Re: [FFmpeg-user] Trying to create matching multi-audio-track mp4s from ProRes sources

2019-02-14 Thread Ted Park
> On Feb 13, 2019, at 3:01 PM, Harvey Pikelberger  wrote:
> 
> BUT for some reason the time code changed.  So a clip that had started at TC 
> start/end of 12:31:20:13 / 12:31:42:16 converted to 12:30:35:12 / 12:30:57:15.

The 0.1% change makes me think the timecode was converted to/from drop frame. 
Take another look at the separator before sub-second time to see if they really 
are both “:”

> I'm not familiar with the -f option and didn't immediately find it in the 
> FFmpeg documentation
> How does that work?

It sets the output file format, overriding what is guessed from the filename 
extension. There are some subtle (and some not so subtle) differences between 
quicktime, iso base media and mp4 formats. Files with timecode and edit list 
from an NLE, sometimes with references to external files = qt in my mind.
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Re: [FFmpeg-user] Trying to create matching multi-audio-track mp4s from ProRes sources

2019-02-13 Thread Harvey Pikelberger
> On Feb 13, 2019, at 10:04 AM, Ted Park  wrote:
> 
> I wonder if adding -f mov to the output options, or just using mov extension 
> makes it handle the timecode track?



Thanks Ted.

I'm not familiar with the -f option and didn't immediately find it in the 
FFmpeg documentation
How does that work?

Tried simply switching to the .mov extension instead of .mp4
The tracks mapped properly, the quality is good, and -- though it didn't occur 
to me until your suggestion -- .mov is preferable to .mp4 for our workflow.
So thanks for the suggestion.  An "obvious" idea that only became obvious after 
you suggested it.

BUT for some reason the time code changed.  So a clip that had started at TC 
start/end of 12:31:20:13 / 12:31:42:16 converted to 12:30:35:12 / 12:30:57:15.
Duration matches, frame rate matches, but the start/end TCs are earlier by 
45:01.




> On Feb 13, 2019, at 10:57 AM, Gyan  wrote:
> 
> unmap the data streams,
> 
> -i '/Path/To/ProRes/Source.mov' -map 0 -map -0:d -g 48 -c:v libx264 
> -profile:v baseline -crf 16 -c:a aac -b:a 256k -vf scale=1280:720 -pix_fmt 
> yuv420p '/Path/To/Mp4/Dest.mp4'


Gyan
-map -0:d fixed the problem entirely.
Audio Tracks are good / TC is good both for .mov and .mp4

Any idea why failing to un-map the data streams causes the time code to change?

Thanks to both of you.  Very helpful!!



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Re: [FFmpeg-user] Trying to create matching multi-audio-track mp4s from ProRes sources

2019-02-13 Thread Gyan



On 14-02-2019 12:27 AM, Gyan wrote:



On 13-02-2019 10:32 PM, Harvey Pikelberger wrote:


    -i '/Path/To/ProRes/Source.mov' -map 0 -map -0:d -g 48 -c:v 
libx264 -profile:v baseline -crf 16 -c:a aac -b:a 256k -vf 
scale=1280:720 -pix_fmt yuv420p '/Path/To/Mp4/Dest.mp4'




Oops,  removed the stray 0.
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Re: [FFmpeg-user] Trying to create matching multi-audio-track mp4s from ProRes sources

2019-02-13 Thread Gyan



On 13-02-2019 10:32 PM, Harvey Pikelberger wrote:

I've got a bunch of 4- and 5-audio-track ProRes sources.
I want to create h.264/mp4 proxies of each, matching the source audio assigns
The FFmpeg code I'm using is tripping up over time code and codec issues.

Here's the code:
-i '/Path/To/ProRes/Source.mov' -map 0 -g 48 -c:v libx264 -profile:v baseline 
-crf 16 -c:a aac -b:a 256k -vf scale=1280:720 -pix_fmt yuv420p 
'/Path/To/Mp4/Dest.mp4'

As I understand -map 0 is what conforms the audio assigns.
Not sure what -g 48 is doing, but removing still gets errors.

