FLUXLIST: [fbwn].pi] inauguration 30.03.2000 19h30 [ GMT + 1 (paris) ] : http://fbwn.free.fr/fbwnpi/index.htm
[brought to you by pavu.com] [fbwn].pi] PUBLIC INAUGURATION http://fbwn.free.fr/fbwnpi/index.htm 30-march-00 19h30 [ GMT + 1 (paris) ] irc.webmaster.com #thermiks or #baston 6667 -- The [fbwn].pi] has been now existing since 1856, it's only goal is to protect your informative property. Brought up on the simple comment of the man who made [fbwn].pi] Antoine Richepin "What is yours must remain yours". We are here to save your informative property from getting robbed. This means that you and only you will be able to use it . Declaring at the[fbwn].pi] is getting insured of the security of your informative property. [fbwn.ohne*vocer] http://fbwn.free.fr === pavu.com -/ welcome in a plining world ! /-
RE: FLUXLIST: dot-com biennial
Cinema.
Re: FLUXLIST: government e-mail snooping (fwd)
Some girls and boys and digits. Armthick cables...going from one house to the other. -| || |--- Imagine a world with no governments, who is snooping then ? eSNOOP (tm) ?? The money...privacy auctions might do the trick.
Re: FLUXLIST: [fbwn].pi] inauguration 30.03.2000 19h30 [ GMT + 1(paris) ] : http://fbwn.free.fr/fbwnpi/index.htm
What is this good for ? To raise consciousness, that it isnt the copyright but the droit d'auteur ? ;-) On Tue, 28 Mar 2000, Jean-Philippe Halgand wrote: [brought to you by pavu.com] [fbwn].pi] PUBLIC INAUGURATION http://fbwn.free.fr/fbwnpi/index.htm
RE: FLUXLIST: query
Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? was always going to write his definitive book about how Duchamp, Beuys and others were all Kabbala masters: sort of a Paul Lafoley/R.A. Wilson take on He is not the only one.
RE: FLUXLIST: query
ah yes, i remember a wonderful concert in the '70's. sun ra in an old ballroom in baltimore. very fluxus i think, the ceiling was painted sky blue with big white clouds and there was sun ra and his group. outrageous. c :) carol starr taos, new mexico, usa [EMAIL PROTECTED] On Tue, 28 Mar 2000, Heiko Recktenwald wrote: Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? was always going to write his definitive book about how Duchamp, Beuys and others were all Kabbala masters: sort of a Paul Lafoley/R.A. Wilson take on He is not the only one.
FLUXLIST: Sukran Aziz Release
S T E P H E N G A N G G A L L E R Y 529 WEST 20TH STREET 4E. NEW YORK,NY 10011 PHONE 212.741.7832 FAX 212.741.7957 P R E S S R E L E A S E F O R I M M E D I A T E R E L E A S E SÜKRAN AZIZ TONGUESSIGNALS Phonemes, Translations of 'Kerem', the American Alphabet, and the Four Faces of Willem De Ridder (April 1 - April 30, 2000) reception: April 1, 6 - 8 pm Stephen Gang Gallery is pleased to present the 'Tongues Signals' exhibition by Sükran Aziz, a video/sound/media event that features the artist's latest work. This exhibition consists of four different and distinct video-and-sound installations, the assembly of which forms a coherent whole. Two of the installations depict opposite end-points, or polar extremes, in human communication. The Phonemes shows the irreducible minimal sound units, the essential building-blocks of language, in myriad tongues, whereas the Translations of 'Kerem', in portraying recitations of a poem called 'Like Kerem' by the Turkish poet Nazim Hikmet by speakers of many languages, represents expressive human communication at its fullest. This juxtaposition is subtly mediated by the sound installation the American Alphabet which sporadically produces alphabet sounds by native kindergarten and elementary-school speakers of American English who have just learned the alphabet reciting their favorite letters (the recited letters will vary according to the language of the country in which the exhibition is shown). Finally, the Four Faces of Willem De Ridder, video-films based on a performance by the Dutch Fluxus artist, explores four different modalities of the communication process, namely, the fully articulate and meaningful narrative, meaningless sounds or gibberish supported by meaningful gestures, as well as, song and pantomime. Sükran Aziz is an artist who has been interested in the capacity of the various human language processes, be these spoken, written, gestural, or body languages. In the present project, the artist has included the participation of some of her viewers from earlier shows and several people who live around her in the production of this art event. Known for her use of 'technology with a human face' in her intermedia productions, Sükran Aziz says "I realize the preciousness of the lived-moment. I like to capture a segment of time, document it, and leave it for the future. For me, as a medium of artistic expression, the use of video and technology is not an end in itself, but is merely a means through which to achieve my substantive aims." In her work, thematic continuity concerning the concepts of time, identity, and language has been clearly discernible in all of her major exhibitions. Some of these critically acclaimed shows from the past include the 'Dream Drops' project in Los Angeles, the 'Room For Rent', 'Memory As Metaphor', 'O Difference - Off Difference', 'The Past with Us', 'Mythology of Tongues' projects in New York City, the 'Reminiscences II' exhibition at the 5th International Istanbul Biennial, and the 'Oscillations' exhibition at the Habitat International Exhibition in Istanbul. Also, her 'Body Identity' project was chosen by Fundacion America for the Body Museum in Santiago, Chile. Contact: Stephen Gang Phone: 212.741.7832 Fax : 212.741.7957 [EMAIL PROTECTED]
