Re: [ECOLOG-L] stealing from websites

2009-05-14 Thread William Silvert
Jane's posting brings two thoughts to mind. First, there are scientists who 
feel that you have no right to use their published results without their 
permission. On one occasion I even had a colleague within DFO lodge a formal 
internal protest because I used his data from an international journal in a 
paper of my own (fully attributed of course). The complaint was of course 
dismissed, and the idea that one could not publish a paper refuting someone 
else's work without their permission is absurd.


The other has to do with the idea of copying as stealing. Copyright owners 
believe that they have absolute control over their intellectual property, 
and legally this is pretty much the case, but this is not widely respected. 
Some restrictions, such as that of someone who decided that his software 
could only be used by white christian gentlemen, probably would not stand up 
in court. But others, that restrict access even though there is no loss to 
the copyright holder, are not widely seen as reasonable and are therefore 
not respected - this accounts for a fair share of what legally is piracy. 
Examples include the widespread copying of old material that is no longer 
for sale, such as old computer games like Pong and discontinued recordings, 
those in cut-out limbo. Recent extension of the copyright term has made 
this situation worse. Other practices, such as that of Hollywood studios 
which buy up the rights to classic movies and suppress them so that they can 
turn them into corny blockbusters, are really abusive to the whole concept 
of creativity which copyright is supposed to protect. (For example, a major 
studio bought up the entire Marcel Pagnol trilogy and pulled it from the 
screens so that they could make their own version of Fanny.)


The distorted publicity given to some cases of copyright violation has 
further weakened the posture of copyright holders. Why do software companies 
go after teen-age kids with shelves full of cracks of protected software and 
not after the businessmen who who run whole typing pools on a single pirated 
copy of an office suite? Do they really think that if the kids were not 
pirates they would pay the millions of dollars that they claim as theft 
losses?


So I think that what it boils down to is that although copyright law grants 
all kinds of legal protection, the guideline that most of us follow is the 
one that Jane puts forward, copying is really considered theft only when 
there is an actual loss involved - money, prestige, etc. Copying a CD or DVD 
instead of buying it is theft, but if a CD is not available for sale, why 
enforce the copyright? If a grad student uses your photo in a presentation 
and doesn't pay you for it, what have you lost (unless the student might 
really be willing and able to pay for it)?


I should however add that there are a lot of photos relevant to ecology that 
really are commercial. Aside from those taken by professionals, which are 
often sold to publications like National Geographic, I have discovered that 
very few photos of gelatinous cnidarians are available for free. I recently 
searched the ASLO website for photos of ctenophores and siphonophores and 
found almost none. A colleague explained to me that most of the photos are 
taken commercially and are only for sale, which is perhaps not surprising 
given the work involved - also of course photos are often the primary data 
in studies of these animals.


I respect the rights of those who expect to profit from their work and who 
lose out when their photos or other materials are copied or stolen. But if 
there is no real loss involved, I am not very sympathetic, and I also think 
that when a copy is properly acknowledged, they benefit even if they did not 
give prior authorisation.


Bill Silvert


- Original Message - 
From: Jane Shevtsov jane@gmail.com

To: ECOLOG-L@LISTSERV.UMD.EDU
Sent: Thursday, May 14, 2009 2:11 AM
Subject: Re: [ECOLOG-L] stealing from websites



Jim,

Please note that what follows is meant mainly as a general discussion
of intellectual property, not of your particular case.

Why would you think that you can use my hard work without asking?

For the same reason you can cite or quote a paper of mine without
asking -- even if you're using it to make a case I strongly disagree
with. (That case is not directly analogous, as you wouldn't be copying
the entire paper, but then if I use a photo of yours in a
presentation, it'll only be on screen for 30 seconds or so.) Moreover,
you can make copies of my paper and give them to students or
colleagues without my permission. They can read the paper or use it to
line the birdcage. If I'm sending you, say, a prepublication copy as a
favor, I can ask you not to redistribute it, but once it's published,
it's out of my hands.

I am honestly intrigued by how people come to think of copying as
stealing. If I walk into your house and steal your TV, you no longer
have a TV. If I use a photo from your 

[ECOLOG-L] Graduate opportunity in Forest Entomology

2009-05-14 Thread Melissa Fierke
An M.S. assistantship in forest entomology is available at the State
University of New York, Environmental and Forest Science in Syracuse NY. The
proposed research involves deploying and monitoring sentinel logs for
evidence of parasitism by native parasitoids of Sirex noctilio larvae, the
invasive European wood wasp, in stands with low vs high densities of S.
noctilio as well as documenting stand variables associated with S. noctilio
densities and parasitism rates.

Information on our lab and research can be found at:
http://www.esf.edu/EFB/faculty/fierke.htm

Inquiries are welcome for more information on this specific project, other
potential projects in our lab, and graduate school in the SUNY-ESF
Environmental and Forest Biology department.

Melissa K. Fierke, Ph.D.
Assistant Professor, Forest Entomology
Department of Environmental  Forest Biology
SUNY College of Environmental Science and Forestry
146 Illick Hall, 1 Forestry Drive
Syracuse, NY 13210

Email: mkfie...@esf.edu


[ECOLOG-L] Darwin 2009: 150 Years of Evolutionary Biology

2009-05-14 Thread Dianna Padilla
Darwin 2009: 150 Years of Evolutionary Biology

On November 4-8 2009, the Department of Ecology  Evolution at Stony Brook
University will celebrate the 150th anniversary of Darwin’s “The Origin of
Species” by hosting a four-day meeting where leading evolutionary biologists
will lecture and help lead discussions on the current status and future of
the study evolutionary biology. We will have three stimulating days of
keynote addresses, evening panels and discussion groups, and ample
opportunity for communication on the important issues of the present and
future of evolutionary biology. All lectures will be in modern and pleasant
facilities at Stony Brook University, with available nearby lodging and
convenient transportation to the meeting site.

To register, secure lodging, and get further information on transportation,
our Advisory Board, and other matters, please visit our web site

http://darwin09.org

Below is our schedule of events and speakers.
Wednesday, November 4
6:00 – 8:00Welcoming Reception for Participants

Thursday, November 5
8:45 – 9:00Welcome from Stony Brook University
9:00 – 9:40Opening Keynote Address, Douglas J. Futuyma, Stony
Brook University
9:40 – 10:00QA
10:00 – 10:30Coffee Break
10:30 – 11:10History, Peter Bowler, Queens University, Belfast
11:10 – 11:30QA
11:30 – 12:10Natural Selection, Mark Kirkpatrick, University of
Texas at Austin
12:10 – 12:30QA
12:30 – 2:00Lunch
2:00 – 2:40Behavioral Ecology, Hanna Kokko, University of Helsinki
2:40 – 3:00QA
3:00 – 3:40Evolutionary Ecology, Anurag Agrawal, Cornell University
3:40 – 4:00QA
4:00 – 4:30Coffee Break
4:30 – 5:10Organismal Adaptation, May R. Berenbaum, University
of Illinois
5:10 – 5:30QA
6:00 – 8:00Dinner
8:00 – 10:00Informal Discussions

Friday, November 6
8:45 – 9:00Welcome and Announcements
9:00 – 9:40Philosophy, Roberta L. Millstein, University of
California, Davis
9:40 – 10:00QA
10:00 – 10:30Coffee Break
10:30 – 11:10Evolutionary Genetics, Jianzhi George Zhang,
University of Michigan
11:10 – 11:30QA
11:30 – 12:10Genetics of Population History, John Wakeley,
Harvard University
12:10 – 12:30QA
12:30 – 2:00Lunch
2:00 – 2:40Genomics, Doris Bachtrog, University of California,
Berkeley
2:40 – 3:00QA
3:00 – 3:40Speciation, Richard G. Harrison, Cornell University
3:40 – 4:00QA
4:00 – 4:30Coffee Break
4:30 – 5:10Evolvability, Günter Wagner, Yale University
5:10 – 5:30QA
6:00 – 8:00Dinner
8:00 – 10:00Informal Discussions
 
