Re: [Finale] MID-MEASURE CLEF

[Jón Kristinn Cortez]

How many measures do you want it for? 
You must define that in the clef box.

> On 7 Aug 2018, at 15:01, S Jones  wrote:
> 
> That is correct. Only mid measure clefs will have a handle. Once you drag
> it too close to the beginning/end of a measure it will jump into place
> permanently and lose the handle.
> 
> On Tue, Aug 7, 2018 at 10:45 AM dr.a.s. weinstangel 
> wrote:
> 
>> Thank you! That does it.
>> 
>> So, now there is the treble clef were it needs to be. And Finale adds bass
>> clefs in front and behind it. The one behind it comes with a handle, and
>> can be removed and one in front can not. Clearly, something is totally
>> messed up with the Clef Tool.
>> 
>> 
>> 
>> Sent from my iPhone
>> 
>>> On Aug 6, 2018, at 8:06 PM, Jón Kristinn Cortez 
>> wrote:
>>> 
>>> SELECTION TOOL: select the part of measure where you want the clef
>>> CLEF TOOL: double-click in the seleted part of measure and choose the
>> clef
>>> 
>>> Cortez
>>> 
>>> 
>>> 
>>>> On 6 Aug 2018, at 19:16, dr.a.s. weinstangel  wrote:
>>>> 
>>>> Fin2012c Win10
>>>> 
>>>> 
>>>> Whichever method I use to place a new clef, it appears without a
>> handle; therefore, it can not be placed in the middle of a measure.
>>>> 
>>>> 
>>>> Any ideas, please?
>>>> 
>>>> 
>>>> Dr.A.S.Weinstangel
>>>> 
>>>> sasha.weinstan...@utoronto.ca
>>>> cel.647-292-4605
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> -- 
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Re: [Finale] MID-MEASURE CLEF

[Jón Kristinn Cortez]

SELECTION TOOL: select the part of measure where you want the clef
CLEF TOOL: double-click in the seleted part of measure and choose the clef

Cortez



> On 6 Aug 2018, at 19:16, dr.a.s. weinstangel  wrote:
> 
> Fin2012c Win10
> 
> 
> Whichever method I use to place a new clef, it appears without a handle; 
> therefore, it can not be placed in the middle of a measure.
> 
> 
> Any ideas, please?
> 
> 
> Dr.A.S.Weinstangel
> 
> sasha.weinstan...@utoronto.ca
> cel.647-292-4605
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Re: [Finale] Crashing!

[Jón Kristinn Cortez]

Thank you. My fears confirmed!

Cortez


> On 20. apr. 2017, at 03:07, Matthew Naughtin  wrote:
> 
> I updated to the Mac Sierra OS and had the same problem. You have to 
> upgrade to the latest version of Finale for it to work correctly in Sierra.
> 
> On 4/19/17 10:00 AM, finale-requ...@shsu.edu wrote:
>> [Finale] Crashing!
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[Finale] What is happening?

[Jón Kristinn Cortez]

What is happening on this list, why is my mail held?

Cortez
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[Finale] Crashing!

[Jón Kristinn Cortez]

Hello all.

Crash, all files old and new, when I try to use Articulation and Expression 
tools on files back from proof-reading. Can not double-click and input new 
Arti/Expr, but can move and work with already input signs. All other tools seem 
to work fine. The same on iMac and MacBook.
Have de-authorized and installed a new copy on iMac but nothing changes, all 
crash!

Finale 2014d.v5545
iMac macOS Sierra version 10.12.4 - Memory 16GB  (4 weeks old)
MacBook Pro OS X El Capitan version 10.11.6 - Memory 8GB

Any ideas?

Regards,
Cortez



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Re: [Finale] To finale list: Coloured noteheads, WHY?

[Jón Kristinn Cortez]

MenuBar: 
View / Out-of-range notes / Off

WHY - no idea!


Diddi



> On 31. mar. 2017, at 13:24, Sigurdur Jonsson  wrote:
> 
> Dear friends.
> 
> Now, on a new project, some noteheads come up coloured. I don´t think I 
> changed anything.
> 
> According to A-Z in user manual, it is said that in Windows ≥ Score manager I 
> can select coloured noteheads. But my problem is that I can not see that 
> notehead colours have been selected. How can I get rid of this, please?
> 
> TIA,
> 
> Diddi
> 
> Sigurdur Jonsson
> 27, Von der Heydt
> 66115, Saarbrücken
> Deutschland
> diddiste...@gmail.com 
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Re: [Finale] Playback Control - Tempo grayed out

[Jón Kristinn Cortez]

Have you already set the Tempo in Expression?

Diddi Cortez



> On 29. jan. 2017, at 11:29, Sigurdur Jonsson  wrote:
> 
> Dear friends.
> 
> Can´t find the solution, when trying to set playback tempo in Playback 
> Control Window, the box where I should type in the number, is grayed out so I 
> can not put anything in there. What am I doing wrong?
> 
> TIA,
> 
> Diddi
> 
> Sigurdur Jonsson
> 27, Von der Heydt
> 66115, Saarbrücken
> Deutschland
> diddiste...@gmail.com
> 
> 
> 
>> On 28. jan. 2017, at 16:38, Raimund Lintzen  
>> wrote:
>> 
>> Try a"hard" redraw, which is strg-shift-D on Windows.
>> 
>> If that does'nt help just use the hand-grabber tool and shutter.
>> 
>> Hope this helps.
>> 
>> Greetings
>> Raimund Lintzen
>> 
>> 
>> Am 28.01.2017 um 15:01 schrieb Allen Cohen:
>>> I am running 2014.5 on a Mac with El Capitan. One of the most annoying 
>>> things I find is that, occasionally Finale refuses to display certain 
>>> things properly--most notably the systems and their handles in Page Layout, 
>>> and measures chosen by the selection tool (i.e., no highlight color shows 
>>> up). I can redraw the screen, restart the program, and restart the 
>>> computer--it usually makes no difference. Some days everything displays 
>>> perfectly; other days, no matter which documents or what else I do, Finale 
>>> refuses to display these two things especially. And I can't find anything 
>>> in either Document or program preferences to alter this. (Not that I'm 
>>> changing any prefs anyway.)
>>> 
>>> 
>>> Has anyone else had this problem? Or does anyone have a solution?
>>> 
>>> 
>>> 
>>> Allen Cohen
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Re: [Finale] Reliable way to combine multiple files

[Jón Kristinn Cortez]

Hello John.

Instead of using Finale to combine the files, with all the troubles that can 
cause, how about print the files to PDF, using numbers 011-200 in order you 
want the songs to be, and then combine the PDFs into one file.
Is there a reason you want to combine the Finale files?

Cortez



> On 10. des. 2016, at 01:29, John Witmer  wrote:
> 
> Robert,
> I need your advice. I'm in the process of completing a 200 song compendium 
> using Finale 2014.5  When it is finished, (I promised it would be ready 
> "early" in 2017), I'll need to merge the individual charts for a single 
> document. This is for the sole use of a retirement community, but they'll 
> need about 100 copies. I believe I have volunteers who will fund the 
> printing, but I need to get good copy. 
> 
> Now, is Finale 25 good enough to undertake this task, or should I finish it 
> with Finale 2014.5? Either way, I'm afraid it will be a real chore. If all 
> else fails, I'll have to print 200 separate charts and collate them. This 
> will be hard because I need to print most pages "back-to-back" to keep the 
> total size less than an unabridged dictionary.
> 
> Your advice would be gratefully appreciated.
> Chordially,
> John Witmer
> Clemson Downs Retirement Community.
> 
> On 12/9/2016 5:35:12 PM, Robert Patterson  wrote:
> I've been messing with the Score Merger function in Finale 25. It does a
> halfway decent job, but
> 
> 1. It fails to copy lyric baseline adjustments (and I would guess probably
> expression baseline adjustments as well).
> 2. It idiotically goes nuts if a bar has too many beats (like a hard whole
> rest in a 2/4 bar, which is frequently required for L1/L2 parts).
> 3. It makes a mess of lyric text.
> 4. It doesn't know how to create percussion staves that match the source
> file, so percussion is a mess.
> 
> Does anyone know a better way?
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Re: [Finale] Double sharp gone?

