FLUXLIST: Fw: P, Q, R, PQ, PR, QR, PQR part one of a newlist from Heart Fine Art
- Original Message - From: Paul Robertson [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Monday, May 16, 2005 5:26 AM Subject: P, Q, R, PQ, PR, QR, PQR part one of a newlist from Heart Fine Art Crosswords for the French wit torn from: Andre, Artswager, Aragon, Arman, Baj, Ball, Baron, Barry, Belen, Belgium Surrealism, Beuys, Blaine, Bochner, Boumeester, Brecht, Buren, Byrne, Caulfield, Chavee, Chiari, Clemente, Corner, Daumal, De Maria, Debord, Delteil, Dibbets, dsh, Downsbrough, Duchamp, Dufrene, Evans, Filliou, Finlay, Fluxus, Fulton, Gilbert George, Gober, Graham, Goldsworthy, Hamilton, Hendrix, Higgins, Immendorff, Jorn, Kippenberger, Koepcke Kosuth, Leiris, Lennon, Lewitt, Lichtenstein, Living Theatre, Long, Maciunas, Magritte, Man Ray, Morris, Nash, Nauman Ono, Oppenheim (D), Oppenheim (M), Paik, Paolozzi, Pettibon, Ruckreim, Roth, Ruthenbeck, Sandback, Sherman, Siegelaub, Sigma Portfolio, Situationism, Spoerri, Spur, Tremlett, Trocchi, Tuttle, Tzara, Toyen, Vitrac, Vostell, Weiner, Young, Zazeela, Andre, Artswager, De Maria, Lewitt, Nauman YOUNG AMERICAN ARTISTS Antwerpen: Wide White Space, 1970 21 x 15cm, 4pp. Announcement for this early WWS group show which featured work from Andre, Artswager, De Maria, Lewitt, Nauman and Bollinger. Internally there is a 2pp reproduction of a Nauman drawing. Fine. 60 uk pounds Andre, Carl WEATHERING PIECE Antwerpen: Wide White Space, 1970 13.5 x 22cm, 2pp. Announcement card designed by Andre with a floor plan (using periodic table symbols) of the sculptural work which exposed Aluminium, Copper, Steel, Magnesium, Lead and zinc plates to the elements. Fine and scarce ephemera. 75 uk pounds Andre, Carl FE Zn Dusseldorf: Kabinet fur Aktuelle Kunst, 1976 10 x 15cm, 2pp. Announcement card designed by Andre with the periodic table symbols of the elements used in the sculptural works (Iron and Zinc). A mailed copy. Scarce. 50 uk pounds Aragon, Louis and Victor Crastes LA REVOLUTION D'ABORD ET TOUJOURS! n.p. (Paris): s.p., n.d (1925) 24 x 20cm, 1pp tract written by Aragon (always the most committed Communist within the 'Literature' circle of friends) with the support of the surrealist group - a tract which clearly aligns the group politically and importantly identifies dialectic materialism as an analytic tool (which interestingly, despite having better scientific credentials, always played second fiddle to Freudianism within surrealist considerations). Most of the surrealists (as well as some fellow travellers from the Clarte, Correspondence and Philosophies) signed the tract in print. Very good although there is a small tear along one fold line and a small corner paper loss top right. Rare. 750 uk pounds Arman UNTITLED INVITATION OBJECT. UNIQUE. Paris: Galerie Georges Philippe Vallois, 1995 4 x 10 x 2cm, invitation object. A translucent Lucite cube containing a one half (cut in two) commercial plastic model of a red Renault car. One of only 50 such objects made as the invitation to the exhibition Accumulations Renault 1967 1970. Signed by Arman by scratching on the front. Each of the edition is unique. Very good condition. 450 uk pounds A SHORT CONTINUOUS RUN OF THIS ASSEMBLAGE MAGAZINE REAKTION V Alsbach: Verlaggalerie Leaman, 1980 32 x 26cm printed plastic folder with hand coloured additions content of approx. 100pp of inserts (ring bound) with original contributions by Boltanski, Voss, Filliou, Armleder, Saito, Monier, Fridfinsson, Kuliwiekk and others. Boltanski's contribution is 8 b/w reproductions of Compositions Feeriques which to the best of our knowledge were not published elsewhere. Saito's contribution is a multiple - a hand-painted plastic bag containing small squares of paper with various words on them (A game. A story of Rainbow). Armleder has a hand made xerox book bound in (21 x 15cm, 6pp with xerox playing cards attached by paper clips). Folder very slightly marked but internal content is all very fine although the Armleder book's paper clips are slightly rusted with time. One of 1,000 issued this is none the less a scarce assemblage. REAKTION VI Alsbach: Verlaggalerie Leaman, 1981 32 x 26cm printed plastic folder with hand coloured additions content of approx. 100pp of inserts (ring bound) with original contributions by Nam June Paik, Alison Knowles, Ian Hamilton Finlay, Bob Cobbing, Gerhard Ruhm, Endre Tot and others. Very good. One of 1,000 issued. REAKTION VI Alsbach: Verlaggalerie Leaman, 1983 32 x 26cm printed plastic folder with hand coloured additions content of approx. 100pp of inserts (ring bound) with original contributions by John Furnival, Susan Hiller, Dick Higgins, Gilbert George, Jeff Nuttall and others. Hiller's contribution is an automatic writing alphabet while GG offer 5 red and black starkly designed lithographs. Jeff Nuttal has a pasted down multiple of a mask cut out of a coffee machine filter. Furnival and Higgins supply concrete works. Very good. One of 1,000 issued. For all 3
FLUXLIST: Fw: P, Q, R, PQ, PR, QR, PQR part two of a newlist from Heart Fine Art
- Original Message - From: Paul Robertson [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Monday, May 16, 2005 2:11 PM Subject: P, Q, R, PQ, PR, QR, PQR part two of a newlist from Heart Fine Art Finlay, Ian Hamilton 6 SMALL SONGS IN 3's. Linocuts by Zeljko Kujundzic. Little Sparta: Wild Hawthorn Press, 1966 21x 9.5 cm, 12pp in card covers and dust jacket. One of the scarcest early Finlay books. Fine apart from some slight fading to the upper green dj. A variety of nature concrete poems each illustrated by orange woodcuts. (Murray 3.18) 145 uk pounds (Fluxus performance). FESTIVAL OF MISFITS: Robert Filliou, Addi Kopcke, Gustav Metzger, Robin Page, Benjamin Patterson, Daniel Spoerri, Per Olof Ultveldt, Ben Vautier, Emmet Williams. Leaflet-announcement/invitation. London: Gallery One (Oct. 23), 1962. 14 x 18cm. Single sheet printed with descriptive text. The extremely rare leaflet invitation for this historic Fluxus event, which featured the performances: ¹53 Kilo Poem¹ by Filliou (aka. Oone-eyed good-for nothing Huguenot¹), OAlphabet Symphony¹ by Williams (aka. Othe Pole with the elephant memory¹), OPaper Piece¹ OThe Triumph of Egg¹ by Patterson (aka. Ocaptured alive Negro¹) and OSo Yourself Chorale¹ by Spoerri (aka. ORumanian Adventurer¹). The text also notes the similarly site specific nicknames of Kopcke, Metzger, Page, Olof Ultvedt Vautier. Formerly folded, else a very good+ example of this extremely rare ephemeral keepsake of one rollicking good time indeed. 