Re: [Finale] Midi Sound disappears when not in Speedy Entry

2010-01-04 Thread mmathew1942
Thanks! I'll try working with it and see if that helps the problem. 


Michael Mathew 
mmathew_musicp...@comcast.net 
mmathew_musicp...@yahoo.com 
http://www.musicengravers.com/cgi-bin/engravers.pl 
Phone and Fax: 503 641 6127 

- Original Message - 
From: Michael Greensill m...@mikegreensill.com 
To: finale@shsu.edu 
Sent: Sunday, January 3, 2010 9:20:39 PM GMT -08:00 US/Canada Pacific 
Subject: Re: [Finale] Midi Sound disappears when not in Speedy Entry 

I think I've found it! Uncheck playback in the speedy menu. 

Who'd have thoughtdefinitely not intuitive. 

Mike G. 

www.mikegreensill.com 


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Re: [Finale] Duplicate an entire staff and its contents?

2010-01-04 Thread Jari Williamsson

Matthew Hindson (gmail) wrote:
Can anyone suggest of a way to do this, beyond 
Copy/Drag/Hope-for-the-best etc?


1. Select a full staff (by clicking on the staff name for example)
2. Ctrl+Shift-click (this is on FinWin, don't know about Mac) in the 
first target measure

3. Press All and OK

(If you're already sure that the filter is on All, you can copy 
directly with Ctrl-click at step 2.)



Best regards,

Jari Williamsson
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Re: [Finale] Re: Text in only one part of a group (linked parts)

2010-01-04 Thread Christopher Smith

Okay, I understand.

Chances are you will only need a couple of different offsets, unless  
it is a giant orchestra or wind ensemble, but even so I can't see it  
getting bigger than 10. So this is what I would do if you have to  
absolutely keep it all in Finale (the PDF option is what I would do,  
frankly.)


Enter the page number block in the score in page view, setting the  
options as you want (Use the Page Number insert, select it and the  
Edit Page Offset option becomes ungreyed. DON'T enter a page number  
manually, as this way leads to madness.). Hide it in the score. Enter  
another one with a different offset, and hide it. Continue this for  
the number of different page number offsets you need, and they will  
be hidden in all the parts, too, by default.


Then in the parts, find the block you want to UNhide, and unhide it.  
This will only happen in the part, as all the other blocks will stay  
hidden by default.


If you ever have to change the offset for ONE part (say it got a page  
added), then you hide that page number block and choose or create  
another one. Don't change this offset, as any other part that uses  
that offset will also change.


I would make myself a non-printing note in the score somewhere to  
tell me what I did if I ever have to come back. This is heavy  
kludging. See below for further explanation.


Christopher


On Mon Jan 4, at MondayJan 4 12:20 AM, Paul Hayden wrote:

On Jan 3, 2010, Christopher Smith christopher.sm...@videotron.ca  
wrote:



I don't really get what you are trying to do. Why wouldn't you want a
page number to show up on all parts?


This is a file of a second movement, and the parts must start on a  
variety of page numbers.



I hope you are using the Text tool (looks like a capital A) in page
view, and using the Insert... command from the menu for the page
number for this. If you use it in scroll view it attaches to the
staff, and if you use the expression tool it attaches to the staff,
too. You want to attach to the page. You then set the properties to
show from page 2 on (so it doesn't show up on any title page.)


Yep, that's what I've been doing.


If there is some non-standard situation where you don't want this
page number to show up on one or more parts, then hide it (right
click, select Hide) while you are in the part.


The problem is that if I place the page numbers for all parts in a  
group (e.g., flutes 1, 2, 3) in the same place on the page (e.g.,  
center, bottom footer), they end up overlapping each other. I don't  
understand why page numbers on one page of one part should show up  
in any other part.




When you enter a text block, it shows up on EVERY page 1 (or range of  
pages, depending on how you have set it) in EVERY part and score. The  
only way around this behaviour is to hide it (right click, uncheck  
Show).



Since I'm working against a deadline here, I've just gone back to  
extracting the parts from the score.


I'm probably doing something wrong here. When I finish this  
project, I'll RTFM more closely.


Thanks for the suggestions.

Paul Hayden



On Sat Jan 2, at SaturdayJan 2 1:12 PM, Paul Hayden wrote:


FinMac09
Mac OS 10.5.8

Orchestral score using linked parts.
Flutes 1 and 2 form a group.

If I add text (e.g., page numbers) to flute 1, it shows up in flute
2 but not the other parts (which are, of course, not part of the
flute group).