[Jón Kristinn Cortez]

When I select double-sharp in there, it goes to slot 220 which comes up empty!
Maestro, Maestro Wide, Petrucci - all with empty slot.
Engraver Font Set - there finally came the double-sharp.
So, am I doomed to use Engraver Font Set?


Hvernig er heilsan á bænum? Á að flytja heim í framtíðinni?

Bestu kveðjur,
Diddi



> On 25. ágú. 2016, at 16:34, Sigurdur Jonsson  wrote:
> 
> Hello my friend, Jón Kristinn Cortez.
> 
> jef chippewa suggested: “...check your document options, "accidentals" tab to 
> make sure you have the right character set to show”.
> 
> So I went to Documents < Documents Options and selected Double sharps in 
> Music Caracters. Then came up the palette with many characters and I found 
> the double sharp symbol (x) and selected that. So when I asked for a sharp 
> twice, I got the right symbol, problem solved.
> 
> Bestu kveðjur,
> 
> Diddi
> 
> Sigurdur Jonsson
> 27, Von der Heydt
> 66115, Saarbrücken
> Deutschland
> diddiste...@gmail.com
> 
> 
> 
>> On 25. ágú. 2016, at 18:08, Jón Kristinn Cortez  wrote:
>> 
>> How did you solve it?
>> 
>> Diddi
>> 
>> 
>> 
>> 
>>> On 25. ágú. 2016, at 15:30, Sigurdur Jonsson  wrote:
>>> 
>>> Thanks, problem solved1
>>> 
>>> Diddi
>>> 
>>> Sigurdur Jonsson
>>> 27, Von der Heydt
>>> 66115, Saarbrücken
>>> Deutschland
>>> diddiste...@gmail.com
>>> 
>>> 
>>> 
>>>> On 25. ágú. 2016, at 17:18, SN jef chippewa 
>>>>  wrote:
>>>> 
>>>> 
>>>> check your document options, "accidentals" tab to make sure you have 
>>>> the right character set to show.
>>>> 
>>>>> Being on Finale 2014.5 and writing a piano part from Carl Nielsen. 
>>>>> In one place I need the double sharp sign but get some garbage 
>>>>> instead.
>>>> 
>>>> -- 
>>>> 
>>>> neueweise -- fonts for new music (and traditional) notation
>>>> [JAN 2016] v. 1.002 for Finale 2014.5 and PC
>>>> http://newmusicnotation.com/fonts.html
>>>> 
>>>> shirling & neueweise | http://newmusicnotation.com
>>>> new music notation  +  arts management  +  translation
>>>> [FB] http://facebook.com/neueweise  |  [TW] http://twitter.com/neueweise
>>>> 
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Re: [Finale] Double sharp gone?

[Jón Kristinn Cortez]

How did you solve it?

Diddi




> On 25. ágú. 2016, at 15:30, Sigurdur Jonsson  wrote:
> 
> Thanks, problem solved1
> 
> Diddi
> 
> Sigurdur Jonsson
> 27, Von der Heydt
> 66115, Saarbrücken
> Deutschland
> diddiste...@gmail.com
> 
> 
> 
>> On 25. ágú. 2016, at 17:18, SN jef chippewa  
>> wrote:
>> 
>> 
>> check your document options, "accidentals" tab to make sure you have 
>> the right character set to show.
>> 
>>> Being on Finale 2014.5 and writing a piano part from Carl Nielsen. 
>>> In one place I need the double sharp sign but get some garbage 
>>> instead.
>> 
>> -- 
>> 
>> neueweise -- fonts for new music (and traditional) notation
>> [JAN 2016] v. 1.002 for Finale 2014.5 and PC
>> http://newmusicnotation.com/fonts.html
>> 
>> shirling & neueweise | http://newmusicnotation.com
>> new music notation  +  arts management  +  translation
>> [FB] http://facebook.com/neueweise  |  [TW] http://twitter.com/neueweise
>> 
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Re: [Finale] to upgrade or not...

[Jón Kristinn Cortez]

I was using (HB) Music Engraver on Mac SE when I saw the ad for Finale 1. The 
price was $1.000! 
I had to save up and got Finale 2.0.6 and have had nearly all upgrades since.
Oldest file now on my computer is Finale 3.0.1r11. Opens fine in Finale 2014d.

Cortez


> On 13. júl. 2016, at 17:30, Robert Patterson  
> wrote:
> 
> I started with Finale 1.0, preordering it before it was actually available.
> Don't ask me how much it cost. >>shudder<< (You other 1.0 users know
> exactly how much!)
> 
> Before that I was using Deluxe Music Construction Set and ProCo.
> 
> For the twentieth anniversary (F09 I believe), MM released a standalone app
> that runs Finale 1.0 inside a Mac 512 virtual machine. Last time I checked
> you could still download it. How far we've come!
> 
> (I can still run my Mac OS 9 versions of Finale in Sheepshaver running on
> 10.11. Haha)
> 
> 
> 
> On Wed, Jul 13, 2016 at 11:49 AM, Ryan  wrote:
> 
>> MusicPrinter Plus! Wow, I haven't thought about that in a long time. I used
>> that all the way up until 1996!
>> 
>> On Wed, Jul 13, 2016 at 9:47 AM, Williams, Jim <
>> jwilli...@franklincollege.edu> wrote:
>> 
>>> Same as Dennis here--around 1989, quit MusicPrinter plus and got Finale
>>> 2.x for my 386 computer . Strayed a couple of times along the way and now
>>> 80% Finale, 20% Sibelius.
>>> 
>>> Sent from my iPhone, so please pardon all the typos.
>>> 
 On Jul 13, 2016, at 12:39 PM, Dennis Bathory-Kitsz <
>>> bath...@maltedmedia.com> wrote:
 
> On Wed, July 13, 2016 12:35 pm, Chuck Israels wrote:
> Don’t know if there are others here with the same history, but I have
>>> used
> Finale since v.1.0.  Nevertheless, there are a number of others whose
> knowledge of the program runs considerably deeper than mine, including
>>> the
> always reliable Christopher Smith.
 
 Indeed! I didn't start with version 1 because there was no Windows
>>> version
 until version 2.
 
 Dennis
 
 
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Re: [Finale] Help needed quickly

[Jón Kristinn Cortez]

Hello Raymond.

Would it help to make PDF of everything and and then delete and reorder the 
pages.
Then it’s possible to keep working on the music, just make PDF of changed pages.

Cortez



> On 27. jún. 2016, at 16:18, Raymond Horton  wrote:
> 
> Hi folks, I have a massive project due Thursday, and some big problems with
> it. I know I probably should have exported this into some other program,
> but I want to keep be able to keep working on the music. It is a musical
> with pages of text interspersed between songs. my collaborator wants to
> move some of the songs, but this means I have to read a sign every page of
> text. Is there some way to delete pages of music, while at the same time
> keeping the pages of text relative to the same location?
> Right now, if I move a song to a later position in the score , the text
> stays assigned to the same page number, instead of its place in the score.
> 
> Thanks for any help.
> 
> Raymond Horton
> Composer, Arranger
> Minister of Music, Edwardsville (IN) United Methodist Church
> Retired Bass Trombonist, Louisville Orchestra, 1971-2016
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Re: [Finale] Is everyone allright?