195 uk pounds (Fluxus performance). FESTUM FLUXORUM Paris: Armerican Students and Artists Center 1962 32.5 x 18cm. Black on white poster for a series of 7 concerts - designed by Maciunas. The performances included proposed participation of Mac Low, Riley, Higgins, Patterson, Maciunas, Brecht, La Monte Young, Filliou, Watts, Ichiyanagi, Chiari, Flynt, Williams, Vostell, Cage, Gysin and others although not all announced turned up for the eventual shows (as often found at Fluxus events Maciunas being over ambitious or optimistic). A fine example of a rare publication. 600 uk pounds Fulton, Hamish JET MUD OWL CAR Insel Hombroich (Neuss): Kunst Parallel zur Natur, 1987 20.2 x 27cm, 40 pp with card covers. Artist¹s book with full page photographs by Fulton overlaid with his texts. Fine. 45 uk pounds THE ROCKS ARE ALIVE IN THEIR HOMELAND Fulton, Hamish TOUCHING BY HAND ONE HUNDRED ROCKS Tokyo, Japan: Kanransha, 1991 17.8 x 25.2 cm. 114 pp and embossed board covers. Artist's book with one of Fulton's images of rocks on each page and the folios printed in red over the images in a variety of sizes - thus indicating the sequential nature of the rock touching. Fine and lovely. One of 1,000 printed but hard to find. 95 uk pounds Gilbert George e magazine Nr 2:1 The Nudist Issue London: Everything Publications, n.d. (1998) Single issue of a general arts magazine which has a unique contribution by GG - a 'flipbook' printed top left on each evenly numbered page. First Gilbert looks at George then George looks at Gilbert. Or vice versa if you flip the other way. Fine. 20 uk pounds Gober, Robert ROBERT GOBER. The UNITED STATES PAVILION. 49TH VENICE BIENNALE. 6/10-11/4/2001. Washington/Chicago: The Art Institute of Chicago, Chicago, IL / The Hirshorn Museum and Sculpture Garden, Smithsonian Institution, 2001. 25 x 19cm, 6pp folded colour card. The handout for Gober¹s extremely well-received installation at the 49th Venice Biennale. There is a 3pp text in both English and Italian by James Rondeau and Olga Viso and 4 works are illustrated in colour and 11 works listed with descriptions. Near fine. 15 uk pounds Graham, Rodney LEARN TO READ ART/DR NO AND BOOKMARK NYC/Toronto: Printed Matter/Art Metropole, 1991 21 x 11cm, 2pp green and black on white bookmark. Artist¹s multiple designed to modify the text in Ian Fleming¹s Dr No by adding a new end to a chapter. Bond¹s cool is threatened by a cockroach moving over his body. No mean feet. Fine. 45 uk pounds A RARE BOOK BY GOLDSWORTHY - ONE OF ONLY 50 COPIES Goldsworthy, Andy EVIDENCE London: Coracle Press, 1985 41 x 32.2cm, 8pp (one page uncut to form a pocket) plus one 40 x 30cm embossed page and embossed printed boards. Artist's book which displays 4 photographs of the artist's installations in the gallery as well as the embossed page which reproduces the hole in the lino and floorboards which Goldsworthy caused during his exhibition. The images on the endpapers are of grass stalk lines pinned with blackthorn on bare floorboards. One of only 50 numbered copies. Fine. Rare. 475 uk pounds Hamilton, Richard WHITLEY BAY London: Robert Fraser Gallery, 1965 10.5 x 15.6cm, 1pp offset printed postcard displaying an appropriated seaside bathing scene which has been hand-silkscreened and tinted by the artist. A scarce small postcard multiple by the artist which has clear relationship to his SMS multiple Mother and various other works of the time. Gallery text verso Fine. 95 uk
FLUXLIST: Fw: P, Q, R, PQ, PR, QR, PQR part three of anew list from Heart Fine Art
- Original Message - From: Paul Robertson [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Monday, May 16, 2005 7:25 PM Subject: P, Q, R, PQ, PR, QR, PQR part three of anew list from Heart Fine Art Ono, Yoko and John Lennon LOVE AND PEACE - JOHN AND YOKO n.p. (NYC): s.p. (Lennon/Ono) , n.d. (c.1969) 10 x 15cm, 1pp . Postcard multiple with title text. Verso there is a Hare Krishna 7-line chorus rubber stamp impression: chanting it will , apparently, make your life better. Fine. Limitation unknown. 75 uk pounds Ono, Yoko and John Lennon UNITITLED PHOTO POSTCARD (EIFFEL TOWER) n.p. (NYC): s.p. (Lennon/Ono) , n.d. (c.1969) 10 x 15cm, 2pp . Postcard multiple with recto an image of John and Yoko in front of the Eifel Tower and verso the text Love + Peace = Bagism. Fine. Limitation unknown. 75 uk pounds Oppenheim, Denis DENIS OPPENHEIM Koln: Galerie Oppenheim, 1974 21 x 15cm, 2pp announcement card. Recto two stills from an Oppenheim Obody¹ video, recto gallery information. Fine. 10 uk pounds Oppenheim, Meret THE MIRROR OF GENOVEVA NY: The Letter Edged in Black Press, 1968. Debossed print of a fur-covered hand-held mirror, the handle of which is a hoof and the mirror, a furry face. In original glassine envelope as issued. One of 1,200. VG. 95 uk pounds Paolozzi, Eduardo. QUADRUM DAX London: n.p., 1973 42 x 30cm (paper), 34 x 26 cm (image-size). Original lithograph printed in colors on wove paper. Signed and numbered by the artist. From the edition of 100, a typically associative collage piece by the most inspired archivist of the post-WWII popular image. Sadly Paolozzi died last month. Fine estate. 750 uk pounds Paik, June Nam POSTER FOR PAIK'S FIRST EVER FLUXUS PERFORMANCE NYC: Maciunas, 1962 30 x 24cm red silkscreen over an appropriated Korean newspaper. The extremely rare first ever documentation of Paik's first Fluxus activity. Added - 30 x 24cm black on transparent paper as issued - text in German with various discussions about Paik. As issued. Slight tear to the top left corner of the latter document and a slight browning to the paper of the same item but otherwise very good. Each copy was printed on a different page and is therefore unique. 