Saturday, November 7
8:45 – 9:00Welcome and Announcements
9:00 – 9:40Ancient Origins, Antonio Lazcano, Universidad
Nacional Autónoma de México
9:40 – 10:00QA
10:00 – 10:30Coffee Break
10:30 – 11:10Tree of Life, David Hillis, University of Texas at
Austin
11:10 – 11:30QA
11:30 – 12:10Evolution in the Fossil Record, to be determined
12:10 – 12:30QA
12:30 – 2:00Lunch
2:00 – 2:40Evolutionary Developmental Biology, Gregory Wray,
Duke University
2:40 – 3:00QA
3:00 – 3:40The Fossil Record of Diversity, Michael Foote,
University of Chicago
3:40 – 4:00QA
4:00 – 4:30Coffee Break
4:30 – 5:10Evolutionary Radiations, Jonathan B. Losos, Harvard
University
5:10 – 5:30QA
6:00 – 8:00Dinner
8:00 – 10:00Informal Discussions
 
Sunday, November 8
8:45 – 9:00Welcome and Announcements
9:00 – 9:40Human Origins, Tim D. White, University of
California, Berkeley
9:40 – 10:00QA
10:00 – 10:30Coffee Break
10:30 – 11:10Cultural Evolution, Peter J. Richerson, University
of California, Davis
11:10 – 11:30QA
11:30 – 2:30Lunch
12:30 – 1:10Applied Evolution, Joanne P. Webster, Imperial
College London
1:10 – 1:30QA
1:30 – 2:10Closing Keynote Address, Hopi E. Hoekstra, Harvard
University
 
Meeting web site address:
http://darwin09.org

For more information contact Jeffrey Levinton and the Organizing Committee


[ECOLOG-L] reflex bleeding

2009-05-14 Thread olivier roux
Dear all,

I have read several times that there are dorsal glands involved in the reflex
bleeding in some ladybird larvae but without any references supporting
it. Does anyone know about reference(s) demonstrating the presence of
these glands?

(sorry for double posting)

Thanks a lot.
Olivier
 
 
~~
Roux Olivier
UMR EcoFoG-CNRS
Campus Agronomique - BP 709
97387 Kourou cedex
Guyane française
olivier.r...@cict.fr
~~
_
Découvrez toutes les possibilités de communication avec vos proches
http://www.microsoft.com/windows/windowslive/default.aspx

[ECOLOG-L] AOU 2009

2009-05-14 Thread Robert L. Curry
American Ornithologists' Union annual meeting
12 - 15 August 2009
University of Pennsylvania, Philadelphia, co-hosted by Villanova University

This is a reminder that the deadline for submission of abstracts for inclusion 
in the scientific 
program is 15 May. The same date is also the last date for early registration 
rates. 

For more information, please visit 
http://www.birdmeetings.org/aou2009/abs_guide.htm 
and 
http://www.birdmeetings.org/aou2009/reg_fees.htm

Complete information about the conference, including featured speakers and 
special events, is 
available at:
http://www.birdmeetings.org/aou2009/

~ Robert L. Curry, Chair, Committee on Local Arrangements, AOU 2009
Professor, Department of Biology, Villanova University, Villanova, PA 19085 USA


Re: [ECOLOG-L] stealing from websites; educational use

2009-05-14 Thread MaryBeth Voltura
This semester, I had students in my physiological ecology course create
websites as a class project.  They chose an animal and an environmental
stressor, and discussed the physiological mechanisms the species has to
handle the stressor.  They presented information on natural history, and
also results from two primary research articles.  They were expected to
fully cite the research articles, and provide sources for the natural
history information as well, which sometimes included range maps and
photos.  

This discussion has me thinking about their use of photos.  Students
typically found photos of their animal online, and used those photos
with attribution but not prior permission.  The website URLs were
distributed only to the class for other students to view and comment on.

I would be interested in the list's opinion of this type of project, and
how best to allow students to create interesting and educational
websites without violating fair use of images.  Obviously, they are not
going to be able to obtain their own pictures of red kangaroos and
arctic springtails.

Thanks in advance,
Mary Beth

~~
Mary Beth Voltura, Assistant Professor
Department of Biological Sciences
SUNY Cortland
Cortland NY 13045
607-753-2713
marybeth.volt...@cortland.edu


[ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread Alexey Voinov

To All:

I just want to make sure that this excellent link does not get buried in the 
discussion. Mendeley offers some really cool services to share your papers. It's 
not as good as the peer-to-peer exchange, but supposedly safer in terms of 
copyright.


Please take a look at
http://www.mendeley.com/

Mendeley Desktop is free academic software for managing and sharing research 
papers. It is pretty cool to keep track of all the papers that you have 
downloaded to your hard disk and works like iTunes for music.


Mendeley Web lets you manage your papers online, discover research trends and 
connect to like-minded researchers. The more of us join, the larger the WWW 
library that we will get access to. Please consider joining.


The article that was sent earlier is at
http://uk.techcrunch.com/2009/05/12/mendeleys-klingon-battle-cruiser-de-cloaks-in-london-with-the-lastfm-for-academia/
and gives some background about the company.

If we could all subscribe and upload our publications to Mendeley we would 
already solve a lot of problems with access to our publications.



To Gavin and likeminded:

Thanks for the warnings, your points are well taken. Each and everyone has their 
own level of risk tolerance and sets of justifications for what we choose to do.


Here are mine:

- It has been shown in numerous research that existing patent and copyright law 
is stifling progress. Those who were initially supposed to be benefiting from 
these laws are in fact among the losers. Most of the profits are reaped by those 
who have nothing to do with research.


- Since we don't have the lobbying power and skills to change the existing laws 
(at least for now), some level of civil disobedience (thanks Bill, I really 
liked that) should be only expected.


- Unlike musicians, we are not even paid by the publishers to do our research. 
In fact we volunteer to edit and review papers for them to benefit. I think it's 
very unlikely that the publishers will go after scientists, since they are smart 
enough not to kill the goose that lays the golden eggs for them. They are in 
fact the pirates, which was very elegantly described in the article that I've 
already sent earlier.

(http://eaves.ca/2009/04/28/education-where-copyrighters-and-publishers-are-the-pirates/)

- Most of our work is funded by tax money and should be in public domain by 
definition. If the taxpayers paid for the work, then they own the results. 
Publications are the results.


To Jim and others who are easily pissed:

Don't put your work on the web. If you post it on the web in open access - then 
it is open access. You can't at the same time use the web to show off and expect 
that nobody will want to use your photos (especially if they are good). If you 
wish to restrict the use of your photos - then make it clear and restrict access.


We all work hard but some of us actually feel good when others find our work 
good enough to use and our ideas smart enough to further disseminate for the 
common good.


Cheers,
Alexey

--
Alexey Voinov
_
!!!   please note new e-mail address: aavoi...@gmail.com  !!!
_
Chesapeake  Research  Consortium  Community  Modeling  Program 
Johns Hopkins University Dept. of Geography and Environm. Engineering
645 Contees Wharf Road, P.O. Box 28, Edgewater, MD 21037
TEL: 410 798-1283;  703 880-1178WWW: http://www.likbez.com/AV


[ECOLOG-L] Doctoral Fellowships for Fall 2009

2009-05-14 Thread Paul Leberg
University Doctoral Fellowships are available for entering Ph.D. students 
in Environmental and Evolutionary Biology at the University of Louisiana. 
University of Louisiana Fellowships are funded for 3-4 years at $15,750 per 
9 months (with tuition waiver), and have limited teaching responsibilities. 
Eligibility requirements include US citizenship (or permanent residency) or 
degree from a US institution. Rather than replying to this message, 
potential applicants are strongly encouraged to directly contact 
prospective advisors. Their contact information and research interests can 
be found at our departmental web site (http://biology.louisiana.edu/). More 
information is also available at our graduate program web site 
http://ulceet.com/site90.php. The department of Biology has approximately 
25 faculty members and 70 graduate students. Areas of strength include 
ecology, conservation biology, evolution, and marine/coastal biology.


Re: [ECOLOG-L] Copyrighted Image Use

2009-05-14 Thread Jane Shevtsov
Hi all,

Not surprisingly, there are many different opinions as to how we're
comfortable having people use our work. I'd encourage folks to explore
Creative Commons. You check a few boxes and they'll give you a
customized, readable copyright agreement. For example, my website
World Beyond Borders uses an Attribution - Noncommercial - Share Alike
Creative Commons license.

