Re: FLUXLIST: henry flynt's concept art
can anyone tell me if flynt's "concept art" is published anywhere besides An Anthology? thanks
FLUXLIST: Re: recent posts/ music covers
A good friend of mine took great delight and consideration in making cassette music covers (usually cropped from printed magazine images), for his esoteric bootleg music copies; they were always better than the 'original cover.' http://bbrace.laughingsquid.net/abstraction-engine.html
FLUXLIST: Carl Laszlo Query
I picked up a small, german exhibition catalog from 1967 by an artist named Carl Laszlo called "Aufruf zum Luxus Manifeste". It contains an essay entitled "Before there was Neo-Dada, there was Dada", plus other manifestos. Any chance anyone on this list is familiar with him? Is he at all connected to Fluxus? I don't speak German so I can't read the text. Even back-channel replies would be appreciated. Thanks, Rosalie
Re: FLUXLIST: Recent posts
you are so right, i was confused.(how rare, ha, ha) c :) carol starr taos, new mexico, usa [EMAIL PROTECTED] On Tue, 4 Apr 2000, Lord Hasenpfeffer wrote: > > yes it was called the white album but inside were photos of yoko and > > john nude. > > Whoops! Jolly, jolly, whoops! Jolly, jolly, jolly... > > You're getting The Beatles 'white album' and J&Y's "Two Virgins" > confused! :) > > Myke >
Re: FLUXLIST: Recent posts
Well there is bands out there that hand make there cd cases and some of the are absolutly beautiful...a japanese guy MSBR does that < http://www.msbr.com/ > Nick > > Mortality is for me a key component of the beautiful. > >And this is, why I hate CDs ;-) > >Ok, there are some CDs that look used after some time, not with a plastic >box around the paper. Maybe a hint for the industryits about history. > __ Get Your Private, Free Email at http://www.hotmail.com
FLUXLIST: FW: Old Shoes Needed
-- From: Ted Pascoe <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: Old Shoes Needed Date: Thu, Mar 23, 2000, 11:05 AM Help! We need SHOES! The Colorado Silent March has set an ambitious agenda of illustrating the toll of gun violence by having a display of shoes to represent the number of youth and children killed by guns in a year's time. Unfortunately, that number is over 4000, so we need MANY MANY shoes. You can help us immensely by dropping off extra pairs of shoes at any of the following locations. Gathering shoes from neighbors and friends will be very helpful. Please do this as soon as possible, so we can breathe easier! Shoes can be any style, size (child/juvenile/adult), or condition and can be left in a box placed at any of the following locations (please tie the shoelaces of each pair together). If you need more information, send an email to mailto:[EMAIL PROTECTED] or call either 303-792-9900 or 303-377-7697: Arvada -- King of Glory Lutheran Church, 10001 W. 58th Avenue, Arvada Aurora -- Parkview United Church of Christ, 12444 E. Parkview St., Aurora Boulder -- University of Colorado Students, on Campus at University Memorial Center, Boulder -- First Congregational Church, 1128 Pine St., Boulder -- Atonement Lutheran Church, 685 Inca Parkway, Boulder -- Rocky Mt. Peace Center & Boulder Mennonite Church, 1520 Euclid Ave., Boulder Colorado Springs -- Colorado College Worner Center, 14 E. Cache LaPoudre, Colorado Spgs. -- Pikes Peak Justice and Peace Commission, 235 E. Fountain, Co. Springs -- First Congregational Church, 20 E. St. Vrain, Colorado Springs Denver -- Clark Group, 1155 Sherman Street, Denver (Capitol Hill) (9am-4pm, M-F) -- Central Presbyterian Church, 17th & Sherman (Downtown) -- SAFE Colorado 1738 Wynkoop Street, Suite. 1, Denver (9am-4pm, M-F) -- Denver Hispanic Chamber of Commerce, 930 West 7th Avenue, Denver -- Washington Park United Church of Christ, 400 S. Williams Street, Denver -- NAACP, 2823 Fairfax St., Denver -- Shorter A.M.E. Church, 3100 Richard Allen Ct., Denver -- Montview Presbyterian Church, 1980 Dahlia Street, Denver -- Cure d'Ars Catholic Church, Dahlia St. & Martin Luther King Blvd., Denver -- Friendship Baptist Church, 3000 Holly St., Denver -- Park Hill Methodist Church, 5209 Montview Blvd., Denver -- Park Hill Congregational Church, 2600 Leyden Street, Denver -- McCarron home (front porch), 2230 Eudora St., Denver -- Macedonia Baptist Church, 3240 Adams, Denver -- First Universalist Church, 4101 E. Hampden Ave., Denver Englewood -- American Humane Association, 63 Inverness Drive East, Englewood (9am-5pm, M-F) -- First Plymouth Congregational Church, 3501 S. Colorado Blvd.,Englewood Fort Collins -- Ft. Collins Mennonite Church, 400 Whedbee, Ft. Collins -- Avagadros No., 605 S. Mason, Fort Collins Golden -- Jefferson Unitarian Church, 14350 W. 32nd Ave., Golden Laporte -- Home of Jim and Rose Brinks, 2405 N. Overland Trail, Laporte Littleton -- Columbine United Church, 6375 S. Platte Canyon Road, Littleton Loveland -- Loveland Pediatrics, 2802 Madison Square Dr, Loveland
