Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-28 Thread Derek Clarke

Photo Glossy Film used to be the premier product in the range, but I'm not 
so sure these days. It's officially rated only capable of 720dpi I 
believe.

I really like Premium SemiGloss paper and Heavyweight Matte myself. I 
tried both of these on an Epson 890 I had briefly , but haven't got around 
to trying them on my 1200 yet.

[EMAIL PROTECTED] (Arthur Entlich) wrote:

> Regarding output prints from Epson printers for consideration as 
> material for color separations, today I took a closer look at some 
> samples of the same image printed on Epson Glossy film versus Premium 
> Glossy Photo Paper and Photo Glossy Paper.  Although the difference is 
> not huge, the glossy film did provide better detail and deeper, less 
> posterized, color.  (the samples were printed with Photo 700/750 
> models).
> 
> Although the glossy film does cost a minor arm and leg, for repro 
> purposes, it might just be worth it.  I wonder if some of this 
> increased resolution is because it is so thin that the heads are a bit 
> further away from the "paper" surface, allowing for less splatter or 
> "velocity related dot gain" (my terms)?  If not, I would be nice if 
> Epson could take this film with its coatings and adhere it to a heavier 
> bases, since it is vulnerable to kinks.  It is a pretty amazing product 
> in terms of print quality, but inappropriate for most applications due 
> to its flimsy nature and cost.
> 
> Art
> 
> 
> Tony Sleep wrote:
> 
> > On Mon, 26 Mar 2001 13:45:20 +1000  Rob Geraghty ([EMAIL PROTECTED]) 
> > wrote:
> > 
> > 
> >> Obscanning: I have yet to try printing at A3, but do those who have 
> > printed
> >> at A3 from 2700dpi scans find the scanning resolution adequate?  
> > 
> 
> 
> 



Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Chris Hargens

Thanks everyone for the quick and specific replies.

Chris Hargens
-Original Message-
From: Frank Paris <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Date: Tuesday, March 27, 2001 7:51 PM
Subject: RE: filmscanners: OT-ish Epson 1270, was Repro house..


>With 50 messages still in my queue from filmscanners, I'm sure someone has
>already answered this, but just in case not:
>
>A3: 297x420 mm (11.7"x16.5")
>A4: 210x297 mm
>Super A3/Super B: 329x483 mm (13"x19")
>
>Frank Paris
>[EMAIL PROTECTED]
>http://albums.photopoint.com/j/AlbumList?u=62684
>
>> -Original Message-
>> From: [EMAIL PROTECTED]
>> [mailto:[EMAIL PROTECTED]]On Behalf Of Chris Hargens
>> Sent: Tuesday, March 27, 2001 7:44 AM
>> To: [EMAIL PROTECTED]
>> Cc: Chris Hargens
>> Subject: Re: filmscanners: OT-ish Epson 1270, was Repro house..
>>
>>
>> Just what size is are A4 and A3 prints? Also, I should note that
>> I've often
>> heard/read people remark that they can print off scanned images up to
such
>> and such size (e.g., 11"x14"), but I'm not always clear about
>> just what size
>> the image is that is placed on the paper. What, for example, is the usual
>> image size for a print on A4 paper? Does it vary much?
>>
>> Chris Hargens
>
>




Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Arthur Entlich



Rob Geraghty wrote:

> "Arthur Entlich" <[EMAIL PROTECTED]> wrote:
> 
>> Glossy Photo Paper and Photo Glossy Paper.  Although the difference is
>> not huge, the glossy film did provide better detail and deeper, less
>> posterized, color.  (the samples were printed with Photo 700/750 models).
> 
> 
> I'll have to try it again on the 1160.  I wasn't impressed with it on the
> 700.
> My experience was that it lost shadow detail.
> 
> Rob
Getting the proper ink density on the glossy is critical.  It takes some 
careful tweaking to get it correct.  You need to slightly raise the 
black point while not changing mid-tones, or remove a small amount of 
black from shadow regions.  The whole thing with the glossy film is that 
the substrate cannot accept any ink, unlike most of the other papers. 
There is nowhere for excess ink to go, so all the ink is visible on the 
top of the film.  If it pools at all in the shadows it muddies up the 
whole area.  This is why the Epson drivers reduce dot size and ink 
density automatically.  Epson Glossy Film is a bit like photo 
transparency film, it is very unforgiving anything but perfect 
"exposure", but like transparency film, if you get it "right" it looks 
great.  Unfortunately, being one of Epson's most expensive media, it's 
had to play around with it.

