[filmscanners] Re: Nikon LS4000 Depth of field

2002-04-25 Thread dickbo

Just mount in glass and the problem ceases to exist, not only that your
originals are better protected.

- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, April 24, 2002 11:59 PM
Subject: [filmscanners] Nikon LS4000 Depth of field


Hi,

I know there are regular posts about the limited depth of field of the
LS4000 and one work around was to set the focus to some point
between the centre and the corner of the frame.  (I believe this is
how Vuescan focusses by default on this scanner.)

Although I think most people accept this is a valid concern, I'm still
unclear how effective this approach is in getting round the issue.
So two questions for those who have used the LS4000.

Firstly, does the setting of focus point in this way work for 100% of
shots or are badly bowed slides still compromised?

Secondly, does Nikonscan allow you to set the manual focus point
permanently to the optimum point or does it have to be reset for
each scan?

This issue seems to be the only real negative aspect of this scanner
(well apart from the price and Nikon's notoriously poor customer
support!).

I hadn't intended to the stretch my budget to an LS4000 but recent
posts on it's ability to get right into the shadows on dense slides
(apparently without streaking or banding) have made me more
interested in it.  (I think I have also pursuaded myself that I do need
the extra resolution of a 4000dpi scanner.)  Given that the Canon
FS4000 doesn't seem, by all accounts, to perform quite as well in
the shadows and that Polaroid SS4000Plus may never reach
Europe, my options are rather limited!



Al Bond





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[filmscanners] RE: Scanner calibration

2002-04-25 Thread Alex Zabrovsky

Yes, I also used to work with Adobe 98 in both Nikon 3.1.2 and Photoshop
delivering good, well balanced results, until recently the scanner began to
deliver pinkish scans with which I'm struggling till now...


Regards,
Alex Z

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Anthony Atkielski
Sent: Wednesday, April 24, 2002 10:08 PM
To: [EMAIL PROTECTED]
Subject: [filmscanners] Re: Scanner calibration


Alex writes:

> If so, it seems I'll have to turn the Nikon
> CMS off permanently.

I've always had it turned off in Nikon Scan 2.x, as it just messes up too
many things.  It seems to work okay in Nikon Scan 3.1.2; I have the color
space set to Adobe 1998 (the same space I use in Photoshop).



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[filmscanners] RE: Scanner profile

2002-04-25 Thread Alex Zabrovsky

In Photoshop I use Photoshop's own CM engine.
I was told I will have to Assign Profile with the scanner's calibrated
profile to the image brought into the Photoshop to do the thing.

Regards,
Alex Z

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Laurie Solomon
Sent: Wednesday, April 24, 2002 10:28 PM
To: [EMAIL PROTECTED]
Subject: [filmscanners] RE: Scanner profile


>The same for Photoshop. I'll work in it acquiring the scans by calling
> NikonScan as TWAIN.
> The Photoshop is normally configured for Adobe RGB working
> space, how to
> tell him to treat the image using custom scanner's profile ?
> (Or I only have
> to tell NikonScan that, and the Photoshop will pick the
> processed image
> already ?)
First, it depends on which color management engine you are using - the os's
engine or Photoshop's engine.  Second if you use the Photoshop engine, you
can select the scanner's custom profile as the Photoshop workingspace which
will cause Photoshop to operate on the same working space as the scanner's
profile defines.  This should result in the scanner output and the photoshop
version being the same unless you fiddle with some other contols related to
the scanner output in the scanner's driver or application.

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Alex Zabrovsky
> Sent: Wednesday, April 24, 2002 9:41 AM
> To: [EMAIL PROTECTED]
> Subject: [filmscanners] Scanner profile
>
>
> Once I'll have scanner profile generated, how can I tell the
> NikonScan to
> use it instead of his own CMS ?
>
>
> Regards,
> Alex Z
>
> --
> --
> Unsubscribe by mail to [EMAIL PROTECTED], with
> 'unsubscribe filmscanners'
> or 'unsubscribe filmscanners_digest' (as appropriate) in the
> message title or body
>



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[filmscanners] RE: New Purchase

2002-04-25 Thread Alex Zabrovsky

I don't have these (I own Nikon IV ED) but from those you mentioned the
Polaroid beats the rest hands down according to all reviews and opinions I
heard, and also, considerable part of our community and very satisfied
SS4000 users and once you will become happy owner of one you will be able to
get very valuable assistance on the List.
I would certainly go for one would it be available in my country.

