filmscanners: Re: filmscanners: Digital Copyright (off-topic)

2001-07-23 Thread Rob Geraghty

Roger wrote:
 If the Copyright Office will accept CDs, many of us on
 this list would find if of great benefit since we already scan
 many of our photos and writing a CD is easier and cheaper than
 making contact sheets to send as a deposit.

If their guidelines say anything about file formats and resolutions, that
would be good too.  I wouldn't want to have to send copies of all the full
resolution scans I've done.  Small (640x480 say) jpegs would be ideal because
you could fit *stacks* on a single disk.

I'll have to find out if there's any sort of registration of images in Australia.

Rob


Rob Geraghty [EMAIL PROTECTED]
http://wordweb.com






RE: filmscanners: Digital Copyright

2001-07-23 Thread Tony Sleep

On Sun, 22 Jul 2001 16:46:58 -0600  Stan McQueen ([EMAIL PROTECTED]) wrote:

  I'm concerned that the effect of 
 your argument will be to convince people that it is not worthwhile to go 
 to the effort of registering their images.

For the avoidance of doubt : in most countries except the US, there is no 
concept of copyright registration. The fact of authorship is all that is 
required.

Regards 

Tony Sleep
http://www.halftone.co.uk - Online portfolio  exhibit; + film scanner info 
 comparisons



RE: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Shough, Dean

 yeah but you guys miss the point


I don't think we miss the point, but rather we have different priorities.  I
would love it if VueScan had a better (and more Mac like) interface, but
given the choice between improving the guts of VueScan or the interface, I
will take the guts anytime.  Especially since I can work around the portions
of the interface I don't like.  If the raw scan is bad there is no work
around.  Ed could hire 5 programmers to assist him, spend 6 months getting
them up to speed before getting anything useful out of them, and raise the
price of VueScan from $40 to $400, but I think it would kill VueScan.

I will soon have a brand new computer and am looking into new scanners, both
35 mm film and flatbed.  I would much rather Ed support my next scanners
with an adequate interface than not support my scanners with the worlds best
interface.  I will be very interested to hear when VueScan will support
FireWire scanners running under MacOS X.



RE: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide Feeder

2001-07-23 Thread Hemingway, David J

Ron,
Call the 800 technical support number and request the brush for the SS4000.
There is a sensor internal to the scanner that can collect dust preventing
the scanner from finding it's home position. This brush attached to the
front of the carrier. After powering down the scanner you manually pass the
carrier back and forth to clean any dust off the sensor. 
I do not think it is to late to purchase a service contract. I will have a
service representative email you directly with details.
Regards
David

 -Original Message-
 From: Ron Carlson [mailto:[EMAIL PROTECTED]]
 Sent: Monday, July 23, 2001 12:29 AM
 To: [EMAIL PROTECTED]
 Subject: Re: filmscanners: Polaroid SS4000 ext. warranty and 
 Bulk Slide
 Feeder
 
 
 David, what free brush and how do I order it? I hadn't heard 
 of an extended
 warranty. My SS4000 is 15 months old, I suppose it's too late 
 for me to get
 one now --- not that I need it at the moment.
 Regards, Ron
 - Original Message -
 From: Hemingway, David J [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Sunday, July 22, 2001 10:07 AM
 Subject: RE: filmscanners: Polaroid SS4000 ext. warranty and 
 Bulk Slide
 Feeder
 
 
  Preben,
   I guess I am happy to hear from you :). The bulk feeder is 
 going to be
  available  to the best of my knowledge. Good things don't 
 come quickly :).
  Each market sets it's own sales and marketing strategies. I 
 was not aware
  specifically the Europe did not offer an extended warrantee on the
 scanners.
  I do know it is not available on film recorders supposedly because
 Europeans
  do not purchase them, a cultural issue I am told. I will 
 pass on your
  comments to my corporate brothers in Europe.
  Glad you are pleased with your SS4000. be sure to order the 
 free brush to
  clean the sensor.
  Regards,
  David
 
   -Original Message-
  From: Preben Kristensen [mailto:[EMAIL PROTECTED]]
  Sent: Sunday, July 22, 2001 5:08 AM
  To: [EMAIL PROTECTED]
  Subject: Re: filmscanners: Polaroid SS4000 ext. warranty and Bulk
  Slide Feeder
 
  This is for David:
 
  The extended warranty offer seems to be valid only in the 
 US - now, why is
  that? Are you planning to cut your sales to only US as 
 well?  Or are you
  selling inferior (Monday/Friday production) units outside 
 US - so it is
 not
  worth doing? :-)
  Please pass this one on to the gods!
 
  We are now rapidly approaching the first year anniversary for the
 impending
  arrival of the bulk slide feeder. How should we celebrate that? :-)
 
  Apart from that, Mrs. Lincoln, how did you like the 
 performance? :-)
 Well,
  apart from that, I have been extremely happy with the 
 SS4000 which, for a
  long time was the only suitable machine on the market for 
 my needs! And I
  have not (touch wood)had any reason to test the repair 
 service in Italy.
 
  Greetings from Preben
 
 



re: filmscanners: Vuescan blue anomaly

2001-07-23 Thread Lynn Allen

Alan wrote:

I find with my scanwit all my scans with people in them, or actually all 
my scans lately have way too much blue in the[m] period.

Alan, do you find this true after you aply Auto Levels in PS? That's the 
first thing I do after a scan is loaded, whether from Vuescan or MiraPhoto 
(Mira *really* needs it), before proceding with corrections. I find this 
action often puts whatever color(s) might dominate back into proper 
ralationship. If Auto Levels doesn't help, or makes it worse, I undo the 
action, then procede.

Best regards--LRA



From: Alan Womack [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: Majordomo leben.com [EMAIL PROTECTED]
Subject: re: filmscanners: Vuescan blue anomaly
Date: Sun, 22 Jul 2001 15:40:45 -0700

I noticed this with blue in shadows on 400 superia many versions ago, I 
will have to dig out the negs and see if the later versions have fixed it.

I find with my scanwit all my scans with people in them, or actually all my 
scans lately have way too much blue in the period.  I'm compensating with 
manually adjusting the white point blue setting to an additional .05 above 
what's there.  Makes my scans way closer to what I adjust them too in PS.

alan

I too have had a problem  that looks just like this.
I have seen the 'blue highlights' phenomenon occur using Kodak
Supra 400  100 negatives




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RE: filmscanners: Semi OT: 16-bits [was Which Buggy Software?]

