RE: [Finale] Plea for help TAN
The trombone chord at the beginning of Pennsylvania 6-5000 ... I think it's Eb, F, Ab, Bb over a Db in the bass. Cheers, Tobias ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
RE: [Finale] Dumb question
Sound advice - I've wasted lots of rehearsal time forgetting *that* one! --- On Mon 05/20, Wiz-of-Oz wrote: When you start numbering from the first full measure (which seems the most logical, a pickup is just an upbeat to a full measure after all, isn't it?) just make double sure that you didn't forget to input apropriate rests in all silent voices of the pickup, so that every extracted part would clearly show an upbeat to the first measure. You do not really want the Horns to see 11 measure rest at the beggining, instead of a pickup + 10m rest. best regards, Abel Korzeniowski ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale Join Excite! - http://www.excite.com The most personalized portal on the Web! ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
[Finale] Numbering pickup measures (was Dumb question)
I can usually see the need for standards and consistency, but in the case of measure numbers, I favor practicality. I agree with David Bailey that the details don't much matter as long as the score and all of the parts agree. Please note that sometimes a pickup occurs in the middle of a piece, perhaps at a meter change. Some composers are careful to weave this pickup into the prevailing meter, but others are not -- and especially in work for the stage, it can be important not to imply a gratuitous, measured pause with make-up rests. Sometimes a stray pickup measure can result. Should that (partial) measure have a number? I vote yes, so I can refer to it directly, i.e. I find it a little clearer to refer to measure 348 than to the pickup to measure 349. (As Abel Korzeniowski notes, in either case it's critical that all extracted parts contain the correct, explicit rests in the pickup measure.) And my usual policy of laziness dictates that I stick to Finale's default behavior unless there's a compelling reason not to. ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
Re: [Finale] Plea for help TAN
I've always used the basic added 6th chord, close scored. Works well. Keith in OZ - Original Message - From: Tobias Giesen [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Tuesday, May 21, 2002 7:59 PM Subject: RE: [Finale] Plea for help TAN The trombone chord at the beginning of Pennsylvania 6-5000 ... I think it's Eb, F, Ab, Bb over a Db in the bass. Cheers, Tobias ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
Re: [Finale] Plea for help TAN
- Original Message - From: Tobias Giesen [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Tuesday, May 21, 2002 7:59 PM Subject: RE: [Finale] Plea for help TAN The trombone chord at the beginning of Pennsylvania 6-5000 ... I think it's Eb, F, Ab, Bb over a Db in the bass. Cheers, Tobias A perfect example of the previously debated 6/9 chord. Doug ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
Re: [Finale] Plea for help TAN
Looks to me more like a Bbm7add4 in first inversion. Doug Auwarter wrote: - Original Message - From: Tobias Giesen [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Tuesday, May 21, 2002 7:59 PM Subject: RE: [Finale] Plea for help TAN The trombone chord at the beginning of Pennsylvania 6-5000 ... I think it's Eb, F, Ab, Bb over a Db in the bass. Cheers, Tobias A perfect example of the previously debated 6/9 chord. Doug ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale -- David H. Bailey [EMAIL PROTECTED] ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
Re: [Finale] Plea for help TAN
At 8:34 PM -0400 5/21/02, David H. Bailey wrote: Looks to me more like a Bbm7add4 in first inversion. Dear David, It may look like that to you; I don't dispute that. But to musicians who are conversant with mid to late 20th Century American popular music and jazz conventions, this is unquestionably recognized as a 69 chord. Calling it something else (for the community described above) is less descriptive. Chuck ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale -- Chuck Israels 230 North Garden Terrace Bellingham WA 98225-5836 (360) 671-3402 fax (360) 676-6055 [EMAIL PROTECTED] ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
Re: [Finale] Plea for help TAN
The 6/9 chord was very common for this style of music. I believe this to be Db69. Harold On Tuesday, May 21, 2002, at 08:36 PM, Chuck Israels wrote: At 8:34 PM -0400 5/21/02, David H. Bailey wrote: Looks to me more like a Bbm7add4 in first inversion. Dear David, It may look like that to you; I don't dispute that. But to musicians who are conversant with mid to late 20th Century American popular music and jazz conventions, this is unquestionably recognized as a 69 chord. Calling it something else (for the community described above) is less descriptive. Chuck ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale -- Chuck Israels 230 North Garden Terrace Bellingham WA 98225-5836 (360) 671-3402 fax (360) 676-6055 [EMAIL PROTECTED] ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale ___ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
