Re: [Elecraft] RE50B microphone connected to K3

2012-02-05 Thread David Moes
I guess I misused the term  ground.  vs shield.  I think we are 
basically saying the same thing  just that you are using correct 
terminology,  My Bad.



David Moes
VE3DVY

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 --- Original message ---
 Subject: Re: [Elecraft] RE50B microphone connected to K3
 From: Jim Brown j...@audiosystemsgroup.com
 To: elecraft@mailman.qth.net
 Date: Saturday, 04/02/2012  9:29 AM

 On 2/4/2012 8:42 AM, David Moes wrote:

 E50b is a low z dynamic mic that is well suited to voice and is an
 excellent mic  should work well for K3.

 Yes. An RE11 or RE16 is even better, because they are directional and
 reduce background noise pickup (fans, room noise, etc.)


  To use this unbalanced you
 are correct to connect pin1 to pin3   (cold to ground)

 Yes, Pin 3 to Pin 1 is right, but Pin 1 is the SHIELD, not ground,
 and Pin One must go to the SHIELDING ENCLOSURE (the chassis) to 
 provide
 shielding and prevent the Pin One Problem.  The distinction between
 ground which some interpret (wrongly) as a connection to the EARTH,
 and a connection to the SHIELDING ENCLOSURE is important -- no
 connection to the EARTH is needed to prevent noise or RFI issues.


 do not connect the XLR connector body to the ground it should be left 
 floating.

 Again, this word ground confuses the issue.  Inside the microphone,
 there MUST  be a connection between Pin One and the metal shell of the
 mic -- this provides shielding for the mic itself. AES Standards also
 call for a connection between Pine One and the shielding enclosure
 INSIDE EQUIPMENT, but require that there be NO connection between the
 cable shield and the cable shell.  There are very important reasons 
 for
 this that don't matter here. :)

 73, Jim Brown K9YC



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[Elecraft] RE50B microphone connected to K3

2012-02-04 Thread John Kountz
Has anyone had experience in tying pin 3 to pin one in an XLR connector to 
enable the transition from a balanced microphone to the unbalanced input of 
the K3?  In this regard I have used this arrangement to attach an 
Electrovoice RE50B to my K3 and, although I have made satisfactory 
contactswith this arrangement, I ask because many of you respondents appear 
experienced in audio and may have alternatives to making this 
interconnection.
John Kountz, WO1S/T6EE
2 x K3s 

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Re: [Elecraft] RE50B microphone connected to K3

2012-02-04 Thread David Moes
RE50b is a low z dynamic mic that is well suited to voice and is an 
excellent mic  should work well for K3.  To use this unbalanced you 
are correct to connect pin1 to pin3   (cold to ground)   do not 
connect the XLR connector body to the ground it should be left 
floating.   I have used many balanced dynamics in this way with many 
rigs without issue
.


David Moes
VE3DVY

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www.Twitter.com/PTBOTheatre
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 --- Original message ---
 Subject: [Elecraft] RE50B microphone connected to K3
 From: John Kountz j...@t6ee.com
 To: elecraft@mailman.qth.net
 Date: Saturday, 04/02/2012 11:12 AM

 Has anyone had experience in tying pin 3 to pin one in an XLR 
 connector to
 enable the transition from a balanced microphone to the unbalanced 
 input of
 the K3?  In this regard I have used this arrangement to attach an
 Electrovoice RE50B to my K3 and, although I have made satisfactory
 contactswith this arrangement, I ask because many of you respondents 
 appear
 experienced in audio and may have alternatives to making this
 interconnection.
 John Kountz, WO1S/T6EE
 2 x K3s

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Re: [Elecraft] RE50B microphone connected to K3

2012-02-04 Thread Jim Brown
On 2/4/2012 8:42 AM, David Moes wrote:
 E50b is a low z dynamic mic that is well suited to voice and is an
 excellent mic  should work well for K3.

Yes. An RE11 or RE16 is even better, because they are directional and 
reduce background noise pickup (fans, room noise, etc.)

   To use this unbalanced you
 are correct to connect pin1 to pin3   (cold to ground)

Yes, Pin 3 to Pin 1 is right, but Pin 1 is the SHIELD, not ground,   
and Pin One must go to the SHIELDING ENCLOSURE (the chassis) to provide 
shielding and prevent the Pin One Problem.  The distinction between 
ground which some interpret (wrongly) as a connection to the EARTH, 
and a connection to the SHIELDING ENCLOSURE is important -- no 
connection to the EARTH is needed to prevent noise or RFI issues.

 do not connect the XLR connector body to the ground it should be left 
 floating.

Again, this word ground confuses the issue.  Inside the microphone, 
there MUST  be a connection between Pin One and the metal shell of the 
mic -- this provides shielding for the mic itself. AES Standards also 
call for a connection between Pine One and the shielding enclosure 
INSIDE EQUIPMENT, but require that there be NO connection between the 
cable shield and the cable shell.  There are very important reasons for 
this that don't matter here. :)

73, Jim Brown K9YC



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Re: [Elecraft] RE50B microphone connected to K3

2012-02-04 Thread Joe Subich, W4TV


You want to keep pin one separate ...

Connect pin 3 to the microphone return in the transceiver
 (pin 7 in Elecraft/Kenwood transceivers)
Connect pin 1 to the chassis - the *SHELL* of the Foster mic plug
 in most transceiver.

If you do it right, you will use shielded twisted pair cable -
the twisted pair will provide a high degree of hum/RF rejection
and the shield will be the icing on the cake as K9YC likes to
point out.

Even though the transceiver mic inputs are not truly balanced,
treating them as pseudo-balanced inputs with twisted pair cable
and an isolated shield goes a long way to keeping things clean.

Manufacturers like Icom and Yaesu that use a coaxial lead (shield
is the return) for their microphone and then float the mic return
across the emitter resistor in the mic preamp or an RF choke are
asking for RFI and hum problems.  When some third parties then
recommend connecting the mic return to the shell of the Foster
mic plug with the cut-off component lead they compound the problems
by upsetting the bias of the mic preamp!

73,

... Joe, W4TV


On 2/4/2012 11:12 AM, John Kountz wrote:
 Has anyone had experience in tying pin 3 to pin one in an XLR connector to
 enable the transition from a balanced microphone to the unbalanced input of
 the K3?  In this regard I have used this arrangement to attach an
 Electrovoice RE50B to my K3 and, although I have made satisfactory
 contactswith this arrangement, I ask because many of you respondents appear
 experienced in audio and may have alternatives to making this
 interconnection.
 John Kountz, WO1S/T6EE
 2 x K3s

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