Re: FLUXLIST: Sensitive Issues
Terrence writes; I agree. I do concentrate on essence and at that I am very critical. What I meant was they seem to be bound by being critical or they abide so noticeable to it or seem to feel they have to carefully (perhaps pedantically) contextually reference it somehow. I think its important and just relax and create. If your reinventing then its is traditional critical mannerism. You still have to make the work entertaining or attractive somehow. Some of my early student works were mannered or powerfully barbaric. I wasn't trying to do anything but learn to paint and play. I wasn't wanting to follow authority or sit there and allow my mind to follow what some other person decided to do with art in general. It was about exploration of technique and non technique/ my critical eye and my psyche. Since then things have progressed but in a different direction then almost every artist I know. My primitive nature and garden paintings were about urgency a clash of ideals and culture and traditional vs environmental. I carry that with me to my latest efforts which i hope will bear fruit in this communication/ .com environment but i need to feel grounded. I guess i am not swept away by what others have done however i do admire and learn from them and carry pieces of their thoughts with me while not wearing those pieces like scout badges. I respect the fact that i am every bit as clever. I think everyone has that in them. I just don't imagine me selling my paintings at the moment as anything but artifacts. I think it is ok to ape it up but then even with critical concepts monkey see monkey do. Duchamp though more about what it is art was doing and being. If you look at any genre it is/was a work done within certain rules. Like a game. You break the rules people notice. Break critical rules people notice. I think about what art communicates in terms of audience and how that may never be really satisfied. With that I just decide to play a game for a while if it bores me I move on. I think about what i have to say rather then how i say it or how whit one could be. I believe one still needs to say or comment on ether their person or the world around them without feeling restrained. I suppose i am subversive. If art is to break free it will have to be more like that. Art can be its own patron if you allow it. Terrence Kosick artnatural George Free wrote: > >Terrence writes; > > > >I find it sad how many artits are taught to be so critical. They seem to > create > >under such burdons and with theortical restraints. I am anti bordom. > > > > If you aren't critical, though, you will just repeat the past -- and > actually you will only repeat the outward appearance of the past, without > getting to the true essence of things (if I can put it that way). > > Being critical, as I understand it, is trying to understand the past and > realize the best potential that is in it. That is what Buren is saying in > the passage below. He says that Duchamp was great, but because he didn't > take into consideration the context that he was working in he did not fully > realize his intentions -- or his intentions were subverted. > > Perhaps Duchamp wasn't in a position to appreciate the limits of his work, > for various reasons. Now we can see those limits, so if we want to be true > to Duchamp, then we have to be critical. Duchamp was the ultimate "critical" > artist, I think. > > Buren is saying that he is trying to realize what is best in Duchamp > > >Everyone born a child. I can see more clearly what is ahead as I respond to > >what is before me not behind. Why relive what is done? Art is techne. > Humans > >are tool makers, use them. Just play. Be observant. Poke fun my mon. > > > > Criticism is often seen as intellectual, and opposed to spontanaeity and > being "natural". I don't think it has to be seen that way. Being "critical" > is just trying to understand and respond to one's situation in as full a way > as possible. > > The future is a