FLUXLIST: David Baptiste Chirot

[allen bukoff]

Anyone know how to get a hold of David Baptiste Chirot?  His email 
<[EMAIL PROTECTED]> isn't working .  Thanks.

FLUXLIST: art upside down

[allen bukoff]

in the email today (two emails from Australian-based art organizations)...


Date: Wed, 10 Jan 2001 23:23:41 +
From: Gene Spill <[EMAIL PROTECTED]>
Subject: Gene Spill online

Gene Spill, a group exhibition involving the artists:

Stephen Birch
Bronia Iwanczak
Isobel Johnston
Michelle Nikou
Suzanne Treister
Philipa Veitch

which took place at Imperial Slacks Gallery, Sydney, from 16 November -
2 December 2000, is now viewable online:

http://ensemble.va.com.au/genespill


Gene Spill is about our movement towards an age redefined by
biotechnology: it is an investigation into the reconfigured realities
created by genetically modified lifeforms and their interplay within the
complex nexus of our ecosystem and our cultural/social beliefs and
practices. Gene Spill explores the transgression of previous boundaries
for a new taxonomy with different relational strategies in a language of
morphology, mutation and fusion.

*apologies for cross posting*


===


From: "fineArt forum" <[EMAIL PROTECTED]>
Subject: fAf January: Pink Bits and Disappearing Prints in a fAf-LMJ special
Date: Wed, 10 Jan 2001 19:48:10 +1000

Sincere apologies for cross posting
---

Happy New Year, folks! Happy 10th Birthday, LMJ!

fineArt forum kicks the New Year off in style, celebrating a decade of
Leonardo Music Journal issues with a bumper fAf-LMJ special. Be sure to have
a read of our feature article, 'Ten Years of Leonardo Music Journal' by
Nicolas Collins (LMJ's Editor in Chief) - a thoughtful insight into the
publication's inception, growth and development.

Other highlights in January include the launch of Australian artist Di
Ball's fAf solo exhibition: 'Pink Bits Digifrot', a new work that has Di
exploring and mapping her own flesh by drawing, sketching, and using digital
devices to record her "bits" in search of her identity.

Adopting the same philosophy as the Quechua Indians of South America, who
"believe that we move through life backwards, our faces to the past we know,
the future glimpsed over our shoulders," Ball describes her work as self
referential rather than self portraiture: "It maps and moves on," she
explains.

"I scan, photograph, touch, document and project. I am a large person. This
is a large project. It may never end," Ball says.

Also featured in fAf's January e-zine South African artist Marcus
Neustetter's article which focuses on New Media art and its place in its
local art scene.

Detailed listings of the latest events and opportunities, reviews, online
exhibitions and global links are sure to please. Ronald Warunek gets
inspired by complexity in 'Fugitive and Archival: The Disappearing Print and
the Drawing Left Behind', while Darren Guglielmetti discovers the ultimate
coffee table companion for tech-heads in his review of 'Robo sapiens:
Evolution of a new species' by Peter Menzel and Faith D'Aluisio.

fAf, which provides up-to-date, informative and timely information to the
global art and technology community, also assists artists in achieving local
and global exposure via our galleries and global connections.

Special thanks go to Patricia Bentson, Managing Editor of Leonardo, for
coordinating the January edition with us.



The latest art and technology news on the net can be viewed at fineArt
forum's Australian based URL:

http://www.cdes.qut.edu.au/Fineart_Online/

Or elsewhere at:
http://www.fineartforum.org

To subscribe to the fAf digest, go to:
http://www.fineartforum.org/aboutus/subscrip.html

"This project has been assisted by the Commonwealth Government through the
Australia Council, its arts funding and advisory body."
http://www.ozco.gov.au

Re: FLUXLIST: tattoos against xenophoby

[Sol Nte]

Hi Pez,

I'm glad this project is going well. I hope you'll be able to realise your
plans for a print version and a website to document your performance and
subsequent creative activities.

cheers,

Sol.

FLUXLIST: >>SILENT AUCTION at Tribes Gallery SATURDAY JANUARY 13 (6-9PM)>>

[Crisarc2000]

 

Title: Dystopia + Identity SILENT AUCTION: List of Works Available at Tribes Gallery










***

SATURDAY, JANUARY 13 (6 - 9 pm) ***

SILENT

AUCTION

at

Tribes Gallery

285 East Third

Street, New York

(F train to 2nd Avenue) (between ave c

+ d)

tel: 212-674-3778

http://www.artnet.com/tribes.html

+++

MARK

AMERIKA: "phon:e:me", audio cd

($15 unsigned multiple /

$100 special signed edition)

MARK

AMERIKA: "How to be

an Internet Artist",

limited edition signed digital

print ($3,000)

BETTY

BEAUMONT: "Imagining Imaging.1",

digital prints ($500 /4-image

scroll / $5,000 set of 13)

ZHAO

BANDI: "Zhao Bandi + The Panda",

unsigned digital multiples

($100 ea./ $600 set of 6) signed edition of 40 ($500 ea./ $4,500 set of

9)