Jane Shevtsov

On Wed, May 13, 2009 at 8:12 PM, Thiago Silva thi...@uvic.ca wrote:
 Hi Tom,

 I work very hard at my photography as well, but being a fellow scientist I
 wouldn't mind usage with attribution as long as it is for educational
 purposes and not-for-profit. Of course, being asked prior to use would just
 make me much happier.

 However, as you can see, each photographer has it's own line drawn on the
 matter, so asking for permission is always the best alternative.

 Cheers,

 Thiago Sanna Freire Silva

 PhD Candidate - Department of Geography
 University of Victoria

 MSc. Remote Sensing
 BSc.(Hons) Biology

 htp://thiagosilva.wordpress.com

 SPECTRAL LAB - http://www.geog.uvic.ca/dept2/SPECT/index.html

 thi...@uvic.ca






 On 13-May-09, at 2:22 PM, Jim Boone wrote:

 Tom,



 I work very hard at my photography, and if you stole a photo from my
 website to use in your presentation, I'd be pissed.





 Cheers, Jim

 http://www.birdandhike.com


 -Original Message-
 From: Tom Mosca III t...@vims.edu
 To: ECOLOG-L@LISTSERV.UMD.EDU
 Sent: Wed, 13 May 2009 5:47 am
 Subject: Re: [ECOLOG-L] Open Access and Intellectual Imperialism
  Correction








 Hello Folks,

 What are your thoughts on using a copyrighted image in a presentation at a
 meeting?  No copies are distributed, but merely displayed.

 Thanks, Tom








-- 
-
Jane Shevtsov
Ecology Ph.D. candidate, University of Georgia
co-founder, www.worldbeyondborders.org
Check out my blog, http://perceivingwholes.blogspot.comPerceiving Wholes

Political power comes out of the look in people's eyes. --Kim
Stanley Robinson, _Blue Mars_


Re: [ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread Dong Gill Kim
Dear all:

Thanks to Alexey's letter, I reminded my question I have had for a while.

Alexey mentioned-

Most of our work is funded by tax money and should be in public domain by
definition. If the taxpayers paid for the work, then they own the results.
Publications are the results.

I think (as an ordinary guy, no law major and even did not take any law
subject) logically the results from projects funded by tax money should be
available for tax payers (including us) without any restriction. We pay
for research and then we pay for reading results of the research. Isn't it
double payment? Is there any thing wrong in my logic? What do you think
about this logic in the big picture not just focused on any law related to
copywright or properties?

Deeply thanks for all of your discussion. A few days I really enjoyed the
Ecolog letters!!

Best wishes,

Dong-Gill




On 5/14/09, Alexey Voinov aavoi...@gmail.com wrote:

 To All:

 I just want to make sure that this excellent link does not get buried in
 the discussion. Mendeley offers some really cool services to share your
 papers. It's not as good as the peer-to-peer exchange, but supposedly safer
 in terms of copyright.

 Please take a look at
 http://www.mendeley.com/

 Mendeley Desktop is free academic software for managing and sharing
 research papers. It is pretty cool to keep track of all the papers that you
 have downloaded to your hard disk and works like iTunes for music.

 Mendeley Web lets you manage your papers online, discover research trends
 and connect to like-minded researchers. The more of us join, the larger the
 WWW library that we will get access to. Please consider joining.

 The article that was sent earlier is at

 http://uk.techcrunch.com/2009/05/12/mendeleys-klingon-battle-cruiser-de-cloaks-in-london-with-the-lastfm-for-academia/
 and gives some background about the company.

 If we could all subscribe and upload our publications to Mendeley we would
 already solve a lot of problems with access to our publications.


 To Gavin and likeminded:

 Thanks for the warnings, your points are well taken. Each and everyone has
 their own level of risk tolerance and sets of justifications for what we
 choose to do.

 Here are mine:

 - It has been shown in numerous research that existing patent and copyright
 law is stifling progress. Those who were initially supposed to be benefiting
 from these laws are in fact among the losers. Most of the profits are reaped
 by those who have nothing to do with research.

 - Since we don't have the lobbying power and skills to change the existing
 laws (at least for now), some level of civil disobedience (thanks Bill, I
 really liked that) should be only expected.

 - Unlike musicians, we are not even paid by the publishers to do our
 research. In fact we volunteer to edit and review papers for them to
 benefit. I think it's very unlikely that the publishers will go after
 scientists, since they are smart enough not to kill the goose that lays the
 golden eggs for them. They are in fact the pirates, which was very elegantly
 described in the article that I've already sent earlier.
 (
 http://eaves.ca/2009/04/28/education-where-copyrighters-and-publishers-are-the-pirates/
 )

 - Most of our work is funded by tax money and should be in public domain by
 definition. If the taxpayers paid for the work, then they own the results.
 Publications are the results.

 To Jim and others who are easily pissed:

 Don't put your work on the web. If you post it on the web in open access -
 then it is open access. You can't at the same time use the web to show off
 and expect that nobody will want to use your photos (especially if they are
 good). If you wish to restrict the use of your photos - then make it clear
 and restrict access.

 We all work hard but some of us actually feel good when others find our
 work good enough to use and our ideas smart enough to further disseminate
 for the common good.

 Cheers,
 Alexey

 --
 Alexey Voinov
 _
 !!!   please note new e-mail address: aavoi...@gmail.com  !!!
 _
 Chesapeake  Research  Consortium  Community  Modeling  Program 
 Johns Hopkins University Dept. of Geography and Environm. Engineering
 645 Contees Wharf Road, P.O. Box 28, Edgewater, MD 21037
 TEL: 410 798-1283;  703 880-1178WWW: http://www.likbez.com/AV




-- 
The important thing is to never stop questioning - Albert Einstein


[ECOLOG-L] JOB POSTING - Range Technician, Jackson, WY

2009-05-14 Thread Sara Fagan
Conservation Research Center - Range Technician

The Conservation Research Center of Teton Science Schools is seeking a
range technician to spend the summer completing field work throughout
the Intermountain West. The ideal candidate will be a self-starter,
willing to travel and able to work individually or as a team member. BS
in Range Science or equivalent field experience, knowledge and
understanding of cattle ranches and ranch communities, familiarity and
experience with standard rangeland monitoring methods (i.e. line
intercept, dry weight rank, production), excellent plant ID skills
required. Experience with soil mapping preferred. 6/1 - 9/30 (flexible).
Salary DOE. Please send resume and cover letter to
sara.fa...@tetonscience.org.

  


Teton Science Schools
People - Nature - Place - Education

Sara Fagan, Administrative Assistant
Conservation Research Center
of Teton Science Schools
700 Coyote Canyon Rd
Jackson, WY 83001
307.734.3734 (phone)
307.734.1263 (fax)
sara.fa...@tetonscience.org
www.tetonscience.org
 
Please consider the environment before printing this e-mail.


Confidentiality Notice:  This email and any attachments contain information 
belonging to Teton Science Schools which may be confidential. This information 
is intended solely for the individual or entity to which it is addressed. If 
you are not the intended recipient, you are notified that disclosing, copying, 
distributing or other use of this information is strictly prohibited. If you 
have received this email in error, please notify the sender immediately.


[ECOLOG-L] THE COST OF PUBLISHING RE: [ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread Sarah Frias-Torres
Regarding the open access issue recently covered in Ecolog-L, let's go back to 
square one.
Consider a tenure-track field-oriented research scientist in the USA.
How many times does he/she pay for the paper published in a peer-review journal?
Let's follow the basic steps.Assuming the federal research grant/s were 
written, submitted, and against all odds (considering the current funding 
situation) funded. Out of the research grant monies, you have to:
1) pay your own salary, so you can do the research and submit the 
publications.2) pay salary/ies to postdocs/grad students to do fieldwork, and 
part of research and publications3) pay fieldwork expenses (including 
instruments, equipment, etc)4) pay overhead to university, so among other 
things, university can afford institutional subscription to scientific journals 
and provide journal access to faculty and students5) pay submission costs to 
journals if printing in color, for open access availability (for those journals 
that are not open access) or pay for submission in open access journal that 
requires fee.6) in many cases, pay additional fee so you can have your own pdf 
of your own publication
Of course, this is just an example of many possible alternatives. However, 
there is an interesting trend. From conceptual research idea to final 
publication in peer-review journal, tax dollars pay the process many times 
over...Perhaps we should re-think the whole process.Am I the only one who 
thinks we can do better than this?
Sarah Frias-Torres, Ph.D. Marine Conservation Biologist 


Re: [ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread William Silvert
It's a good point, and I would like to note that the Canadian government has 
adopted this policy. Many papers published by government agencies, such as 
the Canadian Journal of Fisheries and Aquatic Sciences, are free to 
Canadians while others have to pay.


