Re: [Foundation-l] Dead Sea Scrolls

2011-10-04 Thread Anthony
On Mon, Oct 3, 2011 at 7:56 PM, Ryan Kaldari rkald...@wikimedia.org wrote:
 On 10/3/11 4:36 PM, John Vandenberg wrote:
 On Tue, Oct 4, 2011 at 5:34 AM, Ryan Kaldarirkald...@wikimedia.org  wrote:
 I think we are fairly safe hosting the images of the original fragments,
 even by Israeli law. Israel does not recognize sweat of the brow and
 requires a minimal degree of originality to claim copyright.[1][2]
 Does it recognise date of first publication?

 I don't know, but it seems like it would be difficult to argue that the
 Dead Sea Scrolls were unpublished until recently.

The photos of them were, though.

 None of the
 discussions of the Qimron case seem to mention the issue of date of
 publication. The argument seems to have hinged almost entirely on the
 issue of originality.

The Qimron case is completely irrelevant with regard to the copyright
of the images.  It is a case about the *text*.

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-04 Thread Anthony
On Tue, Oct 4, 2011 at 11:13 AM, Anthony wikim...@inbox.org wrote:
 On Mon, Oct 3, 2011 at 7:56 PM, Ryan Kaldari rkald...@wikimedia.org wrote:
 None of the
 discussions of the Qimron case seem to mention the issue of date of
 publication. The argument seems to have hinged almost entirely on the
 issue of originality.

 The Qimron case is completely irrelevant with regard to the copyright
 of the images.  It is a case about the *text*.

If WMF wants to copy *the text* of the scrolls, I don't think anyone
is going to have a problem with that.  The copyright notice claims
copyright in the digital images of the manuscripts, not in the text.

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-04 Thread Andrea Zanni
2011/10/4 Anthony wikim...@inbox.org:
 On Tue, Oct 4, 2011 at 11:13 AM, Anthony wikim...@inbox.org wrote:
 On Mon, Oct 3, 2011 at 7:56 PM, Ryan Kaldari rkald...@wikimedia.org wrote:
 None of the
 discussions of the Qimron case seem to mention the issue of date of
 publication. The argument seems to have hinged almost entirely on the
 issue of originality.

 The Qimron case is completely irrelevant with regard to the copyright
 of the images.  It is a case about the *text*.

 If WMF wants to copy *the text* of the scrolls, I don't think anyone
 is going to have a problem with that.  The copyright notice claims
 copyright in the digital images of the manuscripts, not in the text.

There's no copyright over text, that is public domain for sure.

Aubrey

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-04 Thread Ryan Kaldari
On 10/4/11 8:16 AM, Anthony wrote:
 If WMF wants to copy *the text* of the scrolls, I don't think anyone
 is going to have a problem with that.  The copyright notice claims
 copyright in the digital images of the manuscripts, not in the text.

Well, there doesn't appear to be any basis for a copyright claim on the 
images of the scrolls themselves, as neither Israeli law nor American 
law recognizes sweat of the brow. The only valid claim would be on 
reconstructions of the text. Of course if we have no immediate need for 
the images and want maintain a good relationship with the Israeli 
museum, it may not be a good idea to mass upload them to Commons.

Ryan Kaldari

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-04 Thread Gustavo Carrancio
Hi, Gerard.

I supose you know what is paleography. And therefore you know that there is
an intrinsic value in a raw manuscript, which provides information about
schools of calligraphy, styles... an ancient manuscript is something like a
painting masterpiece. All those things can't be transmitted by the sole
transcription. Even more, a single fuzzy letter can challenge the whole
interpretation of the whole manuscript.

An example: The Cantar de Mio Cid codex ends with this blurry datation:

**Quien escrivió este libro de Dios paraíso, amen*
*Per Abbat le escrivió en el mes de mayo en era de mil e. CC XLV años* *

(May God give the paradise to the one who wrote this book, Amen
Abbot Peter wrote this book in the month of May of the era of thousand and
CC (gap) XLV year)

Well: the sole gap launched hard discussions lasting decades, because some
schollars stated that a C was deleted. You can imaginate that the solution
came from paleographic studies.


Now: think about that hebrew have had no vowels until mesorah. Transcription
can not be taken seriously in any conceivable way. Any transcription issue,
and I assure that will be thousands of them need to be backed in the same
manuscript. The high informative value of the manuscript is *the main reason
for copywriting it.*

All this *high value* information will be lost for the free kwnoledge with
the copywright, and its a very bad idea. It's a lost chance for the free
knowledge movement to resign.