Here are the errors:
[mp4 @ 0x7fe633006000] You requested a copy of the original timecode track so 
timecode metadata are now ignored
[mp4 @ 0x7fe633006000] Could not find tag for codec none in stream #2, codec 
not currently supported in container
Could not write header for output file #0 (incorrect codec parameters ?): 
Invalid argument
Error initializing output stream 0:1 --
[aac @ 0x7fe633801e00] Qavg: nan
Conversion failed!



`-map 0` maps all streams for output including those that the output may 
not be able to handle, like the single-packet timecode stream. However, 
ffmpeg will copy it using the metadata entry created when reading the input.


So, unmap the data streams,

    -i '/Path/To/ProRes/Source.mov' -map 0 0 -map -0:d -g 48 -c:v 
libx264 -profile:v baseline -crf 16 -c:a aac -b:a 256k -vf 
scale=1280:720 -pix_fmt yuv420p '/Path/To/Mp4/Dest.mp4'


Gyan
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Re: [FFmpeg-user] Trying to create matching multi-audio-track mp4s from ProRes sources

2019-02-13 Thread Ted Park
> On Feb 13, 2019, at 12:02 PM, Harvey Pikelberger  wrote:
> 
> [mp4 @ 0x7fe633006000] You requested a copy of the original timecode track so 
> timecode metadata are now ignored
> [mp4 @ 0x7fe633006000] Could not find tag for codec none in stream #2, codec 
> not currently supported in container
> Could not write header for output file #0 (incorrect codec parameters ?): 
> Invalid argument

I wonder if adding -f mov to the output options, or just using mov extension 
makes it handle the timecode track?
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[FFmpeg-user] Trying to create matching multi-audio-track mp4s from ProRes sources

2019-02-13 Thread Harvey Pikelberger
I've got a bunch of 4- and 5-audio-track ProRes sources.
I want to create h.264/mp4 proxies of each, matching the source audio assigns
The FFmpeg code I'm using is tripping up over time code and codec issues.

Here's the code:
-i '/Path/To/ProRes/Source.mov' -map 0 -g 48 -c:v libx264 -profile:v baseline 
-crf 16 -c:a aac -b:a 256k -vf scale=1280:720 -pix_fmt yuv420p 
'/Path/To/Mp4/Dest.mp4'

As I understand -map 0 is what conforms the audio assigns.
Not sure what -g 48 is doing, but removing still gets errors.

Here are the errors:
[mp4 @ 0x7fe633006000] You requested a copy of the original timecode track so 
timecode metadata are now ignored
[mp4 @ 0x7fe633006000] Could not find tag for codec none in stream #2, codec 
not currently supported in container
Could not write header for output file #0 (incorrect codec parameters ?): 
Invalid argument
Error initializing output stream 0:1 -- 
[aac @ 0x7fe633801e00] Qavg: nan
Conversion failed!