Actually though the policy is not exactly as stated - while they state that 
the papers are free to all Canadian citizens, the truth is that they are 
only free to Canadian residents, presumably by checking the address from 
which the request comes. Thus an Albanian visiting Toronto has free access 
to all these journals, while I, a Canadian citizen living in Portugal, do 
not! Frustrating, but a step in the right direction.


By the way, my wife desperately needs a reprint of a 2001 paper in CJFAS - 
if any kind Canadian residents would like to help her, please write me off 
list for details.


Bill Silvert

- Original Message - 
From: Dong Gill Kim donggill...@gmail.com

To: ECOLOG-L@LISTSERV.UMD.EDU
Sent: Thursday, May 14, 2009 5:33 PM
Subject: Re: [ECOLOG-L] Open Access and Intellectual Imperialism



I think (as an ordinary guy, no law major and even did not take any law
subject) logically the results from projects funded by tax money should be
available for tax payers (including us) without any restriction. We pay
for research and then we pay for reading results of the research. Isn't it
double payment? Is there any thing wrong in my logic? What do you think
about this logic in the big picture not just focused on any law related to
copywright or properties? 


Re: [ECOLOG-L] stealing from websites; educational use

2009-05-14 Thread Anon.

MaryBeth Voltura wrote:
snip

I would be interested in the list's opinion of this type of project, and
how best to allow students to create interesting and educational
websites without violating fair use of images.  Obviously, they are not
going to be able to obtain their own pictures of red kangaroos and
arctic springtails.

  
Flickr allows you to search for photos that are available under a 
creative commons licence, which means you can re-use them.  Check the 
advanced search options. 


Bob

--
Bob O'Hara
Department of Mathematics and Statistics
P.O. Box 68 (Gustaf Hällströmin katu 2b)
FIN-00014 University of Helsinki
Finland

Telephone: +358-9-191 51479
Mobile: +358 50 599 0540
Fax:  +358-9-191 51400
WWW:  http://www.RNI.Helsinki.FI/~boh/
Blog: http://network.nature.com/blogs/user/boboh
Journal of Negative Results - EEB: www.jnr-eeb.org


Re: [ECOLOG-L] stealing from websites; educational use

2009-05-14 Thread malcolm McCallum
Most figures from textbooks are now open use at the textbook companies push.
they were spending a lot getting and keeping records of permissions
and gave up some years ago.
Anything that is posted on the internet without

Copyright (c) YEAR. NAME OF COPYRIGHT HOLDER.

is technically open for use by anyone.  I got this directly from the
copyright office a few years back.
However, when using google image search or similar methods, you must
be certain you actually open the
website as they often place the copyright info in the html instead of
on the picture.  By posting your pictures
without copyright info you are by default making them free open access.

Now, if you are seeking to use a picture for which there is no
copyright posted, it would be polite to ask for permission.  In fact,
you might find the photographer willing to give you more!  Now the big
complexity.  A
few years ago I posted a picture of a rooster that I had permission to
use from the website owner.  A few months later someone contacted me,
rather irate, and asked me to take it down!  I did so, and informed
them that I had obtained it from another website!  They later allowed
me to use it, but I never put it back up.  My point being that just
because you make the effort doesn't mean the person you get the pic
from is even honest!!!  When constructing websites, I believe you can
link the picture so that it shows on your site but is posted on their
site without any problem. But, this may be inaccurate so don't take my
word from it.

The bottom line is that just because something is legal doesn't make
it prudent, right, or polite.  An ounce of courtesy goes a long way.
Unfortunately, many of us get so wrapped up in the moment we forget
this.

Hopefully, this discussion will wind down soon! :)

On Thu, May 14, 2009 at 9:35 AM, MaryBeth Voltura
marybeth.volt...@cortland.edu wrote:
 This semester, I had students in my physiological ecology course create
 websites as a class project.  They chose an animal and an environmental
 stressor, and discussed the physiological mechanisms the species has to
 handle the stressor.  They presented information on natural history, and
 also results from two primary research articles.  They were expected to
 fully cite the research articles, and provide sources for the natural
 history information as well, which sometimes included range maps and
 photos.

 This discussion has me thinking about their use of photos.  Students
 typically found photos of their animal online, and used those photos
 with attribution but not prior permission.  The website URLs were
 distributed only to the class for other students to view and comment on.

 I would be interested in the list's opinion of this type of project, and
 how best to allow students to create interesting and educational
 websites without violating fair use of images.  Obviously, they are not
 going to be able to obtain their own pictures of red kangaroos and
 arctic springtails.

 Thanks in advance,
 Mary Beth

 ~~
 Mary Beth Voltura, Assistant Professor
 Department of Biological Sciences
 SUNY Cortland
 Cortland NY 13045
 607-753-2713
 marybeth.volt...@cortland.edu




-- 
Malcolm L. McCallum
Associate Professor of Biology
Texas AM University-Texarkana
Editor, Herpetological Conservation and Biology
http://www.herpconbio.org
http://www.twitter.com/herpconbio

Fall Teaching Schedule  Office Hours:
Landscape Ecology: T,R 10-11:40 pm
Environmental Physiology: MW 1-2:40 pm
Seminar: T 2:30-3:30pm
Genetics: M 6-10pm
Office Hours:  M 3-6, T: 12-2, W: 3-4

1880's: There's lots of good fish in the sea   W.S. Gilbert
1990's:  Many fish stocks depleted due to overfishing, habitat loss,
and pollution.
2000:  Marine reserves, ecosystem restoration, and pollution reduction
MAY help restore populations.
2022: Soylent Green is People!

Confidentiality Notice: This e-mail message, including any
attachments, is for the sole use of the intended recipient(s) and may
contain confidential and privileged information.  Any unauthorized
review, use, disclosure or distribution is prohibited.  If you are not
the intended recipient, please contact the sender by reply e-mail and
destroy all copies of the original message.


Re: [ECOLOG-L] stealing from websites

2009-05-14 Thread David M. Lawrence
Now I'll argue the opposite of what I posted the other day :)  While I 
am largely sympathetic to what Bill posts here, the counter argument for 
 the originators of creative works is that by unauthorized use of our 
work, the theft is in the loss of earnings from a potential sale of said 
work.


For example, I should get a royalty every time someone buys a new copy 
of my first book, Upheaval from the Abyss.  (I get nothing from 
resales, however).  If someone uploads a pdf of the work for all to 
download -- I get no royalty.  Everyone who would download that copy for 
free would be doing the same thing as someone who grabs a box of cigars 
and runs out of the store without paying.


For authors in particular, such theft of individual copies may also 
hurt an author's chances to get future book contracts, as a prospective 
publisher would say, Well, your last book didn't sell so well.  In 
that case, the loss of income is compounded.


As for journal articles, I have little sympathy for commercial 
publishers who charge dozens of dollars for individual copies of the 
work.  They force the creative agents -- those of us who do the research 
-- to sign over copyright prior to publication.  Such contracts are 
coercive and should be fought.


The publishers can protect most of their commercial interests by 
allowing us -- the creators -- to retain copyright in exchange for us 
assigning them non-exclusive uses in print, electronic databases, etc., 
in perpetuity.


They could also request clauses that prohibit publication of the 
identical work elsewhere, which I think is fair -- as long as they 
allows re-use of graphics by the creators, a right I feel is important 
for us to retain.


My guess is that such contracts will allow the commercial guys to 
continue to make boatloads of money, while removing any impediment to 
our ability to use, and share, our work.  (Frankly, I doubt they get a 
significant income from single-copy sales -- most of their money has to 
come from institutional subscriptions.)