So, please, Gerard, you know that I'm your fan, but understand that some
people can feel  disappointed about this copywriting and they want to make
something about it.

Yes, of course: we must be firmly polite, we must be patient and try to
explain the advantages of a public domain or at least a free licence over
the time, but we must not give up.

So, Gerard,
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Re: [Foundation-l] Dead Sea Scrolls

2011-10-04 Thread Anthony
On Tue, Oct 4, 2011 at 2:09 PM, Ryan Kaldari rkald...@wikimedia.org wrote:
 On 10/4/11 8:16 AM, Anthony wrote:
 If WMF wants to copy *the text* of the scrolls, I don't think anyone
 is going to have a problem with that.  The copyright notice claims
 copyright in the digital images of the manuscripts, not in the text.

 Well, there doesn't appear to be any basis for a copyright claim on the
 images of the scrolls themselves, as neither Israeli law nor American
 law recognizes sweat of the brow.

Anyone have any info on the applicability of Alfred Bell  Co. v.
Catalda Fine Arts, Inc?  It may not be sweat of the brow, but it
sets the originality threshold awfully low:

A copyist's bad eyesight or defective musculature, or a shock caused
by a clap of thunder, may yield sufficiently distinguishable
variations. n24 Having hit upon such a variation unintentionally, the
'author' may adopt it as his and copyright it.

http://www.coolcopyright.com/cases/fulltext/bellcataldatext.htm
http://www.coolcopyright.com/cases/chp2/bellcatalda.htm

 The only valid claim would be on reconstructions of the text.

Is this your professional legal opinion, then?

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-03 Thread Ray Saintonge
On 10/01/11 5:36 AM, Anthony wrote:
 On Sat, Oct 1, 2011 at 6:44 AM, Elias Gabriel Amaral da Silva
 tolkiend...@gmail.com  wrote:
 In practical terms, what they can do? Wikipedia is hosted in US.
 Therefore, for a successful takedown, the museum must sue in US.
 Well, for one thing, they could sue reusers.

 WMF using the work is one thing.  WMF telling the rest of the world
 that the work is public domain and anyone can use it for any purpose
 without permission, is another.

The people who really feel offended by the Israel Museum's claim would 
do best to accept responsibility for their claims. Given the nature of 
the work there is perhaps a little more skill to these scans than was 
the case for NPG portraits. I don't know how a court decision would turn 
out.  I am certainly not confident enough to pursue this myself, nor 
would I want to do it for material I don't understand.

Anyone who simply feels that these scans should be freely available can 
simply put them up on his own site in whatever country he wants, and 
wait for the lawsuit to happen or not happen.  There are some areas 
where I feel that Wikimedia policies about copyright are wrong, and even 
paranoid, but I would be wrong to insist that any WMF project host them 
unless I am ready to defend a legal action against a site that I fully 
own and control.  That's what being responsible is about.

Ray

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-03 Thread Anthony
On Mon, Oct 3, 2011 at 4:55 AM, Ray Saintonge sainto...@telus.net wrote:
 On 10/01/11 5:36 AM, Anthony wrote:
 On Sat, Oct 1, 2011 at 6:44 AM, Elias Gabriel Amaral da Silva
 tolkiend...@gmail.com  wrote:
 In practical terms, what they can do? Wikipedia is hosted in US.
 Therefore, for a successful takedown, the museum must sue in US.
 Well, for one thing, they could sue reusers.

 WMF using the work is one thing.  WMF telling the rest of the world
 that the work is public domain and anyone can use it for any purpose
 without permission, is another.

 The people who really feel offended by the Israel Museum's claim would
 do best to accept responsibility for their claims. Given the nature of
 the work there is perhaps a little more skill to these scans than was
 the case for NPG portraits. I don't know how a court decision would turn
 out.  I am certainly not confident enough to pursue this myself, nor
 would I want to do it for material I don't understand.

 Anyone who simply feels that these scans should be freely available can
 simply put them up on his own site in whatever country he wants, and
 wait for the lawsuit to happen or not happen.  There are some areas
 where I feel that Wikimedia policies about copyright are wrong, and even
 paranoid, but I would be wrong to insist that any WMF project host them
 unless I am ready to defend a legal action against a site that I fully
 own and control.  That's what being responsible is about.

