Re: [OT] Droit d'auteur vs. free software?

2003-05-29 Thread James Miller
 --- Kai Henningsen [EMAIL PROTECTED] からのメッ
セージ:
 [EMAIL PROTECTED] (Nathanael Nerode)  wrote on
 19.05.03 in [EMAIL PROTECTED]:
 
  How different are things really on the Continent? 
 Is *everthing* codified?

[...]

The important point being drawn out here is that the
common law (U.S. U.K. et al) tradition relies on a notion
of law drawn from a variety of sources but with special
emphasis on past opinions of Courts, eg. precedent or
stare decisis.

In the continental or civil law approach drawing on
Roman iustinian code and other traditions, laws are those
found on the books, and the role for justices of a court
has traditionally been much more constrained.

Jurisdictions like Japan, Israel, and Canada I find
especially interesting because they tend to mix these
approaches more liberally.

Note Japan, for example, who's statutes are called the
ROPPO or six books after the German legal codes adopted
during the Meiji Restoration in the 1860's.  Despite this
strong civil law tradition today there is a revolution in
attorney licensign and a strong emphasis on modelling new
legal practice on the common law approach.

Also it's of note that many here in the U.S. also observe
that there are ebbs and flow on emphasis on statutory
(civil codes) and Court based precedent.  Two good
examples are debates on what to do about IP and anti-trust
(competition) law.  Some argue make property rights
robust, well defined, and rely on the courts to work
things out.  Others argue for more interventionary
(regulatory) approaches with laws to spell out the
permitted and prohibited acts.

Google will give you mostly Law School syllabus refs, but
you can glean something here on Comparative law discussion
of civil/common law. 
http://www.ejil.org/journal/Vol10/No1/br10.html.  

Also Luke Nottage, COMMENT ON CIVIL LAW AND COMMON LAW:
TWO DIFFERENT PATHS LEADING TO THE SAME GOAL, provides an
interesting discussion of maybe how things aren't usually
all that different in practice anyway.. 
http://www.upf.pf/recherche/fichiers%20RJP7/17Nottage.doc


 Please note that Germany is neither common law nor
 Napoleonic Code. We  
 have our own legal traditions. (Going back to Rome,
 in fact.)

[legal vs. sittenwidrig discussion]

I agree it is not Napoleonic.  You would agree it is a
civil law jurisdiction, though right?

 Really, Europe is much more diverse legally than
 people seem to think.

I agree; a very important point.

It is a common problem to accept propositions based on I
read in xx that yy is illegal kind of research and
analysis.

There may certainly be circumstances where such
conclusions will be warranted but *unfortunately* the
law is in practice usually much more complicated to nail
down.  None to often it takes a case in your jurisdiction
to give you a definitive response.

I do read that there are a variety of efforts in the EU
moving codes to harmonization.  IP is an obvious example. 
Perhaps you could comment on this trend?

 MfG Kai

--
James Miller
[EMAIL PROTECTED]


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Re: [OT] Droit d'auteur vs. free software?

2003-05-27 Thread Kai Henningsen
[EMAIL PROTECTED] (Nathanael Nerode)  wrote on 19.05.03 in [EMAIL PROTECTED]:

 How different are things really on the Continent?  Is *everthing* codified?
 Perhaps it is; I believe the French (Napoleonic Code) system requires
 *every* ruling to be based on a specific article of the code.

Please note that Germany is neither common law nor Napoleonic Code. We  
have our own legal traditions. (Going back to Rome, in fact.)

In Germany, you can fail to obey specific law, or you can do something  
sittenwidrig (approx. immoral, literally against custom) - the  
latter is, I believe, only relevant in civil law. However, the supreme  
court sometimes finds stuff written in our constitution that you would  
have sworn wasn't actually in there ... both good and bad.

Really, Europe is much more diverse legally than people seem to think.

MfG Kai



Re: [OT] Droit d'auteur vs. free software?

2003-05-27 Thread Kai Henningsen
[EMAIL PROTECTED] (Nathanael Nerode)  wrote on 03.05.03 in [EMAIL PROTECTED]:

 Basically, it's a free speech issue.  The concept that authors and their
 heirs have inherent rights of control over their writings, in eternity
 (which is the basic concept of the system) is effectively in opposition
 to freedom of speech, as it requires all ideas to be recast so as to
 avoid the use of the forms used by anyone else, throughout history.

Which parts of Europe are we talking about here?

As far as I can tell, German Urheberrecht is pretty close to the Berne  
Convention (we were, after all, among the first nations to ratify it) and  
does not seem to recognize any such eternal rights.

All our constitution (Grundgesetz) says about it is that it is the sole  
responsibility of the federal level (i.e. out of bounds for the states)  
(73(9)).

As for the Urheberrecht itself, the key points are:

(1) Die Urheber von Werken der Literatur, Wissenschaft und Kunst genießen  
für ihre Werke Schutz nach Maßgabe dieses Gesetzes.

(The originators of works of literature, science, and art, enjoy  
protection for their works in accordance with this law.)

(28(1)) Das Urheberrecht ist vererblich.

(Copyright is inheritable.)

(64) Das Urheberrecht erlischt siebzig Jahre nach dem Tode des Urhebers.

(Copyright ceases 70 years after the death of the originator.)

[Incidentally, I believe these points are substantially unchanged from the  
state of law in the Weimar Republic, i.e. before WW II, long before the US  
recognized the Berne Convention; including the number of 70 years (Berne  
says 50). That is, the number is neither an invention of Disney nor (as is  
sometimes claimed) a way for Bavaria to keep rights for Mein Kampf - the  
number was already in effect when that book was written, and has not  
changed in the meantime. I suspect it is older than (working) digital  
computers.]

All in the same law. I don't see anything eternal here. And in any case,  
if it were about natural rights it would belong in the rights part of the  
constitution, and it's not there. (All that says about it is that art is  
free (from censors, that is).)

The right to freely express your opinion is a fundamental right. Copyright  
is just a law. (Which means that it's rather hard for copyright to intrude  
on free speech, of course.)

Yet this law does recognize some rights that cannot be conferred to  
someone else (except by inheritance).

MfG Kai



Re: [Way OT] Droit d'auteur vs. free software

2003-05-27 Thread Nathanael Nerode

Kai Henningsen said:

Which parts of Europe are we talking about here?

Those with French-style moral rights, I guess.

[Discussion of German copyright/moral rights basis snipped]
So German law seems very good on this point. :-)

[Incidentally, I believe these points are substantially unchanged from the  
state of law in the Weimar Republic, i.e. before WW II, long before the US  
recognized the Berne Convention; including the number of 70 years (Berne  
says 50). That is, the number is neither an invention of Disney nor (as is  
sometimes claimed) a way for Bavaria to keep rights for Mein Kampf - the  
number was already in effect when that book was written, and has not  
changed in the meantime. I suspect it is older than (working) digital  
computers.]
It's not life+70 which is an invention of Disney; it's the 95-year 
copyright given retroactively to pre-1976 works in the US which is an 
invention of Disney. *frown*


--Nathanael



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-23 Thread Stephane Bortzmeyer
On Wed, Apr 30, 2003 at 11:00:48AM -0400,
 Jeremy Hankins [EMAIL PROTECTED] wrote 
 a message of 15 lines which said:

 Since there's been a lot of talk about the difficulty in making a
 distinction between software and non-software, do you know how the law
 you're referring to makes this distinction?  Where would fonts,
 javascript embedded in html, latex source, postscript, etc, fit into
 this scheme?

Tough question. I just studied it and here is the result (warning:
most software engineers will not find the reply satisfactory, see the
soap box).

legalRemember, IANAL./legal

First, the only pan-European text I can find is Council Directive
91/250/EEC of 14 May 1991 on the legal protection of computer
programs
URL:http://europa.eu.int/smartapi/cgi/sga_doc?smartapi!celexapi!prod!CELEXnumdoclg=ennumdoc=31991L0250model=guichett.
This directive, which every European Union country is supposed to
implement, says only one thing which seems related to your question:

Whereas, for the purpose of this Directive, the term 'computer
program` shall include programs in any form, including those which are
incorporated into hardware; whereas this term also includes
preparatory design work leading to the development of a computer
program provided that the nature of the preparatory work is such that
a computer program can result from it at a later stage;

It clearly does not address your problem. Let's turn now to
French-specific law. There is no general definition of a program (see
the soapbox later). The closest things we find are:

* JONC, 17 janvier 1982, p. 624. A terminology document (French
language is specified in the Journal Officiel, the paper which
publishes laws and decrees...) which says that Logiciel [software]:
L'ensemble des programmes, procédés et règles et éventuellement de la
documentation, relatifs au fonctionnement d'un ensemble de traitement
de l'information.

* BODGI 4 C-7.84. A tax regulation about software which gives a
definition (almost the same).

In both cases, the associated documentation is mentioned (which seems
that the case of the Emacs manual is settled: it is regarded as a
program and hence not subject to the full extent of moral rights).

The case of documentation embedded in a program (Lisp or Python
docstrings) is also quite clear: it is part of the program.

The case of a text outside of a program (such as a lecture on dynamic
routing like
URL:http://www.nic.fr/formation/supports/formation-routagedyn/ which
is under the GFDL) is still open but it is clearly not software.

The funny cases like a novel implemented as an ebook are still open.

Soap box: law is not computer science. Most terms used in law are
never defined somewhere. This is because, unlike programs, law is
processed by humans, not by computers. And it is also because it needs
to be flexible enough to cover future cases without requiring an
update of the law (it would be ridiculous to write in law texts a list
of technologies such as a list of file formats, for instance: it
changes too fast).








Re: [OT] Droit d'auteur vs. free software?

2003-05-23 Thread James Miller
 --- Thomas Bushnell, BSG [EMAIL PROTECTED] からのメッセ
ージ:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED]
 writes:
 
  This approach means that authors will be forced to
 accept
  any kind of modifications, even those that
 directly go against
  their artistic wishes. The US system thinks this
 is OK since
  you got paid. The European system thinks this is
 not OK.
 
 *Forced*?  Forced exactly *how*?  At gunpoint?  In
 the US, and in
 Europe, a contract extracted at gunpoint is not
 valid.

 If the European public really thinks that these
 rights are important,
 then why would they be reluctant to sign contracts
 in which those
 rights are preserved to the artist?

Note US Courts choose not to enforce or allow voiding of
some contracts, as well. 

There are considerations that as a matter of public policy
end up in exception lists.  We care about protecting
gamblers; they care about their artists. :)

Also sometimers there are are economic arguments proferred
to support limitations, eg. Valuing and transacting for an
Artist's integrity or other interests in a work pose
high transaction costs, or suffer from Artists valuation
problems.


--
James Miller
[EMAIL PROTECTED]


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limits to contract formation, force, and more of the.. Re: [OT] Droit d'auteur vs. free software?

2003-05-23 Thread James Miller
 --- Thomas Bushnell, BSG [EMAIL PROTECTED] からのメッセ
ージ:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED]
 writes:
 
  Glenn Maynard wrote:
   On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud
 Galactus Engelfriet wrote:
The motivation for making them unrevokable is
 to prevent
authors from being forced to accept
 unconditional surrender
of their works. Then they could be made to
 look like total
   
   So the only way to prevent this is to remove my
 right to do it at all?
   That's ludicrous.  Rights are not preserved by
 revoking other rights.
  
  The law wants to prevent you, as an author, from
 being forced
  to unconditionally surrender your copyrights.
 That's why the
  moral rights are not revokable and not
 tranferable.
 
 Forced?  Please explain what this supposed force
 is to consist in.

There are alot of articles exploring the philosophical
basis and justifications for the proposition; suffice to
say even here in the land of apple pie and baseball, you
*cannot* make an enforcable contract if the court deems
you incapable of making legal agreements, eg. capacity to
contract.  

Moreover, if you contract for something or exchange with
something the law has determined is out of bounds, you are
agreement is a nullity, eg. illegality.

There are other examples related other fairness issues but
you might consider that even with contract the law
protects you from being taken advantage, irrespective of
what personal opinion may be.  

You are forced to accept the benefit of the law's
protection of you...

Consider though though that whether you are given a choice
to opt-in to protections varies on the circumstances. 
For example, if you are a mentally incompetent
individually your contracts are always void, but as an
adult you have the choice to accept a contract you made
as a minor--or reject it.

All notions of freedom have limits, and are always subject
to interpretation.  There are many examples outside of
U.S. contract law.

For more research on the topic review the Contract
Defenses to Formation of capacity, illegality,
unconscionability, fraud, mistake, and undue influence. 
Illinois Legal Aid has a decent description at
http://www.illinoislegalaid.org/index.cfm?fuseaction=home.dsp_contentcontentID=290.


--
James Miller
[EMAIL PROTECTED]


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Re: [OT] Droit d'auteur vs. free software?

2003-05-22 Thread Alessandro Rubini

 For Duchamp, violating the Mona Lisa was an integral part of the
 artistic statement being made.
 
 Whatever Duchamp has done, I'm sure he did it more than 50 (70) years
 after Leonardo died.

He drew mustaches on a photograph of the painting, I think, and
exposed it.

He could show his photograph around because copyright had expired on
the painting, but moral rights do not expire, at least accoding to
Italian law (just stepped on that point today).

[FWIW, I'm positive we have no problem with moral rights and free software]



Re: [OT] Droit d'auteur vs. free software?

2003-05-22 Thread Henning Makholm
Scripsit Alessandro Rubini [EMAIL PROTECTED]

  Whatever Duchamp has done, I'm sure he did it more than 50 (70) years
  after Leonardo died.

 He drew mustaches on a photograph of the painting, I think, and
 exposed it.

I'm fairly certain that would fall under the right to quote. (Most
European copyright laws give the public an explicit right to quote
from protected works for the purpose of parody, satire or commentary
on the quoted work - akin to the somewhat more fuzzy American concept
of fair use.)

 He could show his photograph around because copyright had expired on
 the painting, but moral rights do not expire, at least accoding to
 Italian law (just stepped on that point today).

Well, one also has to take into account that Mona Lisa with moustaches
only works as an artistic statement because everybody *knows* how she
looks without. Because of that same fact it would be difficult to
argue that such an obviously extraneous modification would do anything
to change the viewer's perception of Leonardo's original work.

-- 
Henning Makholm  - Or hast thee (perverted) designs
to attempt (strange, hybrid) procreation
  experiments with this (virginal female) self?



Re: [OT] Droit d'auteur vs. free software?

2003-05-21 Thread Branden Robinson
On Tue, May 20, 2003 at 04:08:33PM -0700, Thomas Bushnell, BSG wrote:
 What about Marcel Duchamp?  Dammit, stop ignoring the question!  For
 Duchamp, violating the Mona Lisa was an integral part of the
 artistic statement being made.  Does that not count?  Address the
 case.  So far it merely looks like you think that it's ok, except when
 it isn't, and you can't or won't say which.

Perhaps many Europeans understood droit d'auteur as one U.S. Supreme
Court justice famously understood pornograhy:

I can't define it, but I know it when I see it.

Three cheers for non-objective law.

-- 
G. Branden Robinson|A celibate clergy is an especially
Debian GNU/Linux   |good idea, because it tends to
[EMAIL PROTECTED] |suppress any hereditary propensity
http://people.debian.org/~branden/ |toward fanaticism.-- Carl Sagan


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Re: [OT] Droit d'auteur vs. free software?