Most of these battles over rights would likely have to be fought on the 
scientific society side, as I doubt an individual researcher's complaint 
would carry much weight.


Dave

William Silvert wrote:
Jane's posting brings two thoughts to mind. First, there are scientists 
who feel that you have no right to use their published results without 
their permission. On one occasion I even had a colleague within DFO 
lodge a formal internal protest because I used his data from an 
international journal in a paper of my own (fully attributed of course). 
The complaint was of course dismissed, and the idea that one could not 
publish a paper refuting someone else's work without their permission is 
absurd.


The other has to do with the idea of copying as stealing. Copyright 
owners believe that they have absolute control over their intellectual 
property, and legally this is pretty much the case, but this is not 
widely respected. Some restrictions, such as that of someone who decided 
that his software could only be used by white christian gentlemen, 
probably would not stand up in court. But others, that restrict access 
even though there is no loss to the copyright holder, are not widely 
seen as reasonable and are therefore not respected - this accounts for a 
fair share of what legally is piracy. Examples include the widespread 
copying of old material that is no longer for sale, such as old computer 
games like Pong and discontinued recordings, those in cut-out limbo. 
Recent extension of the copyright term has made this situation worse. 
Other practices, such as that of Hollywood studios which buy up the 
rights to classic movies and suppress them so that they can turn them 
into corny blockbusters, are really abusive to the whole concept of 
creativity which copyright is supposed to protect. (For example, a major 
studio bought up the entire Marcel Pagnol trilogy and pulled it from the 
screens so that they could make their own version of Fanny.)


The distorted publicity given to some cases of copyright violation has 
further weakened the posture of copyright holders. Why do software 
companies go after teen-age kids with shelves full of cracks of 
protected software and not after the businessmen who who run whole 
typing pools on a single pirated copy of an office suite? Do they really 
think that if the kids were not pirates they would pay the millions of 
dollars that they claim as theft losses?


So I think that what it boils down to is that although copyright law 
grants all kinds of legal protection, the guideline that most of us 
follow is the one that Jane puts forward, copying is really considered 
theft only when there is an actual loss involved - money, prestige, etc. 
Copying a CD or DVD instead of buying it is theft, but if a CD is not 
available for sale, why enforce the copyright? If a grad student uses 
your photo in a presentation and doesn't pay you for it, what have you 
lost 

[ECOLOG-L] Post-Doc Available at Univeristy of Wisconsin-Madison

2009-05-14 Thread =?ISO-8859-1?Q?Tony_Goldberg?=
Post-Doctoral Position in Ecology and Evolution of Infectious Disease

The Goldberg lab at University of Wisconsin-Madison invites applications for
a post-doctoral position focused on the ecology and evolution of infectious
disease.   This is a unique opportunity for a post-doctoral scholar with
broad interests in infectious disease ecology, evolution, and molecular
approaches to engage in creative research as part of a dynamic team. 
Projects include (but are not limited to):

1)  Ecology and evolution of West Nile virus in urban areas.  Ecology of 
West
Nile virus transmission in suburban Chicago, with an emphasis on molecular
epidemiology and viral evolution, funded by the NIH/NSF Ecology of
Infectious Diseases Program.  

2)  Diversity, evolution, and immunology of porcine reproductive and
respiratory syndrome virus (PRRSV).  Molecular epidemiology of PRRSV, with
an emphasis on the development of broadly effective polyvalent vaccines,
funded by USDA. 

For more information, please see the Goldberg lab website:

http://svmweb.vetmed.wisc.edu/goldberglab/ 

Applicants should have a primary interest in infectious disease ecology and
evolution (experience with viral systems is a plus), strong quantitative
skills in molecular phylogenetics/phylodynamics, and a demonstrated ability
for creative research.  Projects involve a flexible combination of
fieldwork, lab work, and computational analyses.  The successful applicant
will be expected to explore new research directions of her/his choosing,
assisted by a strong team of collaborators.

University of Wisconsin-Madison is a top-notch institution for research and
training in the biomedical sciences, with strong programs in ecology,
evolution, and microbial sciences (www.wisc.edu).  Madison, WI, is a vibrant
city with outstanding culture and exceptional opportunities for outdoor
recreation (www.wisc.edu/about/location.php). 

Applicants should send a CV, a brief statement of research interests, and a
list of three people (names, addresses, e-mails) who can serve as references.

Materials and inquiries should be sent to tgoldb...@vetmed.wisc.edu. 
Application materials should be received by June 15 2009 for full
consideration; the position is available starting September 1, 2009 and is
for a minimum of 2 years, with an option to extend.


Re: [ECOLOG-L] THE COST OF PUBLISHING RE: [ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread malcolm McCallum
You can.  Duplicate our effort http:/www.herpconbio.org
but it means someone has to do the work that the publishers do, we are
working to shift most of the formatting to the authors, but this
requires VERY GOOD directions!

On Thu, May 14, 2009 at 12:41 PM, Sarah Frias-Torres
sfrias_tor...@hotmail.com wrote:
 Regarding the open access issue recently covered in Ecolog-L, let's go back 
 to square one.
 Consider a tenure-track field-oriented research scientist in the USA.
 How many times does he/she pay for the paper published in a peer-review 
 journal?
 Let's follow the basic steps.Assuming the federal research grant/s were 
 written, submitted, and against all odds (considering the current funding 
 situation) funded. Out of the research grant monies, you have to:
 1) pay your own salary, so you can do the research and submit the 
 publications.2) pay salary/ies to postdocs/grad students to do fieldwork, and 
 part of research and publications3) pay fieldwork expenses (including 
 instruments, equipment, etc)4) pay overhead to university, so among other 
 things, university can afford institutional subscription to scientific 
 journals and provide journal access to faculty and students5) pay submission 
 costs to journals if printing in color, for open access availability (for 
 those journals that are not open access) or pay for submission in open access 
 journal that requires fee.6) in many cases, pay additional fee so you can 
 have your own pdf of your own publication
 Of course, this is just an example of many possible alternatives. However, 
 there is an interesting trend. From conceptual research idea to final 
 publication in peer-review journal, tax dollars pay the process many times 
 over...Perhaps we should re-think the whole process.Am I the only one who 
 thinks we can do better than this?
 Sarah Frias-Torres, Ph.D. Marine Conservation Biologist




-- 
Malcolm L. McCallum
Associate Professor of Biology
Texas AM University-Texarkana
Editor, Herpetological Conservation and Biology
http://www.herpconbio.org
http://www.twitter.com/herpconbio

Fall Teaching Schedule  Office Hours:
Landscape Ecology: T,R 10-11:40 pm
Environmental Physiology: MW 1-2:40 pm
Seminar: T 2:30-3:30pm
Genetics: M 6-10pm
Office Hours:  M 3-6, T: 12-2, W: 3-4

1880's: There's lots of good fish in the sea   W.S. Gilbert
1990's:  Many fish stocks depleted due to overfishing, habitat loss,
and pollution.
2000:  Marine reserves, ecosystem restoration, and pollution reduction
MAY help restore populations.
2022: Soylent Green is People!

Confidentiality Notice: This e-mail message, including any
attachments, is for the sole use of the intended recipient(s) and may
contain confidential and privileged information.  Any unauthorized
review, use, disclosure or distribution is prohibited.  If you are not
the intended recipient, please contact the sender by reply e-mail and
destroy all copies of the original message.


[ECOLOG-L] Graduate Research Assistantship (Tree Rings, Climate Change, and Forest Restoration)

2009-05-14 Thread Sophan Chhin
A graduate research assistantship position at either the MS or Ph.D. level 
is available starting Fall 2009 (September 2009) in the Department of 
Forestry (www.for.msu.edu) at Michigan State University (MSU).  The 
position includes a tuition waiver and health benefits, and a competitive 
stipend for 2 years at the MS level (~$19,000/year) or 3 years at the PhD 
level (~$21,000/year).  MSU is a land grant institution and there are many 
opportunities to conduct research at the network of MSU experiment 
stations throughout Michigan (http://www.maes.msu.edu/stations.htm).