[Jón Kristinn Cortez]

Good to hear from you, Raymond.
I thought I had been deleted because of the recent ‘troubles’ !

Cortez



> On 6. okt. 2015, at 22:31, Raymond Horton  wrote:
> 
> No Finale complaints, lately, at least from me!  (Knock on wood.)
> On Oct 6, 2015 5:16 PM, "Barbara Touburg"  wrote:
> 
>> I haven't received any messages for the last two days. Am I banned again?
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Re: [Finale] Test 3

[Jón Kristinn Cortez]

I see this "loud and clear!"

Cortez



On 4.4.2015, at 13:01, Raymond Horton wrote:

> Anybody see this?
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[Finale] Quick Look disappeared

[Jón Kristinn Cortez]

Hi all.
I am in Finale 2012 and Mac OS 10.7.5. 
I downloaded demo of 2014 but decided to wait a bit longer befor upgrading so I 
deleted the demo.
But with that the Quick Look of Finale files disappeared and now I only get the 
icons of the files.
Can you help?

Regards,
Cortez
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Re: [Finale] Happy birthday

[Jón Kristinn Cortez]

Thank you, Raymond.
Hope everything is good with you,

best regards,
Jón Kristinn




On 7.2.2015, at 01:33, Raymond Horton wrote:

> To my favorite Icelander: Jon Kristinn Cortez!
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Re: [Finale] 22 past 12 over here

[Jón Kristinn Cortez]

Happy 2015 from Iceland!

Gleðilegt ár!



On 31.12.2014, at 23:24, Barbara Touburg wrote:

> Happy 2015 from The Netherlands!
> Gelukkig nieuwjaar!
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Re: [Finale] Local column about a local composer

[Jón Kristinn Cortez]

You're looking good! 

Best regards,
Jón Kristinn



On 19.11.2014, at 23:13, Raymond Horton wrote:

> http://tinyurl.com/Moss-Column
> 
> (Warning - Wife not fond of picture - clutter, old wallpaper, but that's
> what the photog wanted. I am fond of the "Stravinsky with Louisville
> Orchestra" poster.)
> 
> Includes a brief shout-out to Finale-listers Jon Kristinn Cortez and Bruce
> Kau, who were life savers for me.
> 
> Raymond Horton
> Bass Trombonist, Louisville Orchestra
> Minister of Music, Edwardsville (IN) UMC
> Composer, Arranger
> VISIT US AT rayhortonmusic.com
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Re: [Finale] SFA - composer with issues asking for volunteer help

[Jón Kristinn Cortez]

I'll do 1


On 19.7.2014, at 22:48, Raymond Horton wrote:

> I'm posting this again, abridged. The complete version is a week or
> two back with the same subject. I have two or three fine gentlemen
> across our great nation helping me but I don't want to ask too much of
> them or extend my welcome.
> 
> Hi listers,
> 
> As many of you know I had a stroke at age 60 last October, and
> followed that up with a bad fall on stairs in Feb
> which injured the base of my spine. I can only sit for a few minutes
> at a time without taking addictive
> pain-killers. I have worked at my seated location for years, and
> gotten pretty good fin chops (though now I have to learn 2014
> quickly).
> 
> Plus, as I have mentioned in the last few days, I have had
> major-league computer issues with my super-wiz-bang HP Windows 8
> machine.  I am slowly typing this on my laptop, standing, but my
> Finale chops on it are dismal.
> 
> Meanwhile, I am in the middle of a deadline, I simply must get this
> work done -choir needs most of it's music very soon.
> 
> My point is that I could really use some help!  When I was healthy, I
> enjoyed nothing more than sitting and making quick arrangements in
> Finale - did them all the time for others, even strangers on the
> interwebs, and I am thinking there are users like me out there who are
> still healthy and wouldn't mind taking a few minutes now and then to
> pound out a file or two for me.  Yes?
> 
> I will list some things in this message, and will add more in the
> coming weeks. The project is called "Searching For America" and tells
> the story of K.L. Bates writing "America the Beautiful" in 1893 - for
> singer actors, chorus, and chamber orch (strings, 2 fls, 2 trpts, 3
> perc.).  I am making big-time use of folk songs and other existing
> material, such as old sheet-music of obscure tunes that don't have
> midi files anywhere. I'm also borrowing some from earlier works of
> mine already Finale-yzed.  Anyone who helps will get a credit line in
> the final presentation - even put a short ad if you'd like!
> 
> My plan is to give mostly straight-forward arrangements to the choir,
> and contribute more originality to the instrumental and
> narration portions before the premiere in November. No money to offer
> - I am getting a little for the finished product, but not enough.
> 
> Any type Fin file will do:
> 
> 1. Type out this song:
> 
> [I had a volunteer for this, but haven't received anything. NOT
> complaining, just anxious!]
> 
> My wife has already typed the words to the latter - I'll include that
> in my next email.
> 
> 2. same for some pdfs I can attach to private emails.  simple stuff.
> [Several of these have been done, but I have some more.]
> 
> 3.  A fin file, as simply scored as possible, of the Sousa arrangement
> of "The Star-Spangled Banner" -  midi files may be around for that. [I
> found another version in midi I could use, but I'd love the Sousa. I
> don't have music, but it's prob on one of the free band music sites
> somewhere.  I believe it's also known as the Marine Band version. If
> you have music, please let me know.]
> 
> A message with "I'll do 1" or whatever to the list will help avoid dupes.
> 
> More later! Thanks for any help!
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Re: [Finale] Problem with fonts

[Jón Kristinn Cortez]

I'd then better contact Apple and ask where the prefs might be stored,
and also get new fonts, or just copy the ones in my MacBook.

Thank you; Christopher, Chuck, John.


Cortez





On 14.1.2014, at 01:11, Christopher Smith wrote:

> Have you tried trashing the Finale preferences? The procedure changes  
> according to the OS, so you had better find out where the correct  
> prefs file is stored. I do not, however, suggest trashing it and then  
> emptying the trash the way they suggest, as this may not solve the  
> problem and then you have a raw prefs file to reconstruct. I prefer  
> to drag it to the desktop, restart Finale, and see if that solves it.  
> If so, then trash the file. If it didn't solve anything, then you can  
> replace the new prefs with your old file.
> 
> Christopher
> 
> 
> On 13-Jan-14, at 13-Jan-14  8:00 PM, Jón Kristinn Cortez wrote:
> 
>> Thank you, Christopher, done that, no change.
>> 
>> I sent a song that displayed incorrectly on my desktop computer
>> through Dropbox and opened it in Finale 2012 in my MacBook.
>> Now everything is correct; lyrics, text-boxes and even the slurs
>> that are drawn into the noteheads.
>> 
>> In MacBook I moved an expression in the song, saved, closed,
>> opened, closed, put it into the DropBox, opened in desktop computer,
>> and everything was wrong again.
>> 
>> Something is wrong with Finale in my desktop computer.
>> Should I reload Finale 2012 or first find the preferences and  
>> thrash them?
>> 
>> 
>> Thank you for your help.
>> Cortez
>> 
>> 
>> On 13.1.2014, at 22:32, Christopher Smith wrote:
>> 
>>> On the Finale Forum, there is a sticky on the Mac side called  
>>> "Font Problem on OSX". It may very well be caused by having two  
>>> different version of the same font name active at once. Follow the  
>>> directions in the sticky, and write back if the problem persists.
>>> 
>>> Christopher
>>> 
>>> http://forum.makemusic.com/default.aspx?f=6
>>> 
>>> 
>>> On Mon Jan 13, at MondayJan 13 5:24 PM, Jón Kristinn Cortez wrote:
>>> 
>>>> Hello all.
>>>> I use Times or Times New Roman for lyrics and text-blocks.
>>>> They have been acting strangely; disappearing if I use italics or  
>>>> bold,
>>>> or squeezing all together into a lump of letters in space of one.
>>>> This does not happen with other fonts or in other applications.
>>>> 
>>>> Are there font preferences I can thrash (where are they?) or is  
>>>> there
>>>> some other solution to this problem?
>>>> 
>>>> 
>>>> Cortez
>>>> 
>>>> Mac OS 10.7.5  /  Finale 2012
>> 
> 
> 
> 
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Re: [Finale] Problem with fonts

[Jón Kristinn Cortez]

Thank you, Christopher, done that, no change.