product of the past, so we are always reliving it in one way > or another > > Just some quick thoughts > > cheers, > George > > >terrence kosick > >artnatural > > > >George Free wrote: > > > >> >What did Buren say ? In relation to Duchamp. > >> > > >> > >> from an interview: > >> > >> B.M. According to you Duchamp's path leads to a cul-de-sac. In a way he > >> wanted to be the last artist. Is this what you criticize? > >> > >> D.B. In its time this position was interesting. But subsequently, > Duchamp's > >> radical criticism of art has becomes the opposite of what Duchamp himself > >> criticized. Duchamp was able to decontextualize an ordinary object -- > thanks > >> to the gallery, where the context contradicts the object -- but the > context > >> itself was not thought about in any critical way. It didn't take long for > >> the effect; the banal object is fetishized. The context and place exerted > >> their influence. The object placed there to destabilize painting became
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Re: FLUXLIST: Recent posts
> > Didn't The Beatles attempt that once? > The "white album" ? > I have a black one, Faust. So do I, Spinal Tap. Myke :)
FLUXLIST: Museum Fridericianum
Museum Fridericianum Kassel Ausstellungen: 8. April bis 21. Mai 2000 Eröffnung: 8. April ab 15h Information: http://www.documenta.de/museum/index.htm If you want to be removed from the Museum Fridericianum mailinglist please mail to: [EMAIL PROTECTED] Wenn Sie in Zukunft keine Mails von der Museum Fridericianum Mailingliste bekommen wollen, mailen Sie bitte an: [EMAIL PROTECTED]
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Re: FLUXLIST: Recent posts
> I was thinking about the current mp3 craze, Ah, I see. I was actually thinking about MiniDiscs. A majority of my recordings are available on MiniDiscs but I have yet to figure out a means by which to easily decorate the exteriors of these beasties - and mass-duplications of such artwork is an entirely different matter as well. I've got artwork done for them and for my website but I have not uploaded the files yet because I'm redesigning my entire set with a better directory structure. Myke
Re: FLUXLIST: Recent posts
> in a large scale. XIXth century had even some of its best painters used to > illustrate the partitions of the most advanced composer of their time, like > the Nabis did with the Théatre de l'Oeuvre of Charles Lugné-Poe.. And the theater pictures became the most expensive part of the musical event. Pictures in time...
Re: FLUXLIST: Recent posts
> Mortality is for me a key component of the beautiful. And this is, why I hate CDs ;-) Ok, there are some CDs that look used after some time, not with a plastic box around the paper. Maybe a hint for the industryits about history.
Re: FLUXLIST: Recent posts
> to the music it wraps - unless you're talking legal legitimacy in the > sense that an LP has big artwork and a homemade cassette copy of said > LP doesn't. I was thinking about the current mp3 craze, there are tests for a filter system going on, to filter out the "illegal" files. And the "aura" of the "original". Heiko
Re: FLUXLIST: Recent posts
> Didn't The Beatles attempt that once? The "white album" ? I have a black one, Faust. H.
FLUXLIST: New Media Scotland Announces Artists' Commissions
NEW MEDIA SCOTLAND ANNOUNCES ARTISTS' COMMISSIONS New Media Scotland is an agency facilitating arts activity shaped by new technologies. We operate nationally to expand the audiences for new media art. In line with our committment to supporting artists' work within Scotland and internationally, we are establishing new opportunities, supported by the Scottish Arts Council: Digital Art Commissions x 1O Ten artists will produce interactive digital artworks at locations around Scotland. The artists will create works using computer technologies and presented via the delivery technologies of the internet, CD-ROM, or DVD. Moving Image Commissions x 3 Three artists based in Scotland will produce short single screen works, produced using video and digital technologies. Post-production will be based at three locations across Scotland. The finished works will be made available both as film print and video tape. For further information on the selected artists and their projects visit: http://www.mediascot.org [EMAIL PROTECTED] New Media Scotland Tel. +44 141 564 3010 P.O. Box 25065, Glasgow G1 5YP Fax. +44 141 564 3011 Scotland, UKhttp://www.mediascot.org