995 uk pounds Paik, June Nam THE FIRST FLUXUS VIDEO AND THE FIRST EVER ARTIST'S VIDEO TAPE NYC: Cafe Au Go Go, 1965 Small handbill announcing the first showing of Nam June Paik's first video using a portable camera Electronic Video Recorder. The text also has a reprint of one of Paik's manifestos on video art. Very fine. A key moment in art the beginning of a genre - very rare. 425 uk pounds Pettibon, Raymond ASBESTOS Lawndale: SST Publications, 1982 21 x 15cm, 28pp artist¹s book. Different colour papers internally. Published in an edition of 500 numbered copies of which approximately 400 were destroyed. The third of Pettibon¹s self-assembled books. Some marking and grubbiness to wrappers but overall very good. Rare. 300 uk pounds Pettibon, Raymond FEUD¹S UNIVERSE Lawndale: SST Publications, 1982 21 x 15cm, 32pp artist¹s book. Published in an edition of 500 numbered copies of which approximately 400 were destroyed. The fourth of Pettibon¹s self-assembled books. Some marking and grubbiness to wrappers but overall very good. Rare. 295 uk pounds Pettibon, Raymond A NEW WAVE OF VIOLENCE Lawndale: SST Publications, 1982 21 x 15cm, 28pp artist¹s book. Published in an edition of 500 numbered copies of which approximately 400 were destroyed. The sixth of Pettibon¹s self-assembled books. Some marking and grubbiness to wrappers but overall very good. Rare. 275 uk pounds Pettibon, Raymond OTHER CHRISTS Lawndale: SST Publications, 1982 21 x 15cm, 32pp artist¹s book including mimeographed 4pp internally. Published in an edition of 500 numbered copies of which approximately 400 were destroyed. The seventh of Pettibon¹s self-assembled books. Some marking and grubbiness to wrappers but overall very good. Rare. 275 uk pounds Pettibon, Raymond TRIPPING CORPSE TWO. THE HIPPIE THING Lawndale: SST Publications, 1982 21 x 15cm, 36pp artist¹s book. Published in an edition of 500 numbered copies of which approximately 400 were destroyed. The eighth of Pettibon¹s self-assembled books. Some marking and grubbiness to wrappers but overall very good. Rare. 275 uk pounds Ruchreim, Ulrich A GROUP OF INSTRUCTION DRAWINGS AND SUPPORTING DOCUMENTS In the period 1979 - 1981 Ulrich Ruchreim visited Edinburgh and Scotland on the invitation of Graeme Murray the gallerist to prepare for two exhibitions - one in the Murray Gallery and another in Edinburgh's well known publicly-owned Fruitmarket Gallery. We offer here a number of instruction drawings and sketches prepared by Ulrich Ruckreim and his assistant for the creation of two large sculptural works in situ for the Murray gallery and two initially proposed for the Fruitmarket Gallery but in fact created for a slightly earlier Konrad Fischer show. In addition, included here are various
FLUXLIST: admin test
This is a test. Fluxlist Admin Centre is not receiving Fluxlist mail, just admin mails and spam! It's all just too weird for us man! Please ignore this message. 'Dad'
FLUXLIST: fao d boyd
Dear Don, Your recent posts have not been getting through due to what appear to be image attachments which Fluxlist cannot handle. Please resend minus the images. Yours Dad
FLUXLIST: what fluxus means to others annotated
this was bounced by majordomo, it may have got a little mashed on the resend Subject: FLUXLIST: what fluxus means to others annotated from Allan Revich: random copy and pastes from 5 mins at google.it : http://www.fluxus.ca/ - The pink pig goes to = http://www.furiousparty.com/fluxus/ http://www.fluxus.org/ - Allen Bukoff's sad lament http://www.fluxus.de/ - German site - they sell pants I think. http://www.fluxus.nl/ - Art and music for Dutch children=20 http://www.pawfal.org/Software/fluxus/ Software; Fluxus also uses a = fully featured physics library http://www.fluxushr.it/ - Fluxus Human Resource consulting company http://www.fluxusoriginal.com/ - The idea for a bar and cafe http://www.fluxus-virus.com/ - Typesetting and mathematics http://www.fluxus-engineering.com/ - Life sciences engineering = http://www.fluxus.lt/ - A can of sardines http://www.fluxus-halle.de/ - Same as http://www.fluxus.de/ - German = site - they sell pants I think. http://www.insecula.com/salle/MS01697.html - The Pompidou Centre = describes Fluxus in French http://www.fluxuscentral.com/ - Hi My name is Rubens Lp. I'm graphic designer, 24 years old and I was born in S=E3o Paulo - = Brasil At moment I'm working in a small web agency and as freelancer in S=E3o = Paulo.=20 http://www.exibart.com/notizia.asp?IDCAtegoria=3D75IDNotizia=3D4018 - = Fino al 16.VI.2002 The Fluxus Constellation Genova, Museo di Villa Croce=20 http://www.fluxus-hostel.com/ - Slovenian Hostel we hope to welcome = you in the Fluxus hostel and look forward to your visit. http://www.cheekypress.com/fluxus/ - Fluxus Records is a conceptual = label headed by artist/musician/songwriter Craig Clark (ex-Sofa Musik, = Bubblegum Death and Chorus of Souls member).=20 http://www.new-york-art.com/art-Fluxus.htm - ? - and Musem = listings http://www.the-artists.org/artshop/fluxus.cfm - Amazon.com links to = books about Fluxus http://www.linotype.com/10183/linotypefluxus-font.html - A squigly = font http://directory.fsf.org/graphics/anim/fluxus.html - 'fluxus' is a = small realtime rendering engine that generates animation from sound. It = is driven by guile scripting, and includes a physics engine, artificial = life tools, and sound analysis.=20 http://www.plush01.com/gallery/fluxus.html - Art Gallery in Dallas, TX = with exhibition curated by suza kanon=20 http://members.ams.chello.nl/fritzd/posters/rest/flux.html - A logo = designed for a dance company by darko fritz http://www.fluxus.com.br/ - O capital humano, Brasilian commercial = website http://members.chello.hu/fluxus/ - Hungarian chainsaws http://www.last.fm/user/fluxus/ - 32 year old Canadian woman who has = played 4336 tracks since Dec. 28, 2004 http://www.strano.net/snhtml/ipertest/fluxus/fluxus.htm - che = presenta una storia del movimento artistico che ha rivoluzionato la = cultura contemporanea attraverso un percorso di immagini ed informazioni = http://www.asphalto.org/?user_id=3D134 - For non italian speakers: if = you are of legal age in your country and agree to the fact that pgcd, = the owner of asphalto, is the sole and unchallengeable ruler, click the = second link. Better yet, use babelfish to try and make some sense of = what's written above.=20 http://dev.ulb.ac.be/~rcampus/fluxus/ - Radio Fluxus C'est le choix = musical vari=E9 de Radio Campus=20 http://www.europejazz.net/tours/fluxus.htm - Il progetto FLUXUS, = nasce dalla verve musicale di due musicisti, Maurizio Signorino alle = ance e Santino Carcano al contrabbasso.=20 http://fluxus.splinder.com/ - Pensieri ed emozioni in libert=E0... = vigilata=20 http://www.furiousparty.com/fluxus/ - See fluxus.ca and the pink pig http://www.librialice.it/library/prd.lib/fluxus.htm - Fluxus =E8 il = programma che gestisce attraverso la rete Internet il Prestito = Bibliotecario in ogni suo aspetto.=20
FLUXLIST: Fw: A BAD DRUG FOR DRUMMING (BUT OK FOR ALTO SAX) part two of a new list from Heart Fine Art Ltd.