I don't see a problem with hosting them on projects which allow
non-free material, with a tag at the least saying that The Israel
Museum claims copyright.  The museum doesn't seem to mind
copying/distribution for research or private study.  But the list of
projects which allow non-free material doesn't include the most
relevant project - wikisource.

The free content only rule is meant to protect third parties, not WMF.

But note here that I'm only talking about the images, not the text.
The photographs do not, and are not meant to, depict the image which
was created on the scrolls hundreds of years ago.  They are meant to,
and do, depict the scrolls as they existed at the time the photos were
taken.  This, I believe, is a major distinction between the NPG
portraits and this one.

The scrolls themselves were created to depict text, not an image, and
there is there seems to be absolutely no dispute at all that the
*text* of the scrolls (to the extent it can be determined) is public
domain.

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-03 Thread Ryan Kaldari
I think we are fairly safe hosting the images of the original fragments, 
even by Israeli law. Israel does not recognize sweat of the brow and 
requires a minimal degree of originality to claim copyright.[1][2]

The Israeli Supreme Court did declare that a transcription of the Dead 
Sea Scrolls was copyrightable, but mostly because a large percentage of 
the source material was lost or damaged and required educated guesswork 
to fill in the gaps. If we were doing our own guesswork based on 
photographs of the fragments, I think it would be reasonable to say that 
we are the sole copyright holders of such a transcription.

Ryan Kaldari

1. Tempska, Urzula (2002). 'Originality' After the Dead Sea Scrolls 
Decision: Implications for the American Law of Copyright. /Marquette 
Intellectual Property Law Review/ *6* (1): 132.

2. Elkin-Koren, Niva (2001). Of Scientific Claims and Proprietary 
Rights: Lessons from the Dead Sea Scrolls, /Houston Law Review/ *38* 
(2): 458, 460.


On 10/3/11 6:16 AM, Anthony wrote:
 On Mon, Oct 3, 2011 at 4:55 AM, Ray Saintongesainto...@telus.net  wrote:
 On 10/01/11 5:36 AM, Anthony wrote:
 On Sat, Oct 1, 2011 at 6:44 AM, Elias Gabriel Amaral da Silva
 tolkiend...@gmail.comwrote:
 In practical terms, what they can do? Wikipedia is hosted in US.
 Therefore, for a successful takedown, the museum must sue in US.
 Well, for one thing, they could sue reusers.

 WMF using the work is one thing.  WMF telling the rest of the world
 that the work is public domain and anyone can use it for any purpose
 without permission, is another.

 The people who really feel offended by the Israel Museum's claim would
 do best to accept responsibility for their claims. Given the nature of
 the work there is perhaps a little more skill to these scans than was
 the case for NPG portraits. I don't know how a court decision would turn
 out.  I am certainly not confident enough to pursue this myself, nor
 would I want to do it for material I don't understand.

 Anyone who simply feels that these scans should be freely available can
 simply put them up on his own site in whatever country he wants, and
 wait for the lawsuit to happen or not happen.  There are some areas
 where I feel that Wikimedia policies about copyright are wrong, and even
 paranoid, but I would be wrong to insist that any WMF project host them
 unless I am ready to defend a legal action against a site that I fully
 own and control.  That's what being responsible is about.
 I don't see a problem with hosting them on projects which allow
 non-free material, with a tag at the least saying that The Israel
 Museum claims copyright.  The museum doesn't seem to mind
 copying/distribution for research or private study.  But the list of
 projects which allow non-free material doesn't include the most
 relevant project - wikisource.

 The free content only rule is meant to protect third parties, not WMF.

 But note here that I'm only talking about the images, not the text.
 The photographs do not, and are not meant to, depict the image which
 was created on the scrolls hundreds of years ago.  They are meant to,
 and do, depict the scrolls as they existed at the time the photos were
 taken.  This, I believe, is a major distinction between the NPG
 portraits and this one.

 The scrolls themselves were created to depict text, not an image, and
 there is there seems to be absolutely no dispute at all that the
 *text* of the scrolls (to the extent it can be determined) is public
 domain.

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-03 Thread Ray Saintonge
On 10/03/11 11:34 AM, Ryan Kaldari wrote:
 I think we are fairly safe hosting the images of the original fragments,
 even by Israeli law. Israel does not recognize sweat of the brow and
 requires a minimal degree of originality to claim copyright.[1][2]

Then it is a question of fact.  Do these images involve that minimal 
degree of originality? Do we need to publish the scans? How important is 
a good relationship with the museum?