MIKE

BIDLO: "FCW",

xerographic print on found

text, signed ($600)

JOHN

BOONE: "Self-Portrait",

acrylic on canvas ($5,000)

SHU

LEA CHEANG: "I.K.U. Next_Protocols",

set of 7 digital prints,

edition of 5 ($1000)

MARIAH

CORRIGAN + JONATHAN HERDER: "Lacustrine

Landscape #2",

moss, video, cement, plastic,

edition of 1($2,300)

ANDY

DECK: "Pro-Regress",

MAC SE, software, postcards,

edition of 1 ($600)

RICARDO

DOMINGUEZ: "Take_IT,

Hacktivism to Go",

xerox tome on paper, original

marked manuscript ($500)

CHRISTOPH

DRAEGER: "Oil

tank",

aquarium, toy ship, water,

oil, edition of 1 ($3,300)

CHRISTOPH

DRAEGER: "OEL",

video dvd, edition of 5

($3,000)

CHRISTOPH

DRAEGER: "Odyssey" from "Major Oil Spills",

oil on canvas, edition of

1 ($2,500)

CHRISTOPH

DRAEGER: "Crash",

video dvd, edition of 5

($3,500)

LAURA

EMRICK: "Greenhouse Effect",

fern, plastics, bolts, ($400)

LAURA

EMRICK: "Biosphere

1.0",

crystals, rocks, toy model,

plastics ($1,300)

PETER

FEND: "Bush-Gore: Division of U.S." and

"Bush-Gore: Division of North America",

colored pencil on board

signed ($500 ea. / $1,000 set)

PETER

FEND: "Dystopia"

propaganda posters, marker

on board ($100 ea. / $200 set)

JOY

GARNETT: "Unfriendly Skies"

wall installation, found

imagery, plastic, magazines ($6,000)

various multiples (Epson

prints) *MIN BID* $25 ea.

JOY

GARNETT: "Night Vision"

oil on canvas ($2,000)

RICK

GLOBUS: "Leviathans"

jetted dyes on canvas ($6,500)

MARINA

GRZINIC / AINA SMID: "Trouble w/ Sex Theory

+ History"

digital prints ($50 ea.

/ $100 set)

EDUARDO

KAC: "GFP Bunny 2000",

unsigned multiple 11x17

poster ($30 ea. / $200 set of 6) (special signed edition: $100 ea. / $600

set of 6)

YAEL

KANAREK: "The 29th hour...",

digital prints on plexi

($1,250 ea. / $3,750 set of 3)

TINA

LAPORTA: "Distance: Dystopia Mix",

digital prints, audio cd

installation ($1,200)

MARK

LOMBARDI: "Hot Money #2: The Political

Dimension",

pencil on paper ($3,000)

JENNY

MARKETOU: "Smell

Picks 2000",

digital print *MIN BID*

($250) ($800)

HILARY

MASLON: "Boil Box"

acrylic on canvas paper

*MIN BID* $300 ($500)

EMIL

MEMON: "1900/2000",

glass, photographic film,

steel, polaroid ($5,000)

EMIL

MEMON: "Live in concert"

audio cd, unsigned multiple

($25), signed limited edition ($100)

MTAA:

"Attraction / Repulsion Banner

(AKA Painting To Be Hung

In Your Home Or Office

So That The Artists Of MTAA

Function In A Natural State Of Misunderstanding)", spray paint on vinyl

banner

*MIN BID* $100 ($550)

MTAA:

"DYHAP End Catalog",

catalog on music stand (edition

2 of 3) ($300)

CARSTEN

NICOLAI: "20' to 2000",

12 audio CD's magnetic packaging

system *MIN BID* $300 ($500)

EAMON

O'KANE: "It Would be Nice to Hit in and

Around the Bullseye",

oil on cork ($475)

ROXY

PAINE: "Skumac"

extruded polyethylene ($850)

WANG

QINGSONG: "Night Revel of Lao Li",

computer-generated photograph

($3,000)

LEWIS

STEIN: "Untitled from series of 48",

2 C-prints on gator board

*MIN BID* $700 ($1,250)

JEREMY

STENGER: "(boltzman-dopler-hood)",

oil on canvas *MIN BID*

$900 ($2,000)

ZHOU

TIEHAI: "Fake

Magazine Covers",

(unsigned out of print multiples

$300 ea. / $600 set of 2), signed edition of 3 ($3000 ea.)

GU

WENDA: "Lost Dynasties",

ink on rice paper (price

upon request)

++

All purchases are 100% tax-deductible

Tribes Gallery is a 501 (c)3

non-profit organisation,

devoted to the presentation of varied

media works

of international artists

++

read the NY Times

Review

of Dystopia +

Identity Exhibition

by Holland Cotter:

www.tribes.org/gallery

++

read the TimeOut

NY Review

by Reena Jana:

www.tribes.org/gallery

++

read the NY Arts

Magazine Review

by Christopher

Stackhouse:

www.nyartsmagazine.com