2nd bit.. THE FIRST EVER MAIL ART EXHIBITION (Johnson, Ray) THE LAST CORRESPONDENCE SHOW ART DEPT. Sacramento: California State University, n.d. (1969) A group of publicity materials for this very first mail art exhibition. As early as 1968 Johnson wanted to organised a public show of mail art relating to the New York Correspondance School but did not know how to go about arranging such a thing and sadly his gallery was not interested in aiding the project since his own work had not sold all that well up to then. When Johnson's friend and participant in the New York Correspondance School Joseph Raffael (aka Joseph Raffaelle), moved to Sacramento, California, to assume a position at the State University, Johnson was afforded the opportunity to put his plan into practice and The Last Correspondance Show was held from April 7-30, 1969 at the Art Gallery of California State University. This was the very first public manifestation of correspondence art and doubly important because of Johnson's central role. Here we offer almost all of the relevant publicity material for that show (only a badge issued by Johnson is missing) which incorporate a Ray Johnson design of a double-sided snake and a typographic design for the show's title and information. The group consists of: FARMER'S SPECIAL Exhibition poster - 28 x 21.5cm approx., printed red and black on white and die cut to the shape of a butcher's shop or grocer's arrowed publicity material. ADDED: SEND ALL CORRESPONDENCE BY APRIL 17TH 21.6 x 28cm, 1pp b/w invitation to participants for the show with a large Johnson design of 6 snakes plus text. Slightly browned top left. ADDED: MARIE-FRANCE MARIAGES (sic) Invitation card for the show printed black on dark grey card - folded to 4pp to allow mailing. Printed 1 side only. Sent through mail to Robin Crozier the Fluxus artist - with attached address label. The text is a series of spoof marriage announcements in French as if taken from pages in a classified newspaper advert. ADDED: THE LAST CORRESPONDENCE SHOW Small poster 28 x 21.5cm again with a b/w design by Johnson - 32 snakes here. (Most probably a single snake was drawn and the reproduction made mechanically.) Folded with a tiny nick on the top of the poster. 600 uk pounds for the group. Jones, Joe MUSIC MACHINE XYLOPHONE. UNIQUE DRAWING. c. 1979 26.4 x 40cm b/w lithograph with a reproduction of a plan for a self-playing xylophone which has been drawn in pencil and ink on transparent drafting paper. The drawing was used for an edition published by Hundertmark. ADDED: Jones, Joe MUSIC MACHINE XYLOPHONE Koln: edition Hundertmark, c. 1980 26.4 x 40cm b/w lithograph with a reproduction of the drawing. Fine. TOGETHER 1,500 uk pounds WITH AN ORIGINAL COVER LITHOGRAPH BY JORN (Jorn, Asgar) ABSTRAKT KUNST (I DANMARK) Kopenhagen: J. Chrsorensen Co., n.d. (1946) 24 x 17.5cm, 20pp plus pictorial card covers with an original lithograph in green and blue by Jorn. A post war exhibition catalogue for this show of Danish abstract artists who evolved out of the Linen group (which was initially influenced by surrealism but later moved towards a more expressionist style). Jorn is noted as displaying 9 works here with detailed descriptions) and internally there is 1 b/w reproduction of a work. In fewer than 3 years Jorn would move towards the formation of the Movement for An Imaginiste Bauhaus in Italy that eventually led to the International Situationists. A near fine copy. 100 uk pounds Judd, Donald COMPLETE WRITINGS 1975 - 1986. Eindhoven: Van Abbemuseum, 1987 20 x 12.5cm, 140pp plus caovers. The second volume of collected writings (after the Halifax collection up to 1975) by Judd - who is never without significant opinions on the problems of modern art and minimalism. An interesting read and somewhat scarce. Near fine although there is a discrete former seller¹s label attached internally to the inside cover. 165 uk pounds Kantor, Tadeusz UMARLA KLASA/ THE DEAD CLASS RYSUNKI DRAWINGS Warsaw: Teatr Cricot 2, 1976 30.5 x 21.5cm printed folder content of 9 30 x 21cm 1pp reproductions of charcoal and graphite drawings by Kantor (all printed offset in duotone) which were the designs for his title theatre performance piece. The Dead Class was the very first manifestation of his Theatre of Death. - which marked the artist's last phase of work where all of the disciplines (plastic and non-plastic) were used together on stage and even the audience invited to take roles to create a momento mori. Most Teatr Cricot books and works are very scarce but this publication was privately printed and in a small limitation. Very good with a small amount of bumping on folder edges. Very hard to find. 225 uk pounds (Kantor, Tadeusz) PARASOL. October 1972 Edinburgh: Demarco Gallery, 1972 19 x 9.5cm, which opens to a 2pp sheet of 38 x 38cm. An important single issue of this gallery publication that has lengthy texts and photographs of the Polish contribution to the
FLUXLIST: Fw: A BAD DRUG FOR DRUMMING (BUT OK FOR ALTO SAX) part one of a new list from Heart Fine Art Ltd.