Either of the following two major lines of research could be explored:

1)  Impact of climatic change on the sustainable development of woody 
biomass through tree-ring analyses of hybrid poplars

There is limited understanding of the climatic sensitivity (e.g., degree 
of drought tolerance) of short rotation woody crops such as hybrid 
poplars.  The general objective of this project is to elucidate the key 
climatic controls (water stress and temperature stress) of hybrid poplar 
growth and physiology.  Tree-ring analysis techniques (dendrochronology) 
will be used to retrospectively assess year-to-year (interannual) changes 
in stem wood properties of hybrid poplars.  Mechanistically based models 
between past instrumental records of climate (e.g., temperature and 
precipitation) and physical (e.g., ring width and density) and chemical 
(e.g., cellulose and lignin content) wood parameters will provide the 
basis for projecting these wood parameters under different future 
scenarios of climate change in the 21st century.  This research will have 
implications for optimizing forest management practices for improved wood 
quality, and contribute towards reducing uncertainty in the future supply 
of biomass feedstocks in the context of future climate change.

2)  Restoration of oak savannah and regeneration of oak

In the Midwest of the United States, the area previously covered by open 
canopy oak savannah communities (dominated by black oak and white oak) has 
shrunk considerably and this has been attributed primarily due to fire 
suppression.  The objective of this project is to examine the impact of 
climate, vegetation competition (i.e., grass species), and prescribed fire 
on oak regeneration and growth dynamics of mature trees in oak savannah 
ecosystems.  Oak savannah represents an ecotone between forest and 
prairie, and ecotones are expected to be very sensitive to climate 
change.  

In dry-mesic, closed-canopy forest communities, oak species such as white 
oak and red oak are difficult to regenerate both naturally and 
artificially.  The objective of this project is to increase the 
reliability of oak regeneration.  One of the challenges faced with 
regenerating oak is the lack of a mechanistic understanding of factors 
controlling acorn mast years.  Climate data, and stand and tree parameters 
such as tree foliage and tree-ring data will be related to acorn 
production levels.  In addition, it has been reported that the decline of 
oak forest cover in some areas is related to fire suppression.  
Consequently, the effect of prescribed burning in oak stands on subsequent 
rates of oak regeneration will be examined.

If you are interested, contact:

Dr. Sophan Chhin
Assistant Professor, Silviculture and Forest Ecosystem Productivity
Department of Forestry
Michigan State University
126 Natural Resources Building
East Lansing, MI  48824-1222
Tel: (517) 353-7251
Fax: (517) 432-1143
E-mail: ch...@msu.edu
Web: https://www.msu.edu/~chhin/

In your initial inquiry, please submit a cover letter, curriculum vitae, 
unofficial transcripts and GRE scores, and contact information of three 
references.  Applications will be considered immediately and continue 
until the position is filled.  To ensure full consideration please submit 
material by June 12, 2009.  MSU is an Affirmative Action/Equal Opportunity 
Employer.


Re: [ECOLOG-L] stealing from websites

2009-05-14 Thread Adolf Oluna Ceska
What is meant by stealing and by the ownership?

It depends on the author of the original photo or illustration, and even on
the author's institution.

I considered a courtesy to ask whether or not I could use a scan of a
picture from the published book in my PowerPoint presentation and the author
of the book said definite NO. Never mind, I had a much better picture
drawn in a few minutes.

There are court cases where the photographer's institution claimed the
ownership of the author's photographs, hence the ownership and stealing
is not a laughing matter:
This was exactly the subject of a court decision involving the Royal Ontario
Museum some years ago.

The issue was some bird pictures that someone took on a[n] [entomological
collecting] field trip in the Arctic and then published in a magazine.  The
ROM claimed the photos were theirs and the curator said that he did the
photos with his own gear on his day off and so they were his.  The court
held that the curator would not have been able to take the pictures if the
ROM had not paid to get him to the location and therefore, the pictures were
the property of the ROM.

I think that the curator's mother should have claimed the ownership, since
the curator would not have been able to take the photos, had not she gave
the birth to him.

My conclusion from these cases is that it is a good courtesy to ask the
author(s), but you should never ask the lawyers.

Adolf Ceska, Victoria, British Columbia, Canada


Re: [ECOLOG-L] stealing from websites; educational use

2009-05-14 Thread Tom Cuba
I apologize for getting into this late and not reading all the previous 
posts, but has anyone considered that any photograph taken as a result 
of work funded by public dollars (grants, University salaries) would be 
/ should be public domain?  Your tax dollar at work?  Credits would be 
appropriate.

Tom

--
Thomas R. Cuba, Ph.D., CEP, CLM
President, Delta Seven Inc.
http://www.delta-seven.com
727-823-2443


Re: [ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread Gary Grossman
Dear Alexey,

As someone posted before, all that most folks want is to be asked before
their work is used.  I suspect Jim Boone feels that way, but the original
post didn't mention permission or anything else, it just mentioned taking
something off someone else web site and using it in your talk without any
discussion of attribution.  Conceptually this is basically the same as
plagiarizing someone (i.e. passing their work off as your own), a practice
that I hope you wouldn't condone.  It also is unrealistic to suggest that
because your work is displayed then it is legitimate for someone to use it
without permission.  Copyright law certainly says otherwise.  It be nice if
the discussion could be dialed down a bit in tone.

Sincerely, G2



To Jim and others who are easily pissed:


 Don't put your work on the web. If you post it on the web in open access -
 then it is open access. You can't at the same time use the web to show off
 and expect that nobody will want to use your photos (especially if they are
 good). If you wish to restrict the use of your photos - then make it clear
 and restrict access.

 We all work hard but some of us actually feel good when others find our
 work good enough to use and our ideas smart enough to further disseminate
 for the common good.


-- 
Gary D. Grossman, PhD

Distinguished Research Professor - Animal Ecology
Warnell School of Forestry  Natural Resources
University of Georgia
Athens, GA, USA 30602

http://www.arches.uga.edu/~grossman

Board of Editors - Animal Biodiversity and Conservation
Editorial Board - Freshwater Biology
Editorial Board - Ecology Freshwater Fish

G. Grossman Fine Art
http://personal.negia.net/grossman


Re: [ECOLOG-L] stealing from websites; educational use

2009-05-14 Thread David M. Lawrence

malcolm McCallum wrote:
 Most figures from textbooks are now open use at the textbook 
companies push.

 they were spending a lot getting and keeping records of permissions
 and gave up some years ago.
 Anything that is posted on the internet without

 Copyright (c) YEAR. NAME OF COPYRIGHT HOLDER.

 is technically open for use by anyone.  I got this directly from the
 copyright office a few years back.


Your information is outdated.

According to U.S. copyright law, no copyright notice is required. 
Anything, once it is put into tangible form -- that is printed, 
uploaded to a Web site, recorded, etc. -- is inherently copyrighted.


Here are the relevant passages from the Copyright FAQ 
(http://www.copyright.gov/help/faq/)


When is my work protected?

Your work is under copyright protection the moment it is created and 
fixed in a tangible form that it is perceptible either directly or with 
the aid of a machine or device.



What is a copyright notice? How do I put a copyright notice on my work?

A copyright notice is an identifier placed on copies of the work to 
inform the world of copyright ownership that generally consists of the 
symbol or word “copyright (or copr.),” the name of the copyright owner, 
and the year of first publication, e.g., ©2008 John Doe. While use of a 
copyright notice was once required as a condition of copyright 
protection, it is now optional. Use of the notice is the responsibility 
of the copyright owner and does not require advance permission from, or 
registration with, the Copyright Office. See Circular 3, Copyright 
Notice, for requirements for works published before March 1, 1989, and 
for more information on the form and position of the copyright notice.


Dave


--
--
 David M. Lawrence| Home:  (804) 559-9786
 7471 Brook Way Court | Fax:   (804) 559-9787
 Mechanicsville, VA 23111 | Email: d...@fuzzo.com
 USA  | http:  http://fuzzo.com
--

We have met the enemy and he is us.  -- Pogo

No trespassing
 4/17 of a haiku  --  Richard Brautigan


Re: [ECOLOG-L] stealing from websites

2009-05-14 Thread William Silvert
I don't see any disagreement here between what I posted and David's concern. 
His book is in print and anyone who wants to read it should buy a copy (*). 
But if his book is out of print he doesn't get a royalty no matter what 
anyone does.