 The Israeli Supreme Court did declare that a transcription of the Dead
 Sea Scrolls was copyrightable, but mostly because a large percentage of
 the source material was lost or damaged and required educated guesswork
 to fill in the gaps. If we were doing our own guesswork based on
 photographs of the fragments, I think it would be reasonable to say that
 we are the sole copyright holders of such a transcription.

Absolutely!  It still takes someone with an understanding of the 
material to do that kind of work. Without that, this question is moot.

Ray

 Ryan Kaldari

 1. Tempska, Urzula (2002). 'Originality' After the Dead Sea Scrolls
 Decision: Implications for the American Law of Copyright. /Marquette
 Intellectual Property Law Review/ *6* (1): 132.

 2. Elkin-Koren, Niva (2001). Of Scientific Claims and Proprietary
 Rights: Lessons from the Dead Sea Scrolls, /Houston Law Review/ *38*
 (2): 458, 460.


 On 10/3/11 6:16 AM, Anthony wrote:
 On Mon, Oct 3, 2011 at 4:55 AM, Ray Saintongesainto...@telus.net   wrote:
 On 10/01/11 5:36 AM, Anthony wrote:
 On Sat, Oct 1, 2011 at 6:44 AM, Elias Gabriel Amaral da Silva
 tolkiend...@gmail.com wrote:
 In practical terms, what they can do? Wikipedia is hosted in US.
 Therefore, for a successful takedown, the museum must sue in US.
 Well, for one thing, they could sue reusers.

 WMF using the work is one thing.  WMF telling the rest of the world
 that the work is public domain and anyone can use it for any purpose
 without permission, is another.

 The people who really feel offended by the Israel Museum's claim would
 do best to accept responsibility for their claims. Given the nature of
 the work there is perhaps a little more skill to these scans than was
 the case for NPG portraits. I don't know how a court decision would turn
 out.  I am certainly not confident enough to pursue this myself, nor
 would I want to do it for material I don't understand.

 Anyone who simply feels that these scans should be freely available can
 simply put them up on his own site in whatever country he wants, and
 wait for the lawsuit to happen or not happen.  There are some areas
 where I feel that Wikimedia policies about copyright are wrong, and even
 paranoid, but I would be wrong to insist that any WMF project host them
 unless I am ready to defend a legal action against a site that I fully
 own and control.  That's what being responsible is about.
 I don't see a problem with hosting them on projects which allow
 non-free material, with a tag at the least saying that The Israel
 Museum claims copyright.  The museum doesn't seem to mind
 copying/distribution for research or private study.  But the list of
 projects which allow non-free material doesn't include the most
 relevant project - wikisource.

 The free content only rule is meant to protect third parties, not WMF.

 But note here that I'm only talking about the images, not the text.
 The photographs do not, and are not meant to, depict the image which
 was created on the scrolls hundreds of years ago.  They are meant to,
 and do, depict the scrolls as they existed at the time the photos were
 taken.  This, I believe, is a major distinction between the NPG
 portraits and this one.

 The scrolls themselves were created to depict text, not an image, and
 there is there seems to be absolutely no dispute at all that the
 *text* of the scrolls (to the extent it can be determined) is public
 domain.



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Re: [Foundation-l] Dead Sea Scrolls

2011-10-03 Thread John Vandenberg
On Tue, Oct 4, 2011 at 5:34 AM, Ryan Kaldari rkald...@wikimedia.org wrote:
 I think we are fairly safe hosting the images of the original fragments,
 even by Israeli law. Israel does not recognize sweat of the brow and
 requires a minimal degree of originality to claim copyright.[1][2]

Does it recognise date of first publication?

-- 
John Vandenberg

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-03 Thread Ryan Kaldari
On 10/3/11 4:36 PM, John Vandenberg wrote:
 On Tue, Oct 4, 2011 at 5:34 AM, Ryan Kaldarirkald...@wikimedia.org  wrote:
 I think we are fairly safe hosting the images of the original fragments,
 even by Israeli law. Israel does not recognize sweat of the brow and
 requires a minimal degree of originality to claim copyright.[1][2]
 Does it recognise date of first publication?

I don't know, but it seems like it would be difficult to argue that the 
Dead Sea Scrolls were unpublished until recently. None of the 
discussions of the Qimron case seem to mention the issue of date of 
publication. The argument seems to have hinged almost entirely on the 
issue of originality.

Ryan Kaldari

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-02 Thread emijrp
I was not aggresive, but sarcastic.