2003-05-20 Thread Branden Robinson
On Sun, May 18, 2003 at 08:21:18PM -0700, Thomas Bushnell, BSG wrote:
 Nathanael Nerode [EMAIL PROTECTED] writes:
 
  In the US, I could mutilate your work, but I couldn't pass it off as 
  yours (that would be misrepresentation, possibly fraud).  If you were 
  alive, I couldn't distort it to give you a bad reputation: that 
  would be libel or slander, depending.  (Dead people have no 
  right to defend their reputations in the US.)
 
 I think I've figured out what's really going on with Duchamp.
 
 The French think Duchamp can mutilate the Mona Lisa because he's
 French, and Da Vinci is Italian.

Hey, wait, I thought only the Americans, British, and Germans were
nationalistic chauvinists.

/me coughs while people forget the etymology of chauvinism

-- 
G. Branden Robinson|  You live and learn.
Debian GNU/Linux   |  Or you don't live long.
[EMAIL PROTECTED] |  -- Robert Heinlein
http://people.debian.org/~branden/ |


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Re: [OT] Droit d'auteur vs. free software?

2003-05-20 Thread Branden Robinson
On Sun, May 18, 2003 at 04:25:34PM -0400, Nathanael Nerode wrote:
 Branden mentioned:
 In the U.K., truth is not a defense to libel.  It's my understanding
 that it *is* a defense in the U.S.
 
 In fact, I believe the burden of proof in the US is on the plaintiff to 
 *prove* that the alleged 'libel' is false.
 
 So, when an American sues for libel in the U.K., it's a smoking gun 
 that the libellous statements are in fact true.
 
 Hrrrm?  When an American sues in the UK?  A smoking gun for whose side?

Make up your own mind...

http://daily.nysun.com/Repository/getFiles.asp?Style=OliveXLib:ArticleToMailType=text/htmlPath=NYS/2003/03/12ID=Ar00200

-- 
G. Branden Robinson| Don't use nuclear weapons to
Debian GNU/Linux   | troubleshoot faults.
[EMAIL PROTECTED] | -- US Air Force Instruction 91-111
http://people.debian.org/~branden/ |


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Re: [OT] Droit d'auteur vs. free software

2003-05-20 Thread Branden Robinson
On Sun, May 18, 2003 at 04:40:01PM -0400, Nathanael Nerode wrote:
 Yes, which is why European copyright law is fundamentally opposed to 
 free speech.

There isn't harmony among all European jurisdictions in matters of
copyright, so this statement seems overbroad.

 This basis for copyright is expressly forbidden by the United States
 Constitution, despite some abusive laws and court rulings recently.

I think this is also overbroad; however, I do not think the
unconstitutional development of copyright laws are a recent phenomenon.

I think in theory it should be possible to construct a scheme for
copyrights and patents that would not run afoul of the First Amendment,
for instance through mandatory licensing and mechanical royalties
rendered from producers of works designed to reap a profit.

Under such an arrangement, not-for-profit organizations could publish or
build anything they like without having to pay royalties to copyright
or patent holders.  If one sought to make a profit, though, one could
share the wealth.

 There are other concepts which have been the basis of legal systems 
 in the past which are also dangerous, and are also still very real and 
 alive.

What do you mean by in the past?

 For instance: All rights whatsoever come from the king (or government).  

Today: you have whatever rights are compatible with 'compelling state
interests'.[1]

 As opposed to People are endowed by their creator with certain 
 unalienable rights.

The Delcaration of Independence is not binding upon anyone even in
theory, and is used by the U.S. government for toilet paper just as the
Bill of Rights is.

 For another instance: Some people are obviously inferior to others, 
 and should be treated so by the legal system.

Indeed.  Some people are enemy combatants, not entitled to any rights
whatsoever, even when they haven't been convicted of -- or even charged
with -- a crime.[2]

 For another instance: Criticizing the government obviously means that 
 you are disloyal and treasonous.

Yup.[3]

 Under the US system as envisioned by the Founders, some rights may be
 natural (such as the right to be identified as the author or not), but
 copyright, which can be used to *suppress* speech, is *not* natural;
 it is an artificial government-granted right.

Well, whatever we have in the U.S. today, it ain't what was envisioned
by the Founders.

[1] http://www.thrf.org/cases/Lawrence.htm
[2] http://cnss.gwu.edu/~cnss/combatants.htm
[3] http://www.whitehouse.gov/news/releases/2001/09/20010926-5.html

-- 
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Debian GNU/Linux   |you pry it from my cold, dead
[EMAIL PROTECTED] |brain.
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Re: [OT] Droit d'auteur vs. free software?

2003-05-20 Thread Henning Makholm
Scripsit [EMAIL PROTECTED] (Brian T. Sniffen)
 Henning Makholm [EMAIL PROTECTED] writes:

  Does this clear implication extend to documentation  released
  under a Free licence?  Does this clear implication extend to
  literary, visual arts, or audio works released under a Free license?

  I'd say yes, *if* the author *voluntarily* made the software free.

 Your emphasis is disturbing:  does the exchange of licenses involved
 in distributing GPL'd software derivative of other GPL'd software
 count as voluntary throughout Europe?

Note that using the word voluntary is my own invention here; it's
not a test that I know courts explicitly to use.

But essentially you're right: If the modifier only uses a free license
because that will give him some benefits (such as the opportunity to
reuse code written by someone else) rather than because he himself
believes that software should be free, then it will be harder or
impossible to carry my argument through.

 That is, is Freedom to Modify and Distribute an essential part of
 the artistic character of MySQL, XEmacs, and other works which the
 authors would rather have proprietary, but which they can't
 distribute except under the GPL?

I don't know. Would the authors really harder have them proprietary?
If that is the case, it may be possible to convince a court that the
law does not distinguish between a Big Bad Media Conglomerate the Big
Bad FSF in this respect.

However, since the moral rights do not prevent FSF from countersuing
for massive infringement (viz. GPL #7), the likely outcome of an
attempt to use moral rights to quench a derived work would be that
all of XEmacs, including the original, becomes nondistributable
everywhere. So the author would have to be particularly sinister or
desperate to choose that way out. And I think it would be impossible
for the hypothetical Evil Heirs to convince a court that such an
outcome is really what the author would have liked.

-- 
Henning Makholm  Den nyttige hjemmedatamat er og forbliver en myte.
Generelt kan der ikke peges på databehandlingsopgaver af
  en sådan størrelsesorden og af en karaktér, som berettiger
  forestillingerne om den nye hjemme- og husholdningsteknologi.



Re: [OT] Droit d'auteur vs. free software?

2003-05-20 Thread Henning Makholm
Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG)
 Henning Makholm [EMAIL PROTECTED] writes:

  No he can't. His placing Emacs under a free license, aside from his
  numerous writings about software freedom, clearly imply that his works
  have no intrinsic artistic character that could possibly be violated
  by any third-party modification.

 This is horrid.  I believe quite firmly that my work has an intrinsic
 artistic character.

Sure. But do you believe that the intrinsic artistic character it has
is one that could be violated by a third-party modification?

-- 
Henning Makholm Jeg forstår mig på at anvende sådanne midler på
   folks legemer, at jeg kan varme eller afkøle dem,
som jeg vil, og få dem til at kaste op, hvis det er det,
  jeg vil, eller give afføring og meget andet af den slags.



Re: [OT] Droit d'auteur vs. free software?

2003-05-20 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

 Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG)
  Henning Makholm [EMAIL PROTECTED] writes:
 
   No he can't. His placing Emacs under a free license, aside from his
   numerous writings about software freedom, clearly imply that his works
   have no intrinsic artistic character that could possibly be violated
   by any third-party modification.
 
  This is horrid.  I believe quite firmly that my work has an intrinsic
  artistic character.
 
 Sure. But do you believe that the intrinsic artistic character it has
 is one that could be violated by a third-party modification?

In so far as *any* work has artistic character that can be so
violated, yes.

In other words, whatever kinds of violations there are for other works
apply just so to the artistic value of software.  Someone turning a
nicely written program into a pile of spaghetti code, for example,
would be just such a degradation.

Thomas



Re: [OT] Droit d'auteur vs. free software?

2003-05-20 Thread Henning Makholm
Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG)
 Henning Makholm [EMAIL PROTECTED] writes:
  Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG)

   This is horrid.  I believe quite firmly that my work has an intrinsic
   artistic character.

  Sure. But do you believe that the intrinsic artistic character it has
  is one that could be violated by a third-party modification?

 In so far as *any* work has artistic character that can be so
 violated, yes.

Does that mean that you don't release your programs under a free
license, or that you never thought about the license you use, or that
you consider your choice of license to be severable from the artistic
statement you make with your code?

 In other words, whatever kinds of violations there are for other works
 apply just so to the artistic value of software.

But not, in my opinion to free software, where the freedom is an
integrated part of the artistic statement being made. On the contrary,
the artistic statement would often be lost if the author went on to
consider his program improperly violated by third-party modification.
In that case it would be the author, not the third party, who were not
true to his original artistic purpose.

 Someone turning a nicely written program into a pile of spaghetti
 code, for example, would be just such a degradation.

And yet, part of the artistic vision of the original work is that such
a modification is permitted.

-- 
Henning Makholm   Hør, hvad er det egentlig
  der ikke kan blive ved med at gå?



Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread Bernhard R. Link
* Nathanael Nerode [EMAIL PROTECTED] [030518 22:18]:
 Why do you think the concept is bogus? In principle I think it's
 a good idea to have something that prevents others from mutilating
 my work. The implementation sucks greatly though.
 
 It's bogus because it impinges on free speech and gives heirs of the 
 dead rights over the living.  (Just like excessive copyright durations 
 do, but I digress...)
 
 In the US, I could mutilate your work, but I couldn't pass it off as 
 yours (that would be misrepresentation, possibly fraud).  If you were 
 alive, I couldn't distort it to give you a bad reputation: that 
 would be libel or slander, depending.  (Dead people have no 
 right to defend their reputations in the US.)
 
 That's plenty sufficient to protect authors' reputations and works' 
 integrity without the need for an extra bogus 'author's rights' concept.  
 I suspect this is why the US was able to say We protect moral rights 
 plenty for Berne.

Please note, that this could also played backward. Why should libel
or slander be extended to the work of the authors?

Consider European tradition are more specific laws. The first person
stealing electricity in Germany could AFAIK not be sentenced, because
an abstractum like electric energy was not covered by the law.
(And proper looked at it, there is nothing stolen, with AC not even
 the electrons).

Please note that different law systems cathegorize differently.
I for example never understood this bogus freedom of speech 
covering pornography. The German (I don't how it is handled in 
the rest of Europe) freedom of opinion granting the right to 
have an opinion and express it (or not express it), together with 
freedom of press and some other freedoms is the thing I want, not
this overly broad statement. (Which makes it too easy to abuse
it for the wrong things or abolish it in the really important 
aspects).

Hochachtungsvoll,
  Bernhard R. Link

-- 
Sendmail is like emacs: A nice operating system, but missing
an editor and a MTA.



Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread joemoore
Henning Makholm said:
 Scripsit Nathanael Nerode [EMAIL PROTECTED]
 RMS could use his 'moral rights' to prevent someone from
 distributing a version of Emacs which could read and write Microsoft
 Word files (file format being reverse-engineered).

 No he can't. His placing Emacs under a free license, aside from his
 numerous writings about software freedom, clearly imply that his works
 have no intrinsic artistic character that could possibly be violated by
 any third-party modification.

Is this (no intrinsic artistic character) a characteristic of Emacs, or of
Free Software in general?  Does this clear implication extend to
documentation  released under a Free licence?  Does this clear implication
extend to literary, visual arts, or audio works released under a Free
license?
There have been conflicting statements on d-l about the applicability of
Free Software licenses in countries where 'moral rights' are irrevokable.

The boundary of your inference above is unclear.

--Joe




Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread Henning Makholm
Scripsit [EMAIL PROTECTED]
 Henning Makholm said:

  No he can't. His placing Emacs under a free license, aside from his
  numerous writings about software freedom, clearly imply that his works
  have no intrinsic artistic character that could possibly be violated by
  any third-party modification.

 Is this (no intrinsic artistic character) a characteristic of Emacs, or of
 Free Software in general?

Free software in general. But you are parsing it wrong. It is
no (intrinsic artistic character that could possibly be violated
by any third party modification).
There's lot of artistic character, but it consists, among other
things, in the permission to modify freely.

 Does this clear implication extend to documentation  released
 under a Free licence?  Does this clear implication extend to
 literary, visual arts, or audio works released under a Free license?

I'd say yes, *if* the author *voluntarily* made the software free.

 There have been conflicting statements on d-l about the applicability of
 Free Software licenses in countries where 'moral rights' are irrevokable.

Notice that all of those who claim that free software is impossible
come from common law-countries themselves.

-- 
Henning Makholm   Larry wants to replicate all the time ... ah, no,
   all I meant was that he likes to have a bang everywhere.



Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

 No he can't. His placing Emacs under a free license, aside from his
 numerous writings about software freedom, clearly imply that his works
 have no intrinsic artistic character that could possibly be violated
 by any third-party modification.

This is horrid.  I believe quite firmly that my work has an intrinsic
artistic character.



Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread Brian T. Sniffen
Henning Makholm [EMAIL PROTECTED] writes:

 Does this clear implication extend to documentation  released
 under a Free licence?  Does this clear implication extend to
 literary, visual arts, or audio works released under a Free license?

 I'd say yes, *if* the author *voluntarily* made the software free.

Your emphasis is disturbing:  does the exchange of licenses involved
in distributing GPL'd software derivative of other GPL'd software
count as voluntary throughout Europe?  That is, is Freedom to Modify
and Distribute an essential part of the artistic character of MySQL,
XEmacs, and other works which the authors would rather have
proprietary, but which they can't distribute except under the GPL?

Thanks for taking the time to explain this system to the Common Law
folks here.

-Brian

-- 
Brian T. Sniffen[EMAIL PROTECTED]
   http://www.evenmere.org/~bts/



Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread Brian T. Sniffen
Henning Makholm [EMAIL PROTECTED] writes:

 Scripsit Nathanael Nerode [EMAIL PROTECTED]

 RMS could use his 'moral rights' to prevent someone from 
 distributing a version of Emacs which could read and write Microsoft 
 Word files (file format being reverse-engineered).

 No he can't. His placing Emacs under a free license, aside from his
 numerous writings about software freedom, clearly imply that his works
 have no intrinsic artistic character that could possibly be violated
 by any third-party modification.

But someone, I think you, said very early in this conversation that if
an author is economically pressured to put his work under the GPL,
that putting it under the GPL would not be regarded as proof of his
intended artistic character.  Doesn't that put the GPL'd work of
groups like MySQL or the KDE group at risk under your system?

-Brian



Re: [OT] Droit d'auteur vs. free software?

2003-05-19 Thread Nathanael Nerode
Please note, that this could also played backward. Why should libel
or slander be extended to the work of the authors?

Huh?  It's not being extended at all.  There's no right of the *work*. 
It's simply the right of the *author* not to be defamed.  You can do 
whatever you want with the work if you don't do it in public, and you 
can say whatever you want about the work; it's only false claims about 
the *author* that you can't make in public (including implied claims).

Consider European tradition are more specific laws. The first person
stealing electricity in Germany could AFAIK not be sentenced, because
an abstractum like electric energy was not covered by the law.
(And proper looked at it, there is nothing stolen, with AC not even
 the electrons).

In a common law country, you might not have been able to sentence them 
(which is just fine by me -- people shouldn't go to jail for 'stealing' 
electricity), but you would always have been able to sue them, and 
a judge could always order them to stop and repay costs.  Without any 
specific statutes at all.