(*) Books are a bit more complex - aside from the resale issue which he 
mentions, there is no royalty whenever anyone reads a library copy. Some 
publishers have criticised libraries on that ground. My only strong feeling 
about that is that if my mother had not spent her poverty-stricken childhood 
in public libraries she never would have become a successful writer and 
editor.


Bill Silvert

- Original Message - 
From: David M. Lawrence d...@fuzzo.com

To: ECOLOG-L@LISTSERV.UMD.EDU
Sent: Thursday, May 14, 2009 7:25 PM
Subject: Re: [ECOLOG-L] stealing from websites


Now I'll argue the opposite of what I posted the other day :)  While I am 
largely sympathetic to what Bill posts here, the counter argument for the 
originators of creative works is that by unauthorized use of our work, the 
theft is in the loss of earnings from a potential sale of said work.


For example, I should get a royalty every time someone buys a new copy of 
my first book, Upheaval from the Abyss.  (I get nothing from resales, 
however).  If someone uploads a pdf of the work for all to download -- I 
get no royalty.  Everyone who would download that copy for free would be 
doing the same thing as someone who grabs a box of cigars and runs out of 
the store without paying... 


Re: [ECOLOG-L] stealing from websites; educational use

2009-05-14 Thread Sarah Goslee

Two quick corrections

malcolm McCallum wrote:

 Anything that is posted on the internet without

 Copyright (c) YEAR. NAME OF COPYRIGHT HOLDER.

 is technically open for use by anyone.  I got this directly from the
 copyright office a few years back.

Must have been quite a few: changes to US copyright law in 1979 
eliminated this requirement.


From: http://www.copyright.gov/help/faq/faq-general.html
When is my work protected?
Your work is under copyright protection the moment it is created and 
fixed in a tangible form that it is perceptible either directly or with 
the aid of a machine or device.


Once it is published, then copyright protection is automatic. Copyright 
_registration_ is a more complex process, and useful in case of legal 
action, but not required (see above link).


See also: http://www.iusmentis.com/copyright/symbol/

 When constructing websites, I believe you can
 link the picture so that it shows on your site but is posted on their
 site without any problem. But, this may be inaccurate so don't take my
 word from it.

This is called hotlinking, and is generally a very bad idea. It doesn't 
violate copyright (according to legal precedent), but if you hotlink to 
a small provider's images, you then force that person to pay for the 
bandwidth that _your_ site is using to display that image. In some cases 
it is fine, or even encouraged - Flickr, Amazon book cover images - but 
in others it could cost the image creator/host quite a bit of money.


As has already been said, the best solution is to ask if there is no 
explicit license.


Sarah

---
Dr. Sarah Goslee
USDA-ARS Pasture Systems and Watershed Management Research Unit
Penn State


Re: [ECOLOG-L] stealing from websites

2009-05-14 Thread David Duffy

Save the web! steal this picture?

The web was originally meant for the free exchange of information and 
web prestige was measured in success in making it available rather 
than in making a profit (or restricting access if you couldn't). The 
resulting innovations have changed society and continue to do so. Few 
of the major innovations originated from a profit motive even if 
profit eventually resulted.  The web may not reach its full, as yet 
unimagined, potential if information is isolated by proprietary moats 
and bound by lawyers. This conversation is accepting these 
boundaries; as scientists we need to think about how to keep the web 
the subversive place it was, a place to exchange information, not 
just to make a profit.


David Duffy, University of Hawaii Manoa



At 08:25 AM 5/14/2009, David M. Lawrence wrote:
Now I'll argue the opposite of what I posted the other day :)  While 
I am largely sympathetic to what Bill posts here, the counter 
argument for  the originators of creative works is that by 
unauthorized use of our work, the theft is in the loss of earnings 
from a potential sale of said work.


For example, I should get a royalty every time someone buys a new 
copy of my first book, Upheaval from the Abyss.  (I get nothing 
from resales, however).  If someone uploads a pdf of the work for 
all to download -- I get no royalty.  Everyone who would download 
that copy for free would be doing the same thing as someone who 
grabs a box of cigars and runs out of the store without paying.


For authors in particular, such theft of individual copies may 
also hurt an author's chances to get future book contracts, as a 
prospective publisher would say, Well, your last book didn't sell 
so well.  In that case, the loss of income is compounded.


As for journal articles, I have little sympathy for commercial 
publishers who charge dozens of dollars for individual copies of the 
work.  They force the creative agents -- those of us who do the 
research -- to sign over copyright prior to publication.  Such 
contracts are coercive and should be fought.


The publishers can protect most of their commercial interests by 
allowing us -- the creators -- to retain copyright in exchange for 
us assigning them non-exclusive uses in print, electronic databases, 
etc., in perpetuity.


They could also request clauses that prohibit publication of the 
identical work elsewhere, which I think is fair -- as long as they 
allows re-use of graphics by the creators, a right I feel is 
important for us to retain.


My guess is that such contracts will allow the commercial guys to 
continue to make boatloads of money, while removing any impediment 
to our ability to use, and share, our work.  (Frankly, I doubt they 
get a significant income from single-copy sales -- most of their 
money has to come from institutional subscriptions.)


Most of these battles over rights would likely have to be fought on 
the scientific society side, as I doubt an individual researcher's 
complaint would carry much weight.


Dave

William Silvert wrote:
Jane's posting brings two thoughts to mind. First, there are 
scientists who feel that you have no right to use their published 
results without their permission. On one occasion I even had a 
colleague within DFO lodge a formal internal protest because I used 
his data from an international journal in a paper of my own (fully 
attributed of course). The complaint was of course dismissed, and 
the idea that one could not publish a paper refuting someone else's 
work without their permission is absurd.
The other has to do with the idea of copying as stealing. Copyright 
owners believe that they have absolute control over their 
intellectual property, and legally this is pretty much the case, 
but this is not widely respected. Some restrictions, such as that 
of someone who decided that his software could only be used by 
white christian gentlemen, probably would not stand up in court. 
But others, that restrict access even though there is no loss to 
the copyright holder, are not widely seen as reasonable and are 
therefore not respected - this accounts for a fair share of what 
legally is piracy. Examples include the widespread copying of old 
material that is no longer for sale, such as old computer games 
like Pong and discontinued recordings, those in cut-out limbo. 
Recent extension of the copyright term has made this situation 
worse. Other practices, such as that of Hollywood studios which buy 
up the rights to classic movies and suppress them so that they can 
turn them into corny blockbusters, are really abusive to the whole 
concept of creativity which copyright is supposed to protect. (For 
example, a major studio bought up the entire Marcel Pagnol trilogy 
and pulled it from the screens so that they could make their own 
version of Fanny.)
The distorted publicity given to some cases of copyright violation 
has further weakened the posture of copyright holders. Why do 

[ECOLOG-L] Fwd: [ECOLOG-L] Open Access and Intellectual Imperialism

2009-05-14 Thread malcolm McCallum
To clarify as I copy and paste from the copyright office!  (hm)
http://www.copyright.gov/title17/92chap4.html


§ 401. Notice of copyright: Visually perceptible copies1

(a) General Provisions. — Whenever a work protected under this title
is published in the United States or elsewhere by authority of the
copyright owner, a notice of copyright as provided by this section may
be placed on publicly distributed copies from which the work can be
visually perceived, either directly or with the aid of a machine or
device.

(b) Form of Notice. — If a notice appears on the copies, it shall
consist of the following three elements:

(1) the symbol © (the letter C in a circle), or the word “Copyright”,
or the abbreviation “Copr.”; and

(2) the year of first publication of the work; in the case of
compilations or derivative works incorporating previously published
material, the year date of first publication of the compilation or
derivative work is sufficient. The year date may be omitted where a
pictorial, graphic, or sculptural work, with accompanying text matter,
if any, is reproduced in or on greeting cards, postcards, stationery,
jewelry, dolls, toys, or any useful articles; and

(3) the name of the owner of copyright in the work, or an abbreviation
by which the name can be recognized, or a generally known alternative
designation of the owner.