2001-07-23 Thread Jawed Ashraf


 Still, all this is academic and makes assumptions about the 'purity' of
 16bit data which may be incorrect in practice. Like Margulis, I'd agree
 that empirical evidence matters more than theory. I know I have managed
 to
 produce posterised sky areas in 16 bit, even with modest manipulations.
 Whether better or worse than if I'd used 8 bit I cannot say without
 returning to the image and trying both.

 Regards

 Tony Sleep
 http://www.halftone.co.uk - Online portfolio  exhibit; + film scanner
 info
  comparisons



In my experiments I have found that a gamma correction of 1.5, say, in Nikon
Scan produces no posterisation whilst the same operation in Photoshop
produces fairly severe posterisation.  Both in 16-bit.

Makes me feel nervous about PS.  I notice, these days, that I can get PS to
posterise relatively easily - and no, I'm not talking about curves that have
horizontal or vertical sections or curves that double-back on themselves.
Hmm.

It's interesting to ponder whether grain/aliasing helps to hide errors or
makes them show-up more.  There is, maybe, an argument in favour of
dithering the image (adding noise - preferably shaped in the frequency
domain - a bit like dither in digital audio systems) before manipulation, if
one's first attempt showed heavy posterisation, in a bid to perform the same
manipulation with less posterisation.

Jawed




re: filmscanners: Vuescan blue anomaly

2001-07-23 Thread Tony Sleep

On Sun, 22 Jul 2001 15:40:45 -0700  Alan Womack 
([EMAIL PROTECTED]) wrote:

I have seen the 'blue highlights' phenomenon occur using Kodak
Supra 400  100 negatives

My first thought was that Vuescan was seeing an area of blank film and 
dialling in an extra lot of 'correction' for the orange mask as part of 
white balance operation. However the selection marquee definitely did not 
extend beyond the image boundary with these two samples.

Regards 

Tony Sleep
http://www.halftone.co.uk - Online portfolio  exhibit; + film scanner info 
 comparisons



RE: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Shough, Dean

 I vote for an option for the two-pane approach--definitely.


I didn't like the old VueScan, semi-two pane approach.  But, two windows
that clearly separate the previewing from setting the options would be a
good thing.  The preview window should have just the preview and the command
buttons to scan, preview, etc.  Once the options are set up, the options
window could be closed if desired, or, while adjusting the settings, it
could be left on top to facilitate changes.  Perhaps the options window
should have its own set of buttons for scanning.  That way if you are not
interested the preview window could be closed.  .



Re: filmscanners: Vuescan:two small requests

2001-07-23 Thread John Matturri



 There's just two small items that really seem lacking to me and really slow
 me down and frustrate me every time I use it.

 1.) A browse for folder button to locate the folder to save files in.

If you click Folder and Default (or whatever) a Browse for Folder box does pop
up in VS.

John M.




re: Scanning multiple times (was Re: filmscanners: Vuescan gripes)

2001-07-23 Thread Alan Womack

Sometime back Ed mentioned there was a SCSI command that causes an extra 20% exposure 
on the scanwit and he enables it always.

Alan

   I don't think VS controls exposure time on Scanwits directly - they have
   an
   autoexposure system with no manual control. However, I agree it appears
   something Ed is doing appears to result in longer exposures. It would be
   interesting to know how this happens - maybe Ed could jump in with a
   theory/explanation?

   /fn




Epson Inkjet Printer FAQ: http://welcome.to/epson-inkjet



Re: filmscanners: Vuescan:two small requests

2001-07-23 Thread EdHamrick

In a message dated 7/23/2001 0:03:25 AM EST, [EMAIL PROTECTED] writes:

 There's just two small items that really seem lacking to me and really slow
  me down and frustrate me every time I use it.
  
  1.) A browse for folder button to locate the folder to save files in.

You can already do this with the commands in the Folder menu.

  2.)A multi-image preview screen for thumbnails.

Yes, this would be nice.  It's not simple to add this, given that
VueScan has to work with a wide range of scanners, many
of which can't even move the film holder under VueScan's
control.  There are other complications too - the special
mode that the Nikon scanners use to quickly acquire
thumbnails has many subtle problems that are hard to
work around.

Regards,
Ed Hamrick



RE: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide Fe eder

2001-07-23 Thread Hemingway, David J

The sensor being cleaned is the sensor that determines the Home position
for the carrier, NOT the CCD sensor.
David

 -Original Message-
 From: Robert Meier [mailto:[EMAIL PROTECTED]]
 Sent: Sunday, July 22, 2001 3:50 PM
 To: [EMAIL PROTECTED]
 Subject: RE: filmscanners: Polaroid SS4000 ext. warranty and 
 Bulk Slide
 Fe eder
 
 
 
 --- Hemingway, David J [EMAIL PROTECTED] wrote:
  be sure to
  order the free brush to
  clean the sensor.
 
 Are you saying that there is a brush to clean the
 sensor=CCD? How would you do that? Opening the
 scanner? Wouldn't you do more damage then any good?
 
 Robert
 
 
 __
 Do You Yahoo!?
 Make international calls for as low as $.04/minute with 
 Yahoo! Messenger
 http://phonecard.yahoo.com/
 



RE: filmscanners: My replacement 8000 is banding like the first one :-(

2001-07-23 Thread Jawed Ashraf

Dang, you've spotted I'm a hi-fi nutter.  But I'm a flat-earther so all that
nonsense with green pens and $3000 cables goes right past me.

Jawed

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Austin Franklin
 Sent: 20 July 2001 02:56
 To: [EMAIL PROTECTED]
 Subject: RE: filmscanners: My replacement 8000 is banding like the first
 one :-(


 Paint the edges of the negatives green, and get some Shitake
 Stones or what
 ever they're called, sold at the high end stereo stores...some
 people swear
 they improve their sound, so they might improve scanning ;-)

  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED]]On Behalf Of Jawed Ashraf
  Sent: Thursday, July 19, 2001 8:25 PM
  To: [EMAIL PROTECTED]
  Subject: RE: filmscanners: My replacement 8000 is banding like the first
  one :-(
 
 
  I tried sitting on my scanner (I'm at least 80Kg) but it made no
  difference,
  the little begger still makes a rattling noise when it's doing a
  preview - a
  bit like a Skoda would do if it was miniaturised.
 