I sent a song that displayed incorrectly on my desktop computer
through Dropbox and opened it in Finale 2012 in my MacBook. 
Now everything is correct; lyrics, text-boxes and even the slurs 
that are drawn into the noteheads.

In MacBook I moved an expression in the song, saved, closed, 
opened, closed, put it into the DropBox, opened in desktop computer,
and everything was wrong again.

Something is wrong with Finale in my desktop computer. 
Should I reload Finale 2012 or first find the preferences and thrash them?


Thank you for your help.
Cortez








On 13.1.2014, at 22:32, Christopher Smith wrote:

> On the Finale Forum, there is a sticky on the Mac side called "Font Problem 
> on OSX". It may very well be caused by having two different version of the 
> same font name active at once. Follow the directions in the sticky, and write 
> back if the problem persists.
> 
> Christopher
> 
> http://forum.makemusic.com/default.aspx?f=6
> 
> 
> On Mon Jan 13, at MondayJan 13 5:24 PM, Jón Kristinn Cortez wrote:
> 
>> Hello all.
>> I use Times or Times New Roman for lyrics and text-blocks.
>> They have been acting strangely; disappearing if I use italics or bold,
>> or squeezing all together into a lump of letters in space of one.
>> This does not happen with other fonts or in other applications.
>> 
>> Are there font preferences I can thrash (where are they?) or is there
>> some other solution to this problem?
>> 
>> 
>> Cortez
>> 
>> Mac OS 10.7.5  /  Finale 2012
>> 
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> 
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[Finale] Problem with fonts

[Jón Kristinn Cortez]

Hello all.
I use Times or Times New Roman for lyrics and text-blocks.
They have been acting strangely; disappearing if I use italics or bold,
or squeezing all together into a lump of letters in space of one.
This does not happen with other fonts or in other applications.

Are there font preferences I can thrash (where are they?) or is there
some other solution to this problem?


Cortez

Mac OS 10.7.5  /  Finale 2012

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[Finale] Problem with fonts

[Jón Kristinn Cortez]

Hello all.
I use Times or Times New Roman for lyrics and text-blocks.
They have been acting strangely; disappearing if I use italics or bold,
or squeezing all together into a lump of letters in space of one.
This does not happen with other fonts.

Are there font preferences I can thrash (where are they?) or is there
some other solution to this problem?



Greetings,
Cortez


Mac OS 10.7.5  /  Finale 2012

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Re: [Finale] more keyboard stuff

[Jón Kristinn Cortez]

Korg nanokey no problems.
Korg nanokey2 no problems.

Cortez


On 28.3.2013, at 17:15, Phil Buglass wrote:

> Anyone have any experience with the Korg nanokey2 
> controllers?  My comparison shopping seems to be 
> leading in that direction.  If anyone has horror 
> stories about them, I would sooner hear them now 
> than when I am trying to get it to work...
> 
> Thanks,
> 
> Phil.
> 
> 
> “Outside of a dog, a book is a man’s best friend. 
> Inside of a dog it’s too dark to read.” ­ Groucho Marx
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Re: [Finale] Notation bug

[Jón Kristinn Cortez]

Thank you for your input.
It clarifies a lot!

Cortez





On 18.12.2012, at 01:29, SN jef chippewa wrote:

> 
>> I understand your point. So I wonder, why use a time-signature at 
>> all if it does not have any meaning!
> 
> there was a meaning if you wanted to see it.  why bother to make a 
> reponse at all if it does not have any meaning!
> 
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Re: [Finale] Notation bug

[Jón Kristinn Cortez]

Thank you and good night (00:32 my time!)

Greetings,
Cortez


On 18.12.2012, at 00:25, Darcy James Argue wrote:

> Because you need some way to organize the music into units. Music without 
> time signatures, or with extremely long measures (like, say, 11/2) is 
> extraordinarily difficult to read. So you pick the time signature that 
> organizes and communicates the music in the most legible way for the greatest 
> number of (or for the most rhythmically important) musicians. 
> 
> Sometimes time signatures mean more than that, of course. But sometimes they 
> convey no information about phrasing, and their only function is to help 
> players keep their place in the music.
> 
> Cheers,
> 
> - DJA
> -
> WEB: http://www.secretsocietymusic.org
> 
> On Dec 17, 2012, at 7:13 PM, Jón Kristinn Cortez  wrote:
> 
>> I understand your point. So I wonder, why use a time-signature at all if it 
>> does not have any meaning!
>> 
>> Cortez
>> 
>> 
>> On 17.12.2012, at 23:59, Darcy James Argue wrote:
>> 
>>> Hi Cortez,
>>> 
>>> My reasons are perfectly logical, as I explained, and are the best solution 
>>> for the musicians I work with.
>>> 
>>> In a contemporary context, people employ odd subdivisions of meters *all 
>>> the time* without changing time signatures. 
>>> 
>>> 4/4 is very often subdivided 3+3+2.
>>> 
>>> 3/4 is very often subdivided 3+3 without renotating the time signature as 
>>> 6/8.
>>> 
>>> 5/4 can go back and forth between 6+4, 4+6, and 5+5, and other 
>>> subdivisions...
>>> 
>>> 3/2 can be subdivided as if it were 12/8 (3+3+3+3). I have a piece that is 
>>> written in 3/2 and goes back and forth between 4+4+4 and 3+3+3+3 every 
>>> other measure. Writing a time signature change every measure would be 
>>> needless clutter.
>>> 
>>> Of course, subdivisions can also go over the barline... There's another 
>>> contemporary composer who regularly subdivides two measures of 3/4 (in 
>>> sixteenths) as 7+7+7+3. It's kind of his rhythmic signature.
>>> 
>>> This kind of thing happens all the time in contemporary music.
>>> 
>>> Cheers,
>>> 
>>> - DJA
>>> -
>>> WEB: http://www.secretsocietymusic.org
>>> 
>>> On Dec 17, 2012, at 6:35 PM, Jón Kristinn Cortez  wrote:
>>> 
>>>> There is no logical reason to have 6/4 doing double duty; being both a 
>>>> duple and triple meter is confusing. In the example you state I would have 
>>>> written 4 bars 4/4 and one 2/4. By your way I would always have to check 
>>>> where the beat is in 6/4. What about 3/4 and 6/8?
>>>> 
>>>> Cortez
>>>> 
>>>> 
>>>> 
>>>> On 17.12.2012, at 23:18, Darcy James Argue wrote:
>>>> 
>>>>> That is the traditional view. My own view is that 6/4 with the half note 
>>>>> getting the beat is perfectly acceptable and logical in a modern context, 
>>>>> especially if you're dealing with a mix of, e.g., 4/4 and 6/4. 
>>>>> 
>>>>> I have a piece where the time signature pattern is always 3 bars of 4/4 
>>>>> followed by a bar of 6/4 (subdivided in 3). It would be confusing to 
>>>>> write those measures as 3/2 instead of 6/4 -- it would suggest that the 
>>>>> underlying unit of pulse changes, when it does not.
>>>>> 
>>>>> I have other pieces where the subdivision changes constantly from 2+2+2 
>>>>> to 3+3 and back, and it would be ridiculously cluttered to change time 
>>>>> signatures every time that happens. There's no logical reason why 6/4 
>>>>> can't be made to do double duty. 
>>>>> 
>>>>> Cheers,
>>>>> 
>>>>> - DJA
>>>>> -
>>>>> N.B. Please note my new email address: djar...@icloud.com
>>>>> Kindly update your Address Book, thanks!
>>>>> 
>>>>> WEB: http://www.secretsocietymusic.org
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> On Dec 17, 2012, at 5:47 PM, Jón Kristinn Cortez  
>>>>> wrote:
>>>>> 
>>>>>> 
>>>>>> Three beats with a half note for the beat is 3/2, can never be 6/4
>>>>>> 
>>>>>> Cortez
>>>>>> 
>>>>&

Re: [Finale] Notation bug

[Jón Kristinn Cortez]

I understand your point. So I wonder, why use a time-signature at all if it 
does not have any meaning!