Here's the full console output:
ffmpeg version 4.1 Copyright (c) 2000-2018 the FFmpeg developers
  built with Apple LLVM version 10.0.0 (clang-1000.11.45.5)
  configuration: --prefix=/usr/local/Cellar/ffmpeg/4.1_2 --enable-shared 
--enable-pthreads --enable-version3 --enable-hardcoded-tables 
--enable-avresample --cc=clang --host-cflags= --host-ldflags= --enable-ffplay 
--enable-gpl --enable-libmp3lame --enable-libopus --enable-libsnappy 
--enable-libtheora --enable-libvorbis --enable-libvpx --enable-libx264 
--enable-libx265 --enable-libxvid --enable-lzma --enable-libfreetype 
--enable-frei0r --enable-libass --enable-libopencore-amrnb 
--enable-libopencore-amrwb --enable-librtmp --enable-libspeex 
--enable-videotoolbox
  libavutil  56. 22.100 / 56. 22.100
  libavcodec 58. 35.100 / 58. 35.100
  libavformat58. 20.100 / 58. 20.100
  libavdevice58.  5.100 / 58.  5.100
  libavfilter 7. 40.101 /  7. 40.101
  libavresample   4.  0.  0 /  4.  0.  0
  libswscale  5.  3.100 /  5.  3.100
  libswresample   3.  3.100 /  3.  3.100
  libpostproc55.  3.100 / 55.  3.100
Guessed Channel Layout for Input Stream #0.1 : 5.0
Input #0, mov,mp4,m4a,3gp,3g2,mj2, from '/Path/To/ProRes/Source.mov':
  Metadata:
major_brand : qt  
minor_version   : 537199360
compatible_brands: qt  ARRI
creation_time   : 2019-01-30T12:47:45.00Z
com.apple.finalcutstudio.media.uuid: 3D1B7ACC-EAFF-477C-AFB7-7FC259FA0B59
com.arri.camera.CameraId: R0TS
com.arri.camera.CameraIndex: A
com.arri.camera.CameraModel: ARRI ALEXA Mini
com.arri.camera.CameraSerialNumber: 21072
com.arri.camera.ColorGammaSxS: LOG-C
com.arri.camera.ExposureIndexAsa: 800
com.arri.camera.LookFileBurnedIn: No
com.arri.camera.ProductionInfoOperator: 
com.arri.camera.NdFilterDensity: 0
com.arri.camera.NdFilterType: 0
com.arri.camera.ProductionInfoCinematographer: 
com.arri.camera.ProductionInfoDirector: 
com.arri.camera.ProductionInfoLocation: 
com.arri.camera.ProductionInfoProduction: 
com.arri.camera.ProductionInfoUser1: 
com.arri.camera.ProductionInfoUser2: 
com.arri.camera.ProjectFps: 23976
com.arri.camera.ReelName: A001R0TS
com.arri.camera.SensorFps: 23976
com.arri.camera.ShutterAngle: 1800
com.arri.camera.SoundReel: 
com.arri.camera.SupVersion: 5.04.13
com.arri.camera.SxsSerialNumber: 31256162323390004845
com.arri.camera.UserDate: 20190130
com.arri.camera.UserTime: 12h47m45
com.arri.camera.WhiteBalanceKelvin: 5000
com.arri.camera.WhiteBalanceTintCc: 0
com.arri.camera.CameraClipName: A001C001_190130_R0TS.mov
com.arri.camera.Product: 2
com.arri.camera.SubProduct: 1
com.arri.camera.look.name: ARRI 709.AML
com.arri.camera.look.user_lut: 0
com.apple.proapps.color.asc-cdl: 
com.arri.camera.look.lut3d: 
com.arri.camera.look.lut3d_with_cdl: 
com.arri.camera.look.video_param_with_target_colorspace: 
com.arri.camera.ProductionInfoCompany: 
com.arri.camera.SceneName: 
com.arri.camera.TakeName: 
com.arri.camera.audio.Configuration: 
com.arri.camera.LensSerialNumber: 13054
com.arri.camera.LensType: Fujinon Alura AZ30-80 T2.8
com.arri.camera.UnitPreference: Metric
com.arri.camera.WbTracking: 0
com.arri.camera.ImageOrientation: 0
com.arri.camera.ImageSharpness: 0
com.arri.camera.ImageDetail: 0
com.arri.camera.ImageDenoising: 0
com.arri.camera.DynamicMetadataVersion: 65536
com.arri.camera.audio.BluetoothEnabled: 0
com.arri.camera.sensor.PhotoSites: 3200x1800
com.arri.camera.PixelAspectRatio: 0.00
com.arri.camera.FramelineFileName1: None
com.arri.camera.UserPixelMasking: 0
com.arri.camera.EfIsActive: 0
timecode: 12:50:58:15
  Duration: 00:32:55.85, start: 0.00, bitrate: 994138 kb/s
Stream #0:0(eng): Video: prores (ap4h / 0x68347061), yuv444p10le(tv, GBR, 
progressive), 3840x2160, 988342 kb/s, SAR 1:1 DAR 16:9, 23.98 fps, 23.98 tbr, 
24k tbn, 24k tbc (default)
Metadat