  Jawed
 
   -Original Message-
   From: [EMAIL PROTECTED]
   [mailto:[EMAIL PROTECTED]]On Behalf Of Austin Franklin
   Sent: 19 July 2001 23:08
   To: [EMAIL PROTECTED]
   Subject: RE: filmscanners: My replacement 8000 is banding
 like the first
   one :-(
  
  
Stepper motors are known to resonate
a certain step-rates, for example.
  
   Sorry, and I don't mean to be glib...but perhaps having an 85
   pound scanner
   may be an asset ;-)
  
  
 






Re: filmscanners: My replacement 8000 is banding like the first one :-(

2001-07-23 Thread Arthur Entlich



Austin Franklin wrote:
 
  
   Given: That the stepper mechanism is accurate, and not just a piece of
   trash...
   Then: It would not matter whether the copy is moved or the
  scanning head is
   moved.
  
 
 
  I don't fully agree. One can design a very precise metal screw or other
  method for moving the CCD head assembly, in an enclosed unit internally
  which could be kept clean and lubricated.
 
  Moving the film via a carrier, which is likely molded plastic, with
  plastic gearing, and also having it need to mesh' with the motorized
  transport, and being that the carrier is prone to dust and dirt
  attraction and the elements, makes it much harder to maintain
  integrity of precision movement.
 
 Are you a mechanical engineer?  


Many of the true marvels produced by man were made by people considered
uneducated or unskilled in the profession they achieved in. Gaudi had no
formal training in architecture, yet he designed and built some of the
most memorable architecture in Spain.  Some people are just born with a
native understanding that often far exceeds anything education can
provide.  Some kitchen inventors have come up with concepts with no
training in the field they excel within. I wouldn't expect you to
understand, however.

My concern in the use of plastic carriers is the interfacing of the
carrier and the stepper motor or other movement method.  Gearing between
plastic and plastic or metal and plastic is likely to produce wear over
time, and result in imprecision.

Regarding the SS4000, although it does not apparently need
multi-scanning, due to the quality of the CCD which limits noise,  I
understand that multi-scanning is not as precise due to some aspect of
the carrier or positioning design. 

Art




Re: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Bob Kehl - Kvernstoen, Kehl Assoc.

As long as we're using up your programming time here Ed, why not a dual
monitor approach as well?  Why not have a setup menu to give the user the
option of  single pane, dual pane, or dual monitors?

 Bob Kehl

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, July 22, 2001 4:02 PM
Subject: Re: filmscanners: Re: Vuescan gripes



 I keep going back and forth on this myself.  Most other scanner
 software uses a 2-pane approach with the options and
 buttons in one area and an image that's never obscured in
 another area.





Re: filmscanners: Digital Copyright (off-topic)

2001-07-23 Thread Stan McQueen

Here's a further hint on the acceptability of CDs of scanned images. Take a 
look at  http://www.loc.gov/copyright/fls/fl107.pdf (Registration of 
Photographs). This indicates that Two or more unpublished photographs may 
be registered as a collection if: 1. The elements are assembled in an 
orderly form; 2. The combined elements bear a single title identifying the 
collection as a whole; 3. The copyright claimant in all the elements and in 
the collection as a whole is the same; and 4. All the of the elements are 
by the same author...

It does not specify the media in which the orderly form must be 
expressed, leaving open the possibility that CDs are acceptable.

I left out one step in the process I follow. I also enclose a stamped, 
self-addressed postcard that says something like:
The stamp of the Copyright Office on this card indicates receipt of the 
following items, and upon the date noted:
1. Registration Form
2. Fee of $30.00
3. Photography by Stan McQueen, 2001 Volume 3 (CD containing scanned images)

They stamp it with their official stamp and return it to me.

Stan
===
Photography by Stan McQueen: http://www.smcqueen.com




Re: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Arthur Entlich



 
 At 18:46 22-07-01 -0400, Johnny Deadman wrote:
 let me introduce you to the theory of dogfood
 
 dogs like dogfood. no, they love it. They slobber all over it.  they wolf it
 down. they can't get enough of it, even though it's total crap
 
 why?
 
 because we don't feed them steak
 
 what is the relevance of this?
 
 PC users like vuescan. no, they love it...
 

Well, I'll agree on one similarity of dogs and PCs (not their users,
however)  Both are pretty much color blind.

Art





Re: filmscanners: Scanning Mechanisms

2001-07-23 Thread Arthur Entlich



rafeb wrote:
 
 At 02:43 AM 7/21/01 -0700, Art wrote:
 
 Moving the film via a carrier, which is likely molded plastic, with
 plastic gearing, and also having it need to mesh' with the motorized
 transport, and being that the carrier is prone to dust and dirt
 attraction and the elements, makes it much harder to maintain
 integrity of precision movement.
 
 Clearly the film has to be in SOME kind of carrier,
 whatever the scanner brand.  

You've missed my point.

Most scanners require a film carriers of some sort (the HP S-20 is an
exception, as it uses the film edges or slide mount to move the film
with rollers).  I was suggesting that the method Nikon used which was to
use the film carrier to do rough positioning of the frame, and then to
have the CCD and optical mechanism move internally at that point to
capture the scan, rather than trying to move the carrier, was probably a
more precise method.

I was trying to give the Nikon design a compliment and even that is
misconstrued! ;-)

Art





Re: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Larry Berman

Sounds like a dog (and cat) fight to me. Not to take sides, I value all 
your opinions, but it seems that VueScan is just another tool and is only 
as good as the person using it. Irrelevant whether it's on a Mac or PC. 
Even the Mac and PC are just tools, dependent on the user.

Larry


  let me introduce you to the theory of dogfood
Well, I'll agree on one similarity of dogs and PCs (not their users,
however)  Both are pretty much.


***
Larry Berman

http://BermanGraphics.com
http://IRDreams.com
http://ImageCompress.com

***




Re: filmscanners: RE: filmscanners: Vuescan:two small requests

2001-07-23 Thread Bob Kehl - Kvernstoen, Kehl Assoc.


- Original Message -
From: Rob Geraghty [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, July 23, 2001 12:31 AM
Subject: filmscanners: RE: filmscanners: Vuescan:two small requests


 Bob Kehl wrote:

 2.)A multi-image preview screen for thumbnails.