Cortez

 
On 17.12.2012, at 23:59, Darcy James Argue wrote:

> Hi Cortez,
> 
> My reasons are perfectly logical, as I explained, and are the best solution 
> for the musicians I work with.
> 
> In a contemporary context, people employ odd subdivisions of meters *all the 
> time* without changing time signatures. 
> 
> 4/4 is very often subdivided 3+3+2.
> 
> 3/4 is very often subdivided 3+3 without renotating the time signature as 6/8.
> 
> 5/4 can go back and forth between 6+4, 4+6, and 5+5, and other subdivisions...
> 
> 3/2 can be subdivided as if it were 12/8 (3+3+3+3). I have a piece that is 
> written in 3/2 and goes back and forth between 4+4+4 and 3+3+3+3 every other 
> measure. Writing a time signature change every measure would be needless 
> clutter.
> 
> Of course, subdivisions can also go over the barline... There's another 
> contemporary composer who regularly subdivides two measures of 3/4 (in 
> sixteenths) as 7+7+7+3. It's kind of his rhythmic signature.
> 
> This kind of thing happens all the time in contemporary music.
> 
> Cheers,
> 
> - DJA
> -----
> WEB: http://www.secretsocietymusic.org
> 
> On Dec 17, 2012, at 6:35 PM, Jón Kristinn Cortez  wrote:
> 
>> There is no logical reason to have 6/4 doing double duty; being both a duple 
>> and triple meter is confusing. In the example you state I would have written 
>> 4 bars 4/4 and one 2/4. By your way I would always have to check where the 
>> beat is in 6/4. What about 3/4 and 6/8?
>> 
>> Cortez
>> 
>> 
>> 
>> On 17.12.2012, at 23:18, Darcy James Argue wrote:
>> 
>>> That is the traditional view. My own view is that 6/4 with the half note 
>>> getting the beat is perfectly acceptable and logical in a modern context, 
>>> especially if you're dealing with a mix of, e.g., 4/4 and 6/4. 
>>> 
>>> I have a piece where the time signature pattern is always 3 bars of 4/4 
>>> followed by a bar of 6/4 (subdivided in 3). It would be confusing to write 
>>> those measures as 3/2 instead of 6/4 -- it would suggest that the 
>>> underlying unit of pulse changes, when it does not.
>>> 
>>> I have other pieces where the subdivision changes constantly from 2+2+2 to 
>>> 3+3 and back, and it would be ridiculously cluttered to change time 
>>> signatures every time that happens. There's no logical reason why 6/4 can't 
>>> be made to do double duty. 
>>> 
>>> Cheers,
>>> 
>>> - DJA
>>> -
>>> N.B. Please note my new email address: djar...@icloud.com
>>> Kindly update your Address Book, thanks!
>>> 
>>> WEB: http://www.secretsocietymusic.org
>>> 
>>> 
>>> 
>>> 
>>> 
>>> On Dec 17, 2012, at 5:47 PM, Jón Kristinn Cortez  wrote:
>>> 
>>>> 
>>>> Three beats with a half note for the beat is 3/2, can never be 6/4
>>>> 
>>>> Cortez
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> On 17.12.2012, at 22:39, Darcy James Argue wrote:
>>>> 
>>>>> Hi William,
>>>>> 
>>>>> It's not a bug. Traditionally, 6/4 is a compound meter -- two beats per 
>>>>> measure, dotted half note has the beat. That's why Finale shows only two 
>>>>> slashes (and will add dots if you have "add dots to slashes in compound 
>>>>> meter checked).
>>>>> 
>>>>> If you want your 6/4 to be three beats per measure with the half note 
>>>>> getting the beat, you can set up those options in the Time Signature 
>>>>> dialogue box.
>>>>> 
>>>>> Cheers,
>>>>> 
>>>>> - DJA
>>>>> -
>>>>> WEB: http://www.secretsocietymusic.org
>>>>> 
>>>>> On Dec 17, 2012, at 5:30 PM, William Sinclair  wrote:
>>>>> 
>>>>>> 
>>>>>> I have not seen this before. Have any of you?
>>>>>> 
>>>>>> When I have a measure of 6/4, and I use SLASH notation,
>>>>>> it puts only 2 slashes for a 6/4 measure.
>>>>>> 
>>>>>> Is there a way around this problem? I want to avoid a HAND edit.
>>>>>> ___
>>>>>> Finale mailing list
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>>>>>> http://lists.shsu.edu/mailman/listinfo/finale
>>>>> 
>>>>> 
>>>>> ___
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>>>> 
>>>> 
>>>> ___
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>>> 
>>> Cheers,
>>> 
>>> - DJA
>>> -
>>> WEB: http://www.secretsocietymusic.org
>>> 
>>> 
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Re: [Finale] Notation bug

[Jón Kristinn Cortez]

There is no logical reason to have 6/4 doing double duty; being both a duple 
and triple meter is confusing. In the example you state I would have written 4 
bars 4/4 and one 2/4. By your way I would always have to check where the beat 
is in 6/4. What about 3/4 and 6/8?

Cortez



On 17.12.2012, at 23:18, Darcy James Argue wrote:

> That is the traditional view. My own view is that 6/4 with the half note 
> getting the beat is perfectly acceptable and logical in a modern context, 
> especially if you're dealing with a mix of, e.g., 4/4 and 6/4. 
> 
> I have a piece where the time signature pattern is always 3 bars of 4/4 
> followed by a bar of 6/4 (subdivided in 3). It would be confusing to write 
> those measures as 3/2 instead of 6/4 -- it would suggest that the underlying 
> unit of pulse changes, when it does not.
> 
> I have other pieces where the subdivision changes constantly from 2+2+2 to 
> 3+3 and back, and it would be ridiculously cluttered to change time 
> signatures every time that happens. There's no logical reason why 6/4 can't 
> be made to do double duty. 
> 
> Cheers,
> 
> - DJA
> -
> N.B. Please note my new email address: djar...@icloud.com
> Kindly update your Address Book, thanks!
> 
> WEB: http://www.secretsocietymusic.org
> 
> 
> 
> 
> 
> On Dec 17, 2012, at 5:47 PM, Jón Kristinn Cortez  wrote:
> 
>> 
>> Three beats with a half note for the beat is 3/2, can never be 6/4
>> 
>> Cortez
>> 
>> 
>> 
>> 
>> 
>> On 17.12.2012, at 22:39, Darcy James Argue wrote:
>> 
>>> Hi William,
>>> 
>>> It's not a bug. Traditionally, 6/4 is a compound meter -- two beats per 
>>> measure, dotted half note has the beat. That's why Finale shows only two 
>>> slashes (and will add dots if you have "add dots to slashes in compound 
>>> meter checked).
>>> 
>>> If you want your 6/4 to be three beats per measure with the half note 
>>> getting the beat, you can set up those options in the Time Signature 
>>> dialogue box.
>>> 
>>> Cheers,
>>> 
>>> - DJA
>>> -
>>> WEB: http://www.secretsocietymusic.org
>>> 
>>> On Dec 17, 2012, at 5:30 PM, William Sinclair  wrote:
>>> 
>>>> 
>>>> I have not seen this before. Have any of you?
>>>> 
>>>> When I have a measure of 6/4, and I use SLASH notation,
>>>> it puts only 2 slashes for a 6/4 measure.
>>>> 
>>>> Is there a way around this problem? I want to avoid a HAND edit.
>>>> ___
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>>> 
>>> 
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>> 
>> 
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> 
> Cheers,
> 
> - DJA
> -
> WEB: http://www.secretsocietymusic.org
> 
> 
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Re: [Finale] Notation bug