(Although Nikon IV ED isn't bad either :-) ).

Regards,
Alex Z

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Ed Renenger
Sent: Thursday, April 25, 2002 1:30 PM
To: [EMAIL PROTECTED]
Subject: [filmscanners] New Purchase


Hello all, I am new to the filmscanners list, but am excited to be a part of
this group.

I am currently in the process of purchasing a film scanner and intend to buy
a used scanner.  I am debating between a Kodak RFS 3600, Polaroid Sprintscan
35 Plus (Model cs3600) and an HP Photosmart S20.

Based upon my budget constraints, the Polaroid or the HP seem to be the
logical choice.  I would appreciate any recommendations for one over the
other.

That being said, I may be able to acquire the Kodak for a relatively
reasonable price.  If so, would you recommend that I purchase that instead?
Based upon your experiences (or conversations from others) have you found
the Kodak to be a significant step up from the Polaroid or the HP?

Any feedback would be greatly appreciated.

Thanks in advance.

Ed Renenger



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[filmscanners] Re:remove

2002-04-25 Thread Sven Martson




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[filmscanners] Re: Nikon LS4000 Depth of field

2002-04-25 Thread Arthur Entlich



dickbo wrote:

> Just mount in glass and the problem ceases to exist, not only that your
> originals are better protected.
>


Most, if not all, photo archivists will tell you today that glass
mounting of slides is considered to accelerate aging due to chemical
off-gassing getting trapped between the glass and slide.  Also, the risk
of fungal growth or other moisture related problems are higher with
glass mounted slides.

You are correct that they are better protected from handling errors.

Art



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[filmscanners] RE: New Purchase

2002-04-25 Thread Alex Zabrovsky

Oh, sorry.
I obviously meant SS4000 or his young brother SS4000+.

Regards,
Alex Z

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Arthur Entlich
Sent: Thursday, April 25, 2002 2:54 PM
To: [EMAIL PROTECTED]
Subject: [filmscanners] Re: New Purchase


Alex,

One correction... he is referring to the Polaroid Sprintscan 35 plus,
which is an older scanner prior to the SS4000.  It is not longer
supported by Polaroid in any major way.

Art

Alex Zabrovsky wrote:

> I don't have these (I own Nikon IV ED) but from those you mentioned the
> Polaroid beats the rest hands down according to all reviews and opinions I
> heard, and also, considerable part of our community and very satisfied
> SS4000 users and once you will become happy owner of one you will be able
to
> get very valuable assistance on the List.
> I would certainly go for one would it be available in my country.
>
> (Although Nikon IV ED isn't bad either :-) ).
>
> Regards,
> Alex Z
>




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[filmscanners] Re: Nikon LS4000 Depth of field

2002-04-25 Thread Tony Terlecki

On Wed, Apr 24, 2002 at 11:59:16PM +0100, [EMAIL PROTECTED] wrote:
> Hi,
>
> I know there are regular posts about the limited depth of field of the
> LS4000 and one work around was to set the focus to some point
> between the centre and the corner of the frame.  (I believe this is
> how Vuescan focusses by default on this scanner.)
>
> Although I think most people accept this is a valid concern, I'm still
> unclear how effective this approach is in getting round the issue.
> So two questions for those who have used the LS4000.
>
> Firstly, does the setting of focus point in this way work for 100% of
> shots or are badly bowed slides still compromised?
>

No it doesn't because film can be bowed differently depending on the mount,
etc. You personally need to find how far from the focus plane is acceptable
for you and then take it from there. I sample various points on the film and
then make a decision. It's time intensive but by far the best method. I
also now do my best to ensure film is flat before scanning - I don't mount
film anymore and also try and flatten it out prior to scanning (weighting it
under books etc.). If all else fails then I cut the frame from the strip and
mount on a glass mount.