Unfortunately (IMO) we have been on the trend towards codification of 
all possible laws for a long time.

How different are things really on the Continent?  Is *everthing* codified?
Perhaps it is; I believe the French (Napoleonic Code) system requires 
*every* ruling to be based on a specific article of the code.

Please note that different law systems cathegorize differently.
I for example never understood this bogus freedom of speech 
covering pornography. The German (I don't how it is handled in 
Uh, it only covers pornography with 'social, literary, or scientific 
value', or something like that.  (I may have got the phrase wrong.)  
That's not bogus at all.  Perhaps you disagree with the wide latitude 
our courts traditionally give to claims that something has such value 
(as do many people, though not me).

the rest of Europe) freedom of opinion granting the right to 
have an opinion and express it (or not express it), together with 
Many First Amendement cases on freedom of speech here feature the 
anti-freedom people arguing that the speech is worthless and the 
pro-freedom people arguing that it's socially valuable precisely because 
it expresses an opinion about an important issue.  I don't see a difference 
between German and American law here, really.

freedom of press and some other freedoms is the thing I want, not
this overly broad statement. (Which makes it too easy to abuse
it for the wrong things or abolish it in the really important 
aspects).

Anyway, we're getting even further off topic.



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Nathanael Nerode
Arnoud Galatus Engelfriet said:

Why do you think the concept is bogus? In principle I think it's
a good idea to have something that prevents others from mutilating
my work. The implementation sucks greatly though.

It's bogus because it impinges on free speech and gives heirs of the 
dead rights over the living.  (Just like excessive copyright durations 
do, but I digress...)

In the US, I could mutilate your work, but I couldn't pass it off as 
yours (that would be misrepresentation, possibly fraud).  If you were 
alive, I couldn't distort it to give you a bad reputation: that 
would be libel or slander, depending.  (Dead people have no 
right to defend their reputations in the US.)

That's plenty sufficient to protect authors' reputations and works' 
integrity without the need for an extra bogus 'author's rights' concept.  
I suspect this is why the US was able to say We protect moral rights 
plenty for Berne.

--Nathanael



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Nathanael Nerode
Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote:

If I transfer my copyright, I can not stop you from harming 
my reputation. That's why the law has the extra provision that
helps me protect my moral rights.
No.  Under US law, you can stop me from harming your reputation under 
libel, slander, and other defamation laws.  In fact, you can stop me 
even if you *don't* transfer your copyright to me!  We don't need 'moral 
rights' for this!

Don't you have libel, slander, and defamation laws in Continental 
Europe?  I assume you do.

This approach means that authors will be forced to accept
any kind of modifications, even those that directly go against
their artistic wishes. The US system thinks this is OK since
you got paid. The European system thinks this is not OK.

No.  The US system thinks it is OK for authors to *allow* modifications 
which go against their artistic wishes.  If you don't want to allow this,
don't transfer your copyright; issue a license which requires your 
approval for modifications.

The French system, at any rate, says that you can *never* waive your 
right to control derivative works.  (This is the version where 'moral 
rights' are *perpetual*.)  This is demented.

The German and Netherlands versions of 'moral rights' may be weak enough 
not to be troublesome.  The French version is *certainly* troublesome.

--Nathanael



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Nathanael Nerode
Arnoud Galactus Engelfriet [EMAIL PROTECTED] said:
I suppose maybe Theo de Raadt could use his moral rights
against people adding buffer overflows to his code, but
otherwise it might be difficult to come up with this type
of claim. You have to argue something that shows how your
reputation is harmed.

You just gave a good example, but here's a better one:
RMS could use his 'moral rights' to prevent someone from 
distributing a version of Emacs which could read and write Microsoft 
Word files (file format being reverse-engineered).

How's that for a nasty, unpleasant scenario?

--Nathanael



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Nathanael Nerode
Branden mentioned:
In the U.K., truth is not a defense to libel.  It's my understanding
that it *is* a defense in the U.S.

In fact, I believe the burden of proof in the US is on the plaintiff to 
*prove* that the alleged 'libel' is false.

So, when an American sues for libel in the U.K., it's a smoking gun 
that the libellous statements are in fact true.

Hrrrm?  When an American sues in the UK?  A smoking gun for whose side?

--Nathanael



Re: [OT] Droit d'auteur vs. free software

2003-05-18 Thread Nathanael Nerode
Arnoud Galactus Engelfriet [EMAIL PROTECTED] said:

I'm not sure it's entirely the right time, but the basic
principle behind European copyright law is that you have
by definition certain rights. Not just to promote progress,
but simply because you made the work. It's your intellectual
property. 

Yes, which is why European copyright law is fundamentally opposed to 
free speech.  This basis for copyright is expressly forbidden by the 
United States Constitution, despite some abusive laws and court 
rulings recently.

Anyway, I'm just trying to explain the concept. I think it's
being taken very far right now. Feel free to consider it
stupid or outdated, but that doesn't make the concept go away.

I don't consider it *outdated*, I consider it *dangerous*.  It's a very 
real concept, and a very real threat to freedom of speech.  
That's why I try to explain it to people. :-)

There are other concepts which have been the basis of legal systems 
in the past which are also dangerous, and are also still very real and 
alive.

For instance: All rights whatsoever come from the king (or government).  
As opposed to People are endowed by their creator with certain 
unalienable rights.

For another instance: Some people are obviously inferior to others, 
and should be treated so by the legal system.

For another instance: Criticizing the government obviously means that 
you are disloyal and treasonous.

Perhaps these are more obvious, but I consider the idea that an author 
has natural, basic rights of total control over his writings (beyond the 
right to be identified or not identified as the author) to be another
dangerous, anti-freedom idea.  Under the US system as envisioned by the 
Founders, some rights may be natural (such as the right to be identified 
as the author or not), but copyright, which can be used to *suppress* 
speech, is *not* natural; it is an artificial government-granted right.

--Nathanael



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Henning Makholm
Scripsit Nathanael Nerode [EMAIL PROTECTED]

 RMS could use his 'moral rights' to prevent someone from 
 distributing a version of Emacs which could read and write Microsoft 
 Word files (file format being reverse-engineered).

No he can't. His placing Emacs under a free license, aside from his
numerous writings about software freedom, clearly imply that his works
have no intrinsic artistic character that could possibly be violated
by any third-party modification.

I wonder why this is so hard a concept to understand. Are you just
spreading FUD?

-- 
Henning Makholm However, the fact that the utterance by
   Epimenides of that false sentence could imply the
   existence of some Cretan who is not a liar is rather unsettling.



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Thomas Bushnell, BSG
Nathanael Nerode [EMAIL PROTECTED] writes:

 In the US, I could mutilate your work, but I couldn't pass it off as 
 yours (that would be misrepresentation, possibly fraud).  If you were 
 alive, I couldn't distort it to give you a bad reputation: that 
 would be libel or slander, depending.  (Dead people have no 
 right to defend their reputations in the US.)

I think I've figured out what's really going on with Duchamp.

The French think Duchamp can mutilate the Mona Lisa because he's
French, and Da Vinci is Italian.

The creator's rights apply only if it isn't a French mutilator of an
Italian work.

Or, maybe, just maybe, it's all smoke, and the French (and others)
have some *other* reason for their new law other than their pretend
respect for the reputations and work of the dead.



Re: [OT] Droit d'auteur vs. free software?

2003-05-18 Thread Thomas Bushnell, BSG
Nathanael Nerode [EMAIL PROTECTED] writes:

 Branden mentioned:
 In the U.K., truth is not a defense to libel.  It's my understanding
 that it *is* a defense in the U.S.
 
 In fact, I believe the burden of proof in the US is on the plaintiff to 
 *prove* that the alleged 'libel' is false.

Um, it's really complex.  If the target is not a public figure, and
the statements are defamatory, then the plaintiff doesn't have to
prove it's false--merely that the defendant acted with disregard for
the truth.  (Truth *is* a defense still, but the burden is on the
defendant to argue it.)

For public figures, this isn't true; in that case, the plaintiff must
prove the falsehood of the statement.  This means that public figures
are more exposed to defamation, as the price of their publicity.

My understanding is that in the UK truth is still a defense, it's just
that the defendent must prove it in *all* cases, not just ones with
non-public-figure plaintiffs, and that the burden of proof is much
higher.

Thomas



Re: [OT] Droit d'auteur vs. free software?

2003-05-17 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 This approach means that authors will be forced to accept
 any kind of modifications, even those that directly go against
 their artistic wishes. The US system thinks this is OK since
 you got paid. The European system thinks this is not OK.

*Forced*?  Forced exactly *how*?  At gunpoint?  In the US, and in
Europe, a contract extracted at gunpoint is not valid.

If the European public really thinks that these rights are important,
then why would they be reluctant to sign contracts in which those
rights are preserved to the artist?



Re: [OT] Droit d'auteur vs. free software?

2003-05-17 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 People will think you made the silly modifications, and so
 your reputation is harmed. I am not required by law to say
 I modified the work if I bought the copyright from you.

But that's true whether I start with your work at all.  I can make
something with nothing of your work at all in it, and say you made it,
and soil your reputation.  



Re: [OT] Droit d'auteur vs. free software?

2003-05-17 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 Possible, unless I'm so famous that people would recognize
 the painting as being from me anyway. Or the painting has
 been on display as being mine for some time. Or whatever.

What about Marcel Duchamp?  Was his work morally reprehensible?  Why
is it shown in French museums?  



Re: [OT] Droit d'auteur vs. free software?

2003-05-17 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 Glenn Maynard wrote:
  On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote:
   The motivation for making them unrevokable is to prevent
   authors from being forced to accept unconditional surrender
   of their works. Then they could be made to look like total
  
  So the only way to prevent this is to remove my right to do it at all?
  That's ludicrous.  Rights are not preserved by revoking other rights.
 
 The law wants to prevent you, as an author, from being forced
 to unconditionally surrender your copyrights. That's why the
 moral rights are not revokable and not tranferable.

Forced?  Please explain what this supposed force is to consist in.



Re: [OT] Droit d'auteur vs. free software?

2003-05-17 Thread Mahesh T. Pai
On Sat, May 17, 2003 at 03:06:47PM -0700, Thomas Bushnell, BSG said:
= Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:
= 
=  This approach means that authors will be forced to accept
=  any kind of modifications, even those that directly go against
=  their artistic wishes. The US system thinks this is OK since
=  you got paid. The European system thinks this is not OK.
= 
= *Forced*?  Forced exactly *how*?  At gunpoint?  In the US, and in
= Europe, a contract extracted at gunpoint is not valid.

Most  common  law  jurisdictions  I  have studied  treat  even  subtle
pressures, including  econimic threats as  'force'; you need  not show
that you signed with a gun at your head.

Regards,
Mahesh T. Pai.



-- 
+==+
 Mahesh T. Pai, Advocate,   
 'NANDINI', S. R. M. Road,  
 Ernakulam, Cochin-682018, http;//in.geocities.com/paivakil 
 Kerala, India.
+==+



Example of inalienable copyright provisions in U.S. law and some other clarifications on Procedural Bars vs. Substantive Merits of Claims (long); was Re: [OT] Droit d'auteur vs. free software?

2003-05-15 Thread James Miller
(My idea in participating in these debates is to provide
some areas to research assertions.  I will not express a
legal opinion on the fact specific issues.  I'm including
citations and snippets for people's reference, not to be
pedandic.  People have been saying that's very helpful but
let me know if you've already put me in your kill file...
:)

 --- Thomas Bushnell, BSG [EMAIL PROTECTED] からのメッセ
ージ:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED]
 writes:
 
 We already have that concept.  Ownership.  We even
 have an extra
 thing: Copyright.  Both of these, under US law,
 are fully sufficient
 to prevent others from mutilating your work
 without your consent.  
 
 If you don't want it mutilated, don't sell it.  Or
 sell it subject to
 a contract that prevents unauthorized modification.
 
 The European system *forces* you to have such a
 contract.

Would you agree that reliance on contractural bargaining
alone to protect artists interests can exhibit less than
desirable results?  I think it is a serious problem and
significantly related to the themes of freedom in
software licensing.

The U.S. copyright regime recognizes that artists are
often inexperienced or underskilled negotiators and that
the system needs to err on their side sometimes.  

An example that comes to mind is rights of
renewal/termination.  The law gives heirs the right to
terminate and renew (essentially a second bite at the
apple) but limits the circumstances.  Quirky decision, but
definitely recognizes that frequently artists get screwed
(especially early in their career) and then end up with
the $200 they got for selling their hit song that made the
copyright owner billions.

In fact you can't assign away your right to terminate--in
effect an inalienable U.S. copyright provision, eh.  See
17 U.S.C. Secs. 203(a)(5)  304(c)(5).  Oh, here's the
legistlative record on the issue, H.R. Rep. No. 94-1476,
94th Cong., 2d Sess. 125 (1976).

Section  304(c) relates to a recovery of the a renewal
term and an opportunity to terminate a transfer (even if
they'd screwed up their first chance) and is discussed as
a second bite at the termination apple by commentators.

There's a very (inexpensive) good reference I recommend
that discusses, inter alia, this issue pretty consisely. 
Marshall Leaffer, Understanding Copyright Law, at 247
(1999).  You can find it on Amazon or at your library no
doubt.

Fred Fisher Music, v. M. Witmark  Sons, 318 U.S. 643
(1943) is the big case in this area which is also
something to famiiarize yourself with to understand
termination of transfer and renewal rights (under the
pre-1976 Act anyway...)

Moreover, general economic analysis can support
inalienability of certain rights.  Right holders
undervaluing of long-term vs. short-term returns,
transactions costs, etc. could support a more public law
approach to rights of paternity or integrity.
 
 We have seen the claim that a change in the color of
 curtains
 constitutes a damage to honor or reputation.

Whether it's a claim is less relevant than whether there
are decisions supporting the view right?
 
 It's not too far to say that a change which
 implements a protocol the
 original author hated would be a damage to honor or
 reputation.  Or a
 change which alters the look and feel of an
 interface, given the heavy
 artistic content that really is a part of such
 things.

Well, the case law I've seen suggests that even the French
courts are reluctant to give authors too free rein on
defining their harms and intent.  The Courts seem to limit
claims by a reasonableness test which tends to curtail
the scope of potential claims.

In light of that, authors might discuss the content of a
reasonable statement of integrity and reputation for their
licenses.  An aspect might be what kind of reputation and
integrity interests FOSS authors share.

I wonder if the relevant *debian* integrity and reputation
concerns would turn on subsequent free works congruence
with the social contract and its notions of freedom?  

Existing precedent I've read suggests Courts give weight
to the relationship between claims and objective view of
author's interests, when interpreting moral rights
claims--whether proffered by an author or his
heirs/assigns.

   No.  When property lands in the hands of heirs,
 they manage it however
   they want.  That's the way normal property does.

  In the US view, copyrights are property rights.
 Author's rights 
  are in the European view not property but natural
 rights. In some

That's an interesting assertion.  Moral rights are not
treated as property rights?  They are statutory rights
then?

  cases they are treated as property rights for
 reasons of
  convenience. But you cannot argue using the law of
 property how
  author's rights are treated.

How do moral rights jurisdictions treat the rights?  My
research suggests that Japan, UK, Germany, and France
treat them as property rights.

 I understand that.  My point is that author's rights
 are going to be
 

Re: [OT] Droit d'auteur vs. free software?