 I wouldn't use this as I don't generally batch scan and if I did, it would
 be set and forget - so multiple thumbnails wouldn't be useful.  This is
 very scanner specific and wouldn't work on scanners without a batch
scanning
 capability or on the nikons with certain film holders eg. the slide holder
 or film strip holder with the slide holder.


If you've ever scanned two images from the same strip, this feature might
make a batch scanner out of you.  With Nikonscan you click on your image
thumbnail set it's rotation, crop, and image adjustments, then click on the
next image and do the same.  When you've got all the parameters set you
click scan and walk away or work on something else.   When you come back all
your images are scanned and you haven't had to sit and wait for the scanner.
Sure beats scanner babysitting!

I'm doing 4000dpi scans, usually with ice, on the LS-4000 with the SA-30
35mm roll adapter, so I may have 10-20 images per roll that I want to
capture, each with slightly different settings. Setting up these scans can
take20-30 minutes. Scanning that many at 4000dpi with ice takes about 30-60
minutes.  But even with just 4-6 images on a filmstrip this feature would be
a real workflow benefit.



 If it wasn't for the fact that I can't think of a use for it, I'd love to
 buy an APS camera just for the convenience of batch scanning an entire
roll.
  I've done this with the LS30, APS adapter, Vuescan and someone else's APS
 films.  It's wonderful - set up vuescan for the film type, type in 1-25
 or whatever is appropriate for the number of frames on the film, click
scan
 and walk away.
 But I already have an SLR and a 35mm compact camera so what use would an
 APS camera be?


The 35mm roll film adapter on the LS-4000 gives you the same functinality.
Believe me it IS wonderful!

Bob Kehl






Re: filmscanners: OT: Copyright on Photo's

2001-07-23 Thread Arthur Entlich



Lynn Allen wrote:
 
 Frank wrote:
 
 I purchased a set of 4 Landscape Prints at an auction a couple days ago. It
 is my intention to sell them on eBay, however, they are un-signed so I am
 not to optimistic.
 
 My question is: Can I scan them, and display a small picture of them on
 eBay for advertising without violating the copyright of the original
 photographer?
 
 Here we go again on the slippery slopes of Intellectual Property! I would
 say yes, because you own them and you're trying to sell them. Art, Laurie,
 Bill Gates and Michael Getty would probably say No! 


I don't know that I will ever forgive you for grouping me with Bill
Gates in the same sentence ;-), but actually, I also happen to agree
with you, as per my earlier post which you might not have yet seen.

Art





RE: filmscanners: My replacement 8000 is banding like the first one :-(

2001-07-23 Thread Jawed Ashraf

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of rafeb
 Sent: 20 July 2001 14:11
 To: [EMAIL PROTECTED]
 Subject: RE: filmscanners: My replacement 8000 is banding like the first
 one :-(


 At 12:03 PM 7/20/01 +0100, Jawed wrote:


 Dare I say it, but I suspect a scanner moving the film is less accurate
 than
 a scanner that moves the scan head.


 I disagree, and I'm sure Austin will chime in here too g.

 All film scanners I've worked with move the film -- except
 for flatbeds with TPUs.  The lamp and CCD stay put.

 This applies to:

 * Microtek 35t+
 * Polaroid SprintScan Plus
 * Minolta Scan Speed
 * Nikon 8000 ED
 * LeafScan 45

 All of the above scanners move the media.  CCD
 and lamp are stationary.

 In fact, except for flatbeds posing as film
 scanners, I can't think of any film scanners
 that *don't* work that way.

Well in general I am wrong.  But the LS40 and the LS4000 both move the
CCD/Light, not the film

Jawed




Re: filmscanners: Digital Copyright

2001-07-23 Thread Arthur Entlich

Canada has some type of half-butt registration system.  I have never
been able to make much sense of it, or what value it has. I suspect, as
with most matter of government, they'd rather not be bothered with it
;-)

Art

Tony Sleep wrote:
 
 On Sun, 22 Jul 2001 16:46:58 -0600  Stan McQueen ([EMAIL PROTECTED]) wrote:
 
   I'm concerned that the effect of
  your argument will be to convince people that it is not worthwhile to go
  to the effort of registering their images.
 
 For the avoidance of doubt : in most countries except the US, there is no
 concept of copyright registration. The fact of authorship is all that is
 required.
 
 Regards
 
 Tony Sleep
 http://www.halftone.co.uk - Online portfolio  exhibit; + film scanner info
  comparisons



Re: filmscanners: Re: Vuescan gripes

2001-07-23 Thread EdHamrick

In a message dated 7/23/2001 1:41:15 PM EST, [EMAIL PROTECTED] writes:

  I will be very interested to hear when VueScan will support
  FireWire scanners running under MacOS X.

It looks like I now need to wait for Mac OS 10.1 before being able
to add FireWire support to OS X.

Regards,
Ed Hamrick



Re: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide Fe eder

2001-07-23 Thread Arthur Entlich

Its more of a belly button brush than a stomach cleaner ;-)

But I'll leave Dave to provide the details.

Art

Robert Meier wrote:
 
 --- Hemingway, David J [EMAIL PROTECTED] wrote:
  be sure to
  order the free brush to
  clean the sensor.
 
 Are you saying that there is a brush to clean the
 sensor=CCD? How would you do that? Opening the
 scanner? Wouldn't you do more damage then any good?
 
 Robert
 
 __
 Do You Yahoo!?
 Make international calls for as low as $.04/minute with Yahoo! Messenger
 http://phonecard.yahoo.com/





Re: filmscanners: Re: Vuescan gripes

2001-07-23 Thread EdHamrick

In a message dated 7/23/2001 2:38:27 PM EST, [EMAIL PROTECTED] writes:

 As long as we're using up your programming time here Ed, why not a dual
  monitor approach as well?

If I made the options one window, the preview another window and
the scan a third window, then this would work fine.  However, I'm
reluctant to make the user interface even more complex than it
is already.

Regards,
Ed Hamrick



Re: filmscanners: My replacement 8000 is banding like the first one :-(

2001-07-23 Thread EdHamrick

 Moving the film via a carrier, which is likely molded plastic, with
 plastic gearing, and also having it need to mesh' with the motorized
 transport, and being that the carrier is prone to dust and dirt
 attraction and the elements, makes it much harder to maintain
 integrity of precision movement.