But obviously, there are reasons for being furious.

2011/10/1 KIZU Naoko aph...@gmail.com

 Claiming copyright for religious works in use works also defense for
 possible alteration the original publisher or editor may regard as
 heretical. The similar happens in academia too. I know a certain
 online text database based on a scanned PD works, but the publisher (a
 certain academic society) denied even to put online publicly, they
 claimed otherwise the data would be erroneously changed, we'll send a
 set of disks upon request for free, so everyone who needs can get the
 data. It's the best way for our interest to keep the criticized text
 in an appropriate level, avoid any corruption. There' a lot of this
 kind anecdotes, I guess?

 Be relaxed, you have not to be so hostile, Emijrp. While we don't
 agree with them in this point (firmly), we can still be polite and
 they wouldn't disagree we share an ultimate goal to let the world
 share the knowledge. As Liam suggested. On the other hand we should
 understand they have their own revenue system - their own ecosystem
 which has been built perhaps for centuries, so that we should have
 them understand we don't want them to survive by exploring free access
 and rather we would like them to cooperate and cohabit.

 It'll sure take a time, but I hope we go forward our mission without
 being unnecessarily aggressive.

 Cheers,

 On Tue, Sep 27, 2011 at 6:42 PM, John Vandenberg jay...@gmail.com wrote:
  On Tue, Sep 27, 2011 at 5:55 AM, Chris Keating
  chriskeatingw...@gmail.com wrote:
 
  Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The
 Israel
  Museum. Congratulations.
 
 
  If the Dead Sea Scrolls were divinely inspired, like other Biblical
 texts,
  then there is an argument that the author is still alive ;-)
 
  (c) God, 2011
 
  ;-)
 
  Are there any jurisdictions where a religious texts have been refused
  a copyright for reason of being divine?
 
  There are a few legal cases about copyright of religious texts where
  the copyright has been given to the 'medium' / 'channeler'.
 
  http://en.wikipedia.org/wiki/Copyright_on_religious_works
 
  And there is the crown hold copyright on KJV, in perpetuity.

 As commentary, I'd like to add they put the Book of Common Prayer
 under the crown hold copyright too, but also they haven't done so on
 drafts, so that ongoing drat of BCP has been freely circulated and
 could be discussed.
 
  --
  John Vandenberg
 
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 --
 KIZU Naoko / 木津尚子
 member of Wikimedians in Kansai  / 関西ウィキメディアユーザ会
 http://kansai.wikimedia.jp

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-02 Thread Gerard Meijssen
Hoi,
I am here in Los Angeles with Amir. We have discussed the dead sea scrolls
extensively. We discussed transcription, fonts appropriate for such old
texts. The use of the text.

Do you believe that the suggestion for transcription was made by someone
from the museum at Wikimania? That Amit is WMF Israel board ? That I am
bored by the nonsence about all this ?

If all the words written had an equivalent in the transcription, I would
mind that it takes so few words to say sarcastic and furious.. can you not
elaborate (and transcribe more) ?
Thanks,
   GerardM

2011/10/2 emijrp emi...@gmail.com

 I was not aggresive, but sarcastic.

 But obviously, there are reasons for being furious.

 2011/10/1 KIZU Naoko aph...@gmail.com

  Claiming copyright for religious works in use works also defense for
  possible alteration the original publisher or editor may regard as
  heretical. The similar happens in academia too. I know a certain
  online text database based on a scanned PD works, but the publisher (a
  certain academic society) denied even to put online publicly, they
  claimed otherwise the data would be erroneously changed, we'll send a
  set of disks upon request for free, so everyone who needs can get the
  data. It's the best way for our interest to keep the criticized text
  in an appropriate level, avoid any corruption. There' a lot of this
  kind anecdotes, I guess?
 
  Be relaxed, you have not to be so hostile, Emijrp. While we don't
  agree with them in this point (firmly), we can still be polite and
  they wouldn't disagree we share an ultimate goal to let the world
  share the knowledge. As Liam suggested. On the other hand we should
  understand they have their own revenue system - their own ecosystem
  which has been built perhaps for centuries, so that we should have
  them understand we don't want them to survive by exploring free access
  and rather we would like them to cooperate and cohabit.
 
  It'll sure take a time, but I hope we go forward our mission without
  being unnecessarily aggressive.
 