[Jón Kristinn Cortez]

Three beats with a half note for the beat is 3/2, can never be 6/4

Cortez





On 17.12.2012, at 22:39, Darcy James Argue wrote:

> Hi William,
> 
> It's not a bug. Traditionally, 6/4 is a compound meter -- two beats per 
> measure, dotted half note has the beat. That's why Finale shows only two 
> slashes (and will add dots if you have "add dots to slashes in compound meter 
> checked).
> 
> If you want your 6/4 to be three beats per measure with the half note getting 
> the beat, you can set up those options in the Time Signature dialogue box.
> 
> Cheers,
> 
> - DJA
> -
> WEB: http://www.secretsocietymusic.org
> 
> On Dec 17, 2012, at 5:30 PM, William Sinclair  wrote:
> 
>> 
>> I have not seen this before. Have any of you?
>> 
>> When I have a measure of 6/4, and I use SLASH notation,
>> it puts only 2 slashes for a 6/4 measure.
>> 
>> Is there a way around this problem? I want to avoid a HAND edit.
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[Finale] Test

[Jón Kristinn Cortez]

Test
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Re: [Finale] Poor Resolution of Imported Graphics

[Jón Kristinn Cortez]

Mac OS X 10.7.3  /  Finale 2012a

To a song I am working on I imported a color JPG, then made and imported a PDF 
of a few bars of the same song.
Then I made a PDF of the song, with the imported JPG and PDF and it looks good 
to me, both on-screen, laser printed on Brother HL-1850 and inkjet colorprinted 
on Canon P4500
I made the PDF from the Print to PDF in the print dialog box.

Cortez




On 9.4.2012, at 00:54, Dejan Badnjar wrote:

> I do have the full Acrobat, but still getting poor resolution of the imported 
> graphic (PDF in this case) when "saving as Adobe pdf". The only partial 
> solution is what Brian suggested, to print to PS file or "Compile PostScrip 
> listing" with Imported EPS only, but cannot get it to compile to a specific 
> trim size of 9.5 x 12.66. 
> As far as I know, there is no way to add a custom page size to "Compile 
> PostScript listing" menu, and cannot figure out a way to add one in the "Save 
> as PostScrip" from the Print menu. It always goes to default letter size. 
> How do people make good pdfs with imported graphics on the Mac???
> I've been doing this on the PC forever, but cannot get it to work on the Mac.
> 
> Dan
> 
> On 2012-04-08, at 3:39 PM, John Howell wrote:
> 
>> I don't know whether this applies, but I also 
>> learned just 2 days ago that if you are using the 
>> Mac OS .pdf function to "print" to a .pdf file, 
>> it is actually a "PDF Lite" and can introduce 
>> errors and distortions.  By going to "Adobe PDF" 
>> in that same dialog instead, you engage the Adobe 
>> program itself and get better quality.  (Of 
>> course to do that you have to have the Adobe 
>> Acrobat program on your computer to begin with.)
>> 
>> John
>> 
>> 
>> 
>> 
>> At 12:04 PM -0700 4/8/12, Brian Williams wrote:
>>> It's a Mac thing. You need to print to a 
>>> postscript file (not PDF) then open the ps file 
>>> in Preview which will convert it to a PDF so you 
>>> can save and/or print it.
>>> 
>>> Sent from my iPhone, so please forgive the typos and brevity.
>>> 
>>> On Apr 8, 2012, at 10:00 AM,  wrote:
>>> 
 
 My Mac version of Finale 2012 displays and 
 prints imported graphics to PDF with poor 
 resolution of the imported graphic. Printing 
 the same file to PDF with Finale 2012 on 
 Windows gives proper results. Any suggestions? 
 Is this a problem with the Mac version of Fin 
 2012?
 
 Dan
>>> 
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>> 
>> 
>> -- 
>> John R. Howell, Assoc. Prof. of Music
>> Virginia Tech Department of Music
>> School of Performing Arts & Cinema
>> College of Liberal Arts & Human Sciences
>> 290 College Ave., Blacksburg, Virginia 24061-0240
>> Vox (540) 231-8411  Fax (540) 231-5034
>> (mailto:john.how...@vt.edu)
>> http://www.music.vt.edu/faculty/howell/howell.html
>> 
>> "Machen Sie es, wie Sie wollen, machen Sie es nur schön."
>> (Do it as you like, just make it beautiful!)  --Johannes Brahms
>> 
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Re: [Finale] Apple upgrade?

[Jón Kristinn Cortez]

I was working in Finale when the upgrade came.
I quit all applications, installed 10.6.8, restarted, opened needed 
applications and resumed.

Cortez



On 8.7.2011, at 10:47, David H. Bailey wrote:

> On 7/7/2011 10:12 PM, Rudolf van Berkum wrote:
>> John Howell wrote on Wed, 6 Jul 2011 12:11:58 -0400
>> 
>> For Mac users, I wondered whether I should upgrade from OS 10.6.6 to the new 
>> 10.6.8 that just came out.
>> 
>> -
>> 
>> Hmm. After installing 10.6.8 my iMac wouldn't get past the blue start-up 
>> screen.
>> 
>> I needed to use the install disk to get started, and then clear caches to 
>> get things back to normal.
>> 
> 
> Wow, Apple really is becoming more like Microsoft every day!  I'm sorry 
> to hear about the hassles.
> 
> 
> -- 
> David H. Bailey
> dhbai...@davidbaileymusicstudio.com
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Re: [Finale] stem direction

[Jón Kristinn Cortez]

On 2.1.2009, at 15:24, Lawrence David Eden wrote:


Currently suffering from a brain freeze:



How do I change the stem direction on a single note?
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Speedy Entry / pointer on note / keyboard L

Cortez
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Re: [Finale] Sibelius to Finale 2007

[Jón Kristinn Cortez]

On 12.10.2008, at 15:01, Phong Duong wrote:



I believe it's a plug-in from Recordare:

http://store.recordare.com/software.html

Phong

--- On Sun, 10/12/08, Jón Kristinn Cortez <[EMAIL PROTECTED]> wrote:

From: Jón Kristinn Cortez <[EMAIL PROTECTED]>
Subject: [Finale] Sibelius to Finale 2007
To: Finale@shsu.edu
Date: Sunday, October 12, 2008, 3:19 PM

I am working on a project with several composers and one of them
has offered me his Sibelius files.
As I have no interest in using Sibelius I can not recall the name
of the plug-in (?) you can use to open Sibelius file into Finale.  
All I

remember is it starts with an R and has something to do with XML.

Help, please!


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[Finale] Sibelius to Finale 2007

[Jón Kristinn Cortez]

I am working on a project with several composers and one of them
has offered me his Sibelius files.
As I have no interest in using Sibelius I can not recall the name
of the plug-in (?) you can use to open Sibelius file into Finale. All I
remember is it starts with an R and has something to do with XML.