No film scanner I know of uses teeth that mesh with a plastic
carrier to move the film during scanning.  Some have teeth that
mesh with a plastic carrier used for rough positioning of the
carrier to the start of the scan.  Then a metal screw controlled
by a stepper motor is used to move the film 36mm.

Regards,
Ed Hamrick



Re: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide Feeder

2001-07-23 Thread Tony Sleep

On Sun, 22 Jul 2001 23:11:05 +0100  John  Anne Mahany 
([EMAIL PROTECTED]) wrote:

 What's this about the brush?  Why do we need one?  Where do we get it?

Dust ingress can eventually cause the SS4000 to lose its marbles over 
position of the carriage and there's an internal optical sensor which the 
brush is designed to clean. AFAIK the brush is available on request from 
Polaroid, but I've not got one nor needed one.

Regards 

Tony Sleep
http://www.halftone.co.uk - Online portfolio  exhibit; + film scanner info 
 comparisons



Re: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Johnny Deadman

on 7/23/01 11:25 AM, Shough, Dean at [EMAIL PROTECTED] wrote:

 I don't think we miss the point, but rather we have different priorities.  I
 would love it if VueScan had a better (and more Mac like) interface, but
 given the choice between improving the guts of VueScan or the interface, I
 will take the guts anytime.  Especially since I can work around the portions
 of the interface I don't like.  If the raw scan is bad there is no work
 around.  Ed could hire 5 programmers to assist him, spend 6 months getting
 them up to speed before getting anything useful out of them, and raise the
 price of VueScan from $40 to $400, but I think it would kill VueScan.

no honestly this is nuts. If I had a week to spare I could prototype a GUI
in RealBasic. There's nothing hard about it.
-- 
John Brownlow

http://www.pinkheadedbug.com

ICQ: 109343205




Re: Scanning multiple times (was Re: filmscanners: Vuescan gripes)

2001-07-23 Thread EdHamrick

In a message dated 7/23/2001 2:19:32 PM EST, [EMAIL PROTECTED] 
writes:

 Sometime back Ed mentioned there was a SCSI command that causes an extra 
20% 
 exposure on the scanwit and he enables it always.

I vaguely remember someone telling me that Acer claimed there
was a command that caused an extra 20% exposure on the ScanWit.

I haven't seen any evidence of this command though, and I don't
know where or how it's used.

Regards,
Ed Hamrick



RE: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide Feeder

2001-07-23 Thread Hemingway, David J

John,
See the post in reply to Ron Carlson. The brush can be obtained free of
charge from your local Polaroid service organization.
David

 -Original Message-
 From: John  Anne Mahany [mailto:[EMAIL PROTECTED]]
 Sent: Sunday, July 22, 2001 6:11 PM
 To: [EMAIL PROTECTED]
 Subject: Re: filmscanners: Polaroid SS4000 ext. warranty and 
 Bulk Slide
 Feeder
 
 
 Hey David,
 Glad you are pleased with your SS4000. be sure to order the 
 free brush to
 clean the sensor.
 
 What's this about the brush?  Why do we need one?  Where do we get it?
 
 regards,
 
 John Mahany
 New Forest UK
 
 



RE: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Jawed Ashraf

 PS. I don't want some long protracted argument over whether a digicam is
 like a scanner. My point is they use a lens, a CCD, an A-D
 converter and a
 computer to convert a physical image into a digital image. Given
 the vastly
 superior processing power available to most film scanners they should be
 capable of much better AUTOMATIC results. This is what Vuescan
 does so well.


I agree completely.  In scanning Negs, ROC set to 1 seems to do a very
useful job of auto-exposure/colour balance on the large majority of images
I've scanned.  If you want to keep a colour cast (e.g. a neutrally coloured
object totally bathed in evening sunlight) then ROC is no good to you.  It
also finds it hard to deal with very strong and relatively small highlights
and a colour cast across the whole image.

In many ways the results ROC 1 produces are quite similar to sample images
I've seen on the net with digicams and auto-white balance.

It is fair to say, though, that a digicam has an easier time.  It has the
scene to interpret.  A scanner has the film to interpret, as well as the
scene.  We're talking log-log with wrinkles, rather than simply log...

Jawed




RE: filmscanners: Re: Vuescan gripes

2001-07-23 Thread Jawed Ashraf

Ed, if you've written the code for both (2-pane and not 2-pane) then
couldn't you include both and let the user decide?  In your software
architecture, it seems to me that the UI is clearly separated from the
engine, so this optionality should cost very little.  Unless you threw away
the some code...

Jawed

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Stan Schwartz
 Sent: 23 July 2001 04:28
 To: [EMAIL PROTECTED]
 Subject: RE: filmscanners: Re: Vuescan gripes


 Ed,

 I vote for an option for the two-pane approach--definitely.

 Stan

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
 Sent: Sunday, July 22, 2001 4:03 PM
 To: [EMAIL PROTECTED]
 Subject: Re: filmscanners: Re: Vuescan gripes

 I keep going back and forth on this myself.  Most other scanner
 software uses a 2-pane approach with the options and
 buttons in one area and an image that's never obscured in
 another area.

 Regards,
 Ed Hamrick






filmscanners: Umax banding

2001-07-23 Thread tflash

My Umax 1200s flatbed has developed a nasty banding problem (in spite of
plugging it into an isolated circuit breaker). I'm calling it banding, but
this might be scans lines.

In transmissive mode it is apparent throughout. I'm talking about regularly
spaced red lines, horizontal to the CCD = perpendicular to the direction of
the scan. At magnifications above 100% one sees they are prismatic, but they
look red to me at normal viewing magnifications. Four fit inside a 35mm
sprocket hole, with their accompanying empty spaces.

Interestingly, I've just scanned a typed page in reflective mode (RGB), and
I don't see the lines in the white of the page, but I do see it along the
edges of type. The optical illusion is that the hollow spaces of the type
are filled with the lines, but at higher magnification one sees that is just
some spread off the edges, that do not connect at the center. In BW mode
there are no lines, but the edges of the type looks like they were streaked
by the lines.

Finally, if I raise the resolution of the scan it increases the line
frequency, and increases their spread.