(c) Position of Notice. — The notice shall be affixed to the copies in
such manner and location as to give reasonable notice of the claim of
copyright. The Register of Copyrights shall prescribe by regulation,
as examples, specific methods of affixation and positions of the
notice on various types of works that will satisfy this requirement,
but these specifications shall not be considered exhaustive.

(d) Evidentiary Weight of Notice. — If a notice of copyright in the
form and position specified by this section appears on the published
copy or copies to which a defendant in a copyright infringement suit
had access, then no weight shall be given to such a defendant's
interposition of a defense based on innocent infringement in
mitigation of actual or statutory damages, except as provided in the
last sentence of section 504(c)(2).

Copyright FAQ Sheet***

What is copyright?
Copyright is a form of protection grounded in the U.S. Constitution
and granted by law for original works of authorship fixed in a
tangible medium of expression. Copyright covers both published and
unpublished works.

What does copyright protect?
Copyright, a form of intellectual property law, protects original
works of authorship including literary, dramatic, musical, and
artistic works, such as poetry, novels, movies, songs, computer
software, and architecture. Copyright does not protect facts, ideas,
systems, or methods of operation, although it may protect the way
these things are expressed. See Circular 1, Copyright Basics, section
What Works Are Protected.

How is a copyright different from a patent or a trademark?
Copyright protects original works of authorship, while a patent
protects inventions or discoveries. Ideas and discoveries are not
protected by the copyright law, although the way in which they are
expressed may be. A trademark protects words, phrases, symbols, or
designs identifying the source of the goods or services of one party
and distinguishing them from those of others.

When is my work protected?
Your work is under copyright protection the moment it is created and
fixed in a tangible form that it is perceptible either directly or
with the aid of a machine or device.

Do I have to register with your office to be protected?
No. In general, registration is voluntary. Copyright exists from the
moment the work is created. You will have to register, however, if you
wish to bring a lawsuit for infringement of a U.S. work. See Circular
1, Copyright Basics, section “Copyright Registration.”

Why should I register my work if copyright protection is automatic?
Registration is recommended for a number of reasons. Many choose to
register their works because they wish to have the facts of their
copyright on the public record and have a certificate of registration.
Registered works may be eligible for statutory damages and attorney's
fees in successful litigation. Finally, if registration occurs within
5 years of publication, it is considered prima facie evidence in a
court of law. See Circular 1, Copyright Basics, section “Copyright
Registration” and Circular 38b, Highlights of Copyright Amendments
Contained in the Uruguay Round Agreements Act (URAA), on non-U.S.
works.

I’ve heard about a “poor man’s copyright.” What is it?
The practice of sending a copy of your own work to yourself is
sometimes called a “poor man’s copyright.” There is no provision in
the copyright law regarding any such type of protection, and it is not
a substitute for registration.

Is my copyright good in other countries?
The United States has copyright relations with most countries
throughout the world, and as a 

[ECOLOG-L] PhD Assistantship: Ecological Genomics of Drought Stress in Prairie Grasses

2009-05-14 Thread Loretta Johnson
PhD Assistantship Available: Ecological Genomics of Drought Stress in 
Prairie Grasses


We have a position available for a PhD student to study the ecological 
genomics of drought stress.  The project will include studies of the 
responses of native prairie grasses to variation in precipitation using 
the ecologically dominant prairie grass big bluestem as a model. The 
work is part of a project funded by the USDA Plant Biology Abiotic 
Stress program.  The project will include common garden transplant 
experiments and genomic approaches to test for the signature of 
adaptive genetic differentiation among natural populations of big 
bluestem across the precipitation gradient of the Great Plains.


This collaborative research group assembles investigators with 
complementary expertise in Plant Ecological Genomics (Johnson 
www.ksu.edu/johnsonlab/, Garrett www.ksu.edu/pdecology), Genomics 
(Ahkunov eakhu...@ksu.edu), Evolutionary Genetics  
(Morgan(http://www.ksu.edu/morganlab/) and Restoration Ecology (Baer, 
SIU (www.plantbiology.siu.edu/Faculty/Baer/index.html) to elucidate the 
response and adaptation of prairie grasses to abiotic stresses. This 
work will take place in the laboratories of Drs. Johnson, Akhunov, and 
Garrett, with close collaboration with Drs. Morgan and Baer. There will 
also be opportunities to interact with other researchers in the context 
of the Ecological Genomics Institute (www.ecogen.ksu.edu).


Applicants should have a demonstrated interest in ecological or 
evolutionary genomics. Preference will be given to individuals with 
experience in modern molecular approaches and genomics tools.


Review of applicants will begin June 1, and continue until the 
successful applicant is identified. The starting date is flexible. The 
position offers competitive salary of $25,000 and benefits.


Applications should include a cover letter with a statement of research 
interests and explanation of your motivation and suitability for the 
project, a CV, and names and contact information for three professional 
references who can document the applicant is self-motivated and can 
work independently. Please send your application through e-mail to 
Loretta Johnson (john...@ksu.edu). Please include the following in the 
subject of your e-mail: ëApplication for Ecological Genomics 
Assistantshipí.


Kansas State University is located in the college town of Manhattan 
(population ~45,000) in the Flint Hills of eastern Kansas, about 2 
hours away from Kansas City.  Kansas State University is an equal 
opportunity, affirmative action employer and actively seeks diversity 
among its employees.


Dr. Loretta  C. Johnson
Associate Professor
Division of Biology
Ackert Hall Rm 232
Kansas State University
Manhattan, KS 66506
USA
email: john...@ksu.edu
phone: 785-532-6921
FAX: 785-532-6653
http://www.ksu.edu/johnsonlab/

Learn about our new Ecological Genomics research initiative and student 
and post-doctoral training opportunities by visiting our web page at 
http://ecogen.ksu.edu


[ECOLOG-L] Biogeochemistry Terrestrial Ecosystem Research Assistant Profressor positions

2009-05-14 Thread Jeffrey Chambers
The Department of Biogeochemical Processes at the Max-Planck Institute for 
Biogeochemistry, to be directed by Professor Susan Trumbore following the 
retirement of founding Director Professor E.-D. Schulze, invites 
applications for research scientists and postdoctoral researchers.   MPI-
BGC provides a stimulating and interdisciplinary research environment that 
houses excellent analytical and computational facilities and provides 
opportunities for field research in terrestrial ecosystems.  
Opportunities exist for 2-3 researchers (TVöD 13/14/15, equivalent to a 
nontenured research assistant professor).  These positions are limited, 
with appointments for 3 to 6 years, with possibility for extension, 
depending on the individual’s previous experience and applicable German 
laws. Associated support such as space, salary for students, and an annual 
research budget will be made available for these positions.  Candidates 
should have a PhD in an appropriate natural science field and a strong 
record of research and publication as well as the desire and ability to 
supervise student research. 

Postdoctoral researchers must have a Ph.D. degree in an appropriate natural 
science field.  Appointments will be for two years, with possibility for 
extension for up to two more.  

In particular we seek candidates interested in pursuing collaborative and 
interdisciplinary research in terrestrial biogeochemistry and global 
environmental change.  A particular strength of the Department will be in 
the use of isotopes and tracers as well as manipulative experiments to 
study the timescales and processes controlling terrestrial feedbacks to 
climate and land use change.  Research areas of interest include, but are 
not limited to:

-   novel methods for determining plant allocation and respiration pathways 
and what factors control them;
-  processes and dynamics of organic matter stabilization and 
destabilization in soils; 
-  biogeochemical effects of processes operating at the landscape level, 
including erosion/deposition and disturbance processes (extreme wind 
events, insect outbreak, or fire);   

Positions are available as soon as October 1, 2009.  Initial review of 
applications will begin August 1, 2009.  Salary and benefits are 
commensurate with those of public service organizations in Germany. The Max 
Planck Society seeks to increase the number of women in those areas where 
they are underrepresented and therefore explicitly encourages women to 
apply. The Max Planck Society is committed to employing more handicapped 
individuals and especially encourages them to apply. 
Applications should include a statement of your research interests and 
qualifications, a curriculum vitae, copies of relevant publications and the 
contact details of three academic referees.  Please send applications in 
electronic form to Yvonne Kirmse yki...@bgc-jena.mpg.de.   Questions 
should be directed to Susan Trumbore trumb...@bgc-jena.mpg.de