--empyre- soft-skinned space--Are my emails getting through? How do I unsubscribe?
On Mon, Nov 28, 2016 at 7:04 PM, Bruce Andrews wrote:
> --empyre- soft-skinned space--
>
> Craig, thanks for this.
>
> Really feeing that life on the web is recreating some of the 'distance'
> features of the scattered poets' life in the 70s: where you didn't have to
> choose between a local scene (with its shared & often narrow aesthetic
> assumptions, groupthink, life style-centeredness — often fondly recalled by
> insiders as 'community' & 'warmth') & isolation; now, if you already have a
> sense of who & what you're interested in, you can find a network out there
> to tap into — whether mail or, now, email & listserves & blog comments,
> etc. I remember being invited down to New Orleans to read by Camille
> Martin, who was corresponding with a clutch of (mostly women) avantish
> poets around the country & abroad, but was frustrated by a (mostly male) &
> less avantish local scene [dominated by something similar to the Poetry
> Project's mix of New American Poetry, a generation or so younger than the
> pioneers in the Don Allen anthology]; she started a small non-profit
> literary society that could apply for grants to bring poets in from out of
> town, more reminiscent of the work of the people she was corresponding
> with. Again, the issue of relying on an 'at hand' already constituted local
> scene or community, vs. reaching out to a farflung network of (usually)
> strangers. [Some of this is probably affected (or I could say, infected) by
> the dynamics of college-based Creative Writing Workshops & the tendency for
> graduates to stay close to where they graduated & trying to create a
> smaller but maybe even more narrowly focussed scene or community.]
>
> On the 3 editors you mention: I didn't get much sense of a
> close-knittedness between Williams, Higgins & Rothenberg, but the first 2
> had presses & I was very impressed with what they were publishing (&
> gratified that they responded very positively to work that I sent along to
> them: both Jonathan & Dick expressed a similar thought — that they might
> like to consider doing a small book of mine, but that I hadn't built up
> enough of a reputation [in the magazine world] to allow for the sort of
> name recognition that'd keep the book from just sitting in boxes. I was
> sending them work at the very start of my efforts to track down magazines
> that'd be interested in what I was doing. [Jonathan Williams, who I only
> met years later — true for the other 2 as well — was also a completely
> captivating & charming letter writer, so that encouraged me to up my game
> in response]. Rothenberg, as I said, was doing a magazine of ethnopoetics (
> *Alcheringa*, with the recently deceased & dearly missed Dennis Tedlock)
> that I sent work to; because he was pretty much only doing translations
> there, he put me in touch with Ron Silliman — who had just started
> *Tottel's* & turned out to be nearly exactly on my poetic wavelength,
> which began 45 years (!) years of close contact & collaboration; again, Ron
> & I didn't meet for 6 or 7 years.
>
> I never saw Bern Porter's magazine, but had seen his books a few years
> after I started writing: I was in school in Cambridge, Mass. & made a few
> trips to NYC where you could find such things in the early 70s — as was
> true of perhaps the most radical poetry (etc.) journal of the time, *0-9
> *[which
> James Hoff put out a wonderful collected edition of — they had just stopped
> publishing when I got around to sending them work. But re Bern P.: I was
> asked by Michael Wiater to guest edit an issue of his magazine, *Toothpick,
> Lisbon & the Orcas Islands* — quite a title — & I wrote to dozens of
> people in 1973, none of whom I'd ever met, assembling their addresses by
> asking editors [Richard Kostelanetz, at the time, was a virtual Rolodex of
> contact information] & then writing them, saying I'd like to see an
> extremely large amount of material which I'd make decisions on very quickly
> & send the rest back. Bern Porter sent me a BOX of about 300 separate
> pages/pieces that I selected a couple from. Wonderful generosity of spirit
> was close to a norm in those days, again all in the mail. As for Gertrude
> Stein, I was lucky enough to have access to the Johns Hopkins library
> (while I was getting a Masters degree), which had the multi-volume Yale
> edition including her early & most radical work, within a year after I
> started writing, in 1969, so the Something Else Press attention was a
> welcome treat. [I'd probably say that a consensus among my peer
> 'language-centered writers' of the 70s/80s, Stein was the key writer of the
> 20th century — something that's not a consensus in any other group of poets]
>
> On Sun, Nov 27, 2016 at 7:48 AM, Craig Saper wrote:
>
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