in the mail today... Chasing the fugue: 291, Andre, Anderson, Art Povera, Block, Beuys, Bifur, Bill, Boltanski, Brehmer, Brouwn, Buren, Calder, Christo, Constant, Darboven, Dion, Dine, Downsbrough, Engels, Ernst, Feldmann, Flavin, Fluxus, Filliou, Finlay, Fisher, Fulton, General Idea, Graham, Gonzalez-Torres, Holzer, Hugnet, Ichiyanagi, Johnson, Jones, Jorn, Judd, Kahlen, Kantor, Kiki, Kippenberger, Knizak, Knoebel, Le Courbosier, Lennon, Long, Maciunas, Man Ray, Manzoni, Merz, Michals, Moffett, Nash, Nitsch, Paik, Paolozzi, Phases, Picabia, Palermo, Posenenske, Ribemont-Dessaignes, Richter, Roth, Sandberg, Schmit, Shiomi, Stieglitz, Taeuber-Arp, Tuttle, Tzara, Vautier, Viennese Aktionism, Vostell, Wall, Warhol, Weiner, Zontal A DELUXE COPY 291, no. 1 New York: Haviland, 1915 Folio, wrappers, 6pp. Front and rear covers by de Zayas as full-page, hand-colored lithos, in the deluxe edition on heavy vellum paper. Articles by Stieglitz, Agnes Meyer, Paul Haviland, a calligram by Apollinaire, an image by Picasso, and a page of prose lambasting critics and the public climate towards modern art. This copy has two creases from folding (presumably for mailing) and the cover fold is loose, but the whole is else very good. Alfred Steiglitz published 291 a journal devoted to the work of modern artists in New York (the first such publication in the city) and named it after his gallery (in turn named after the street number). It is one of the most seminal of art journals and inspired many others including Picabia's later 391. All issues are extremely rare as it is documented that only 30 or so were sold at the time and the rest of the run were left to the printer to cover the costs of production, and soon thereafter recycled by him as pulp. 1,250 uk pounds A DELUXE EDITION OF THIS EXTREME RARITY (Picabia) 291. Double number 5 /6 New York: Haviland, 1915 Folio. 6pp (foldout). Original wrappers. The Picabia issue. The deluxe edition of this legendary dada publication which was printed on heavy vellum paper. Lithograph Cover by Picabia with 4 full-page lithos within, thus five lithographic images, (five 2-color, one b/w) page 5 with text by de Zayas in French and English. Very good condition, with two fold creases, presumably employed in mailing. 1,950 uk pounds AN UNIQUE FLUXUS BOX Anderson, Eric 720108. Unique Fluxus box c. 1967. Unique work. 8.4 x 12.4 x 3cm plastic transparent box content of various small pieces of paper which all carry random measurements glued or scotch taped to the box. The lid of the box can be removed. On the top of the box is a 4 x 10cm adhesive label which has the title number 720108 on it and is signed in pencil by Anderson. Underneath the box is another label with Andersen's then address in Denmark. A unique work, this is clearly related to various multiples and other works created by Andersen that consider random distances and numbers. The upper address label is a little stained with glue as well as browned but overall this is in fine condition given the relatively rough and ready workmanship deliberately utilised by Andersen. 1,450 uk pounds Andre, Flavin, Judd, Le Va, LeWitt, Morris, Nauman, Tuttle, Young et al. ZEICHNUNGEN AMERIKANISCHER KUNSTLER Koln: Galerie Ricke, 1970 20.5 x 14.5cm, 72pp plus card covers. Exhibition catalogue for a selling show displaying (in colour and b/w) at least one work and sometimes more of items from each participating artist. Some very minimal marking to wrappers otherwise very good. 100 uk pounds Andre, Carl, Dan Flavin, Donald Judd, Sol LeWitt and others MINIMAL ART Den Haag: Haags Gemeentemuseum, 1968 21 x 16, 84pp plus card covers. Exhibition catalogue with texts in Dutch and English by E. Develing and Lucy R. Lippard which discusses works by Carl Andre, Ronald Bladen, Dan Flavin, Robert Grosvenor, Donald Judd, Sol LeWitt, Robert Morris, Tony Smith, Robert Smithson and Michael Steiner. Reproductions of works throughout. Very good apart from evidence of a soft fold in the cover and textpages. 95 uk pounds Anselmo, Boetti, Calsolari, Fabro, Griffa, Kounellis, Merz, Paolini, Penone, Pistoletto, Salvo et al PROCESSI DI PENSIERO VISUALIZZATI JUNGE ITALIENISCHE AVANTGARDE Luzern: Kunstmuseum, 1970 29 x 21cm, unpaginated (approx 240) plus pictorial cover. Exhibition catalogue which has original contributions by almost all of the art povera artists just at the point where the group lost its coherance (as created by Germano celant) and really began to become known individually. Printed on different paper stocks and each page printed in black and recto only, this is a very scarce early document. Former owner's name written on inside cover otherwise very good +. 245 uk pounds Beuys, Panamarenko, Lohaus, Glese, Knoebel, Ruthenbeck Palermo, Polke et al. INVITATION CARD FOR BLOKADE '69 Berlin: Galerie Rene Block, 1969 15 x 10cm, 1pp invitation card for a group show with Beuys, Panamarenko, Lohaus, Glese, Knoebel, Ruthenbeck Palermo, Polke where each
Re: FLUXLIST: How To Shift
Does a bear shift in the woods? no, but i heard that the pope does...