2003-05-14 Thread James Miller
 --- Steve Langasek [EMAIL PROTECTED] からのメッセ
ージ:
 On Tue, May 13, 2003 at 01:48:47AM -0500, Branden
 Robinson wrote:
  On Mon, May 12, 2003 at 01:12:10PM -0500, Steve
 Langasek wrote:
   There are already libel and slander laws to
 prevent damaging a
   person's reputation through falsehoods.
 
  In the U.K., truth is not a defense to libel. 
 It's my understanding
  that it *is* a defense in the U.S.
 
  So, when an American sues for libel in the U.K.,
 it's a smoking gun that
  the libellous statements are in fact true.
 
 Which only strengthens the argument that droit
 d'auteur is unnecessary
 for protecting an author's reputation.
 
 -- 
 Steve Langasek
 postmodern programmer

Protections under trademark and other common law
protections was one of the arguments used to support the
U.S. position that no changes were needed to comply with
Berne Convention requirements on protections for moral
rights.

It's not necessarily a well received argument though.. :)


--
James Miller
[EMAIL PROTECTED]


__
Do You Yahoo!?
Yahoo! BB is Broadband by Yahoo!
http://bb.yahoo.co.jp/



Re: [OT] Droit d'auteur vs. free software?

2003-05-14 Thread James Miller
 --- Arnoud Galactus Engelfriet [EMAIL PROTECTED] から
のメッセージ:
 Stephane Bortzmeyer wrote:
  As I already explained several days ago, the right
 to prevent
  modifications does NOT exist for SOFTWARE.
 Author's rights on SOFTWARE
  are quite limited, even in Europe. 
 
 Moral rights are excluded for software? Can you
 please give
 me a citation for that? As far as I can tell, the
 Berne
 Convention nor any of the WIPO treaties say anything
 like this.

Generally it varies pretty widely among jurisdictions, but
I don't recal commentary on Berne or WIPO.  Obviously it
can be excluded from protection by Berne if signatories
implement it domestically.

I am looking for some cross sections I'd done of treatment
of software in various jurisdictions.  In the meantime
Sterling and Stromholm are pretty standard international
copyright references, and here's some cites below for UK,
Japan, Germany.  I seem to recal Canada was an interesting
case.

 See J.A.L. Sterling, LL.B., World Copyright Law,
Protection of Author's Works, Performances, Phonographs,
Films Video, Broadcasts, and Published Editions in
National, International and Regional Law 308, 322-27
(1998) (surveying the rights of adaptation and
distribution in the economic rights context from national
and international legislative and case law sources); see
also Stig Stromholm, Copyright Comparison of Laws 16-18
(1990) (presenting the national treatment of adaptations
and pointing out that although underlying principles of
the domestic laws would support protection of adaptations
most specifically enumerate adaptations or derivative
works as protected works).

See Sterling at 288 (describing Germany's general
treatment and lack of restrictions of applying moral
rights to software).

  See id. at 289 (noting the United Kingdom's lack of any
moral rights protections for software).

  See id. at 291 (describing France and Japan's treatment
of moral rights for software by limiting the application
of the right of integrity by prohibiting invoking the
rights against changes by users for compatibility).

 
 -- 
 Arnoud Engelfriet, Dutch patent attorney - Speaking
 only for myself
 Patents, copyright and IPR explained for techies:
 http://www.iusmentis.com/



--
James Miller
[EMAIL PROTECTED]


__
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Re: [OT] Droit d'auteur vs. free software?

2003-05-14 Thread Matthew Palmer
On Tue, 13 May 2003, Arnoud Galactus Engelfriet wrote:

   This approach means that authors will be forced to accept
   any kind of modifications, even those that directly go against
   their artistic wishes. The US system thinks this is OK since
   you got paid. The European system thinks this is not OK.
  
  I think it's okay.  If you no longer hold copyright, how can it affects
  your reputation?
 
 See above. People will recognize certain works as behind from
 a certain author. It could be the author sold the copyright,

I'm wondering how people will recognise the work as being produced by a
certain person.  I see two sorts of people here:

* Those who are familiar with the author's work, and will most likely
know what is and isn't the author's style.

* The rest of us.  They need some means of linking the author to the work
(whether it be a label, a book jacket, or whatever).  But the act of
labelling the work as the author's is saying this is a work by foo.  If
it has been modified, however, it is no longer a work by foo, and hence
that would surely be libel (US or European, it doesn't really matter. 
Someone's telling porkies to make someone else look bad).

IANAL, so if I've made any major mistakes of logic or law, please point them
out (gently).

  This is _not_ a legal argument.  It's a common sense argument.
  Unfortunately some laws don't make sense.
 
 Indeed. So I guess the question is, do you want to pay
 any attention to laws that do not make sense? Are you
 worried about the (remote) possibility of free software
 authors accusing people of violating their moral rights
 to stop certain modifications?

Or their heirs and successors.  Either way, there is a way to essentially
take back what you've previously said, possibly leaving a lot of people in
the lurch.

I've seen a lot of people saying but author's rights are OK because courts
won't make bad decisions, and then I look at the reams of really stupid
judgements made by people in decision-making positions, and shudder.


-- 
---
#include disclaimer.h
Matthew Palmer, Geek In Residence
http://ieee.uow.edu.au/~mjp16




Re: [OT] Droit d'auteur vs. free software?

2003-05-14 Thread James Miller
 --- James Miller [EMAIL PROTECTED] からのメッセー
ジ:
  --- Arnoud Galactus Engelfriet [EMAIL PROTECTED]
 から
 のメッセージ:
  Stephane Bortzmeyer wrote:
   As I already explained several days ago, the
 right
  to prevent
   modifications does NOT exist for SOFTWARE.
  
  Moral rights are excluded for software? Can you
  please give
  me a citation for that? As far as I can tell, the
  Berne
  Convention nor any of the WIPO treaties say
 anything
  like this.
 
[..]
 Obviously it
 can be excluded from protection by Berne if

Opps, I mean cannot.

 signatories
 implement it domestically.
 
 I am looking for some cross sections I'd done of
 treatment

I'll see if I can't track those down.

--
James Miller
[EMAIL PROTECTED]


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Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Dylan Thurston
On Mon, 12 May 2003 14:50:28 -0400, Glenn Maynard wrote:
 On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote:
  The motivation for making them unrevokable is to prevent
  authors from being forced to accept unconditional surrender
  of their works. Then they could be made to look like total
 
 So the only way to prevent this is to remove my right to do it at all?
 That's ludicrous.  Rights are not preserved by revoking other rights.

Whatever you may think of the specific merits of the droit d'auteur
system, please bear in mind that every legal system gives you rights
you cannot barter away.  For instance, no modern legal system lets you
sell yourself into slavery, and I think that that is a good thing.  So
the question is which rights are fundamental and irrevocable and
unable to be sold, not whether there are such rights.

Peace,
Dylan



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Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Branden Robinson
On Mon, May 12, 2003 at 01:12:10PM -0500, Steve Langasek wrote:
 There are already libel and slander laws to prevent damaging a
 person's reputation through falsehoods.

In the U.K., truth is not a defense to libel.  It's my understanding
that it *is* a defense in the U.S.

So, when an American sues for libel in the U.K., it's a smoking gun that
the libellous statements are in fact true.

-- 
G. Branden Robinson| Don't use nuclear weapons to
Debian GNU/Linux   | troubleshoot faults.
[EMAIL PROTECTED] | -- US Air Force Instruction 91-111
http://people.debian.org/~branden/ |


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Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Branden Robinson
On Mon, May 12, 2003 at 09:05:59AM -0700, Thomas Bushnell, BSG wrote:
 Marcel Duchamp, is he no longer the hero of French artists?

Given that our French participants keep ignoring this question from you,
I guess the answer is yes, he is no longer the hero of French artists.

Perhaps he has been supplanted by Derrida.

-- 
G. Branden Robinson| You don't just decide to break
Debian GNU/Linux   | Kubrick's code of silence and then
[EMAIL PROTECTED] | get drawn away from it to a
http://people.debian.org/~branden/ | discussion about cough medicine.


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Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Branden Robinson
On Mon, May 12, 2003 at 02:50:28PM -0400, Glenn Maynard wrote:
 That's ludicrous.  Rights are not preserved by revoking other rights.

Sure they are.  My right to breathe clean air, drink clean water, not be
bathed in gamma radiation, etc., is preserved by revoking the rights of
U.S. corporations to pollute.[1]

However, given the current de facto U.S. political system, I'm not going
to count on my rights being so preserved.

[1] Your right to swing your fist only ends at the tip of my nose if
you haven't bought laws from the government that enable to keep on
cruising, all the way through my skull and out the other side.
Needless to say, large corporations in the U.S. and other countries
have in fact bought precisely that.  It's called limited liability.

-- 
G. Branden Robinson| It's not a matter of alienating
Debian GNU/Linux   | authors.  They have every right to
[EMAIL PROTECTED] | license their software however we
http://people.debian.org/~branden/ | like.  -- Craig Sanders


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Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Edmund GRIMLEY EVANS
Dylan Thurston [EMAIL PROTECTED]:

 Whatever you may think of the specific merits of the droit d'auteur
 system, please bear in mind that every legal system gives you rights
 you cannot barter away.  For instance, no modern legal system lets you
 sell yourself into slavery, and I think that that is a good thing.  So
 the question is which rights are fundamental and irrevocable and
 unable to be sold, not whether there are such rights.

Agreed. However the use of the term rights is not universal and can
cause annoyance. For example, in the UK there are huge restrictions on
what is allowed in a contract of employment. For example, as far as I
know, if the contract says the employee can't go and work for a
competitor, then the employee can ignore that condition.[1] However,
although people could call this a right to go and work for a
competitor, they don't, and people don't use the word rights very
much at all in this context.

Also, there is no close comparison between a law against slavery and
droit d'auteur. Treating someone as a slave is likely to be a criminal
offense even if the abused person doesn't complain (in principle; in
practice it might be hard to procecute if the abused person refuses to
cooperate as a witness) and the law prevents slavery by refusing to
enforce certain kinds of contract. This is rather different from the
courts actively helping an author (or an author's heirs) who complain
about moral rights. On the one hand we have the police refusing to
help recapture an escaped slave and the courts not awarding damages
to the slave owner. On the other hand we have the courts awarding
damages against a building owner who changes the colour of the blinds
on their own property. Not much of an analogy, IMHO.

Edmund

[1] A friend of mine got a job in London working for a US company. He
was asked to travel to the USA to sign his employment contract,
perhaps to prevent him leaving and going to work for a competitor in
the USA, even if they couldn't stop him leaving to work for a
(possibly US) competitor in Europe.



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Stephane Bortzmeyer
On Mon, May 12, 2003 at 07:47:12PM +0200,
 Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote 
 a message of 14 lines which said:

 Stephane Bortzmeyer wrote:
  As I already explained several days ago, the right to prevent
  modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE
  are quite limited, even in Europe. 
 
 Moral rights are excluded for software? 

I never said so (unless my typing is so bad that I wrote excluded
when meaning limited).

 Can you please give me a citation for that?

See my previous messages and the quotes from Mélanie
Clément-Fontaine's analysis.



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Steve Langasek
On Tue, May 13, 2003 at 01:48:47AM -0500, Branden Robinson wrote:
 On Mon, May 12, 2003 at 01:12:10PM -0500, Steve Langasek wrote:
  There are already libel and slander laws to prevent damaging a
  person's reputation through falsehoods.

 In the U.K., truth is not a defense to libel.  It's my understanding
 that it *is* a defense in the U.S.

 So, when an American sues for libel in the U.K., it's a smoking gun that
 the libellous statements are in fact true.

Which only strengthens the argument that droit d'auteur is unnecessary
for protecting an author's reputation.

-- 
Steve Langasek
postmodern programmer


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Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Arnoud Galactus Engelfriet
Steve Langasek wrote:
 On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote:
  If I transfer my copyright, I can not stop you from harming 
  my reputation.
 
 No?  What can the new copyright holder do to harm your reputation that
 you aren't protected from under other laws?  

He can modify the work in a way that makes it lose its artistic
integrity. Since I'm a famous artist, people will recognize it
as mine but with stupid modifications. That makes me look
stupid. Or that's the theory.

  The author always retains the right to object to mutilations
  of the work. It's his natural right.
 
 What a funny use of the term natural right.

I'm not sure it's entirely the right time, but the basic
principle behind European copyright law is that you have
by definition certain rights. Not just to promote progress,
but simply because you made the work. It's your intellectual
property. 

Anyway, I'm just trying to explain the concept. I think it's
being taken very far right now. Feel free to consider it
stupid or outdated, but that doesn't make the concept go away.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Arnoud Galactus Engelfriet
Peter S Galbraith wrote:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote:
  If I transfer my copyright, I can not stop you from harming 
  my reputation. That's why the law has the extra provision that
  helps me protect my moral rights.
 
 If I transfer my copyright to you, you can't (IMHO) damage my reputation
 by doing silly things to my work.  You can damage _your_ reputation by
 doing that.

People will think you made the silly modifications, and so
your reputation is harmed. I am not required by law to say
I modified the work if I bought the copyright from you.

  This approach means that authors will be forced to accept
  any kind of modifications, even those that directly go against
  their artistic wishes. The US system thinks this is OK since
  you got paid. The European system thinks this is not OK.
 
 I think it's okay.  If you no longer hold copyright, how can it affects
 your reputation?

See above. People will recognize certain works as behind from
a certain author. It could be the author sold the copyright,
but that's not important. If I see a painting or a photo, I
do not care who has the copyright but I do care who is the
painter. If it's a good painting, maybe I'll ask the painter
to make one for me as well. If it's a silly painting, I will
think the painter is silly.

So what you do to works I created could harm my reputation.

 This is _not_ a legal argument.  It's a common sense argument.
 Unfortunately some laws don't make sense.

Indeed. So I guess the question is, do you want to pay
any attention to laws that do not make sense? Are you
worried about the (remote) possibility of free software
authors accusing people of violating their moral rights
to stop certain modifications?

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Arnoud Galactus Engelfriet
Glenn Maynard wrote:
 On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote:
  The motivation for making them unrevokable is to prevent
  authors from being forced to accept unconditional surrender
  of their works. Then they could be made to look like total
 
 So the only way to prevent this is to remove my right to do it at all?
 That's ludicrous.  Rights are not preserved by revoking other rights.

The law wants to prevent you, as an author, from being forced
to unconditionally surrender your copyrights. That's why the
moral rights are not revokable and not tranferable.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Edmund GRIMLEY EVANS
Arnoud Galactus Engelfriet [EMAIL PROTECTED]:

 So what you do to works I created could harm my reputation.

I could make a silly modificaton to your painting and avoid mentioning
that you created the original. This wouldn't harm your reputation.

Alternatively I could create a totally original silly painting and
claim you created it. This would harm your reputation.

So the concept of droit d'auteur being discussed seems nicely
orthogonal to the question of harming reputations. Perhaps this
reputation business is a red herring.



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Arnoud Galactus Engelfriet
Peter S Galbraith wrote:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote:
  People will think you made the silly modifications, and so
  your reputation is harmed. I am not required by law to say
  I modified the work if I bought the copyright from you.
 
 Okay.  But in the case of free software, the author _still_ does hold
 the copyright.  So the silly derived works must be marked as modified
 (following the license).  What extra protection is required?

I think this is a pretty good argument, actually. Because the
license requires me to identify myself and my changes, the
public will know that the silly bits originated with me and
are not your doing. So my modifications cannot harm your
reputation.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Arnoud Galactus Engelfriet
Edmund GRIMLEY EVANS wrote:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED]:
  So what you do to works I created could harm my reputation.
 