Does this mean it's transport mechanism is beat? It didn't use to do this,
but I haven't used it for a while, and I guess it got moved around,
otherwise I don't know what might have changed.

Could giving it a new SCSI ID help? A whack in the head, or a toss out the
window?

Todd




RE: filmscanners: Vuescan question

2001-07-23 Thread Marc S. Fogel



I 
think so. Go directly to hamrick.com, do not past go 
:-)
I use 
an LS-40 and am very happy with Vuescan.
Occasionally, I will do comparisons between NS3 and Vuescan. 
Vuescan always is the winner.

Marc

  -Original Message-From: 
  [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED]]On Behalf Of Steve 
  WoolfendenSent: Monday, July 23, 2001 5:27 PMTo: 
  FILMSCANNERSSubject: filmscanners: Vuescan 
  question
  I'm a little apprehensive asking this question 
  considering the present debate , but , I'm a total novice to scanning and 
  you've got to start somewhere
  I've just bought a Nikon 4000 scanner , which 
  came with the Nikon Scan3 software .I've not even used it enough to form 
  an opinion about it , but am wondering whether I should be going straight over 
  to vuescan - others have told me its "better". Is this the case and what does 
  it do that the supplied stuff wont?
  Thanks ,
  Steve
  p.s. I see a few familiar names from the Contax 
  list here - Hi guys!


filmscanners: artificial light

2001-07-23 Thread Tomasz Zakrzewski

How filmscanners get away with negatives exposed in tungsten halogen light?
I do a lot of stage photography and during the printing process I get quite
neutral prints but is this the case with filmscanners? Having made recently
contact sheets from my negs on ,y new flatbed I noticed that a frame exposed
in tungsten lighting is totally lemon yellow on the scan. Is it coorrectable
as in standard photographic process?

Regards
Tomasz Zakrzewski

online portfolio
www.zakrzewski.art.pl





filmscanners: RE: filmscanners: Digital Copyright

2001-07-23 Thread Rob Geraghty

Stan wrote:
What remedies are available in those countries that have no concept of

copyright registration?

AFAIK you simply have to be able to establish that you originated the work.
 With written material, a suggestion which I have received was to send a
copy of the work to yourself by registered mail so that an official date
is established.  A cheaper and possibly less legally watertight method would
be to send a copy to someone you trust and ask them to make sure they keep
it.  You then have some sort of corroboration to your claim from another
party.

Rob


Rob Geraghty [EMAIL PROTECTED]
http://wordweb.com






Re: filmscanners: SS4000, Win98 and VCache settings

2001-07-23 Thread Maris V. Lidaka, Sr.

I don't know that vcache has anything to do with the SCSI connection but
then with Windows it might.  It does have to do with memory error messages
with RAM of over 512MB (not your situation) and a starting point for your
answer might be at
http://support.microsoft.com/support/kb/articles/Q253/9/12.ASP

It refers to several other articles and provides MS's cryptic keywords for
further search on the topic.

Maris

- Original Message -
From: Stan Schwartz [EMAIL PROTECTED]
To: Filmscanners (E-mail) [EMAIL PROTECTED]
Sent: Monday, July 23, 2001 4:06 PM
Subject: filmscanners: SS4000, Win98 and VCache settings


| I use an SS4000 on a SCSI connection with a Win98SE 933 PentiumIII and
512MB
| RAM.
|
| I was having some problems with the system doing a reboot in the middle of
| scanning a transparency, usually with Polacolor Insight. I posted that
here
| a couple of weeks ago and got some suggestions.
|
| I also use my computer for speech recognition software (not at the same
| time, of course). In the process of tweaking the computer for better
speech
| recognition, I made some changes in the Vcache settings.
|
| After making those improvements, I was unable to scan a single slide
| without the system suddenly rebooting. It seems there is a connection
| between these Vcache settings and the problems I have had.
|
| Does anyone have experience with tweaking the Vcache settings for a SCSI
| slide scanner? I have used a couple of the shareware type programs that
| suggest values for power users and multimedia and low memory
systems.
|
| I just changed the settings in system.ini to:
|
| [vcache]
| MaxFileCache=16384
| MinFileCache=3144
|
|
|
| The settings I had been using were min=0, max=131,000 (that was
| approximate--it was a correct multiple) with chunk size specified as 4096.
|
| Now I can finish a scan, but I have no clue what the optimum setting
should
| be, or if it should be specified at all.
|
|
| Stan
|
|




RE: filmscanners: Vuescan question

2001-07-23 Thread Julian Robinson

I am one of those who has not found the problems that others report with 
Nikonscan; I have found it to do what it should do, quickly and with great 
control.  I bought Vuescan after reading how much better it was, but have 
not found it to be either better or worse, just different and much more 
difficult to use - for me (who has not spent much time on learning how to 
cope with its non-G UI).  The histogram in Nikonscan I find invaluable: I 
always feel as though I am flying blind with Vuescan even though the 
results are usually not bad.

Last time I tried Vuescan's IR dust removal I found it didn't work as well 
for me as ICE, but this may have improved since then, or at least I should 
say it definitely has improved going by what I have read here.

The bottom line for me is that I have both, and I actually use 
Nikonscan.  There are plenty of others for whom the opposite will apply.  I 
will say that for most people there is nothing wrong with Nikonscan, and it 
is one of the most powerful OEM scanning softwares around.  I suggest the 
obvious - try Nikonscan (which you have) and try Vuescan 
(try-before-you-buy version) and compare.  Then tell us what you discover.

Julian

PS if it is the learning curve that is worrying you about Nikonscan, I 
think it is not too bad, and you will learn much about your scanner 
features and capabilities that would be useful anyway, even if you end up 
using Vuescan.  The Vuescan interface means that you can remain unaware of 
scanner features for a long time!
-Original Message-
From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED]]On Behalf Of Steve Woolfenden
Sent: Monday, July 23, 2001 5:27 PM
To: FILMSCANNERS
Subject: filmscanners: Vuescan question

I'm a little apprehensive asking this question considering the present 
debate , but , I'm a total novice to scanning and you've got to start 
somewhere
I've just bought a Nikon 4000 scanner , which came with the Nikon Scan3 
software . I've not even used it enough to form an opinion about it , but 
am wondering whether I should be going straight over to vuescan - others 
have told me its better. Is this the case and what does it do that the 
supplied stuff wont?
Thanks ,
Steve
p.s. I see a few familiar names from the Contax list here - Hi guys!