Art




RE: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Frank Paris

With 50 messages still in my queue from filmscanners, I'm sure someone has
already answered this, but just in case not:

A3: 297x420 mm (11.7"x16.5")
A4: 210x297 mm
Super A3/Super B: 329x483 mm (13"x19")

Frank Paris
[EMAIL PROTECTED]
http://albums.photopoint.com/j/AlbumList?u=62684

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Chris Hargens
> Sent: Tuesday, March 27, 2001 7:44 AM
> To: [EMAIL PROTECTED]
> Cc: Chris Hargens
> Subject: Re: filmscanners: OT-ish Epson 1270, was Repro house..
>
>
> Just what size is are A4 and A3 prints? Also, I should note that
> I've often
> heard/read people remark that they can print off scanned images up to such
> and such size (e.g., 11"x14"), but I'm not always clear about
> just what size
> the image is that is placed on the paper. What, for example, is the usual
> image size for a print on A4 paper? Does it vary much?
>
> Chris Hargens




RE: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Shough, Dean

> A4 is 8.3" x 11.7"
> 
> A3 is 11.7" x 16.5"
>

For size (and weights) of paper in other sizes try
http://www.tssphoto.com/sp/dg/weight.html  (also a good site for printer
info and output comparison).



Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Maris V. Lidaka, Sr.

>From Epson Inkjet Mailing list Resources: http://home.att.net/~arwomack01/

A4 is 8.3" x 11.7"

A3 is 11.7" x 16.5"

Maris

- Original Message -
From: "Chris Hargens" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: "Chris Hargens" <[EMAIL PROTECTED]>
Sent: Tuesday, March 27, 2001 9:43 AM
Subject: Re: filmscanners: OT-ish Epson 1270, was Repro house..


| Just what size is are A4 and A3 prints? Also, I should note that I've
often
| heard/read people remark that they can print off scanned images up to such
| and such size (e.g., 11"x14"), but I'm not always clear about just what
size
| the image is that is placed on the paper. What, for example, is the usual
| image size for a print on A4 paper? Does it vary much?
|
| Chris Hargens
|
|
|
| -Original Message-
| From: Tony Sleep <[EMAIL PROTECTED]>
| To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
| Date: Monday, March 26, 2001 8:56 AM
| Subject: RE: filmscanners: OT-ish Epson 1270, was Repro house..
|
|
| >On Mon, 26 Mar 2001 13:45:20 +1000  Rob Geraghty ([EMAIL PROTECTED])
| wrote:
| >
| >> Obscanning: I have yet to try printing at A3, but do those who have
| printed
| >> at A3 from 2700dpi scans find the scanning resolution adequate?
| >
| >Back to back comparisons here between A4 1200 prints of 2700 & 4000ppi
| scans of
| >the same Astia image show a slight fudging of fine detail in the 2700
| print.
| >Viewed alone, it's fine, but once you have noticed the slightly
'vaseline'
| >effect of lower sampling res, it's hard to overlook if you are being
picky.
| >However I didn't notice until I did the comparison :)
| >
| >A3 will make this rather more noticeable, but TBH there are very few 35mm
| >images which really benefit from that sort of size unless they will be
| viewed
| >from at least 3'.
| >
| >> I was intrigued
| >> (and a little depressed) to read Tony's recent comment that the
aliasing
| >> at 4000dpi was much less than at 2700dpi.
| >
| >All I meant is that 4000ppi seems to greatly reduce the sensitivity to
film
| >grain which causes this intractable problem. It's just one less thing to
| have
| >to worry about.
| >
| >If you stick to films which don't excite grain aliasing problems (Astia,
| >Provia, KR64, Reala - none gave me any trouble with an LS1000, and I'm
sure
| >there are many others), a 2700ppi unit won't give grain aliasing. Problem
| >solved ;)
| >
| >> I'll bite the bullet in the next
| >> few days and actually try an A3 print.
| >
| >Definitely the best idea :-)
| >
| >Regards
| >
| >Tony Sleep
| >http://www.halftone.co.uk - Online portfolio & exhibit; + film scanner
info
| &
| >comparisons
| >
|
|




Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Chris Hargens

Just what size is are A4 and A3 prints? Also, I should note that I've often
heard/read people remark that they can print off scanned images up to such
and such size (e.g., 11"x14"), but I'm not always clear about just what size
the image is that is placed on the paper. What, for example, is the usual
image size for a print on A4 paper? Does it vary much?

Chris Hargens



-Original Message-
From: Tony Sleep <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Date: Monday, March 26, 2001 8:56 AM
Subject: RE: filmscanners: OT-ish Epson 1270, was Repro house..