  Cheers,
 
  On Tue, Sep 27, 2011 at 6:42 PM, John Vandenberg jay...@gmail.com
 wrote:
   On Tue, Sep 27, 2011 at 5:55 AM, Chris Keating
   chriskeatingw...@gmail.com wrote:
  
   Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The
  Israel
   Museum. Congratulations.
  
  
   If the Dead Sea Scrolls were divinely inspired, like other Biblical
  texts,
   then there is an argument that the author is still alive ;-)
  
   (c) God, 2011
  
   ;-)
  
   Are there any jurisdictions where a religious texts have been refused
   a copyright for reason of being divine?
  
   There are a few legal cases about copyright of religious texts where
   the copyright has been given to the 'medium' / 'channeler'.
  
   http://en.wikipedia.org/wiki/Copyright_on_religious_works
  
   And there is the crown hold copyright on KJV, in perpetuity.
 
  As commentary, I'd like to add they put the Book of Common Prayer
  under the crown hold copyright too, but also they haven't done so on
  drafts, so that ongoing drat of BCP has been freely circulated and
  could be discussed.
  
   --
   John Vandenberg
  
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  --
  KIZU Naoko / 木津尚子
  member of Wikimedians in Kansai  / 関西ウィキメディアユーザ会
  http://kansai.wikimedia.jp
 
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Re: [Foundation-l] Dead Sea Scrolls

2011-10-01 Thread KIZU Naoko
Claiming copyright for religious works in use works also defense for
possible alteration the original publisher or editor may regard as
heretical. The similar happens in academia too. I know a certain
online text database based on a scanned PD works, but the publisher (a
certain academic society) denied even to put online publicly, they
claimed otherwise the data would be erroneously changed, we'll send a
set of disks upon request for free, so everyone who needs can get the
data. It's the best way for our interest to keep the criticized text
in an appropriate level, avoid any corruption. There' a lot of this
kind anecdotes, I guess?

Be relaxed, you have not to be so hostile, Emijrp. While we don't
agree with them in this point (firmly), we can still be polite and
they wouldn't disagree we share an ultimate goal to let the world
share the knowledge. As Liam suggested. On the other hand we should
understand they have their own revenue system - their own ecosystem
which has been built perhaps for centuries, so that we should have
them understand we don't want them to survive by exploring free access
and rather we would like them to cooperate and cohabit.

It'll sure take a time, but I hope we go forward our mission without
being unnecessarily aggressive.

Cheers,

On Tue, Sep 27, 2011 at 6:42 PM, John Vandenberg jay...@gmail.com wrote:
 On Tue, Sep 27, 2011 at 5:55 AM, Chris Keating
 chriskeatingw...@gmail.com wrote:

 Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The Israel
 Museum. Congratulations.


 If the Dead Sea Scrolls were divinely inspired, like other Biblical texts,
 then there is an argument that the author is still alive ;-)

 (c) God, 2011

 ;-)

 Are there any jurisdictions where a religious texts have been refused
 a copyright for reason of being divine?

 There are a few legal cases about copyright of religious texts where
 the copyright has been given to the 'medium' / 'channeler'.

 http://en.wikipedia.org/wiki/Copyright_on_religious_works

 And there is the crown hold copyright on KJV, in perpetuity.

As commentary, I'd like to add they put the Book of Common Prayer
under the crown hold copyright too, but also they haven't done so on
drafts, so that ongoing drat of BCP has been freely circulated and
could be discussed.

 --
 John Vandenberg

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-- 
KIZU Naoko / 木津尚子
member of Wikimedians in Kansai  / 関西ウィキメディアユーザ会 http://kansai.wikimedia.jp

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Re: [Foundation-l] Dead Sea Scrolls

2011-10-01 Thread Anthony
On Sat, Oct 1, 2011 at 6:44 AM, Elias Gabriel Amaral da Silva
tolkiend...@gmail.com wrote:
 In practical terms, what they can do? Wikipedia is hosted in US.
 Therefore, for a successful takedown, the museum must sue in US.

Well, for one thing, they could sue reusers.

WMF using the work is one thing.  WMF telling the rest of the world
that the work is public domain and anyone can use it for any purpose
without permission, is another.

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Re: [Foundation-l] Dead Sea Scrolls - if someone was to sue our reusers

2011-10-01 Thread WereSpielChequers
If the Museum of Israel or indeed anyone else was to sue someone reusing
data from a Wikimedia project, then obviously one would hope that the result
would endorse the community's view as to the copyright status of that data.
If a certain British art gallery told us they'd just discovered that one of
their Rembrandts was a Keating; Or if God turns up in Court, proves that he
or she is the author and insists on an incompatible copyright, (CC-by-nc-nd
if my limited knowledge of western monotheistic religions is correct). Then
I would hope we would treat the incident in the same way as any other
Goodfaith copyvio, and it would certainly give wikinews a unique perspective
if they were to cover the story primarily as a copyright issue.