 I could make a silly modificaton to your painting and avoid mentioning
 that you created the original. This wouldn't harm your reputation.

Possible, unless I'm so famous that people would recognize
the painting as being from me anyway. Or the painting has
been on display as being mine for some time. Or whatever.

I'm sure it's quite possible to make modifications that
destroy the integrity of the work and yet do not harm the
author's reputation. Those are fine. The law simply forbids
such bad modifications *if* they harm my reputation. 

 Alternatively I could create a totally original silly painting and
 claim you created it. This would harm your reputation.

Correct. I could sue you for defamation or whatever though. And 
yes, I could do the same if you harmed my reputation by mutilating
my picture. The law just gave me an extra tool in the form of
my moral rights on the picture.

 So the concept of droit d'auteur being discussed seems nicely
 orthogonal to the question of harming reputations. Perhaps this
 reputation business is a red herring.

It's quite possible the concept has outlived its usefulness.
Keep in mind these things started out in the 19th century.
And European copyright law in particular still has many 
romantic ideas about authors and other creators. It's always
the starving musician with the ten hungry children in the
basement who needs more and longer protection. And of course
this genius also should be protected against unscrupulous
businesses that will make stupid changes to his work and
totally destroy his reputation.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Peter S Galbraith
Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote:

 Peter S Galbraith wrote:
  Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote:
   People will think you made the silly modifications, and so
   your reputation is harmed. I am not required by law to say
   I modified the work if I bought the copyright from you.
  
  Okay.  But in the case of free software, the author _still_ does hold
  the copyright.  So the silly derived works must be marked as modified
  (following the license).  What extra protection is required?
 
 I think this is a pretty good argument, actually. Because the
 license requires me to identify myself and my changes, the
 public will know that the silly bits originated with me and
 are not your doing. So my modifications cannot harm your
 reputation.

Hmmm.  You're agreeing with me.  Do you realize this is a Debian list?
How are we supposed to flame each-other if you do that?

:-)

[For the humour-impaired, the above is a joke.]

Peter



Re: [OT] Droit d'auteur vs. free software?

2003-05-13 Thread Bernhard R. Link
* Steve Langasek [EMAIL PROTECTED] [030512 22:50]:
  Natural is a quite common description for something seen as so
  evident, that it needs no justification. So one can argue, if it
  is a natural right, but after I saw people pretending a right to
  own weapons this one is not funny at all.
 
 It is not evident at all to me that anyone has a *right* to a positive
 reputation; 

This does not matter, as long as you do not critisize your own usage
of natural. (And it's not about a positive reputation but about
protection against worsening it in a unfair way).

 nor is it evident to me that protecting one's work from
 alteration is the most effective way to ensure a good reputation.
 Censoring all criticism of the work is certainly far more effective, so
 why not regard freedom from criticism as a natural right?

It's not about criticism. It's about things like tear your artwork
on a public place and dancing a jig on it.

  I think the direct and natural way to avoid damnifing contracts is to make
  them void. Laws need to be enforceable to be useful.
 
 This law does so at the expense of other, valid motives -- such as Free
 Software.

I'm still waiting for explanation how it could do so. Remember that
it does not differentiate between a person giving things away for free
and a programmer fired from a large corporation.

Hochachtungsvoll,
  Bernhard R. Link

-- 
Sendmail is like emacs: A nice operating system, but missing
an editor and a MTA.



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Arnoud Galactus Engelfriet
Thomas Bushnell, BSG wrote:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:
  As far as I know, the heirs must follow the author's intentions
  when applying the inherited moral right. They cannot decide
  for themselves whether *they* like the change, they must guess
  whether the now deceased author would have liked it. 
 
 But the author is dead.  And people all the time guess wrong.  For
 example, imagine a closeted gay author who died fifty years ago.  His
 heirs are homophobic, and oppose the publication of any biography that
 accurately describes the man's life.  And accordingly they oppose any
 use of his works in the biography.

Then they're not doing what the law says they must. Not much
you can do about that, other than hoping the judge will see
it differently.

 What the person thinks is defamatory, and what the heirs think, are
 simply not the same thing.  Even if the heirs do their very best job,
 the whole point of the set up is that you *discount* what the author
 says, because the author *cannot* be deemed to be renouncing the
 right.  If the heirs can convince a court, it won't matter at all
 whether they are right.

If the author does not complain, then it's reasonable to assume
his moral right isn't harmed. And if after his death his heirs
do complain, then the court is faced with the question whether
this is in line with what the author would have wanted. Of course,
if the heirs are good liars and/or the court is gullible, then
you can arrive at something that's totally contrary to the
author's wishes.

  Heirs unfortunately sometimes do things to works that the author
  probably would not have liked (like publishing unpublished works
  he considered not good enough). Strangely enough no one can do
  anything about that.
 
 Strangely?  THE MAN IS DEAD.  Dead men have no rights.  How hard is
 this? 

When he died, his copyright and moral rights went to his heirs.
It is now their responsibility to manage those rights in the
way the deceased author would have wanted. I think it is strange
that this responsibility does not extend to, say, publishing
something the author wanted to keep a secret. 

  By giving a copyright license you don't give up your moral
  rights. It would be unreasonable to say that if you license
  a work for publication, you could then assert your moral
  right to stop that publication. I would argue that if the
  publication license were general like with free software,
  you couldn't stop any further publication. 
 
 I don't think that you *have* any such moral rights.  I think it's a
 crazy and insane concept, and I will fight it tooth and nail.

I think you'll find this concept is very much embedded in 
European copyright law. In fact it's in the Berne Convention
from the very beginning. That's why it's called author's rights
and not just copyright (as is the case in the USA).

 Among other things, it totally contradicts the notion of free
 software, especially given that these rights cannot be renounced.

To clarify: the right to object to mutilations of the work
that harm the honor or reputation of the author cannot be renounced. 

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 Then they're not doing what the law says they must. Not much
 you can do about that, other than hoping the judge will see
 it differently.

The copyright laws in the US do *not* say that the heirs are
restricted to what the author wants.  But even so, that's not the
point.

In my example case, the heirs *think* they are doing what the author
wants, but they are wrong, because the author is not as bigoted as
they are.

Not much you can do about that?  Hardly--you could, for example,
*not have the whole bogus concept in the first place*.

 If the author does not complain, then it's reasonable to assume
 his moral right isn't harmed. And if after his death his heirs
 do complain, then the court is faced with the question whether
 this is in line with what the author would have wanted. Of course,
 if the heirs are good liars and/or the court is gullible, then
 you can arrive at something that's totally contrary to the
 author's wishes.

Or if the heirs are simply mistaken.  

Your first sentence, however, is false.  Suppose you were right: that
if the author does not complain, his right can't possibly be
violated.  Then the author would be able to cede his right, right?  He
could say I promise not to complain.  And a free software license is
just that, isn't it?

If the author can say I promise not to complain then he can cede his
right.  But the law says he cannot cede his right, so he cannot
promise to complain.

Which means, in turn, that he cannot validly give away his software
under a free software license, because, whether he wants it or not,
the law *preserves* his right, such that if he later changes his mind,
he can insist that his inalienable author's rights be respected.

 When he died, his copyright and moral rights went to his heirs.
 It is now their responsibility to manage those rights in the
 way the deceased author would have wanted. 

No.  When property lands in the hands of heirs, they manage it however
they want.  That's the way normal property does.  The author's rights
say that it must not be defamatory of the author, but nothing in that
says that it is the *author's* determination of what is defamatory
which counts.  And in many cases, great harm can be wreaked by
well-meaning, *not* dishonest, but still incorrect, guesses about what
the author wanted.

And since the *author* has the permanent, inalienable right to change
his mind, that right itself also passes to the heirs, does it not?

 I think it is strange that this responsibility does not extend to,
 say, publishing something the author wanted to keep a secret.

Not me.  But then US law is nowhere near as censorious as what
Europeans seem happy to put up with.

 I think you'll find this concept is very much embedded in 
 European copyright law. In fact it's in the Berne Convention
 from the very beginning. That's why it's called author's rights
 and not just copyright (as is the case in the USA).

The Berne Convention is very carefully ambiguous, permitting both the
European and the US versions of copyright.  If it were not for that,
the US wouldn't have gone along at all. 

 To clarify: the right to object to mutilations of the work
 that harm the honor or reputation of the author cannot be renounced. 

Right.  And the author *cannot* renounce that.  No matter *what* he
says.

And if ten years after he dies, his heirs think something is
defamatory, then they can sue, even if the author says no changes to
this work will count as defamatory, precisely because that statement
by the author is an attempt to renounce something that *cannot* be
renounced.

Thomas



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Arnoud Galactus Engelfriet
Thomas Bushnell, BSG wrote:
 In my example case, the heirs *think* they are doing what the author
 wants, but they are wrong, because the author is not as bigoted as
 they are.

Isn't that always a problem when you can't ask the person himself
anymore?

 Not much you can do about that?  Hardly--you could, for example,
 *not have the whole bogus concept in the first place*.

Why do you think the concept is bogus? In principle I think it's
a good idea to have something that prevents others from mutilating
my work. The implementation sucks greatly though.

  If the author does not complain, then it's reasonable to assume
  his moral right isn't harmed. And if after his death his heirs
  do complain, then the court is faced with the question whether
  this is in line with what the author would have wanted. Of course,
  if the heirs are good liars and/or the court is gullible, then
  you can arrive at something that's totally contrary to the
  author's wishes.
 
 Or if the heirs are simply mistaken.  
 
 Your first sentence, however, is false.  Suppose you were right: that
 if the author does not complain, his right can't possibly be
 violated.

I did not say that. I said it would be reasonable to assume that
it's OK if the author does not complain. Otherwise I cannot do
anything even if I have a license. 

 If the author can say I promise not to complain then he can cede his
 right.  But the law says he cannot cede his right, so he cannot
 promise to complain.

Indeed.

 Which means, in turn, that he cannot validly give away his software
 under a free software license, because, whether he wants it or not,
 the law *preserves* his right, such that if he later changes his mind,
 he can insist that his inalienable author's rights be respected.

He can only insist that a particular modification be retracted
because it damages his honor or reputation. And the court has to
be convinced that it does damage him. If the work is not modified
it would be very difficult for him to assert his moral rights.

  When he died, his copyright and moral rights went to his heirs.
  It is now their responsibility to manage those rights in the
  way the deceased author would have wanted. 
 
 No.  When property lands in the hands of heirs, they manage it however
 they want.  That's the way normal property does.  

In the US view, copyrights are property rights. Author's rights 
are in the European view not property but natural rights. In some
cases they are treated as property rights for reasons of
convenience. But you cannot argue using the law of property how
author's rights are treated.

 The author's rights
 say that it must not be defamatory of the author, but nothing in that
 says that it is the *author's* determination of what is defamatory
 which counts.  And in many cases, great harm can be wreaked by
 well-meaning, *not* dishonest, but still incorrect, guesses about what
 the author wanted.

Well, in first instance it would be the author who feels harmed
by the modification of course. He's the only one with standing
to sue. And then he has to convince the judge that it is really
harmful to him. So I guess there is some kind of objectivity
in the system, if you consider what the judge thinks to be
objective.

  I think you'll find this concept is very much embedded in 
  European copyright law. In fact it's in the Berne Convention
  from the very beginning. That's why it's called author's rights
  and not just copyright (as is the case in the USA).
 
 The Berne Convention is very carefully ambiguous, permitting both the
 European and the US versions of copyright.  If it were not for that,
 the US wouldn't have gone along at all. 

True. But the BC was drafted by author's rights supporters. That's
why it has life plus 50 for example. And that's also why you have
the moral rights (article 6bis). The USA simply copied those
provisions and carefully does not pay any attention to them.

  To clarify: the right to object to mutilations of the work
  that harm the honor or reputation of the author cannot be renounced. 
 
 Right.  And the author *cannot* renounce that.  No matter *what* he
 says.

Correct.

 And if ten years after he dies, his heirs think something is
 defamatory, then they can sue, even if the author says no changes to
 this work will count as defamatory, precisely because that statement
 by the author is an attempt to renounce something that *cannot* be
 renounced.

Indeed. But if he had said that, someone relying on that could
conceivably use that statement to argue that the change did not
harm the author's reputation. The author apparently regarded
changes like that to be right. 

I'll see if I can get some European copyright law scholars interested
in this topic. 

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

  Not much you can do about that?  Hardly--you could, for example,
  *not have the whole bogus concept in the first place*.
 
 Why do you think the concept is bogus? In principle I think it's
 a good idea to have something that prevents others from mutilating
 my work. The implementation sucks greatly though.

We already have that concept.  Ownership.  We even have an extra
thing: Copyright.  Both of these, under US law, are fully sufficient
to prevent others from mutilating your work without your consent.  

If you don't want it mutilated, don't sell it.  Or sell it subject to
a contract that prevents unauthorized modification.

The European system *forces* you to have such a contract.

  Which means, in turn, that he cannot validly give away his software
  under a free software license, because, whether he wants it or not,
  the law *preserves* his right, such that if he later changes his mind,
  he can insist that his inalienable author's rights be respected.
 
 He can only insist that a particular modification be retracted
 because it damages his honor or reputation. And the court has to
 be convinced that it does damage him. If the work is not modified
 it would be very difficult for him to assert his moral rights.

We have seen the claim that a change in the color of curtains
constitutes a damage to honor or reputation.

It's not too far to say that a change which implements a protocol the
original author hated would be a damage to honor or reputation.  Or a
change which alters the look and feel of an interface, given the heavy
artistic content that really is a part of such things.

  No.  When property lands in the hands of heirs, they manage it however
  they want.  That's the way normal property does.  
 
 In the US view, copyrights are property rights. Author's rights 
 are in the European view not property but natural rights. In some
 cases they are treated as property rights for reasons of
 convenience. But you cannot argue using the law of property how
 author's rights are treated.

I understand that.  My point is that author's rights are going to be
interpreted by people after the author is dead, who, even if they are
doing their very best, might get it wrong.  That's no harm to free
software, except that the author is *prohibited* from relinquishing
this right, and so the author *cannot* guarantee that his heirs and
the court won't conclude that some change really does harm his honor.
Even if you say I hereby regard all changes as such things as cannot
harm my honor and reputation, that's no good.  The whole point of the
law is to prohibit author's from making such statements.

Why this restriction on the rights of authors is called authors'
rights is beyond me.

 Well, in first instance it would be the author who feels harmed
 by the modification of course. He's the only one with standing
 to sue. And then he has to convince the judge that it is really
 harmful to him. So I guess there is some kind of objectivity
 in the system, if you consider what the judge thinks to be
 objective.

Right, but the point is that the author can't--can't--can't promise
not to sue.  A free software license is, at core, just such a
promise.  But in Europe, the author can, at any time, rescind it, and
say you are violating my authors' rights.

Since changing the color of curtains violates the rights of an
architect, it's hard to imagine any significant change to any piece of
software that would not wreak similar harm to honor and reputation
if the author decided to complain: That totally violates my original
vision; it never occurred to me that anyone would so horribly damage
my program, and bingo--license revoked.

  And if ten years after he dies, his heirs think something is
  defamatory, then they can sue, even if the author says no changes to
  this work will count as defamatory, precisely because that statement
  by the author is an attempt to renounce something that *cannot* be
  renounced.
 
 Indeed. But if he had said that, someone relying on that could
 conceivably use that statement to argue that the change did not
 harm the author's reputation. The author apparently regarded
 changes like that to be right. 