I've read the manual and looked at the Quickstart Videos, but
obviously I've missed something basic here. How can I add text to
one part of a group without adding it to the other part(s) of the
group?

My workaround is to add the page number as an expression in the  
part.


Please CC your reply to my address as I'm on the digest and may not
receive your reply for another 24 hours.

Thanks very much.

Paul Hayden (who really can't believe he doesn't know the answer to
this basic question...)


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Re: [Finale] OT: harp notation

2010-01-04 Thread Jari Williamsson

SN jef chippewa wrote:

is there a standard way of notating the string buzz caused by holding 
the pedal between 2 of the 3 positions?


There's a Salzedo notation available for the metallic sound you want. 
I'll e-mail a scan of how he wanted it notated.


Best regards,

Jari Williamsson
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Re: [Finale] OT: harp notation

2010-01-04 Thread A-NO-NE Music

On 2010/01/04, at 12:01, Jari Williamsson wrote:

 I'll e-mail a scan of how he wanted it notated.

Instead of posting to your glorious site?!
:-)


--
- Hiro

Hiroaki Honshuku, A-NO-NE Music, Greater Boston
http://a-no-ne.com   http://anonemusic.com
http://www.youtube.com/results?search_query=pearflamesearch_type=aq=f

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[Finale] Re: Text in only one part of a group (linked parts)

2010-01-04 Thread Paul Hayden

On Jan 4, 2010, Darcy James Argue djar...@earthlink.net wrote:

This is one reason (among many) why separate files for separate  
movements is a dreadful idea to begin with.


Good point. I may need to revise my work methods (horrors!).

(One solution would be to forget about page numbers in Finale and  
add them later in Acrobat.)


I thought about that but hoped to have Finale take care of it  
automatically.


Anyway, text tool text cannot be added to just one part, or even  
just the score. By default, text tool text shows up in all parts  
plus the score. It can be *hidden* from selected parts, or the  
score, but it can't be modified or deleted without affecting all  
parts/score.


Yes, but if I understand it correctly now, that's awkward (because  
you'd have to hide a _lot_ of text blocks as you do each part). I  
think putting all movements in one file would help.


I can think of one instance where several movements in one file might  
be awkward to deal with: suppose each movement uses a different set of  
the instruments from the tutti? Wouldn't optimization be rather time  
consuming? If you had a separate file with just those instruments,  
optimization would be quick and easy.


Thanks for the tip.

Paul Hayden


Magnolia Music Press
www.paulhayden.com
Voice  Pre-arranged fax:  225-769-9604

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[Finale] Dynamics in linked, voiced parts, layer 2

2010-01-04 Thread Christopher Smith

FinMac 2010b

This seems to be new. I create my score as usual, creating some  
voiced parts say in flute 1 and 2, where sometimes they share the  
same layer and sometimes they are in different layers. In the  
measures where there are different layers, I put in a dynamic, say  
MF, in the score, but it only appears in the Flute 1 part, not in the  
Flute 2 part. I can't seem to induce it to appear, either, not even  
by putting it in brand new in Flute 2 and hiding it in Flute 1 and  
the score.


Anyone else find this?

Christopher


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Re: [Finale] Re: Text in only one part of a group (linked parts)

2010-01-04 Thread Darcy James Argue
Use TGTools Staff List Manager to handle optimization -- it is almost always 
quick and easy, regardless of score configuration.

Cheers,

- DJA
-
WEB: http://secretsociety.typepad.com

On 4 Jan 2010, at 10:24 AM, Paul Hayden wrote:

 I can think of one instance where several movements in one file might be 
 awkward to deal with: suppose each movement uses a different set of the 
 instruments from the tutti? Wouldn't optimization be rather time consuming? 
 If you had a separate file with just those instruments, optimization would be 
 quick and easy.
 
 Thanks for the tip.
 
 Paul Hayden
 
 
 Magnolia Music Press
 www.paulhayden.com
 Voice  Pre-arranged fax:  225-769-9604
 
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Re: [Finale] Dynamics in linked, voiced parts, layer 2

2010-01-04 Thread John Blane
If you look at the Expression Assignment window, you can now set it  
to apply to a specific layer or all layers. I'm guessing it set to  
apply only to layer 1.


On Jan 4, 2010, at 3:19 PM, Christopher Smith wrote:


FinMac 2010b

This seems to be new. I create my score as usual, creating some  
voiced parts say in flute 1 and 2, where sometimes they share the  
same layer and sometimes they are in different layers. In the  
measures where there are different layers, I put in a dynamic, say  
MF, in the score, but it only appears in the Flute 1 part, not in  
the Flute 2 part. I can't seem to induce it to appear, either, not  
even by putting it in brand new in Flute 2 and hiding it in Flute 1  
and the score.