FLUXLIST: Fw: GRAVE STONES IN DEED - a part one of a new list from Heart Fine Art ltd
- Original Message - From: Paul Robertson [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Thursday, February 17, 2005 2:43 PM Subject: GRAVE STONES IN DEED - a part one of a new list from Heart Fine Art ltd I don't have the education Walter. What are you talking about? - Arthur Miller Not sleeping with Norma-Jean: Albrecht d., Alexandre, Anger, Apollinaire, Armelder, Bal, Baldessari, Belgium Surrealism, Bellmer, Ben, Berner, Bernstein, Block, Boltanski, Breton, Broodthaers, Bunuel, Bustamante, Byars, Castro, Chopin, Cavellini, Cohn-Bendit, Constant, Chopin, Coum Transmissions, Dali, Debord, De Chirico, Demarco , Duchamp, Export, Finlay, Fluxshoe. Gengenbach, Gibbs, Ginsberg, Gutai Group, Gysin, Hamilton, Heidsieck, Hesse, Higgins, Iannone, Johnson, Kippenberger, Klein, Kosuth, Kupferberg, Lettrism, Long, Mac Low, Magritte, Majakovsky, May, 1968 , Mayor, Mesens, Mayer, Merz, Messager, Monk, Morgan, Morris, Ono, OU, Paolozzi, pettibon, Roth, Salle, Serbian Surrealism, Studio Brescia, Torok, Twombly, Unik, Visual Poetry, Volta, Vuco, Williams,. Albrecht d. (Dieter) KALENDER 1990 FUR ROBIN CROZIER. UNIQUE BOOKWORK 1990 30.5 x 21.5cm, 13 pages (including cover). A resolutely home-made calendar which is based on collated xeroxed pages with hand additions and rubber stampings and handwritten notes as well as incorporating various artist postcards (by Crozier). The title is hand written in red and gold felt pen and, the all, hand-stapled to a card backing and spine. Condition is, well, homemade. Albrecht d. was a close friend and collaborator with Beuys and an active mail artist. 125 uk pounds WITH A LARGE AUTOGRAPH FROM KENNETH ANGER (Anger, Kenneth) Reekie, Paul ZAP - YOU'RE PREGNANT Edinburgh: Rebel Inc Publications, 1993 21 x 4.5cm, 20pp plus pictorial card covers. First edition of this collection of poems from the Press which was so closely associated with Trainspotting and Irving Welsh and the rise of Scottish radical youth writing. Here the poems are full of the usual youth-angst but on the rear endpapers there is a large autograph from Kenneth Anger: For Paul / Magickal Greetings / Kenneth Anger. Very good although there are a few handwritten notes on the inside blank rear cover referring to a public performance by Kathy Acker possibly in the author's hand. 95 uk pounds Apollinaire, Guillaume LE PONT MIRABEAU n.p. (London): n.p. (Institute of Contemporary Art, London), n.d. (1968). Standard 45rpm, 7 inch record with a period recording of Apollinaire reading his poem about the bridge in Paris (originally recorded around 1911 at the Studio-Laboratoire des Archives de la Parole). The second side of the record is blank as issued. Very good. 50 uk pounds Baldessari, John THROWING A BALL ONCE TO GET THREE MELODIES AND FIFTEEN CHORDS Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. 20.5 x 22cm, 32pp (printed recto only) plus card covers. Artist's book displaying overprinted photographs by Baldessari who is throwing a ball. By superimposing coloured musical staves on the various poses the artist hence creates three melodies and fifteen chords - as promised. One of 2,500 copies. Very good. 75 uk pounds (Belgium Surrealism) DOCUMENTS 34. INTERVENTION SURREALISTE. Nouvelle série. Nr. 1, juin 1934. Directeur : Jean Stéphane. Bruxelles: Intervention Surrealiste, 1934. 24 x 15cm, 104pp plus wrappers. Special number of this revue which considered surrealism in its two tendencies (crudely, Paris vs. Belgium). There are texts by Eluard, Magritte, Breton, Dali, Péret, Crevel, Tzara, Scutenaire and reproductions of works by Tanguy, Brauner, Duchamp, Ernst, Magritte, Man Ray, Nouge amongst others. The Magritte work is L'echelle de feu. There was no du tete issue and was only issued, as here, on papier couché blanc. Scarce. 375 uk pounds Bellmer, Hans DIE PUPPE Berlin: Gerhardt Verlag, 1962 17 x 20.8 cm, 190pp plus original pictorial wrappers (with the tipped on puppe vignette) and original pvc cover. The last of the published versions of Bellmer's classic surrealist book which displays the erotic possibilities of his modified dolls - this version was comprised of the contents of Die Puppe; Die Spiele der Puppe and Die Anatomie des Bildes. One of 2,000 numbered copies, this is still a desirable and much sought after publication. Very minor condition problems - the PVC cover has a little missing spot at the headband, a few of the middle edges show a small watermark but otherwise the book is still a very good copy. Scarce. 450 uk pounds ONE OF THIRTY SIGNED COPIES (Ben) LE POINT D'IRONIE nr. 6 Riede, Germany: Le Point d'Ironie, 1980 35 x 29cm printed plastic bag content of many artist's page multiples; most notable here is a signed Ben Vautier work - a rubber stamping of the text: BEN DOUBTE DE TOUT Y COMPRIS DE ... and a piece of Scotch tape over the artist's name handwritten in yellow crayon. Other multiples include works by Julien Blanine, Robin Crozier and Bill Caglione (sic aka
FLUXLIST: Fw: GRAVE STONES IN DEED - a part two of a new list from Heart Fine Art ltd
AS DESIGNED FOR BERNSTEIN'S BAR IN PARIS Debord, Guy and Michele Bernstein ROBERT BELGHANEM VIENT DE TEMPS A AUTRE A LA METHODE. Paris: La Method, n.d. (1958) 12.8 X 8.5 mm black on yellow paper. Debord designed leaflet for an acoustic concert at the Bar. Consommation à partir de 300 frs. Fine 100 uk pounds Debord, Guy and Michele Bernstein LE SOIR APRES DIX HEURES SI VOUS NE RELISEZ PAS SCHOPENHAUER VOUS ETES FORCEMENT A LA METHODE 2 rue Descarte. Paris: La Method, n.d. (1958) 11.2 X 5.5 cm. black on red leaflet (text only) black on yellow paper. Debord designed leaflet with a reproduced image of Florence the intellectual's guitarist. The flavour of Debord's humour is there in the title. Again fine. 100 uk pounds Debord, Guy and Michele Bernstein FURAX C'EST BIEN FLORENCIE C'EST MIEUX. LA METHODE 2, rue Descarte. 45 X 28cm black/yellow poster as designed by Debord for the bar with a photo of Florencie (the intellectual's guitarist) who was a frequent performer at the bar during its short existence. Rare. Fine. 175 uk pounds WITH THE RARE GREEN BANDEAU Debord, Guy LA SOCIETE DU SPECTACLE Paris: Buchet/ Chastel, 1967 20.5 x 14cm, 176pp plus card covers. First edition of this, the most important post-marxist theoretical work. Perhaps like many political theories, there is an insufficient rigour in the supplied concepts and definitions to allow worthwhile scientific testing but the re-stating of capitalism's hegemony as being mediated and upheld through psychological mechanisms is important. Very good condition although an unprinted endpaper is missing. This copy has joint with it the very rare green publisher's wrapper (which while missing the edge of the inner flap is hardly ever present). Rare especially with the wrapper. 