Re: [K3] [Elecraft] Rx/Tx equalization

2008-08-25 Thread Barry N1EU



Jack Smith-6 wrote:
 
 Looking at the audio output in monitor mode 
 with a spectrum analyzer misses parts of the audio chain ahead of the 
 transceiver.
 
Why would you miss any effects that were upstream of the monitor?

73,
Barry N1EU

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Re: [K3] [Elecraft] Rx/Tx equalization

2008-08-25 Thread Jack Smith
Bad choice of words - what I was getting at is that you are looking at 
the composite of the microphone and the transceiver's audio processing. 
It would be useful to look at each separately. This suggests looking at 
the microphone individually, into an audio spectrum analyzer and also 
looking at the transceiver response with a swept tone to understand what 
is going on in both as well as looking at them with normal speech when 
connected.


Jack

Barry N1EU wrote:

Jack Smith-6 wrote:
  
Looking at the audio output in monitor mode 
with a spectrum analyzer misses parts of the audio chain ahead of the 
transceiver.




Why would you miss any effects that were upstream of the monitor?

73,
Barry N1EU

  

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Re: [K3] [Elecraft] Rx/Tx equalization band selection

2008-08-24 Thread Barry N1EU



Jim Brown-10 wrote:
 
 50 Hz and 100 Hz octave bands are VERY important 
 
Why is 50hz important if it is completely outside the passband? +/-16dB at
50hz has zero effect on rx or tx in the K3.

73,
Barry N1EU

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Re: [K3] [Elecraft] Rx/Tx equalization band selection

2008-08-24 Thread Jim Brown
On Sun, 24 Aug 2008 14:41:54 -0700 (PDT), Barry N1EU wrote:

Why is 50hz important if it is completely outside the passband? +/-16dB at
50hz has zero effect on rx or tx in the K3.

Don't be so sure that there's no effect. It's important that when this 
undesired low frequency energy is produced by the mic, it is not carried 
through AUDIO path where it can trigger limiting, create distortion, or even 
cause overload. On the air, especially during contests, I hear lots of low 
frequency trash on SSB signals, most of it room noise.  

In general, if the desired bandwidth of a system is limited, as ours is, the 
modulating signal (in this case, microphone audio) should be bandwidth-
limited as early in the signal chain as practical. Many good mics have 
built-in high pass filters or low-frequency roll-off filters. When I'm 
mixing live program material, whether music or speech, I ALWAYS use a good 
high pass filter on every microphone preamplifier. With most musical 
instruments, it's set near 200 Hz. With instruments like a bass or bass 
guitar, I'll move it down to 40 Hz or so. 

73,

Jim Brown K9YC


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RE: [K3] [Elecraft] Rx/Tx equalization band selection

2008-08-24 Thread Jim
Low order distortion

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Jim Brown
Sent: Sunday, August 24, 2008 6:28 PM
To: Barry N1EU; elecraft@mailman.qth.net
Subject: Re: [K3] [Elecraft] Rx/Tx equalization band selection

On Sun, 24 Aug 2008 14:41:54 -0700 (PDT), Barry N1EU wrote:

Why is 50hz important if it is completely outside the passband? +/-16dB at
50hz has zero effect on rx or tx in the K3.

Don't be so sure that there's no effect. It's important that when this 
undesired low frequency energy is produced by the mic, it is not carried 
through AUDIO path where it can trigger limiting, create distortion, or even

cause overload. On the air, especially during contests, I hear lots of low 
frequency trash on SSB signals, most of it room noise.  

In general, if the desired bandwidth of a system is limited, as ours is, the

modulating signal (in this case, microphone audio) should be bandwidth-
limited as early in the signal chain as practical. Many good mics have 
built-in high pass filters or low-frequency roll-off filters. When I'm 
mixing live program material, whether music or speech, I ALWAYS use a good 
high pass filter on every microphone preamplifier. With most musical 
instruments, it's set near 200 Hz. With instruments like a bass or bass 
guitar, I'll move it down to 40 Hz or so. 

73,

Jim Brown K9YC


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