>On Mon, 26 Mar 2001 13:45:20 +1000  Rob Geraghty ([EMAIL PROTECTED])
wrote:
>
>> Obscanning: I have yet to try printing at A3, but do those who have
printed
>> at A3 from 2700dpi scans find the scanning resolution adequate?
>
>Back to back comparisons here between A4 1200 prints of 2700 & 4000ppi
scans of
>the same Astia image show a slight fudging of fine detail in the 2700
print.
>Viewed alone, it's fine, but once you have noticed the slightly 'vaseline'
>effect of lower sampling res, it's hard to overlook if you are being picky.
>However I didn't notice until I did the comparison :)
>
>A3 will make this rather more noticeable, but TBH there are very few 35mm
>images which really benefit from that sort of size unless they will be
viewed
>from at least 3'.
>
>> I was intrigued
>> (and a little depressed) to read Tony's recent comment that the aliasing
>> at 4000dpi was much less than at 2700dpi.
>
>All I meant is that 4000ppi seems to greatly reduce the sensitivity to film
>grain which causes this intractable problem. It's just one less thing to
have
>to worry about.
>
>If you stick to films which don't excite grain aliasing problems (Astia,
>Provia, KR64, Reala - none gave me any trouble with an LS1000, and I'm sure
>there are many others), a 2700ppi unit won't give grain aliasing. Problem
>solved ;)
>
>> I'll bite the bullet in the next
>> few days and actually try an A3 print.
>
>Definitely the best idea :-)
>
>Regards
>
>Tony Sleep
>http://www.halftone.co.uk - Online portfolio & exhibit; + film scanner info
&
>comparisons
>




Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Tony Sleep

On Tue, 27 Mar 2001 00:29:32 -0800  Arthur Entlich ([EMAIL PROTECTED]) wrote:

>  today I took a closer look at some 
> samples of the same image printed on Epson Glossy film versus Premium 
> Glossy Photo Paper and Photo Glossy Paper.

Thanks Art. Damn, more tests.

Regards 

Tony Sleep
http://www.halftone.co.uk - Online portfolio & exhibit; + film scanner info & 
comparisons



Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Rob Geraghty

"Arthur Entlich" <[EMAIL PROTECTED]> wrote:
> Glossy Photo Paper and Photo Glossy Paper.  Although the difference is
> not huge, the glossy film did provide better detail and deeper, less
> posterized, color.  (the samples were printed with Photo 700/750 models).

I'll have to try it again on the 1160.  I wasn't impressed with it on the
700.
My experience was that it lost shadow detail.

Rob





Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Arthur Entlich

Regarding output prints from Epson printers for consideration as 
material for color separations, today I took a closer look at some 
samples of the same image printed on Epson Glossy film versus Premium 
Glossy Photo Paper and Photo Glossy Paper.  Although the difference is 
not huge, the glossy film did provide better detail and deeper, less 
posterized, color.  (the samples were printed with Photo 700/750 models).

Although the glossy film does cost a minor arm and leg, for repro 
purposes, it might just be worth it.  I wonder if some of this increased 
resolution is because it is so thin that the heads are a bit further 
away from the "paper" surface, allowing for less splatter or "velocity 
related dot gain" (my terms)?  If not, I would be nice if Epson could 
take this film with its coatings and adhere it to a heavier bases, since 
it is vulnerable to kinks.  It is a pretty amazing product in terms of 
print quality, but inappropriate for most applications due to its flimsy 
nature and cost.

Art


Tony Sleep wrote:

> On Mon, 26 Mar 2001 13:45:20 +1000  Rob Geraghty ([EMAIL PROTECTED]) wrote:
> 
> 
>> Obscanning: I have yet to try printing at A3, but do those who have printed
>> at A3 from 2700dpi scans find the scanning resolution adequate?  
> 





Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-27 Thread Arthur Entlich

Before we get into a "does not" "does too" fight over the archival 
nature of the 870/890 1270/1290 inks, it should be noted that although 
the inks have reasonable lightfast-ness, they are vulnerable to ozone 
and other pollutants, which are responsible for the "cyan to orange" 
fading problems.  Anyone's personal experience with these materials will 
be directly related to if their locale has pollutants which the ink is 
sensitive to.

However, do keep in mind that people move around, and although it would 
appear that if the inks set in a locale that doesn't have the 
pollutants, that the odds are better that the print will maintain color, 
it is not an absolute.  People who ship prints around, may be 
disappointed (or the recipients might be ;-))

Art

John Bradbury wrote:

> I've been using an Epson 870 for the last year. I print onto "premium Semi
> gloss" and have had no problems with fading,  or shifting to orange. 90% of
> the prints I sell (portraits and commercial) are output this way.
> The 870 is a joy to use and is not at all to be "dreaded"
> John Bradbury





Re: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-26 Thread John Bradbury

I've been using an Epson 870 for the last year. I print onto "premium Semi
gloss" and have had no problems with fading,  or shifting to orange. 90% of
the prints I sell (portraits and commercial) are output this way.
The 870 is a joy to use and is not at all to be "dreaded"
John Bradbury
- Original Message -
From: Mark Thomas <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, March 25, 2001 9:51 PM
Subject: RE: filmscanners: OT-ish Epson 1270, was Repro house..