1,750 uk pounds Debord, Guy LA SOCIETE DU SPECTACLE Paris: Buchet/ Chastel, 1969 20.5 x 14cm, 176pp plus card covers. The second edition of this key publication printed only two years later in 1969. Some marking to covers on rear when a price sticker has been removed and slight browning to pages but over all very good. Photograph on rear wrapper of Debord. Rare. 500 uk pounds (De Chirico, Georges) Vitrac, Roger GEORGES DE CHIRICO. Les Peintres Francais Nouveaux Nr 29 Paris: Gallimard, 1927 15.5 x 12.5cm, 64pp plus original wrappers. The first monograph on the surrealist painter in French. Frontispiece portrait of the artist by G. Aubert and 48 b/w full page reproductions after works by the artist and 3 other works displayed within the essay text. An unnumbered copy after 230 copies on pur fil. Very good. 65 uk pounds VARIOUS NEWSLETTERS FROM THE DEMARCO GALLERY UMBRELLA. MAY 1972 Edinburgh: Demarco Gallery, 1972 11 x 21.7cm. B/w offset which opens to 4pp, 43.5 x 44cm. The gallery's journal with many announcements and articles on art - here John Selqay's sculptural pieces and an early Liz Lochead poem as well as a larger review of the theatre performance of Faust by the Polski Theatre of Warsaw and tales of Hoffman and Oedipus by two UK troupes. Also an article on Scottish TVs new tv arts show (they were awful then and haven't improved at all today). A mailed copy. ADDED: PARASOL. October 1973 Edinburgh: Demarco Gallery, 1973 19 x 9.5cm, which opens to a 4pp sheets of 38 x 38cm. First ever issue of this magazine under this title issued by the gallery with texts relating to Beuys' famous twelve hour lecture at Melville College and a double page spread of almost 300 images of participants at the Edinburgh Arts 1973 event. Images of Kantor's Cricot Theatre and Beuys are also reproduced. An important issue. Fine. ADDED: PARASOL TWO. November 1972 Edinburgh: Demarco Gallery, 1973 19 x 9.5cm, which opens to two 2pp sheets of 38 x 38cm. Second issue of this magazine issued by the gallery to promote its activities. Sculptural works by Roy Johnson and Bill Gillin are reproduced and there is a large article on map making. ADDED: PARASOL THREE. December 1972 Edinburgh: Demarco Gallery, 1973 19 x 9.5cm, which opens to a single 2pp sheet of 38 x 38cm. Third issue of Demarco's magazine. Short articles on Ainslie Yule, Derek Hyatt and John Busby and Poll Donison as well as Joseph Beuys and Isla St Clair (!). ADDED: PARASOL February 1973 Edinburgh: Demarco Gallery, 1973 30 x 21cm, 8pp. B/w offset. Special edition of the magazine which has very many small reproduced photographs - all taken by Demarco of various art events and a lengthy text of his travels in France, Yugoslavia and Austria. Slightly browned and previously folded for shipping but otherwise very good. ADDED: PARASOL November 1973 Edinburgh: Demarco Gallery, 1973 12 x 23cm. B/w offset which opens to 2pp, 36 x 46cm. Announcements for shows by 4 Venetian artists including Paolo Patelli, Romano Perusini, Franco Costalonga and, importantly, Anselmo Anselmi with 11 mostly sculptural works reproduced in b/w and an cover image of the artists in a gondola on the Grand Canal. A mailed copy. ADDED: PARASOL January 1974 Edinburgh: Demarco
FLUXLIST: stewart home
speaking of stewart home, I didn't see this come thru, apologies if I've duplicated Begin forwarded message: From [EMAIL PROTECTED] Fri Feb 18 07:55:40 2005 [Inofficial pre-release of the paper. Viewable in its full pornographic glory, with images at http://userpage.fu-berlin.de/~cantsin/homepage/writings/pornography/ london-2005/pornographic-coding.pdf http://userpage.fu-berlin.de/~cantsin/homepage/writings/pornography/ london-2005/pornographic-coding.html - However, this URL is temporary only and will move in the next few days, so please don't pass it around.] Pornographic Coding Florian Cramer and Stewart Home Crash conference paper, Feb. 11, 2005 Program code is like pornography. It has linear logic, but no meaning. There is an accumulation of things already known. The focus is always on the same explicit facts. Repetition and boredom rule. (Adapted from a Neoist slogan) Art is sanctioned pornography. (Neoist slogan) 1 We demand a shamanic pornography Capitalist ``progress'' destroys the imagination through a frenzy of the visible. What we see we no longer need to imagine. A a famous zero from the popsicle academy was once moved to write that every time a man had an erection it was a triumph of the imagination. Power to the imagination, and to sex - for they are one and the same thing. Pornographers of the world close your eyes. You have nothing to lose but your bodily fluids! It is time to decondition ourselves by going beyond the known world. The shamans of old ingested psychedelic mushrooms, and today we are further armed with a battery of chemically synthesised drugs including ecstasy and LSD. These psychedelics are psychic elevators that can power us through the seven levels of human consciousness. The first four levels of consciousness can be reached in ordinary everyday life. Level Five requires either chemical assistance or long hours of arduous interaction with your computer, and when you hit this level sexual activity is vastly enhanced. Once you go above Level Five consciousness you don't necessarily need coitus. Indeed, at Level Six you are telepathic and sexually combined with your fellow hackers, and this integration is even greater at Level Seven (aka total fucking zero and one pornography). Drugs and code are the ancient and modern tools with which we can investigate our own minds while turning our bodies into one vast erogenous zone. Our message to purveyours of representational porn is HANDS OFF (OUR) EJACULATIONS (both male and female). WE WANT TO CUM IN ALL THE COLOURS OF ALL THE FLAGS OF ALL THE CONSULATES. As an initiated shaman Jean Cocteau was able to come through the sheer power of his imagination, he could do this without using his hands to manipulate his genitals. Let's keep our hands free to imput date on our computer terminals and use the convulsive power of codes to bring us to orgasm. 