Julian Robinson
in usually sunny, smog free Canberra, Australia




Re: filmscanners: SS4000, Win98 and VCache settings

2001-07-23 Thread Steve Greenbank

Changing the VCache settings should not alter the result, only the speed at
which you receive the result :- )Except where you hit the Win9x/ME bug where
you must set a value less than 512MB if you have more physical memory than
512MB.

As this does not apply to you it suggests you have a problem elsewhere. The
fact that the new Vcache settings leave more physical memory available might
mean you have a physical memory problem in an area of memory not used by the
new setting. It may also be due to a physical memory problem being moved to
a more critical point. eg. dodgy memory used for picture storage may have
almost undetectable effect on an image but would crash most programs if it
was used for program code.

Likely sources are:
1) Polarcolor insight problem (try re-installing - anyone else having
problems - try 5.0)
2) Physical memory problem (try a decent memory tester or different memory
or if you can, remove half at a time) - or try torture test in Prime95 (
http://www.mersenne.org/freesoft.htm ) - this thrashes cpu  memory
severely.
3) SCSI device or driver problem (try re-installing or removing other
devices)
4) BIOS setup issue (careful with this as you can really screw your machine)
5) Problem with a background process (eg.virus program) (remove all
non-essential background processes)
6) Other device or driver problem (disable as many devices as possible -
physical removal is better)
7) Software conflict problem (particularly related to other SCSI devices)
(temporarily remove other devices)

To check properly you will after to find a set of scan settings that will
reboot your machine everytime - preferably immediately after just booting.

Otherwise your current setting for MaxFileCache is a bit low and will
probably slow your machine down. Using a value that is slightly larger than
your typical TIFF file can make open  save work much quicker provided you
don't overly restrict available RAM to the actual programs. This can be seen
most clearly during a save operation. (eg 35mm 4000dpi is about 54MB 8bit
and 108MB 16bit so try around 55000/11 depending on whether you use a
lot of 16bit files).

Steve

- Original Message -
From: Stan Schwartz [EMAIL PROTECTED]
To: Filmscanners (E-mail) [EMAIL PROTECTED]
Sent: Monday, July 23, 2001 10:06 PM
Subject: filmscanners: SS4000, Win98 and VCache settings


 I use an SS4000 on a SCSI connection with a Win98SE 933 PentiumIII and
512MB
 RAM.

 I was having some problems with the system doing a reboot in the middle of
 scanning a transparency, usually with Polacolor Insight. I posted that
here
 a couple of weeks ago and got some suggestions.

 I also use my computer for speech recognition software (not at the same
 time, of course). In the process of tweaking the computer for better
speech
 recognition, I made some changes in the Vcache settings.

 After making those improvements, I was unable to scan a single slide
 without the system suddenly rebooting. It seems there is a connection
 between these Vcache settings and the problems I have had.

 Does anyone have experience with tweaking the Vcache settings for a SCSI
 slide scanner? I have used a couple of the shareware type programs that
 suggest values for power users and multimedia and low memory
systems.

 I just changed the settings in system.ini to:

 [vcache]
 MaxFileCache=16384
 MinFileCache=3144



 The settings I had been using were min=0, max=131,000 (that was
 approximate--it was a correct multiple) with chunk size specified as 4096.

 Now I can finish a scan, but I have no clue what the optimum setting
should
 be, or if it should be specified at all.


 Stan






RE: filmscanners: OT: Copyright Registration

2001-07-23 Thread LAURIE SOLOMON

Thank you Terry.  It was a very informative treatise and very worthwhile.

There was one sentence that had me wondering: So, for example, if you're an
Australian trying to assert a copyright against an infringer in the UK, you
go by UK rules; a US registration will probably not help you, unless the UK
has some odd departure from the usual system.  If you were an Australian
bringing an infringement action in the UK, how does a US registration enter
into the example at all except under some strange circumstance.  I can see
how it might enter into the example if one were a US citizen bringing
infringement action in the UK but I fail to see why a typical Australian
would apply for an US registration in the first place if they were holding
an Australian Copyright.

A technical point of qualification with respect to your statement: The
other thing is that you are ordinarily required to register your copyright
prior to bringing suit.  That's right; while it is true that you get a
copyright automatically by creating a work, you're not able to
enforce it until you register.  This is only true with respect to bringing
legal action under the federal copyright act; you do not need to register
the copyright in order to bring legal action in the state courts under state
laws for theft of services or property, appropriation of goods and/or
services, or some other non-copyright type of legal provision in a state
law.



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Terry Carroll
Sent: Monday, July 23, 2001 9:20 PM
To: [EMAIL PROTECTED]
Subject: filmscanners: OT: Copyright Registration


There were a number of messages on this lately, and I apologize if posting
a response is beating the proverbial dead horse, but I will try to bunch
up what would have been multiple replies into this single message.

(Up front: I am a lawyer, and copyright is an important part of my
practice.  I work in-house for a company, not in a law firm and not as a
solo practitioner, so I don't represent any clients other than my
employer.  For credibility's sake, I should add that, in addition to my
Real Job, I teach Copyright Law at Santa Clara University School of Law on
the side.)

In the US, as in most countries, you get a copyright in the work as soon
as you create the work; technically the test is that it has to be fixed
in a tangible medium of expression. Exposing the film is probably
enough, even if it's not yet developed, although I don't know any cases
on this in the real world, since you can't copy a photo from undeveloped
film.

Registration is not a requirement.  However, if you have a reasonable
belief that you might be infringed, it's not a bad idea.  Here's why.

Ordinarily, when a copyright is infringed, the copyright owner can either
get his economic loss due to the infringement (e.g., lost sales); the
infringer's profits due to the infringement; or both, to the extent that
they don't overlap (that is, you can't point to a particular sale made by
the infringer and count it both as a profit to the infringer and a lost
sale for you).

But, if you register your work on time, you can elect to get statutory
damages instead of (not in addition to) the above measure of damages.
Statutory damages are set in the copyright statute, ordinarily in a range
of $750 to $30,000, as the court deems just.  The ceiling goes up to
$150,000 if the infringement is done willfully.  It can also go down to
$200 for innocent infringement.