> While on this off-topic :), are many of you using the (dreaded!?) 870/1270
> Epsons in a semi-pro or pro role, and have you or clients experienced
those
> fading problems?  I want to move to A3 width, and can't afford much more
> than the 1270..
>
> Yes, I realise this is slipping off-topic, but my visits to the Epson
lists
> and various highly opinionated web-sites have been not-very-helpful.  I am
> hoping to hear from film-scanning folk with real experience of the problem
> - if it still exists - rather than hearsay.  Feel free to direct responses
> to my address rather than clutter the list.
>
> Thanks, Mark T.
>
> At 06:20 PM 25/03/01 -0600, you wrote:
> >Dave,
> >
> >That is very useful information.  I have seen packages of EPGPP in the
> >stores with "new" and "improved" stickers on them;
>
> 
>




RE: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-26 Thread Tony Sleep

On Mon, 26 Mar 2001 13:45:20 +1000  Rob Geraghty ([EMAIL PROTECTED]) wrote:

> Obscanning: I have yet to try printing at A3, but do those who have printed
> at A3 from 2700dpi scans find the scanning resolution adequate?  

Back to back comparisons here between A4 1200 prints of 2700 & 4000ppi scans of 
the same Astia image show a slight fudging of fine detail in the 2700 print. 
Viewed alone, it's fine, but once you have noticed the slightly 'vaseline' 
effect of lower sampling res, it's hard to overlook if you are being picky. 
However I didn't notice until I did the comparison :)

A3 will make this rather more noticeable, but TBH there are very few 35mm 
images which really benefit from that sort of size unless they will be viewed 
from at least 3'.

> I was intrigued
> (and a little depressed) to read Tony's recent comment that the aliasing
> at 4000dpi was much less than at 2700dpi.

All I meant is that 4000ppi seems to greatly reduce the sensitivity to film 
grain which causes this intractable problem. It's just one less thing to have 
to worry about.

If you stick to films which don't excite grain aliasing problems (Astia, 
Provia, KR64, Reala - none gave me any trouble with an LS1000, and I'm sure 
there are many others), a 2700ppi unit won't give grain aliasing. Problem 
solved ;) 

> I'll bite the bullet in the next
> few days and actually try an A3 print.

Definitely the best idea :-)

Regards 

Tony Sleep
http://www.halftone.co.uk - Online portfolio & exhibit; + film scanner info & 
comparisons



RE: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-25 Thread Rob Geraghty

Mark wrote:
> I want to move to A3 width, and can't afford much more
> than the 1270..

You might want to give serious consideration to an Epson 1160.  I bought
one just recently.  You can fit them with a CIS which makes ink costs much
lower (I can't afford one at this stage with the AUD so low against the
USD) and allows the use of 3rd party pigmented inks.  Even with OEM, the
4 colour inks supposedly last longer in general than 6 colour inks.  I could
supply some print samples if you're interested.

For more info go to www.leben.com and subscribe to the Epson inkjets mailing
list - preferably the digest as there's *heaps* of traffic.  Interestingly,
while that list tends to stay on topic, there seems to be a lot less useful
information. ;)

Obscanning: I have yet to try printing at A3, but do those who have printed
at A3 from 2700dpi scans find the scanning resolution adequate?  I was intrigued
(and a little depressed) to read Tony's recent comment that the aliasing
at 4000dpi was much less than at 2700dpi.  I'll bite the bullet in the next
few days and actually try an A3 print.

Rob


Rob Geraghty [EMAIL PROTECTED]
http://wordweb.com






RE: filmscanners: OT-ish Epson 1270, was Repro house..

2001-03-25 Thread Mark Thomas

While on this off-topic :), are many of you using the (dreaded!?) 870/1270 
Epsons in a semi-pro or pro role, and have you or clients experienced those 
fading problems?  I want to move to A3 width, and can't afford much more 
than the 1270..

Yes, I realise this is slipping off-topic, but my visits to the Epson lists 
and various highly opinionated web-sites have been not-very-helpful.  I am 
hoping to hear from film-scanning folk with real experience of the problem 
- if it still exists - rather than hearsay.  Feel free to direct responses 
to my address rather than clutter the list.

Thanks, Mark T.

At 06:20 PM 25/03/01 -0600, you wrote:
>Dave,
>
>That is very useful information.  I have seen packages of EPGPP in the
>stores with "new" and "improved" stickers on them;