promise to never raise such an objection. You seem to be implying that by applying the GPL to a work, the developer irrevocably divests herself from certain moral rights. Can't a developer GPL a work today, but tomorrow decide that use in cruise missiles is not allowed? In other words, if that developer walked into court, would the judge ask what the artistic character of the work is today, or at the time of its initial creation? If a developer convincingly argued that her reputation was seriously harmred by a particular use, would a judge really say that the application of the GPL in the past trumps that? Second, I would imagine that a developer can argue or reinterpret their initial intent. For example, they may never have thought that a particular piece of code could find its way into a DRM system. Can't they argue that they GPL'd the work years ago, but never intended the work to be used for some particular evil use (for example because they never imagined that particular use)? Best regards, Greg Pomerantz
Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL
* Mark Rafn [EMAIL PROTECTED] [030501 21:57]: Under droit d'auteur, you're not allowed to grant unqualified permission to the reciever of a work to make modifications or to distribute the work. You cannot fulfil the GPL requirements, so you cannot distribute the work. On Fri, 2 May 2003, Bernhard R. Link wrote: If author's rights would be introduced in the USA, this might be the case. I do not know about denmark, but here in Germany I am allowed to give any permissions I want. (People might not be able to do so, as law or other people forbid them to exercise it, but this does not limit me, as long as I do not formulate a incitement in the form of a permission) Just ask yourself: Are you allowed to grant a permission to someone to use a piece of GPL'd software to drive a plane in an arbitrary tower? If not, are you still allowed to distribute software under the GPL? I understand this point, but it's a pretty important difference. If I grant permission to use my GPL software to drive a plane into a tower, it is not I, but the tower inhabitants, who would attempt to prevent such use. And they would not use copyright law to do so, I expect. Still, enough people far more knowledgeable than I have asserted that droit d'auteur does not prevent distribution of a derived work of a GPL'ed work, so I'll stop looking for edge cases. I do maintain that a license which attempts to impose such restrictions explicitly is non-free. -- Mark Rafn[EMAIL PROTECTED]http://www.dagon.net/
Re: [OT] Droit d'auteur vs. free software?
The main problem with moral rights seems to be inalienability. As far as I understand it, artists can decide at the time of the use of the work whether they believe it is prejudicial to their honor and reputation. That's a misunderstanding. It is not the artist who decides this. Sure, the artist may have an *opinion* about it, but the law calls for an *objective* judgement. And if the use does not objectively violate the artistic character of the work, the artist's opinion will not help him in court. Thanks for the clarification. They cannot promise to never raise such an objection. You seem to be implying that by applying the GPL to a work, the developer irrevocably divests herself from certain moral rights. No. The moral rights still exist, but they must be interpreted in the context of the particular work. If the particular work is created to be free, the moral right becomes harder to violate. Second, I would imagine that a developer can argue or reinterpret their initial intent. Possibly, but that is not a case of moral rights - it is just a matter of conventional contract interpretation. Yes, but a free software developer cannot walk into court and argue that they did not intend to grant the right to redistribute -- free software licenses are clear on that point, but generally silent on moral rights issues. At the very least, the GPL and most other free software licenses are be problematic in moral rights jurisdictions simply because the developer's intentions with respect to moral rights are not made clear by those licenses. The trouble is, developers choose free software licenses for all kinds of reasons, including legal necessity (e.g. when they derrive from a GPL'd work). For example, they may never have thought that a particular piece of code could find its way into a DRM system. Stupidity does not create rights. (Opposite in some other parts of the world where one can become rich simply by being too stupid to imagine that coffee might be hot). Say hypothetically that the LAME developers have an artistic vision to allow music fans to freely (as in freedom) rip music from the CDs the purchase. Universal Records uses LAME to make copy protected CDs (see http://news.com.com/2100-1023-277197.html). How is it stupid if the LAME developers walk into a moral rights jurisdiction and ask Universal to stop? Best regards, Greg Pomerantz
Re: [OT] Droit d'auteur vs. free software?
Henning Makholm [EMAIL PROTECTED]: Stupidity does not create rights. (Opposite in some other parts of the world where one can become rich simply by being too stupid to imagine that coffee might be hot). Punitive damages are a stupid concept (does any country other than the USA have them?) but that case, although famous, isn't the best example to show it: http://www.denbar.org/docket/2002/september/mccoffee.htm
Re: [OT] Droit d'auteur vs. free software?
On Fri, May 02, 2003 at 05:48:23PM +0200, Henning Makholm wrote: Stupidity does not create rights. (Opposite in some other parts of the world where one can become rich simply by being too stupid to imagine that coffee might be hot). Can we put this legend to rest? I realize this is off-topic, but I hate seeing such claims go unrefuted. 1. The coffee in question was *much* hotter than coffee is normally served. It was far too hot to be drinkable, which is not something you'd expect. 2. The lady in question didn't deliberately spill coffee over herself because she thought it wouldn't be hot. She accidentally squeezed the mug while trying to get the lid off. This has nothing to do with stupidity. 3. If the coffee had been at normal temperature, she would have gotten some blisters and an embarrassing memory. Instead, she got third-degree burns and needed reconstructive surgery. 4. The corporation that served the coffee was aware that the temperature was a problem, and had quietly settled 700 burn claims in the previous decade. 5. All she initially asked for was enough money to pay for the medical bills. The jury awarded punitive damages because they considered the corporation to be willfully putting its customers at risk. The Association of Trial Lawyers of America has a page about the case: http://www.atlanet.org/consumermediaresources/tier3/press_room/facts/frivolous/McdonaldsCoffeecase.aspx Richard Braakman