Help, please!


Cortez
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Re: [Finale] Check

[Jón Kristinn Cortez]

On 10.10.2008, at 21:56, Dana Friedman wrote:


At 02:25 PM 10/10/2008, you wrote:

Is anybody out there, or have I been unsubscribed again?


I see you..but..I wonder, can someone please respond to me? I'm  
getting messages, but...I'm guessing maybe no one's seeing mine?


Thanks,
Dana


I see you

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Re: [Finale] Finale to GarageBand

[Jón Kristinn Cortez]

On 5.5.2008, at 10:26, dhbailey wrote:


Jón Kristinn Cortez wrote:

Hi all.
How do I get a Finale 2007c-file  into GarageBand?
Cortez
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Can't GarageBand import midi files?  If it can, save the Finale  
file as a midi file (File/Save then click the down-triangle to  
select a different format than the default .mus extension,  
select .mid) then you should be able to open that in GarageBand.


If GarageBand only imports audio files, you need to have Finale  
export as an audio file (select the format that GarageBand will  
import).


--
David H. Bailey



I had already saved as .mid but GB would not open that and there is  
no Import. Then I tried to save as Audio File but Finale came up  
with: "Could not create the audio file (the file may be in use by  
another application)" so I restarted, but that did not change  
anything, I got the same message again, with Finale the only open  
application!


The solution was simple. All I had to do was drag the .mid file into  
the open GB track-window and all the instruments were opened into the  
right tracks. Easy!



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[Finale] Finale to GarageBand

[Jón Kristinn Cortez]

Hi all.
How do I get a Finale 2007c-file  into GarageBand?

Cortez
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[Finale] Greetings

[Jón Kristinn Cortez]

Merry Christmas to you all!


Cortez
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Re: [Finale] Desktop versus laptop survey

[Jón Kristinn Cortez]

95% desktop, then it must be 5% laptop

Cortez
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Re: [Finale] It's strange...

[Jón Kristinn Cortez]

On 13.10.2007, at 08:59, Eric Dannewitz wrote:


And we also go off on other tangents as wellso, your point is?


strange |strānj| |streɪndʒ| |streɪn(d)ʒ|
adjective
1 unusual or surprising in a way that is unsettling or hard to  
understand : children have some strange ideas | he's a very strange  
man | [with clause ] it is strange how things change.
2 not previously visited, seen, or encountered; unfamiliar or alien :  
she found herself in bed in a strange place | a harsh accent that was  
strange to his ears.
• [ predic. ] ( strange to/at/in) archaic unaccustomed to or  
unfamiliar with : I am strange to the work.

3 Physics having a nonzero value for strangeness.
PHRASES
feel strange (of a person or part of the body) feel unwell; have  
unpleasant sensations : her head still felt strange. • be  
uncomfortable or ill at ease in a situation : the family had expected  
to feel strange in Stephen's company.
strange to say (or poetic/literary tell) it is surprising or unusual  
that : strange to say, I didn't really like carol singers.

DERIVATIVES
strangely |ˌstreɪndʒli| adverb : [as submodifier ] the house was  
strangely quiet | [ sentence adverb ] strangely enough, people were  
able to perform this task without difficulty.
ORIGIN Middle English : shortening of Old French estrange, from Latin  
extraneus ‘external, strange.’




Thesaurus

strange
adjective
1 strange things have been happening unusual, odd, curious, peculiar,  
funny, bizarre, weird, uncanny, queer, unexpected, unfamiliar,  
atypical, anomalous, out of the ordinary, extraordinary, puzzling,  
mystifying, mysterious, perplexing, baffling, unaccountable,  
inexplicable, singular, freakish; suspicious, questionable; eerie,  
unnatural; informal fishy, bizarro, creepy, spooky. antonym ordinary,  
usual.
2 strange clothes weird, eccentric, odd, peculiar, funny, bizarre,  
unusual; unconventional, outlandish, freakish, quirky, zany; informal  
wacky, way out, freaky, kooky, offbeat, off the wall, screwy, wacko.  
antonym normal, conventional.

3 visiting a strange house unfamiliar, unknown, new. antonym familiar.
4 Jean was feeling strange ill, unwell, poorly, peaked; informal  
under the weather, funny, peculiar, lousy, off; dated queer. antonym  
well.
5 she felt strange with him ill at ease, uneasy, uncomfortable,  
awkward, self-conscious. antonym relaxed.


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[Finale] It's strange...

[Jón Kristinn Cortez]

It's strange...,
being on a help/discussion list for some application
and most postings for a long time are about how to
buy some other application!

Cortez
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[Finale] Does anyone know this song?

[Jón Kristinn Cortez]

Hi all.
Does anyone know a song that goes like this:

(first phrase, all quarter notes, some should be dotted!)
G-EED-CDE-DA(half note, tied over) D-CGA-BCD-C(half note, tied over)


Cortez


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Re: [Finale] Finale 2007 review

[Jón Kristinn Cortez]

dc wrote:


Does anyone know if Sibelius supports Unicode fonts?





William Roberts écrit:
Yes, it does.  On Mac it also supports OpenType features such as  
automatic ligatures, which is pretty cool!


Thanks! Pretty cool indeed. The main reason I need Unicode is  
precisely for ligatures.


Dennis





Cool! So now you are leaving us?

Cortez


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Re: [Finale] Finale: Sharp and crisp PDFs.

[Jón Kristinn Cortez]

I made this PDF a few minutes ago http://www.isalog.info/notur/sumar.pdf , how does that compare?CortezI know someone who uses Sibelius and they sent me a PDF of a file. Instantly the minute the PDF opened on my screen, the quality was noticeably better than any PDF I have created with Finale.   Are there some settings that I don't know about to make the absolutely sharpest, clearest PDF possible. Or is something that Finale doesn't handle well?  For example online there is this: http://www.utorpheus.com/misc/pagine_musica/tib011.pdf and I've posted a screenshot of my friend's Sibelius PDF at http://www.bytenet.net/kpclow/finale/sample-sib.bmp Here's a sample of my PDF @ http://www.bytenet.net/kpclow/finale/sample.pdf I used the highest setting possible (Printer's quality) and I upped the DPI to 2400. Still not as good as this Molter sample, or the Sibelius. My beams seem very ragged, no matter how much you zoom in. And I noticed that Finale's staff lines seem too thick. And some of the articulations and words have a splotchy look.    This is very frustrating for me. Any advice would be greatly appreciated.   Thank you   Kim Patrick Clow    ___Finale mailing listFinale@shsu.eduhttp://lists.shsu.edu/mailman/listinfo/finale ___
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Re: [Finale] OT- Name of a German song

[Jón Kristinn Cortez]

The name is: "Die Blümelein sie schlafen", and it originates in a collection published by Anton Wilhelm von Zuccalmaglio and  August Kretzschmer. Johannes Brahms wrote the arrangement. The melody is taken from a Christian song "Zu Bethlehem geborenFor the complete text see here:http://ingeb.org/Lieder/dieblume.htmlHope this helps,JohannesI know it as The Sandman by Brahms. I guess the version I know is an arrangement All the best, LawrenceThanks, Lawrence and Johannes. This is what I needed.Cortez___
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[Finale] OT- Name of a German song

[Jón Kristinn Cortez]

Hi, all on list.
I am making some program-notes and a song is just called a German  
Trad. I need your help in finding its German name  and even some  
additional information about it. If you would bother to go to this  
web-site:


http://www.isalog.info/notur/nuraddir

you will find the song there.