Anyone else find this?

Christopher


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Re: [Finale] Dynamics in linked, voiced parts, layer 2

2010-01-04 Thread Christopher Smith

Actually, I figured it out, thanks, John.

Aside from your way (which would have entailed MANY individual  
edits!) I discovered that I had somehow managed to accidentally hit  
command L, which changed the Expression menu item Favour attachment  
to active layer. That attached all my expressions to the layer I was  
in at the time, which was Layer 1.


I was happy to discover your dialogue box, however! Lots of great  
options there, like disallowing shrinkage when attached to a smaller  
note.


Christopher


On Mon Jan 4, at MondayJan 4 4:52 PM, John Blane wrote:

If you look at the Expression Assignment window, you can now set it  
to apply to a specific layer or all layers. I'm guessing it set to  
apply only to layer 1.


On Jan 4, 2010, at 3:19 PM, Christopher Smith wrote:


FinMac 2010b

This seems to be new. I create my score as usual, creating some  
voiced parts say in flute 1 and 2, where sometimes they share the  
same layer and sometimes they are in different layers. In the  
measures where there are different layers, I put in a dynamic, say  
MF, in the score, but it only appears in the Flute 1 part, not in  
the Flute 2 part. I can't seem to induce it to appear, either, not  
even by putting it in brand new in Flute 2 and hiding it in Flute  
1 and the score.


Anyone else find this?

Christopher


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Re: [Finale] Dynamics in linked, voiced parts, layer 2

2010-01-04 Thread John Blane
Glad it worked out, Chris. I was only pointing out some new behavior  
that I suspected was interfering - not suggesting a preferred  
workflow. Thanks for mentioning the cmd-L thing, too, which I was  
unaware of.



On Jan 4, 2010, at 6:05 PM, Christopher Smith wrote:


Actually, I figured it out, thanks, John.

Aside from your way (which would have entailed MANY individual  
edits!) I discovered that I had somehow managed to accidentally hit  
command L, which changed the Expression menu item Favour  
attachment to active layer. That attached all my expressions to  
the layer I was in at the time, which was Layer 1.


I was happy to discover your dialogue box, however! Lots of great  
options there, like disallowing shrinkage when attached to a  
smaller note.


Christopher


On Mon Jan 4, at MondayJan 4 4:52 PM, John Blane wrote:

If you look at the Expression Assignment window, you can now set  
it to apply to a specific layer or all layers. I'm guessing it set  
to apply only to layer 1.


On Jan 4, 2010, at 3:19 PM, Christopher Smith wrote:


FinMac 2010b

This seems to be new. I create my score as usual, creating some  
voiced parts say in flute 1 and 2, where sometimes they share the  
same layer and sometimes they are in different layers. In the  
measures where there are different layers, I put in a dynamic,  
say MF, in the score, but it only appears in the Flute 1 part,  
not in the Flute 2 part. I can't seem to induce it to appear,  
either, not even by putting it in brand new in Flute 2 and hiding  
it in Flute 1 and the score.


Anyone else find this?

Christopher


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Re: [Finale] Dynamics in linked, voiced parts, layer 2

2010-01-04 Thread Chuck Israels


On Jan 4, 2010, at 4:05 PM, Christopher Smith wrote:




I was happy to discover your dialogue box, however! Lots of great  
options there, like disallowing shrinkage when attached to a smaller  
note.


Aha!  This option exists.  The things you learn on the list!  That  
will help when dynamics are attached to drum hits notated above Time  
and rendered at a reduced percentage.  I should have looked for this.


Thanks,

Chuck









Christopher


On Mon Jan 4, at MondayJan 4 4:52 PM, John Blane wrote:

If you look at the Expression Assignment window, you can now set it  
to apply to a specific layer or all layers. I'm guessing it set to  
apply only to layer 1.


On Jan 4, 2010, at 3:19 PM, Christopher Smith wrote:


FinMac 2010b

This seems to be new. I create my score as usual, creating some  
voiced parts say in flute 1 and 2, where sometimes they share the  
same layer and sometimes they are in different layers. In the  
measures where there are different layers, I put in a dynamic, say  
MF, in the score, but it only appears in the Flute 1 part, not in  
the Flute 2 part. I can't seem to induce it to appear, either, not  
even by putting it in brand new in Flute 2 and hiding it in Flute  
1 and the score.


Anyone else find this?

Christopher


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Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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