Except: if that were really true, then the law would be dead, because
an author could effectively renounce his rights.

If the law means anything, it means that the author *cannot* renounce
certain rights, one of them is the right to complain later.  Free
software *depends* on the author promising I won't complain later.
These seem to be hopelessly contradictory.

I have little objection to legal protection for contracts, and even
things which swing the bar somewhat to make it harder for authors to
renounce such rights.  But the notion that they *cannot* be renounced
is ludicrous, and totally kills a jillion freedoms.

Again, it doesn't just kill free software.  It kills Marcel Duchamp
too.  And what about the marvelous Berstein recording of 

Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Edmund GRIMLEY EVANS
I understand that Adolf Hitler's copyright in Mein Kampf was
acquired by the state of Bavaria, who use it for suppressing the book.
If and when the copyright expires (2015 if the duration is not further
extended; in many EU countries copyright was extended from 50 to 70
years in 1995, with the effect that Mein Kampf was out of copyright
for 3 months before disappearing for another 20 years) it will be
interesting to see whether Bavaria tries to use moral rights to
further suppress the book, arguing that in this day and age Adolf
Hitler certainly wouldn't want to be associated with a book that
promotes fascism!

Edmund



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Stephane Bortzmeyer
On Mon, May 12, 2003 at 02:25:05AM -0700,
 Thomas Bushnell, BSG [EMAIL PROTECTED] wrote 
 a message of 111 lines which said:

 Since changing the color of curtains violates the rights of an
 architect, it's hard to imagine any significant change to any piece of
 software that would not wreak similar harm to honor and reputation
 if the author decided to complain: That totally violates my original
 vision; it never occurred to me that anyone would so horribly damage
 my program, and bingo--license revoked.

As I already explained several days ago, the right to prevent
modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE
are quite limited, even in Europe. 
 
Of course, many issues are still open:

* what's the lawyer's definition of software, any way?
* what about artistic work published under a GPL or GFDL licence?

But your example is wrong: wether the author wants it or not, he
cannot oppose a change in his/her program.



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Thomas Bushnell, BSG
Stephane Bortzmeyer [EMAIL PROTECTED] writes:

 As I already explained several days ago, the right to prevent
 modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE
 are quite limited, even in Europe. 

Right, that's why this is all OT. ;)

What I'm saying is why authors' rights is a sucky concept, and how
(if it were freely extended to software) it would kill the possibility
of free software.

It already kills free architecture, and free painting.  Marcel
Duchamp, is he no longer the hero of French artists?



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Arnoud Galactus Engelfriet
Edmund GRIMLEY EVANS wrote:
 years in 1995, with the effect that Mein Kampf was out of copyright
 for 3 months before disappearing for another 20 years) it will be
 interesting to see whether Bavaria tries to use moral rights to
 further suppress the book, arguing that in this day and age Adolf
 Hitler certainly wouldn't want to be associated with a book that
 promotes fascism!

The moral rights expire together with the economic rights, so
that won't fly. But I guess they'll try to come up with something.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Arnoud Galactus Engelfriet
Thomas Bushnell, BSG wrote:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:
  Why do you think the concept is bogus? In principle I think it's
  a good idea to have something that prevents others from mutilating
  my work. The implementation sucks greatly though.
 
 We already have that concept.  Ownership.  We even have an extra
 thing: Copyright.  Both of these, under US law, are fully sufficient
 to prevent others from mutilating your work without your consent.  

If I transfer my copyright, I can not stop you from harming 
my reputation. That's why the law has the extra provision that
helps me protect my moral rights.

 If you don't want it mutilated, don't sell it.  Or sell it subject to
 a contract that prevents unauthorized modification.

This approach means that authors will be forced to accept
any kind of modifications, even those that directly go against
their artistic wishes. The US system thinks this is OK since
you got paid. The European system thinks this is not OK.

  He can only insist that a particular modification be retracted
  because it damages his honor or reputation. And the court has to
  be convinced that it does damage him. If the work is not modified
  it would be very difficult for him to assert his moral rights.
 
 We have seen the claim that a change in the color of curtains
 constitutes a damage to honor or reputation.

Indeed. And the court awarded that claim, so I suppose the judge
found some merit in the claim. 

 It's not too far to say that a change which implements a protocol the
 original author hated would be a damage to honor or reputation.  Or a
 change which alters the look and feel of an interface, given the heavy
 artistic content that really is a part of such things.

I suppose maybe Theo de Raadt could use his moral rights
against people adding buffer overflows to his code, but
otherwise it might be difficult to come up with this type
of claim. You have to argue something that shows how your
reputation is harmed.

 Why this restriction on the rights of authors is called authors'
 rights is beyond me.

The author always retains the right to object to mutilations
of the work. It's his natural right.

  Well, in first instance it would be the author who feels harmed
  by the modification of course. He's the only one with standing
  to sue. And then he has to convince the judge that it is really
  harmful to him. So I guess there is some kind of objectivity
  in the system, if you consider what the judge thinks to be
  objective.
 
 Right, but the point is that the author can't--can't--can't promise
 not to sue.

Indeed. But the question is, would he be likely to win such
a suit?

  A free software license is, at core, just such a
 promise.  But in Europe, the author can, at any time, rescind it, and
 say you are violating my authors' rights.

No, he cannot rescind the license. He can object to a particular
modification on the grounds that that modification harms his
reputation, if he can argue this harmfulness. The license remains
as valid.

 Since changing the color of curtains violates the rights of an
 architect, it's hard to imagine any significant change to any piece of
 software that would not wreak similar harm to honor and reputation
 if the author decided to complain: That totally violates my original
 vision; it never occurred to me that anyone would so horribly damage
 my program, and bingo--license revoked.

That's not how it works. First, the curtains change thing was
harmful because it radically changed the design/look of the
house. Second, a mere assertion by the author is not sufficient.
There has to be some kind of argument as to *why* there is damage
to his reputation.

 I have little objection to legal protection for contracts, and even
 things which swing the bar somewhat to make it harder for authors to
 renounce such rights.  But the notion that they *cannot* be renounced
 is ludicrous, and totally kills a jillion freedoms.

The motivation for making them unrevokable is to prevent
authors from being forced to accept unconditional surrender
of their works. Then they could be made to look like total
fools by the person acquiring their copyright, and they could
not do anything about it. And yes, they could theoretically
negotiate a transfer on the condition the other guy would not
do that; but given the way copyright licensing works in practice
the chance of that working is practically nil.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Arnoud Galactus Engelfriet
Stephane Bortzmeyer wrote:
 As I already explained several days ago, the right to prevent
 modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE
 are quite limited, even in Europe. 

Moral rights are excluded for software? Can you please give
me a citation for that? As far as I can tell, the Berne
Convention nor any of the WIPO treaties say anything like this.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Peter S Galbraith
Arnoud Galactus Engelfriet [EMAIL PROTECTED] wrote:

 Thomas Bushnell, BSG wrote:
  Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:
   Why do you think the concept is bogus? In principle I think it's
   a good idea to have something that prevents others from mutilating
   my work. The implementation sucks greatly though.
  
  We already have that concept.  Ownership.  We even have an extra
  thing: Copyright.  Both of these, under US law, are fully sufficient
  to prevent others from mutilating your work without your consent.  
 
 If I transfer my copyright, I can not stop you from harming 
 my reputation. That's why the law has the extra provision that
 helps me protect my moral rights.

If I transfer my copyright to you, you can't (IMHO) damage my reputation
by doing silly things to my work.  You can damage _your_ reputation by
doing that.
 
  If you don't want it mutilated, don't sell it.  Or sell it subject to
  a contract that prevents unauthorized modification.
 
 This approach means that authors will be forced to accept
 any kind of modifications, even those that directly go against
 their artistic wishes. The US system thinks this is OK since
 you got paid. The European system thinks this is not OK.

I think it's okay.  If you no longer hold copyright, how can it affects
your reputation?

   He can only insist that a particular modification be retracted
   because it damages his honor or reputation. And the court has to
   be convinced that it does damage him. If the work is not modified
   it would be very difficult for him to assert his moral rights.
  
  We have seen the claim that a change in the color of curtains
  constitutes a damage to honor or reputation.
 
 Indeed. And the court awarded that claim, so I suppose the judge
 found some merit in the claim. 

Courts follow the law, however silly the law may be.

This is _not_ a legal argument.  It's a common sense argument.
Unfortunately some laws don't make sense.

Peter



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Glenn Maynard
On Mon, May 12, 2003 at 07:45:51PM +0200, Arnoud Galactus Engelfriet wrote:
 The motivation for making them unrevokable is to prevent
 authors from being forced to accept unconditional surrender
 of their works. Then they could be made to look like total

So the only way to prevent this is to remove my right to do it at all?
That's ludicrous.  Rights are not preserved by revoking other rights.

-- 
Glenn Maynard



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Bernhard R. Link
* Steve Langasek [EMAIL PROTECTED] [030512 20:42]:
  That's why the law has the extra provision that helps me protect my
  moral rights.
 
 It has a superfluous provision that unnecessarily restricts the author's
 freedom to form contracts.  It is as idiotic and misguided as the
 attempts to criminalize the circumvention of technological safeguards in
 the US.

It's assumed to be a right. Basic thing about rights (at least in German
law, as far as I understand it) is that rights cannot be transfered.

You can not tranfer your right to vote, your right to not be hurt nor
any other right. Even your copyright can not be sold. The German
analogon to a tranfer of copyright is a exclusive licence.

  The author always retains the right to object to mutilations
  of the work. It's his natural right.
 
 What a funny use of the term natural right.

Natural is a quite common description for something seen as so
evident, that it needs no justification. So one can argue, if it
is a natural right, but after I saw people pretending a right to
own weapons this one is not funny at all.

 I can think of plenty of more effective ways to prevent authors from
 being *forced* to accept unconditional surrender of their works.
 Providing authors with a better education when it comes to contract law,
 for example, or promulgating alternate vectors for the publication of
 works that don't involve currently-standard copyright contract terms.

I think the direct and natural way to avoid damnifing contracts is to make
them void. Laws need to be enforceable to be useful.

Though German law is often broken and tends to become more so due to
corporation lobiism, some aspects are still nice. I like a system making
warrenty statements void at all, that restricts warenty to much or 
doing such bubbling as as permitted by applicable law.

Hochachtungsvoll,
  Bernhard R. Link

-- 
Sendmail is like emacs: A nice operating system, but missing
an editor and a MTA.



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Bernhard R. Link
* Arnoud Galactus Engelfriet [EMAIL PROTECTED] [030512 19:52]:
  As I already explained several days ago, the right to prevent
  modifications does NOT exist for SOFTWARE. Author's rights on SOFTWARE
  are quite limited, even in Europe. 
 
 Moral rights are excluded for software? Can you please give
 me a citation for that? As far as I can tell, the Berne
 Convention nor any of the WIPO treaties say anything like this.

Software is normally treated specially in Europe. In Germany I was told
a necessary condition for something to be protectable by copyright law
(or Author's Rights, as the verbatim translation for its German word),
is to be made by human (in contrast to animals or computers) OR beeing
software. They said this was introduced to make the USA sign
international copyright treaties.

While I think copyright on sourcecode can be an accaptable thing, I think
protection of binaries is very unnatural.

Hochachtungsvoll,
  Bernhard R. Link

-- 
Sendmail is like emacs: A nice operating system, but missing
an editor and a MTA.



Re: [OT] Droit d'auteur vs. free software?

2003-05-12 Thread Steve Langasek
On Mon, May 12, 2003 at 09:13:23PM +0200, Bernhard R. Link wrote:

 It's assumed to be a right. Basic thing about rights (at least in German
 law, as far as I understand it) is that rights cannot be transfered.

 You can not tranfer your right to vote, your right to not be hurt nor
 any other right.

Yes, this is entirely reasonable.  Natural rights should be unalienable.

 Even your copyright can not be sold. The German
 analogon to a tranfer of copyright is a exclusive licence.

This, however, is an unfortunate defect of European legal theory.
Intellectual property is not property, and all rights pertaining to
ideas and their expression are artificial rights.  The limited
monopolies granted to creators are sometimes socially useful, but that
does not justify the claim that a person can *own* an idea.

   The author always retains the right to object to mutilations
   of the work. It's his natural right.

  What a funny use of the term natural right.

 Natural is a quite common description for something seen as so
 evident, that it needs no justification. So one can argue, if it
 is a natural right, but after I saw people pretending a right to
 own weapons this one is not funny at all.

It is not evident at all to me that anyone has a *right* to a positive
reputation; nor is it evident to me that protecting one's work from
alteration is the most effective way to ensure a good reputation.
Censoring all criticism of the work is certainly far more effective, so
why not regard freedom from criticism as a natural right?

  I can think of plenty of more effective ways to prevent authors from
  being *forced* to accept unconditional surrender of their works.
  Providing authors with a better education when it comes to contract law,
  for example, or promulgating alternate vectors for the publication of
  works that don't involve currently-standard copyright contract terms.

 I think the direct and natural way to avoid damnifing contracts is to make
 them void. Laws need to be enforceable to be useful.

This law does so at the expense of other, valid motives -- such as Free
Software.

-- 
Steve Langasek
postmodern programmer


pgpzid3qgdQm5.pgp
Description: PGP signature


Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-11 Thread Arnoud Galactus Engelfriet
Thomas Bushnell, BSG wrote:
 Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:
  Note that the distortion or mutilation has to hurt the
  honor or reputation of the author. Here in the Netherlands
  this is the case if the owner of a house decides to put up
  new blinds in a color the architect does not like.
 
 Since people will know this wasn't the architect's design, how does it
 damage his honor or reputation?

People that pass by the house do not know whether the blinds
were the architect's design or not. They might remember that
the house was designed by him, and then conclude that he was
very stupid for putting those ugly blinds on the house. And
that thus harms his reputation.

It's extremely silly but that's the argument. Dutch lawyers may
want to look it up: Gerechtshof 's Hertogenbosch 24 feb 1993,
AMI 1994, 116. The court noted that demolishing the house would
not violate the architect's moral rights. This has been used
in some cases to force architects to accept certain changes.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software?

2003-05-11 Thread Arnoud Galactus Engelfriet
Thomas Bushnell, BSG wrote:
 As I read the law, it says that there are some rights over the work
 which the artist *cannot* renounce.  You would have it that if the
 artist uses a certain form of license, the rights have been
 effectively renounced.  If that were a correct interpretation, then
 there would be nothing that cannot be renounced.

Moral rights indeed cannot be renounced. The motivation is that
if they could, every author would be forced to renounce them
every time.

Moral rights are restricted in that the courts must find the
violation must harm the author's honor or reputation. This is
not the same as being able to restrict all forms of reuse. I
would say that with free software, a modified verison of the
program adds to the author's honor, since honor and reputation
in the free software community are based on your code and
its reuse.

 The purpose of the law is, for example, to say that if an artist sells
 a painting, the purchaser cannot tear it up, destroy it, sprinkle more
 paint across the surface, and the like.  A recent post also gave the
 example of an architect, who can prevent the homeowner from making
 changes that violate the integrity of his work.

If it harms the author's reputation, he has the right to
stop the modification. The basis of author's rights is
that an author is the owner of a work. It's not just
a government-granted temporary monopoly, but a natural
right to control a work. 

 Now the law says that the artist *cannot* relinquish this right.  He
 has a *permanent* right to prevent such things being done with his
 work, and that this *permanent* right is one that his heirs can
 inherit.  The law says that the artist *cannot* sell this right.  He
 has it *no matter what*.