Cortez
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[Finale] OT: I need an arranger

[Jón Kristinn Cortez]

I have 3-4 songs for a big male choir and piano to which I
wish to add arrangement for brass section of a symphony
orchestra as well as some percussion. If anyone is interested
or can point me in a more suitable direction please mail me
off list.
Cortez
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Re: [Finale] OT: Browsers

[Jón Kristinn Cortez]

Þann 26.2.2005 kl. 03:43 ritaði Michael L. Meyer:

On 2/25/05 7:22 PM, "Simon Troup" <[EMAIL PROTECTED]> wrote:

No support for Safari. They need to do more homework.

Actually, it worked fine for me in Safari.  I wonder what the difference was
...?

-- Mike



I like it. Waiting for Europe.
Safari - Mac OS 10.3.8

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[Finale] R. Strauss - Four Last Songs

[Jón Kristinn Cortez]

I am trying to find Richard Strauss's September from Four Last Songs a tone lower than original,-
it's in D but a student of mine needs it in C. Has anyone any knowledge of a lower edition?

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Re: [Finale] Page size

[Jón Kristinn Cortez]

Þann 23.1.2005 kl. 06:05 ritaði Allen Fisher:
From the Appendix of the user manual:
[Page Sizes]
This section contains the page size name, Width and Height (followed 
by a
semicolon), Top Margin,
Bottom Margin, Left Margin, Right Margin, and a Left Margin for
single-instrument documents.
The Top and Bottom margins are assumed to be negative; there is no 
need to
put in the
minus sign.
Ex. Letter = 8.5, 11; .5, .5, 1, .5, .75

On 1/22/05 3:39 AM, "Jón Kristinn Cortez" <[EMAIL PROTECTED]> wrote:
The pagesizes.txt file gives
A4  = 20.99c, 29.69c; 1.27c, 1.27c, 2c, 1.27c, 1.9c
What are the other values after the ";" ?
(Correct values in cm are, according to my own (Excel) calculations:
21.02 x 29.73)
Dennis
Page margins in cm?  ; top, bottom, left, right,- and that leaves the
1.9c! ?
Cortez
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I am trying to remember when was the last time I really read the 
manual, maybe the
explanation of pagesizes.txt has been in there forever. With every 
upgrade lots of things
change and I'm sure too many of them go unnoticed.
So, the next "book in bed" shall be the manual and all appendices!

Cortez
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Re: [Finale] Page size

[Jón Kristinn Cortez]

The pagesizes.txt file gives
A4  = 20.99c, 29.69c; 1.27c, 1.27c, 2c, 1.27c, 1.9c
What are the other values after the ";" ?
(Correct values in cm are, according to my own (Excel) calculations:
21.02 x 29.73)
Dennis

Page margins in cm?  ; top, bottom, left, right,- and that leaves the 
1.9c! ?

Cortez
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Re: [Finale] Disapearing the second page

[Jón Kristinn Cortez]

Þann 18.1.2005 kl. 01:35 ritaði Carl Dershem:
Jón Kristinn Cortez wrote:
Also:
Why do I get a box instead of a double-sharp?
Could be the screen resolution.  Zoom in on it, and see if some of the 
finer lines are just not being rendered.
The box appears instead of double-sharp at every resolution on screen 
but does not print out. If I make a note
triple-sharp, one sharp and a box is on screen, but in print-out a 
sharp and just a space for double-sharp/box

Why am I asked if I want to save after: save - print - close file (Do 
you  want to save?)
Because something has changed in the file, even if it is just 
something in the print settings.
Then Finale is the only application I know of that makes changes to the 
file during printing


Why does the Type Into Score (four triangles) appear when I choose 
Expression Tool?
To align the expressions.
I have moved each one of the triangles without affecting placement of 
the expression

Cortez
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Re: [Finale] Disapearing the second page

[Jón Kristinn Cortez]

Jón Kristinn Cortez écrit:
Also:
Why does every file open as Untitled in a new version?
Because you have "Open older documents as 'Untitled'" ticked in 
Program Options, Open.

Dennis
There is no such option in my version of Finale 2005a, only Text 
Conversion, Tie Conversion and Automatically Set Human Playback...

Cortez
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Re: [Finale] Disapearing the second page

[Jón Kristinn Cortez]

I have 2005a.r2 with MacOS X -10.3.7 on iMac G4 1.25 GHz with 768 Mb 
memory,- and it happens all the time.

I have an open file with a 2 page song with two verses and Show 
Multiple Pages selected. I choose the Text Tool and
click on a note with Type Into Score. The word attached gets highlited 
and the second page disappears. I use the
down arrow to got to the second verse and still the second page is 
hidden. But this is not constant. More often the
screen redraws with every click on the first page. Gets a bit 
irritating!

Also:
Why don't the hyphens show up in text until you update the layout?
Why do I get a box instead of a double-sharp?
Why am I asked if I want to save after: save - print - close file (Do 
you  want to save?)
Why does the Type Into Score (four triangles) appear when I choose 
Expression Tool?
Why does every file open as Untitled in a new version?
Why does the Page Setup change from a saved A4 to US Letter unless I 
change the order in pagesizes.txt in a new version?

I have a lot more Whys and am sure you all have got some!
Finale is 15 years old, I bought mine at version 2.01. It should be 
grown up by now!

Cortez

Which version? You said in another post that you are still in OS 9, so 
I assume you are in a version no later than 2k3? In which case you 
version is from "years ago", no?

For what it is worth I have not seen this behaviour in any version up 
to the latest 2k5, but then I don't use "Show Multiple Pages" all the 
time (only when I do the layout).

Johannes
A-NO-NE Music wrote:
This is another one of my pet peeves.
I like 'Show Multiple Pages',
But the pages after the current one disappears after using certain 
tools
such as Text Tool, while 'Show Multiple Page' option is still enabled.
I don't remember when this started, but it was not like this years 
ago. Anyone know what is this behavior change for?
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Re: [Finale] FinMac2004 crashes

[Jón Kristinn Cortez]

On 6. júl 2004, at 09:29, Darcy James Argue wrote:
On 06 Jul, 2004, at 04:12 AM, Johannes Gebauer wrote:
On 06.07.2004 1:16 Uhr, Darcy James Argue wrote
What is everyone else's experience with FinMac 2004's stability?  It 
is
the only OS X app I own that crashes at all.  Is it just me, or what?
This sounds to me as though you have some other trouble with your OS X
installation that needs to be solved.
I'm really not sure what those could be.  I run Cocktail regularly to 
repair permissions, run cron scripts, etc., and none of my disk 
maintenance tools detect anything in need of fixing.  I recently did a 
completely clean reinstall of Panther.  I don't use any third-party 
hacks -- with the exception of Cocktail, to enable both scroll arrows 
at both ends of scrollbars (not really a third-party hack since it's 
an undocumented feature of the OS itself) and iKey.  I don't run 
Classic when I run Finale 2004.  I usually don't do heavy lifting in 
other apps while Finale is running, although I do need to have Mail 
and Safari open the background while I work.  It's true that I have an 
"unsupported" machine for 10.3, but XPostFacto enables Panther on this 
box without a hitch.  I don't think it's possible that the Finale app 
itself is corrupted, since the two updates released by Coda are in 
fact full versions of the application itself.

I suppose it's possible that something has gone wrong with my Finale 
preferences and that is causing the app to crash, but that seems 
unlikely to me.  Nevertheless, I will try resetting my preferences.

But again, Finale is the *only* OS X application that ever crashes on 
me.

- Darcy

My FinMac 2004 wouldn't start up after the installation, it always 
crashed after the first start-up picture. Then I removed the plug-ins 
folder and everything was OK. The same happened in FinMac 2004b and 
FinMac 2004c. Never any crashes while working in all of them, in fact, 
I can't remember the last time when I had Finale crash. I have 10 apps 
open while working in Finale and frequently go from one to another.

I have only one space after a dot. Why do so many have two spaces?
Cortez
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