Re: FLUXLIST: boredom and danger
hi everyone, i would very much appreciate knowing where i can find 'boredom and danger' by higgins. thank you, joshthorpe.com It was published in Foewombhnw, a Dick Higgins essays and critics book, Something Else Press, 1966 or1967, I can't remelmber exactly right now.
Re: FLUXLIST: query
Oh yes, I remember Sun Ra. A friend of my past used to sing in his Solar Arkestra sometimes. He was very far out, too far for most jazz musicians of his day. He wasn't into hard bop so much, but something quite different. I have no CDs or records of his music, only dimly remembered images and sounds from his concerts. Davidson Heiko Recktenwald wrote: Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? was always going to write his definitive book about how Duchamp, Beuys and others were all Kabbala masters: sort of a Paul Lafoley/R.A. Wilson take on He is not the only one.
Re: FLUXLIST: query
I have been told MANY MANY times to listen to SUN RA...If Merzbow is influenced by him I have a feeling I will like him alot anyone wanna do a tape trade of some SUN RA for something? I have a VHS tape of MTV from about a decade ago featuring a Curt Loder MTV News report on Sun Ra. It has a fair amount of video footage of him and his wackies performing outdoors in, I think, NYC. It is by way of that report that I know of him at all. It was said that he'd been making music for 30+/- years and had a gazillion albums of his stuff released during that time. He says he's from another planet and came to Earth by way of UFO or something similar. Myke __ Get Your Private, Free Email at http://www.hotmail.com
FLUXLIST: Sensation.
home page [topbar.gif] [?x] Top News Sports Lotteries International National Washington Business Wall Street Entertainment Health/Science Regional Settlement in NYC Museum Flap By TOM HAYS, Associated Press Writer NEW YORK (AP) -- The city and the Brooklyn Museum of Art have reached a truce in a heated six-month legal battle sparked by an exhibit featuring a dung-decorated painting of the Virgin Mary. In a settlement signed Monday and approved by U.S. District Judge Nina Gershon, both sides agreed to drop dueling lawsuits over the ''Sensation'' exhibit and pay their own legal fees. The judge specifically barred Mayor Rudolph Giuliani and the city from inflicting ''any punishment, retaliation, discrimination or sanction of any kind'' against the museum. The deal also commits the city to spend $5.8 million over two years for a museum renovation project. The settlement came six months after Giuliani -- calling the painting ''sick'' -- froze an annual $7.2 million operating subsidy for the museum, then sued in state court to evict it from its city-owned site. The judge declared the sanctions unconstitutional late last year in a preliminary order restoring funding. The mayor refused to back down and appealed her decision. ''Today, Mayor Giuliani has agreed that the preliminary injunction that he ridiculed a few months ago will become permanent,'' museum attorney Floyd Abrams said at a news conference. Giuliani, who had been scheduled to be deposed in the case next week, was meeting with Republican leaders in Albany and raising funds in Cleveland for his U.S. Senate bid and had no immediate response. Corporation Counsel Michael Hess insisted the administration was ''very gratified'' with the settlement. ''We felt at this time that it was time to end the hostilities on both sides,'' he said. Museum officials, meanwhile, portrayed the agreement as a resounding victory for the museum -- and for free speech. Abrams characterized the City Hall offensive as ''one of the most dangerous assaults on the First Amendment'' that he had seen as a veteran constitutional lawyer. ^--= On the Net: http://www.brooklynart.org AP-NY-03-28-00 0620EST Copyright (c) Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed. Home | Top of Page 03/28/2000
Re: FLUXLIST: query
Oh yes, I remember Sun Ra. A friend of my past used to sing in his Solar Arkestra sometimes. He was very far out, too far for most jazz musicians of his day. He Cool. I remember lying once on the bed and hearing some voyage to mars. I think I have an LP, that was once too long in the sun, still a minimoog solo to be listened, maybe if I put a little stone on the arm of the record player. Thats Thorens. I had a Scott before, insofar better. I trashed it, nobody wanted it, and I knew when I got this Thorens, the days of the LP are over. But: Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? I asked for Graham Bond of "Egyptian Mantras" etc.. Cheers, btw, there is an excellent Sun Ra list at hearn, I think its www.hearn.nl or surfnet.nl, if you want to meet people who have all the concerts on tape ;-) H.