As far as I know, the heirs must follow the author's intentions
when applying the inherited moral right. They cannot decide
for themselves whether *they* like the change, they must guess
whether the now deceased author would have liked it. 

Heirs unfortunately sometimes do things to works that the author
probably would not have liked (like publishing unpublished works
he considered not good enough). Strangely enough no one can do
anything about that.

 Now you are saying that if the artist releases the work under a free
 software license, he has in effect relinquished those rights which the
 law says he cannot.  

By giving a copyright license you don't give up your moral
rights. It would be unreasonable to say that if you license
a work for publication, you could then assert your moral
right to stop that publication. I would argue that if the
publication license were general like with free software,
you couldn't stop any further publication. 

The interesting case of course is with modifications. Free
software can be incorporated in new (free) software that
has an entirely different purpose. If you make some library
and I incorporate it in a program that makes child pornography
or is used for nazi propaganda, you couldn't do anything
about that by using your free software license. But I think
you could assert your moral right if being associated with
child pornographers or nazis would hurt your honor or
reputation. And thus you could stop me from distributing the
program.

Arnoud

-- 
Arnoud Engelfriet, Dutch patent attorney - Speaking only for myself
Patents, copyright and IPR explained for techies: http://www.iusmentis.com/



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-11 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 People that pass by the house do not know whether the blinds
 were the architect's design or not. They might remember that
 the house was designed by him, and then conclude that he was
 very stupid for putting those ugly blinds on the house. And
 that thus harms his reputation.

 It's extremely silly but that's the argument. Dutch lawyers may
 want to look it up: Gerechtshof 's Hertogenbosch 24 feb 1993,
 AMI 1994, 116. The court noted that demolishing the house would
 not violate the architect's moral rights. This has been used
 in some cases to force architects to accept certain changes.

This is exactly why the concept of unrenouncable authors' moral
rights offends me.

If the architect wants the right to review any proposed changes, then
that should be part of the contract of sale, and he will get a little
less money, because he's imposing a restriction of such a sort.

I believe that there *have* been cases where the owner of a work of
art was told that outright destruction of the work would also violate
the author's supposed moral rights.








Re: [OT] Droit d'auteur vs. free software?

2003-05-11 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 As far as I know, the heirs must follow the author's intentions
 when applying the inherited moral right. They cannot decide
 for themselves whether *they* like the change, they must guess
 whether the now deceased author would have liked it. 

But the author is dead.  And people all the time guess wrong.  For
example, imagine a closeted gay author who died fifty years ago.  His
heirs are homophobic, and oppose the publication of any biography that
accurately describes the man's life.  And accordingly they oppose any
use of his works in the biography.

But the man himself might well, if he were alive today, rejoice in the
more tolerant atmosphere we now share, deplore the bigotry of his
heirs, and happily agree to publication.

What the person thinks is defamatory, and what the heirs think, are
simply not the same thing.  Even if the heirs do their very best job,
the whole point of the set up is that you *discount* what the author
says, because the author *cannot* be deemed to be renouncing the
right.  If the heirs can convince a court, it won't matter at all
whether they are right.

 Heirs unfortunately sometimes do things to works that the author
 probably would not have liked (like publishing unpublished works
 he considered not good enough). Strangely enough no one can do
 anything about that.

Strangely?  THE MAN IS DEAD.  Dead men have no rights.  How hard is
this? 

 By giving a copyright license you don't give up your moral
 rights. It would be unreasonable to say that if you license
 a work for publication, you could then assert your moral
 right to stop that publication. I would argue that if the
 publication license were general like with free software,
 you couldn't stop any further publication. 

I don't think that you *have* any such moral rights.  I think it's a
crazy and insane concept, and I will fight it tooth and nail.

Among other things, it totally contradicts the notion of free
software, especially given that these rights cannot be renounced.

Thomas



Re: [OT] Droit d'auteur vs. free software?

2003-05-10 Thread Henning Makholm
Scripsit [EMAIL PROTECTED] (Thomas Bushnell, BSG)
 Henning Makholm [EMAIL PROTECTED] writes:

  Did you read the exact wording I posted? It very specifically protects
  exactly the author's intention. Nothing more. 

 What if the author's intention is that anyone do whatever they want
 with the work, and explicitly says I hereby waive any of my so-called
 moral rights?

He cannot do that. But his action of releasing the work under a free
license will have the coincidental effect that it becomes impossible
to violate the artistic integrity of the work, because the integrity
consists exactly in the work being free.

 In that case, his heirs can *still* come back and say no waiver is
 possible,

The moral rights cannot be waived, but they can become irrelevant,
which is the situation we're taling about here.

 and your modification of the work makes his artistic
 integrity look bad, and it will be their judgment and the court's
 that controls.

The heirs' judgement controls nothing at all. The court's does, of
course, but the unless the court purposefully misunderstands the
intent of the law and the author's intention [1] it will of course
rule in favor of the author's explicit wishes.

[1] In which case every bet is off. But in that case the problems
arise IN SPITE OF to the law, not BEACAUSE of it.

-- 
Henning Makholm   ... not one has been remembered from the time
 when the author studied freshman physics. Quite the
contrary: he merely remembers that such and such is true, and to
  explain it he invents a demonstration at the moment it is needed.



Re: [OT] Droit d'auteur vs. free software?

2003-05-10 Thread Edmund GRIMLEY EVANS
Henning Makholm [EMAIL PROTECTED]:

 He cannot do that. But his action of releasing the work under a free
 license will have the coincidental effect that it becomes impossible
 to violate the artistic integrity of the work, because the integrity
 consists exactly in the work being free.

I'm not sure whether that argument would work in practice. However,
even if it did, what about the droit repentir that was mentioned
earlier?

Edmund



Re: [OT] Droit d'auteur vs. free software?

2003-05-10 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

 The heirs' judgement controls nothing at all. The court's does, of
 course, but the unless the court purposefully misunderstands the
 intent of the law and the author's intention [1] it will of course
 rule in favor of the author's explicit wishes.
 
 [1] In which case every bet is off. But in that case the problems
 arise IN SPITE OF to the law, not BEACAUSE of it.

The heirs certainly matter because it would be they who bring suit.
If nobody brings suit, the court says nothing.

The court might well say he certainly couldn't have intended a change
that was defamatory of him, and declare that essentially irrebutable.

The whole European concept of author's rights makes me sick; it's
bad enough that it exists.  The fact that it's *irrevocable* in any
way makes it a jillion times worse.

If you, the artist, don't want someone destroying your work, then
dammit, don't sell them the painting.  It's bad enough that if an
artist sells a painting (or an architect sells a house) he retains a
permanent right to control what you do with it.  It's extremely horrid
that there is no way for him to relinquish that control.



Re: [OT] Droit d'auteur vs. free software?

2003-05-10 Thread Henning Makholm
Scripsit Thomas Bushnell, BSG

 The whole European concept of author's rights makes me sick;

If you insist on misunderstanding the concept in the face of sevral
attempts to explain to you that you're misunderstanding it, then it is
certainly your democratic right to let your own delusions about a
concept you refuse to understand make you sick.

I have no further comments.

-- 
Henning MakholmHvorfor skulle jeg tale som en slave og en tåbe? Jeg
ønsker ikke, at han skal leve evigt, og jeg ved, at han ikke
   kommer til at leve evigt, uanset om jeg ønsker det eller ej.



Re: [OT] Droit d'auteur vs. free software?

2003-05-10 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

 Scripsit Thomas Bushnell, BSG
 
  The whole European concept of author's rights makes me sick;
 
 If you insist on misunderstanding the concept in the face of sevral
 attempts to explain to you that you're misunderstanding it, then it is
 certainly your democratic right to let your own delusions about a
 concept you refuse to understand make you sick.

What, exactly, is supposed to be the content of the right, the part
that an artist *cannot* renounce?

You are saying that the artist can, in fact, renounce everything, when
the law says that somethings cannot be renounced.  Which is it?

As I read the law, it says that there are some rights over the work
which the artist *cannot* renounce.  You would have it that if the
artist uses a certain form of license, the rights have been
effectively renounced.  If that were a correct interpretation, then
there would be nothing that cannot be renounced.

The purpose of the law is, for example, to say that if an artist sells
a painting, the purchaser cannot tear it up, destroy it, sprinkle more
paint across the surface, and the like.  A recent post also gave the
example of an architect, who can prevent the homeowner from making
changes that violate the integrity of his work.

Now the law says that the artist *cannot* relinquish this right.  He
has a *permanent* right to prevent such things being done with his
work, and that this *permanent* right is one that his heirs can
inherit.  The law says that the artist *cannot* sell this right.  He
has it *no matter what*.

Now you are saying that if the artist releases the work under a free
software license, he has in effect relinquished those rights which the
law says he cannot.  



Re: [OT] Droit d'auteur vs. free software?

2003-05-10 Thread Henning Makholm
Scripsit Edmund GRIMLEY EVANS [EMAIL PROTECTED]

 However, even if it did, what about the droit repentir that was
 mentioned earlier?

I don't know about that. It is certainly not part of Danish law.

-- 
Henning Makholm   Der er ingen der sigter på slottet. D'herrer konger agter
 at triumfere fra balkonen når de har slået hinanden ihjel.



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-08 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

sub 2. The work must not be changed or made available to the public
   in a way or in a context that violates the author's literary or
   artistic reputation or character.

And this is the number one lose for this bogus sort of copyright
regime.

For example, Marcel Duchamp would have been prohibited.



Re: [OT] Droit d'auteur vs. free software?

2003-05-08 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

 Of course they are. The fact that the author intends for his work to
 be free is made very explicit by applying the GPL to it. Since moral
 rights are about protecting the author's intentions with creating the
 work, there cannot, logically, be any conflict between moral rights
 and freedom.

Moral rights protect things even when they are *not* the author's
intention.




Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-08 Thread Thomas Bushnell, BSG
Arnoud Galactus Engelfriet [EMAIL PROTECTED] writes:

 Note that the distortion or mutilation has to hurt the
 honor or reputation of the author. Here in the Netherlands
 this is the case if the owner of a house decides to put up
 new blinds in a color the architect does not like.

Since people will know this wasn't the architect's design, how does it
damage his honor or reputation?

 



Re: [OT] Droit d'auteur vs. free software?

2003-05-08 Thread Henning Makholm
Scripsit Thomas Bushnell, BSG
 Henning Makholm [EMAIL PROTECTED] writes:

  Of course they are. The fact that the author intends for his work to
  be free is made very explicit by applying the GPL to it. Since moral
  rights are about protecting the author's intentions with creating the
  work, there cannot, logically, be any conflict between moral rights
  and freedom.

 Moral rights protect things even when they are *not* the author's
 intention.

Did you read the exact wording I posted? It very specifically protects
exactly the author's intention. Nothing more. 

-- 
Henning Makholm PROV EN FORFRISKNING FRISKLAIL DEM



Re: [OT] Droit d'auteur vs. free software?

2003-05-08 Thread Thomas Bushnell, BSG
Henning Makholm [EMAIL PROTECTED] writes:

 Scripsit Thomas Bushnell, BSG
  Henning Makholm [EMAIL PROTECTED] writes:
 
   Of course they are. The fact that the author intends for his work to
   be free is made very explicit by applying the GPL to it. Since moral
   rights are about protecting the author's intentions with creating the
   work, there cannot, logically, be any conflict between moral rights
   and freedom.
 
  Moral rights protect things even when they are *not* the author's
  intention.
 
 Did you read the exact wording I posted? It very specifically protects
 exactly the author's intention. Nothing more. 

What if the author's intention is that anyone do whatever they want
with the work, and explicitly says I hereby waive any of my so-called
moral rights?

In that case, his heirs can *still* come back and say no waiver is
possible, and your modification of the work makes his artistic
integrity look bad, and it will be their judgment and the court's
that controls.



Re: [OT] Droit d'auteur vs. free software?

2003-05-07 Thread Branden Robinson
On Fri, May 02, 2003 at 08:11:02PM +0200, Henning Makholm wrote:
 It is stupid if they released their software under a free license
 without realizing what freedom means.

Well, the realization of what freedom means does in fact appear to be
escaping some advocates of the GNU FDL...

-- 
G. Branden Robinson| Never attribute to malice that
Debian GNU/Linux   | which can be adequately explained
[EMAIL PROTECTED] | by stupidity.
http://people.debian.org/~branden/ |


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Re: [OT] Droit d'auteur vs. free software?

2003-05-07 Thread Branden Robinson
[snip]

It looks like Republican notions of tort reform[1] might have a lot of
support in Europe.

[1] Before being appointed to the U.S. Supreme Court, William Rehnquist
*defined* judicial conservatism as being a technique for reading the
law such that criminal defendants and civil plaintiffs are
disadvantaged.  _The Rehnquist Choice_, John W. Dean, New York: The Free
Press, 2001.

-- 
G. Branden Robinson|I just wanted to see what it looked
Debian GNU/Linux   |like in a spotlight.
[EMAIL PROTECTED] |-- Jim Morrison
http://people.debian.org/~branden/ |


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Re: [OT] Droit d'auteur vs. free software?

2003-05-07 Thread Henning Makholm
Scripsit Branden Robinson [EMAIL PROTECTED]
 On Fri, May 02, 2003 at 08:11:02PM +0200, Henning Makholm wrote:

  It is stupid if they released their software under a free license
  without realizing what freedom means.

 Well, the realization of what freedom means does in fact appear to be
 escaping some advocates of the GNU FDL...

Point taken.

-- 
Henning MakholmWhat a hideous colour khaki is.



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-03 Thread Nathanael Nerode

Stephane Bortzmeyer wrote:

[This is starting to shift away from the GFDL so I modified the
subject. Georg, I can suppress you from the Cc: if you wish so.]

On Sun, Apr 27, 2003 at 11:25:43PM -0400,
 Nathanael Nerode [EMAIL PROTECTED] wrote 
 a message of 29 lines which said:




Naturally, I'm more familiar with the European Copyright -- or Droit
d'Auteur, rather -- systems, but since Europe is a very active region
for Free Software, considering the European situation seems useful.


Please note that this system is contrary in its basis to the system in the 
US, which is also used in some form in most common-law based countries (most 
of the world). Under these systems copyright is a government-granted monopoly 
and not a 'natural right'.  The 'Droit d'Auteur' system is *much* more 
hostile to free software, free documentation, free speech, fair use rights, 
library privilege, the public domain, etc., etc., etc.



Can you explain the above? I do not see why and in which way the
Droit d'auteur system is more hostile to free software. There is
currently a lot of lobbying in Europe and in the world against this
Droit d'auteur system and pro-copyright and this lobbying is mostly
driven by the same companies that oppose free software...
Interesting.  I've never heard of any of this and I do keep up on these 
issues.  Perhaps you are thinking of a campaign to make moral rights 
alienable, which is really a much more specific matter?  The corporate 
copyright interests are certainly not interested in promoting the idea 
that copyright is a government-granted monopoly rather than a natural 
right!  Consider the statements to the effect that copyright violation 
is theft -- this actually has a legal basis under the Droit d'Auteur 
system.


Basically, it's a free speech issue.  The concept that authors and their 
heirs have inherent rights of control over their writings, in eternity 
(which is the basic concept of the system) is effectively in opposition 
to freedom of speech, as it requires all ideas to be recast so as to 
avoid the use of the forms used by anyone else, throughout history.