2 Pornography as popular computing The effectiveness of art is generally hard to judge. Pornography as one of the arts creates ecstatic perception, triggering arousal only through symbolic codes. Cybersex is by no means new, porn is its oldest device. Computation and programming have likewise been known in pornography for centuries. In the 120 Days of Sodom, Sade imagines a ceaseless execution of coded game rules. There is no single point of originality, but only combinations computed out of a set of sex partners and their organs. Porn as speculative programming has been long neglected. Along the lines of .walk by socialfiction.org, we demand psychogeographical computers built from pornographic imagination and shamanic sex acts. Carl van Bolen, author of The History of Eroticism (1966) and Eduard Fuchs, author of The History of Erotic Art, coin a programming language of Greek-Latin terms for those combinations. But only with modern day commercial pornography do those exhaustive computations became real. A mainstream porn video shop like Erotic Video Service in Berlin with its 24,000 tapes and DVDs for rent [http://www.evs-video.de] could be called a pornographic Library of Babel, based on a brute force algorithm of sheer masses of data. The poets of the French Oulipo group, the ``workshop of potential literature,'' which from the 1960s onwards explored algorithmics and formal restraints in writing, announced a chapter for pornography, Oupornpo, but this seems to have remained a dirty old man's joke. Contemporary writer Simon Strong makes up for it in his forthcoming novel 66mindfuck99 for which he created ``a list of criteria defining legal and extra-legal sex acts,'' arranging them with help of a spreadsheet to what he calls ``an optimal set of erotic episodes.'' Does the potential of pornography exhaust itself in the simple mechanics of sexual combinations? Surely not, although we want to show that it is too easy to sweepingly denounce this approach. Through its minimal variations in endless repetition, it is clear that pornography has become purely parodic,
FLUXLIST: REQUEST : _Fw: BOUNCE fluxlist@scribble.com: Message too long (40000 chars)
Dear all, Fluxlist does not accept attachments! Any mail you you send with large files attached will show up something like what you see below, making your email something like 25 pages long! Please do not send attachments via Fluxlist, and if at all possible, do not send posts in HTML format as there are list members whose email clients don't do HTML. Because Fluxlist can't handle attached files your post will not get through and the rest of us may miss out! (Unless it's a post from Bowman of any other of his cronies at the friedfoamfreakedout disorganisation, then we're probably better off!) Thank you for cooperation Dad From [EMAIL PROTECTED] Sat Feb 05 22:04:30 2005 Received: from web53208.mail.yahoo.com ([206.190.39.224]) by scribble.com with smtp (Exim 3.35 #1 (Debian)) id 1CxfX3-0004B4-00 for FLUXLIST@scribble.com; Sat, 05 Feb 2005 22:04:29 -0800 Received: (qmail 16449 invoked by uid 60001); 6 Feb 2005 06:03:59 - Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=eC/QWCQOARzxx6NdRAnidBVjYZ2wON/X0SB32fclAm712qbRYu9aHqj9LsdOHfKUV67IT9F5NWqrz4KgDmQw/TNs8WIJ6xEG8TONwIaXBiY3UXXvd2aW4Y2e3oHUh3v8YgQmB0RpTUA2BRS2uZd5ctaIWZv6GSQRz5iEV0QzCms= ; Message-ID: [EMAIL PROTECTED] Received: from [65.24.53.95] by web53208.mail.yahoo.com via HTTP; Sat, 05 Feb 2005 22:03:58 PST Date: Sat, 5 Feb 2005 22:03:58 -0800 (PST) From: Crispin Webb [EMAIL PROTECTED] Subject: Re: FLUXLIST: fluxlistselfportraits To: FLUXLIST@scribble.com In-Reply-To: [EMAIL PROTECTED] MIME-Version: 1.0 Content-Type: multipart/mixed; boundary=0-2124953076-1107669838=:16401 --0-2124953076-1107669838=:16401 Content-Type: text/plain; charset=us-ascii Content-Id: Content-Disposition: inline HERE IS MUSIC PIECE I DID TONIGHT --- Don Boyd [EMAIL PROTECTED] wrote: http://www.doneboyd.com check out my website for the latest images! I'm answering for Crispin again. His website crashed and he hasn't had time to work on it yet. -Don = PLEASE CHECK OUT MY NEW WEBSITE http://www.crispinwebb.com __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --0-2124953076-1107669838=:16401 Content-Type: audio/x-m4a; name=My Song.m4a Content-Transfer-Encoding: base64 Content-Description: My Song.m4a Content-Disposition: attachment; filename=My Song.m4a IGZ0eXBNNEEgAE00QSBtcDQyaXNvbQ+HbW9vdgAAAGxt dmhkAL4rHT++Kx1CWAAADUcAAQAAAQEA AAABAABA AgAABb10cmFrXHRraGQHvisdP74rHUAB DUcBAAEB AABAAAVZbWRpYQAAACBtZGhkAL4r HT++Kx1AAACsRAAD0ABVxAAAImhkbHIAAHNvdW4A BQ9taW5mEHNtaGQAACRkaW5mHGRy etc etc etc etc
FLUXLIST: fao crispin
crispin, we can't handle attachments here at fluxlist central so your post to bibiana didn't get through! try reposting direct to her email address thanks dad
FLUXLIST: problems?
dear fluxlisters, hear at fluxlist central we've been experiencing some minor technical hiccups with our email service provider. having tried turning the entire office upside down whilst sipping from the wrong side of a cup, dropping a cold key down the back of dad's shirt and finally administering large doses of technical bisodol, we appear to have got rid of the hiccups. the gremlins however appear to have teamed up with the glitches and are having a kick about inside the fffo-mainframe, but that's another story. if any of you have had posts which have not made it through to fluxlist, we apologise and all of that sort of stuff. ...should be ok now. bett's fishes Minnie On fluxlist administration dept
FLUXLIST: Re: FLUXLIST dying list
anyone on the dying list fluxlist is not dying, just preparing for regeneration yours Dad
FLUXLIST: OPen lettuce to Enid And her son
This is the "Dad" autoreplybot sticking his two pennerth in from Fluxlist Central: S*u*bscription to Fluxlist is open and automatic, just see http://xoomer.virgilio.it/n.waugh/fluxlist/subscrib.htmfor instructions. Those who wish to s*u*bscribe just have to send a simple e-mail, those who don't wish to, don't have to bother. It's all very simple really! Dad - Original Message - From: [EMAIL PROTECTED] To: FLUXLIST@scribble.com Sent: Sunday, January 09, 2005 7:13 AM Subject: Re: FLUXLIST: Fw: OPen letter to Eric Anderson I think that Eric Anderson and anyone else including Death Couple should have an open invitatation to come back to Fluxlist. Speaking as someone who was nearly kicked off the list (well... actually maybe I was ,,not really sure) I think we should reinstate all former Fluxlisters as honorees. by Madawg
FLUXLIST: Fw: BOUNCE fluxlist@scribble.com
From: Ruud Janssen [EMAIL PROTECTED] Subject: PIG PERFORMANCE To: FLUXLIST@scribble.com In-Reply-To: [EMAIL PROTECTED] MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii For the FLUXUS HEIDLEBERG CENTER we did the PIG Performance, which you can see online at: http://www.fluxusheidelberg.org/pig.html Have a look, and our best wishes for a healthy 2005! Litsa Spathi Ruud Janssen === FLUXUS HEIDELBERG CENTER
FLUXLIST: HNY!! II
Dear All, If you get this, another bit has worked! And if i get replies to both, but in separate places Another bit has worked bests Dad