This is a per-work limit, by the way; so if the infringer is taking, say,
four of your photos, the range is $3000 - $120,000, up to $600,000 if
willful (or down to $800 if innocent).

In addition, and perhaps as importantly as statutory damages, is attorney's
fees.  You can't get them unless you register on time.  You don't
necessarily get them if you do register on time, but at least you're
eligible.  This is in contrast to statutory damages, which you can elect
as a matter of right at any time if you're registered on time.

So when is on time?  Well, for infringement of an unpublished work, your
registration will entitle you to statutory damages and make you eligible
for attorneys fees if you register prior to when the infringement starts;
no fair waiting until you see that you're being infringed, and then filing
your registration.  For published works, it's timely if you register prior
to the start of infringement or any time in the three months following
publication.

The other thing is that you are ordinarily required to register your
copyright prior to bringing suit.  That's right; while it is true that you
get a copyright automatically by creating a work, you're not able to
enforce it until you register.  The exception is for non-US works (which
essentially means either works that authored entirely by non-US nationals
and, if published, are first published outside of the US).  Copyright
owners of those works can sue without getting a registration (although the
limits on 

Re: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide Feeder

2001-07-23 Thread Ron Carlson

Thanks David. Your presence on the filmscanner list alone is a strong
argument to go with Polaroid.
Regards, Ron
- Original Message -
From: Hemingway, David J [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, July 23, 2001 9:09 AM
Subject: RE: filmscanners: Polaroid SS4000 ext. warranty and Bulk Slide
Feeder


 Ron,
 Call the 800 technical support number and request the brush for the
SS4000.
 There is a sensor internal to the scanner that can collect dust preventing
 the scanner from finding it's home position. This brush attached to the
 front of the carrier. After powering down the scanner you manually pass
the
 carrier back and forth to clean any dust off the sensor.
 I do not think it is to late to purchase a service contract. I will have a
 service representative email you directly with details.
 Regards
 David

  -Original Message-
  From: Ron Carlson [mailto:[EMAIL PROTECTED]]
  Sent: Monday, July 23, 2001 12:29 AM
  To: [EMAIL PROTECTED]
  Subject: Re: filmscanners: Polaroid SS4000 ext. warranty and
  Bulk Slide
  Feeder
 
 
  David, what free brush and how do I order it? I hadn't heard
  of an extended
  warranty. My SS4000 is 15 months old, I suppose it's too late
  for me to get
  one now --- not that I need it at the moment.
  Regards, Ron
  - Original Message -
  From: Hemingway, David J [EMAIL PROTECTED]
  To: [EMAIL PROTECTED]
  Sent: Sunday, July 22, 2001 10:07 AM
  Subject: RE: filmscanners: Polaroid SS4000 ext. warranty and
  Bulk Slide
  Feeder
 
 
   Preben,
I guess I am happy to hear from you :). The bulk feeder is
  going to be
   available  to the best of my knowledge. Good things don't
  come quickly :).
   Each market sets it's own sales and marketing strategies. I
  was not aware
   specifically the Europe did not offer an extended warrantee on the
  scanners.
   I do know it is not available on film recorders supposedly because
  Europeans
   do not purchase them, a cultural issue I am told. I will
  pass on your
   comments to my corporate brothers in Europe.
   Glad you are pleased with your SS4000. be sure to order the
  free brush to
   clean the sensor.
   Regards,
   David
  
-Original Message-
   From: Preben Kristensen [mailto:[EMAIL PROTECTED]]
   Sent: Sunday, July 22, 2001 5:08 AM
   To: [EMAIL PROTECTED]
   Subject: Re: filmscanners: Polaroid SS4000 ext. warranty and Bulk
   Slide Feeder
  
   This is for David:
  
   The extended warranty offer seems to be valid only in the
  US - now, why is
   that? Are you planning to cut your sales to only US as
  well?  Or are you
   selling inferior (Monday/Friday production) units outside
  US - so it is
  not
   worth doing? :-)
   Please pass this one on to the gods!
  
   We are now rapidly approaching the first year anniversary for the
  impending
   arrival of the bulk slide feeder. How should we celebrate that? :-)
  
   Apart from that, Mrs. Lincoln, how did you like the
  performance? :-)
  Well,
   apart from that, I have been extremely happy with the
  SS4000 which, for a
   long time was the only suitable machine on the market for
  my needs! And I
   have not (touch wood)had any reason to test the repair
  service in Italy.
  
   Greetings from Preben
  
 





Re: filmscanners: Vuescan:two small requests

2001-07-23 Thread Bob Kehl - Kvernstoen, Kehl Assoc.


- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, July 23, 2001 8:50 AM
Subject: Re: filmscanners: Vuescan:two small requests


 In a message dated 7/23/2001 0:03:25 AM EST, [EMAIL PROTECTED] writes:

  There's just two small items that really seem lacking to me and really
slow
   me down and frustrate me every time I use it.
 
   1.) A browse for folder button to locate the folder to save files
in.

 You can already do this with the commands in the Folder menu.


I checked it out.  Yes I missed that earlier. I now stand corrected.
Still it would be nice to see this on the files tab.  then there'd be one
less place to go to adjust settings for a scan.  But I'm glad for the
function no matter where it is.  Thank you.



   2.)A multi-image preview screen for thumbnails.

 Yes, this would be nice.  It's not simple to add this, given that
 VueScan has to work with a wide range of scanners, many
 of which can't even move the film holder under VueScan's
 control.  There are other complications too - the special
 mode that the Nikon scanners use to quickly acquire
 thumbnails has many subtle problems that are hard to
 work around.


Hard? or impossible.  If it was easy anyone could do it.  : )
Do you feel the challenge?
ON a more serious note, maybe this is an item to incorporate into Vuescan
Pro, the $400 version.  Some of us would pay for this versiion.  It's either
that or buy Silverfast, which is really expensive since you have to pay for
each scanner you want to use,  or else we just do without (that is, use
NikonScan).  To some of us our time is worth a lot of money.  If we can get
the gorgeous output we get from Vuescan and all the features and stuff we've
come accustomed to in other Windows software, we'd pay the price.  I realize
others can't afford or justify the cost of $400 software (although many of
them managed to aquire Adobe Photshop somehow) but a basic version of
Vuescan could still be available to those who just want the basic
functionality.

Best Regards,

Bob Kehl