If a non US court or legislature decided to take a more restrictive stance
than US law then I suppose we'd have to add another clause to
http://commons.wikimedia.org/wiki/Template:PD-Art There are already ones in
there for Mexico, Samoa, Côte d'Ivoire and a few others.

WereSpielChequers


 --

 Message: 9
 Date: Sat, 1 Oct 2011 08:36:43 -0400
 From: Anthony wikim...@inbox.org
 Subject: Re: [Foundation-l] Dead Sea Scrolls
 To: Wikimedia Foundation Mailing List
foundation-l@lists.wikimedia.org
 Cc: Board list for Wikimedia Israel
wikimediail-bo...@lists.wikimedia.org,Shani *
shani.e...@gmail.com, talmory...@gmail.com
 Message-ID:
CAPreJLT7eV=UQvNU=nxmlrc8ecer4irv_n4lyr4mrz-kdjm...@mail.gmail.com
 
 Content-Type: text/plain; charset=ISO-8859-1

 On Sat, Oct 1, 2011 at 6:44 AM, Elias Gabriel Amaral da Silva
 tolkiend...@gmail.com wrote:
  In practical terms, what they can do? Wikipedia is hosted in US.
  Therefore, for a successful takedown, the museum must sue in US.

 Well, for one thing, they could sue reusers.

 WMF using the work is one thing.  WMF telling the rest of the world
 that the work is public domain and anyone can use it for any purpose
 without permission, is another.



 --

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-29 Thread Nikola Smolenski
On 29/09/11 04:12, Anthony wrote:
 On Wed, Sep 28, 2011 at 8:34 AM, Nikola Smolenskismole...@eunet.rs  wrote:
 On 28/09/11 13:44, Anthony wrote:
 On Tue, Sep 27, 2011 at 11:52 PM, Nikola Smolenskismole...@eunet.rs
 wrote:
 The photograph does not constitute an origin or beginning.

 Sure it does.  Is there any such thing as an original photograph?

 Yes there is, and this isn't it.

 Why not?  What constitutes an original photograph, as opposed to
 whatever this photograph is?

An original photograph is a photograph that fixes an original image.

 The photograph is not the first instance.

 The original photograph is the first instance of the photograph.  This

 Copyright does not protect physical objects. The image that is fixed on
 the first instance of the physical photograph is not the first instance
 of the image.

 Sure it is.  I'm not sure where you're getting that from.

Sure it is not in this case.

 And if it isn't (which, you'll have to explain), can that be said
 about *any* photograph?

No.

 The photograph is not independent or creative.

 Someone most likely selected the F-stop, the shutter speed, and the
 lighting.  I doubt they just pointed the camera on auto and used the

 The fact that you can devise a creative method to create an image does
 not mean that the image itself is creative.

 No, it doesn't.  However, I am contending that creativity most likely
 *did* go into creating the image.

So then why are you mentioning F-stop, shutter speed and lighting, 
neither of which add any creativity to these images?

 built in flash.  Someone most likely selected how to convert the raw
 image into a jpeg or png or whatever they're using.  They may have

 How the hell is that creative?

 Have you ever converted a raw image into a jpeg?  If you have, then I
 would think you'd know how the hell it is creative.

 For one thing, you're converting 12 or 14 bits of color data per pixel
 into 8.  So you have to select what information to lose, and what
 information to keep.

I would assume that in this case the goal of the conversion was to 
preserve the most data, and not to add a creative touch to the images.

 even done some significant post-processing.  Someone definitely

 Post-processing could be creative, but the original photographs still
 are not.

 The original photographs (*) are not what are displayed on the website.

 (*) I thought you said these weren't original photographs.

Now you're just trolling. The original physical photographs, as opposed 
to unoriginal images displayed on the photographs.

 selected which camera to use, how many separate photographs to tile

 This must be the worst pro-copyright argument of all times.

 You need to reread what I said.  I was not making a pro-copyright argument.

You need to rewrite what you wrote so that it reflects what you meant. 
You were making a pro-copyright argument.

 So I have
 two copiers in my company, and since I selected one of them the
 photocopies I made are *original* and copyrighted by me? They are not.