Historically, the system has been tempered by limits on copyright 
length, establishment of fair use rights, and so forth, but the *basis* 
of the system denies such things and treats them as unusual exceptions 
to the general rule that authors have total, eternal control over their 
works, based on the sweat of the brow they put into it.  There is 
really no reason, under a true Droit d'Auteur copyright system, why 
copyrights should not be eternal, why authors (or their heirs) should 
not have the ability to revoke copyright licences at will, why authors 
should not be allowed to write copyright licences with arbitrary biases 
(this work may not be sold to black people), why compilations of 
arbitrary data should not be copyrightable, etc.  The revokable license 
issue is certainly an issue for free software, and the protected 
database issue is another anti-free problem originating directly from 
the European system.


I am not referring, per se, to moral rights.  I am referring to the 
treatment of copyright as being based in the right of the author.


The treatment of copyright under common law systems is generally that it 
is a government-granted monopoly.  In the US, this is explicit, and it 
is specified that the monopoly is for the purpose of promoting the 
progress of knowledge.  Historically, this has been seriously *abused* 
in the US, to the point where the system as implemented comes close to 
the European system.


So in *implementation* there's not that much of a difference.  In the 
*basis* of the system, however, the Continental European system is 
fundamentally opposed to free information, and the US system is 
fundamentally in favor of it.  If you believe that code wants to be 
free, well, the Continental system says Code wants to be owned by its 
author and his heirs and assigns in eternity.


At least this is my well-informed understanding.  I am not a lawyer, or 
I'd be making more money.


--Nathanael



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-02 Thread Bernhard R. Link
* Mark Rafn [EMAIL PROTECTED] [030501 21:57]:
 On Thu, 1 May 2003, Bernhard R. Link wrote:
  I cannot see the problem here. Even if the quoted sub 2 can be
  applied, it may only disallow you making something available to
  the public (i.e. some forms of distributing it). 
 
 It says changed _OR_ made available to the public.  This restricts 
 private modifications as well.  But even without that, the restriction on 
 made available to the public ... in a context that violates the author's 
 literary or artistic reputation or character is enough to prevent any 
 distribution under the GPL.

First of all, it speaks of changed or made available to the public
in a way, that ..., which clearly indicates, that changing is just
meant as special form of discrediting the author. (Also consider the
wording is the wording of a translation, so please read by meaning and
not by letter).

  The quoted point 7 would only apply, if one wasn't allowed to
  distribute copies with source and allowing the receiver everything 
  allowed by GPL. (As this are the mentioned obligations mentioned in 
  the GPL).
 
 Under droit d'auteur, you're not allowed to grant unqualified permission 
 to the reciever of a work to make modifications or to distribute the work.  
 You cannot fulfil the GPL requirements, so you cannot distribute the work.

If author's rights would be introduced in the USA, this might be the
case. I do not know about denmark, but here in Germany I am allowed to
give any permissions I want. (People might not be able to do so, as
law or other people forbid them to exercise it, but this does not
limit me, as long as I do not formulate a incitement in the form of
a permission)

Just ask yourself: Are you allowed to grant a permission to someone
to use a piece of GPL'd software to drive a plane in an arbitrary 
tower? If not, are you still allowed to distribute software under
the GPL?

   /me wonders if there are more countries besides his own that need to be
   no longer considered part of the free world. :-D
  Even extreme legislations for author's rights does not reduce the ability
  to create free software (though those rights might only performed in
  other countries), as long as law does not demand, that people have to
  encode laws in contracts they make.
 This I heartily agree with.  A work created in a droit d'auteur location 
 and released under the GPL is freely distributable and modifiable in a 
 common-law jurisdiction.  It may be undistributable at all in it's home 
 country, though.

As stated before, such laws only limit ways of distribution, not
distribution at all. I guess here in Germany, law will allow you to
stop me, if I take any of your code and produce some movie where
an actor dressed as Hitler sits before a computer and types in your
code, if it is easily enough seen as attack on you.
Distributions not forbidden directly by law are not affected by this.
This is like those warrenty disclaimers or disassembling prohibitions
in many EULAs or licenses, that AFAIK just disappear in a puff of logic
when they pass the German border.

Hochachtungsvoll,
  Bernhard R. Link

-- 
Sendmail is like emacs: A nice operating system, but missing
an editor and a MTA.



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-02 Thread Nick Phillips
On Thu, May 01, 2003 at 11:11:41AM -0700, Mark Rafn wrote:

 Under droit d'auteur, you're not allowed to grant unqualified permission 
 to the reciever of a work to make modifications or to distribute the work.  
 You cannot fulfil the GPL requirements, so you cannot distribute the work.

You appear to be confusing things. The GPL places no restriction on the
original author, so the original author may obviously distribute their
own work. As a redistributor of a GPL'ed work, you are not involved in the
granting of rights in any way -- the rights are automatically granted by
the original author to a recipient at the point when the recipient receives.

The problem would only arise in a situation where you were the author of a
work which used a GPL'ed library and were in a position where you were
forbidden to license your work under the GPL. I don't see anything to that
effect here, merely that some portions of it may not be enforcible by
recipients who wish to redistribute if at some later point you decide that
your previous work now offends your newfound delicate moral sensibilities.
And that only if that element of the Droits d'Auteur were applied to software
(or if your work were not deemed to be software, but rather something more
artistic instead... what the f*** were the guys who thought this up smoking?)


Cheers,


Nick

-- 
Nick Phillips -- [EMAIL PROTECTED]
You will be Told about it Tomorrow.  Go Home and Prepare Thyself.



Re: [OT] Droit d'auteur vs. free software?

2003-05-02 Thread Henning Makholm
Scripsit Mark Rafn [EMAIL PROTECTED]

 Ok, how about Tuomas Kuosmanen, the creator of a whole lot of fine icons
 in various free software packages?  Would his qualify as an artistic
 reputation?

Perhaps.

 Would he be able, regardless of the fact that his icons are released
 under GPL, to prevent his work from being included in an accounting
 package he didn't like?

I don't think so. On the contrary, BECAUSE of the fact that he
voluntarily released his icons under GPL, it is an integral part of
the artistic character of the work that it can be used in any context
and with any modifications anyone pleases. Therefore, no actual use or
modification can conceivably violate that artistic character, so §3
subsection 2 can never apply to the work.

It might be a different story if he released them under GPL not
because of artistic vision but because someone paid him to do so.

 Any place which disallows a permission to create derived works without
 reservation.

Which Denmark is not, your inability to understand it (or my inability
to explain it) nonwithstanding.

-- 
Henning MakholmDe kan rejse hid og did i verden nok så flot
 Og er helt fortrolig med alverdens militær



Re: [OT] Droit d'auteur vs. free software?

2003-05-02 Thread Henning Makholm
Scripsit Greg Pomerantz

 The main problem with moral rights seems to be inalienability. As far as
 I understand it, artists can decide at the time of the use of the work
 whether they believe it is prejudicial to their honor and reputation.

That's a misunderstanding. It is not the artist who decides this.
Sure, the artist may have an *opinion* about it, but the law calls for
an *objective* judgement. And if the use does not objectively violate
the artistic character of the work, the artist's opinion will not help
him in court.

 They cannot promise to never raise such an objection. You seem to be
 implying that by applying the GPL to a work, the developer irrevocably
 divests herself from certain moral rights.

No. The moral rights still exist, but they must be interpreted in the
context of the particular work. If the particular work is created to
be free, the moral right becomes harder to violate.

 Can't a developer GPL a work today, but tomorrow decide that use in
 cruise missiles is not allowed?

He can decide whatever he wants for himself (we do have freedom of
thought), but it will have no effect at all on the decision whether
use in cruise missiles violates the work's artistic character.

 In other words, if that developer walked into court, would the judge ask
 what the artistic character of the work is today, or at the time of its
 initial creation?

That is the same thing - the artistic character of the work logically
cannot change because of the artist's later action.

 Second, I would imagine that a developer can argue or reinterpret
 their initial intent.

Possibly, but that is not a case of moral rights - it is just a matter
of conventional contract interpretation.

 For example, they may never have thought that a particular piece of
 code could find its way into a DRM system.

Stupidity does not create rights. (Opposite in some other parts of the
world where one can become rich simply by being too stupid to imagine
that coffee might be hot).

-- 
Henning Makholm   Hi! I'm an Ellen Jamesian. Do
you know what an Ellen Jamesian is?



Re: [OT] Droit d'auteur vs. free software?

2003-05-02 Thread Greg Pomerantz
 I don't think so. On the contrary, BECAUSE of the fact that he
 voluntarily released his icons under GPL, it is an integral part of
 the artistic character of the work that it can be used in any context
 and with any modifications anyone pleases. Therefore, no actual use or
 modification can conceivably violate that artistic character, so §3
 subsection 2 can never apply to the work.
 
 It might be a different story if he released them under GPL not
 because of artistic vision but because someone paid him to do so.

In many cases of interest, works are released under the GPL because
they are derivative works of prior GPL'd works. Contributors to GPL'd
projects are required to license under the GPL and do not do so because
it expresses the artistic character of their work. Under your test, it
would appear that contributors would retain free-software-incompatible
moral rights over their contributions.

The main problem with moral rights seems to be inalienability. As far as
I understand it, artists can decide at the time of the use of the work
whether they believe it is prejudicial to their honor and reputation.
They cannot promise to never raise such an objection. You seem to be
implying that by applying the GPL to a work, the developer irrevocably
divests herself from certain moral rights. Can't a developer GPL a work
today, but tomorrow decide that use in cruise missiles is not allowed?
In other words, if that developer walked into court, would the judge ask
what the artistic character of the work is today, or at the time of its
initial creation? If a developer convincingly argued that her reputation
was seriously harmred by a particular use, would a judge really say that
the application of the GPL in the past trumps that?

Second, I would imagine that a developer can argue or reinterpret
their initial intent. For example, they may never have thought that a
particular piece of code could find its way into a DRM system. Can't
they argue that they GPL'd the work years ago, but never intended the
work to be used for some particular evil use (for example because they
never imagined that particular use)?

Best regards,
Greg Pomerantz



Re: [OT] Droit d'auteur vs. free software? (Was: query from Georg Greve of GNU about Debian's opinion of the FDL

2003-05-02 Thread Mark Rafn
 * Mark Rafn [EMAIL PROTECTED] [030501 21:57]:
  Under droit d'auteur, you're not allowed to grant unqualified permission 
  to the reciever of a work to make modifications or to distribute the work.  
  You cannot fulfil the GPL requirements, so you cannot distribute the work.

On Fri, 2 May 2003, Bernhard R. Link wrote:
 If author's rights would be introduced in the USA, this might be the
 case. I do not know about denmark, but here in Germany I am allowed to
 give any permissions I want. (People might not be able to do so, as
 law or other people forbid them to exercise it, but this does not
 limit me, as long as I do not formulate a incitement in the form of
 a permission)
 
 Just ask yourself: Are you allowed to grant a permission to someone
 to use a piece of GPL'd software to drive a plane in an arbitrary 
 tower? If not, are you still allowed to distribute software under
 the GPL?

I understand this point, but it's a pretty important difference.  If I 
grant permission to use my GPL software to drive a plane into a tower, it 
is not I, but the tower inhabitants, who would attempt to prevent such 
use.  And they would not use copyright law to do so, I expect.

Still, enough people far more knowledgeable than I have asserted that 
droit d'auteur does not prevent distribution of a derived work of a GPL'ed 
work, so I'll stop looking for edge cases.

I do maintain that a license which attempts to impose such restrictions 
explicitly is non-free.
--
Mark Rafn[EMAIL PROTECTED]http://www.dagon.net/  



Re: [OT] Droit d'auteur vs. free software?

2003-05-02 Thread Greg Pomerantz
  The main problem with moral rights seems to be inalienability. As far as
  I understand it, artists can decide at the time of the use of the work
  whether they believe it is prejudicial to their honor and reputation.
 
 That's a misunderstanding. It is not the artist who decides this.
 Sure, the artist may have an *opinion* about it, but the law calls for
 an *objective* judgement. And if the use does not objectively violate
 the artistic character of the work, the artist's opinion will not help
 him in court.

Thanks for the clarification.

  They cannot promise to never raise such an objection. You seem to be
  implying that by applying the GPL to a work, the developer irrevocably
  divests herself from certain moral rights.
 
 No. The moral rights still exist, but they must be interpreted in the
 context of the particular work. If the particular work is created to
 be free, the moral right becomes harder to violate.

  Second, I would imagine that a developer can argue or reinterpret
  their initial intent.
 
 Possibly, but that is not a case of moral rights - it is just a matter
 of conventional contract interpretation.

Yes, but a free software developer cannot walk into court and argue
that they did not intend to grant the right to redistribute -- free
software licenses are clear on that point, but generally silent on moral
rights issues. At the very least, the GPL and most other free software
licenses are be problematic in moral rights jurisdictions simply because
the developer's intentions with respect to moral rights are not made
clear by those licenses. The trouble is, developers choose free software
licenses for all kinds of reasons, including legal necessity (e.g. when
they derrive from a GPL'd work).

  For example, they may never have thought that a particular piece of
  code could find its way into a DRM system.
 
 Stupidity does not create rights. (Opposite in some other parts of the
 world where one can become rich simply by being too stupid to imagine
 that coffee might be hot).

Say hypothetically that the LAME developers have an artistic vision to
allow music fans to freely (as in freedom) rip music from the CDs the
purchase. Universal Records uses LAME to make copy protected CDs (see
http://news.com.com/2100-1023-277197.html). How is it stupid if the LAME
developers walk into a moral rights jurisdiction and ask Universal to
stop?

Best regards,
Greg Pomerantz



Re: [OT] Droit d'auteur vs. free software?

2003-05-02 Thread Edmund GRIMLEY EVANS
Henning Makholm [EMAIL PROTECTED]:

 Stupidity does not create rights. (Opposite in some other parts of the
 world where one can become rich simply by being too stupid to imagine
 that coffee might be hot).

Punitive damages are a stupid concept (does any country other than the
USA have them?) but that case, although famous, isn't the best example
to show it:

http://www.denbar.org/docket/2002/september/mccoffee.htm



Re: [OT] Droit d'auteur vs. free software?

2003-05-02 Thread Richard Braakman
On Fri, May 02, 2003 at 05:48:23PM +0200, Henning Makholm wrote:
 Stupidity does not create rights. (Opposite in some other parts of the
 world where one can become rich simply by being too stupid to imagine
 that coffee might be hot).

Can we put this legend to rest?  I realize this is off-topic, but I
hate seeing such claims go unrefuted.

  1. The coffee in question was *much* hotter than coffee is normally served.
 It was far too hot to be drinkable, which is not something you'd expect.
  2. The lady in question didn't deliberately spill coffee over herself
 because she thought it wouldn't be hot.  She accidentally squeezed
 the mug while trying to get the lid off.  This has nothing to do
 with stupidity.
  3. If the coffee had been at normal temperature, she would have gotten
 some blisters and an embarrassing memory.  Instead, she got third-degree
 burns and needed reconstructive surgery.
  4. The corporation that served the coffee was aware that the temperature
 was a problem, and had quietly settled 700 burn claims in the previous
 decade.
  5. All she initially asked for was enough money to pay for the medical
 bills.  The jury awarded punitive damages because they considered
 the corporation to be willfully putting its customers at risk.

The Association of Trial Lawyers of America has a page about the case:
http://www.atlanet.org/consumermediaresources/tier3/press_room/facts/frivolous/McdonaldsCoffeecase.aspx

Richard Braakman



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