Re: FLUXLIST: query
Davidson I think his motto was "Space is the place." RA Davidson Gigliotti wrote: Oh yes, I remember Sun Ra. A friend of my past used to sing in his Solar Arkestra sometimes. He was very far out, too far for most jazz musicians of his day. He wasn't into hard bop so much, but something quite different. I have no CDs or records of his music, only dimly remembered images and sounds from his concerts. Davidson Heiko Recktenwald wrote: Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? was always going to write his definitive book about how Duchamp, Beuys and others were all Kabbala masters: sort of a Paul Lafoley/R.A. Wilson take on He is not the only one.
Re: FLUXLIST: query
Heiko Of course I've heard of Sun Ra and his Cosmic Arkestra but never Graham Bond. Who is he anyways? RA Heiko Recktenwald wrote: Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? was always going to write his definitive book about how Duchamp, Beuys and others were all Kabbala masters: sort of a Paul Lafoley/R.A. Wilson take on He is not the only one.
FLUXLIST: Clues to Mysterious Meteor Sounds Sought In Iridium Satellite Suicides(fwd)
Clues to Mysterious Meteor Sounds Sought In Iridium Satellite Suicides
By Robery Roy Britt and Mary Motta
28 March 2000
While playing stickball one evening in the early 1970s in Dover, Delaware,
Chuck Bonner and his playmates heard a loud, abnormal whistling noise
accompanied by a buzz. The teenagers ran around the house, expecting to
find an airplane plunging earthward.
Instead they spotted a green fireball as large as a full moon streaking
across the sky.
Ever since, Bonner (now a software designer who runs a website called
Lunar Colony) has wondered how he could have heard the apparent meteor
before he saw it, since sound travels much slower than light.
Scientists have been wondering the same thing -- for a lot longer. And now
they have the opportunity to study this phenomenon in a giant lab
experiment in the sky.
At Bonner's suggestion, researchers will keep their eyes and ears open to
monitor what happens when 66 Volkswagen-sized Iridium spacecraft will be
deorbited into a fiery suicide dive to Earth. Scientists hope the
artificial meteors will simulate real space rocks burning up in the
atmosphere, yielding clues to what causes this mysterious cacophony of
sounds.
Full story here:
http://www.space.com/science/iridium_sound_000328.html
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Re: FLUXLIST: query
sadly i don't have any of his records or cd's either. just the memory of that one concert. c :) carol starr taos, new mexico, usa [EMAIL PROTECTED] On Tue, 28 Mar 2000, Davidson Gigliotti wrote: Oh yes, I remember Sun Ra. A friend of my past used to sing in his Solar Arkestra sometimes. He was very far out, too far for most jazz musicians of his day. He wasn't into hard bop so much, but something quite different. I have no CDs or records of his music, only dimly remembered images and sounds from his concerts. Davidson Heiko Recktenwald wrote: Obscurity as programm, Sun Ra, Graham Bond, does anybody remember HIM ? was always going to write his definitive book about how Duchamp, Beuys and others were all Kabbala masters: sort of a Paul Lafoley/R.A. Wilson take on He is not the only one.