--
Tony Terlecki
[EMAIL PROTECTED]
Running Debian/GNU 2.2 Linux


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[filmscanners] RE: Scanner profile

2002-04-25 Thread Laurie Solomon

>In Photoshop I use Photoshop's own CM engine.

Then when using Photoshop as the destination for your scanned files you
should not be using any other engine and should have them turned off (this
includes the scanner driver/software color management engine and the
operating system's color management engine).  Thus all color management of
those images would be done by Photoshop and nowhere else.  Other
colormanagement aware applications should recognize and use the embedded
profiles in the Photoshop exported or outputted files; those applications
which are not color management aware will not recognize said embedded
profiles and will display the file in whatever there native color space is
which may very well be different and appear so.  Similarly, under this
senario, the scanner driver/program preview of the scan will not be
necessarily the same as that displayed in Photoshop since the
colormanagement will come after the scan has been done and exported to
Photoshop, UNLESS you specifiy the scanner's color profile in Photoshop as
Photoshop's working space (or you choose to do a soft proof using the
scanner profile as your soft proofing profile, which in my oipinion is silly
since the scanner product is not the final version that one would want to
proof.

>I was told I will have to Assign Profile with the scanner's calibrated
>profile to the image brought into the Photoshop to do the thing.

I am unclear as to what you mean by "to do the thing."  What thing?  I would
say in general that with respect to the scanner, all you really should be
concerned with is that it is calibrated which it does typically
automatically using an internal calibration strip in most cases and not with
the color space that it uses for its files if you are exporting it to
another program for color management.  Calibration and color management are
two spearate and different although related activities; the former does not
utilize profiles while the latter does; the former is geared to
standardizing the scanner output so as to produce consistency between scans
while the later is aimed at defineing color spaces so as to produce a common
language which will enable those spaces to be translated from one device to
another device with as much fedelity as possible.  If the devices are
inconsistent or uncalibrated, it will render any color management
impossible; but if they are calibrated, it does not necessarily mean that
they will be color manageable.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Alex Zabrovsky
Sent: Thursday, April 25, 2002 6:36 AM
To: [EMAIL PROTECTED]
Subject: [filmscanners] RE: Scanner profile


In Photoshop I use Photoshop's own CM engine.
I was told I will have to Assign Profile with the scanner's calibrated
profile to the image brought into the Photoshop to do the thing.

Regards,
Alex Z

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Laurie Solomon
Sent: Wednesday, April 24, 2002 10:28 PM
To: [EMAIL PROTECTED]
Subject: [filmscanners] RE: Scanner profile


>The same for Photoshop. I'll work in it acquiring the scans by calling
> NikonScan as TWAIN.
> The Photoshop is normally configured for Adobe RGB working
> space, how to
> tell him to treat the image using custom scanner's profile ?
> (Or I only have
> to tell NikonScan that, and the Photoshop will pick the
> processed image
> already ?)
First, it depends on which color management engine you are using - the os's
engine or Photoshop's engine.  Second if you use the Photoshop engine, you
can select the scanner's custom profile as the Photoshop workingspace which
will cause Photoshop to operate on the same working space as the scanner's
profile defines.  This should result in the scanner output and the photoshop
version being the same unless you fiddle with some other contols related to
the scanner output in the scanner's driver or application.

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Alex Zabrovsky
> Sent: Wednesday, April 24, 2002 9:41 AM
> To: [EMAIL PROTECTED]
> Subject: [filmscanners] Scanner profile
>
>
> Once I'll have scanner profile generated, how can I tell the
> NikonScan to
> use it instead of his own CMS ?
>
>
> Regards,
> Alex Z
>
> --
> --
> Unsubscribe by mail to [EMAIL PROTECTED], with
> 'unsubscribe filmscanners'
> or 'unsubscribe filmscanners_digest' (as appropriate) in the
> message title or body
>



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[filmscanners] Re:Digital ICE

2002-04-25 Thread Op's


I have "graduated" from a Nikon LS2000 to a Minolta Multi Scan Pro.

I now find that digital Ice does not work as well with the Minolta.  Is this because 
of the
higher resolution showing up more detail  - scratches and muck
.
Or is this because its not as good as within the Nikon software?

Rob


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