 And I didn't say they were.

Yes you did.

 together, etc.

 This choice is limited by technical possibilities of the devices and not
 by someone's creative decision.

 Our choices are always limited by the technical possibilities of the
 devices we are using.

So what?

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-29 Thread John Vandenberg
Facts and Opinions on the copyright can be added to the Wikipedia talk page:

http://en.wikipedia.org/wiki/Talk:Dead_Sea_Scrolls#Google_scans

-- 
John Vandenberg

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-29 Thread Anthony
On Thu, Sep 29, 2011 at 5:58 AM, Nikola Smolenski smole...@eunet.rs wrote:
 On 29/09/11 04:12, Anthony wrote:
 Why not?  What constitutes an original photograph, as opposed to
 whatever this photograph is?

 An original photograph is a photograph that fixes an original image.

You're just restating the question.  What constitutes an original
image, as opposed to whatever this photograph depicts?

Where is the original image?  When was it created?  Who created it?

 However, I am contending that creativity most likely
 *did* go into creating the image.

 So then why are you mentioning F-stop, shutter speed and lighting,
 neither of which add any creativity to these images?

They are examples of the creative input which likely went into making
this image.

 I would assume that in this case the goal of the conversion was to
 preserve the most data

That's one place you are wrong, then.  The goal is to preserve the
most important data, not the most data.  And choosing the most
important data is an act of creativity.  Selection is, in fact, one of
the most important skills involved in photography.

 (*) I thought you said these weren't original photographs.

 Now you're just trolling. The original physical photographs, as opposed
 to unoriginal images displayed on the photographs.

It's not trolling just because I pointed out that you're contradicting
yourself.  I said the photograph *is* original.  Now you are
conceding exactly this point.

 So I have
 two copiers in my company, and since I selected one of them the
 photocopies I made are *original* and copyrighted by me? They are not.

 And I didn't say they were.

 Yes you did.

Please quote where I said this.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-29 Thread Anthony
On Thu, Sep 29, 2011 at 5:58 AM, Nikola Smolenski smole...@eunet.rs wrote:
 On 29/09/11 04:12, Anthony wrote:
 You need to reread what I said.  I was not making a pro-copyright argument.

 You need to rewrite what you wrote so that it reflects what you meant.
 You were making a pro-copyright argument.

Let me be clear, then.  I have no position on the copyrightability of
this image, neither in the US nor elsewhere, neither on whether or not
this image is copyrighted, nor on whether or not it should be
copyrightable.

I also don't see why copyrightability matters.  Surely even if the
images are copyrighted they can be used by WMF under the doctrine of
fair use.  And even if they are not copyrighted, it's not clear to me
how the underlying images can even be obtained without committing a
felony of exceeding authorized access to a computer.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-28 Thread Ray Saintonge
There's an important point in what you say, though it is difficult to 
avoid sarcasm when feeling a Google spider creeping up one's back.

In many of these cases there is the legal analysis and there is the 
pragmatic analysis  They do not bear identical results.  The legal 
analysis could conceivably lead us to a serious criticism of the Israel 
Museum's protectivism.

In a pragmatic analysis my first piece of enlightenment would be with 
the fact that I don't know a word of Hebrew. If that is the case, what 
am I doing copying many many pages of Hebrew texts? If there is a 
copyright fight over this materiel would it not be better to leave that 
fight to those who are interested in and understand the texts?  That 
leaves only a rare few people in a position to pursue the argument.  And 
those few will still have an opportunity to come to an understanding 
with the IMJ. The NPG and JSTOR made targets of themselves by taking a 
stupid position publicly.  We also have individuals who allow themselves 
to be overcome by an excess of indignation. In dealing with them it's 
probably good if IMJ is made aware that these individuals are a minority.

Ray


On 09/26/11 9:26 PM, Harel Cain wrote:
 We can have our fresh and promising Wikimedian-in-Residence there raise the
 issue with museum staff. This news took us by surprise.
 Apparently, the Google-IMJ project is quite a bit more than simple scanning
 of the material, it involves more hypertextual contextual work.

 Please, a more friendly and less sarcastic attitude will certainly help
 here. The museum has been showing  a great deal of good faith in its GLAM
 cooperation with us, and doesn't deserve this kind of attitude.

 We certainly don't want to run into a collision course with the Museum over
 this thing. The Dead Sea Scrolls are perhaps the museum's most important
 item on display, and a world-class cultural heritage item. Which means that
 as much as it matters to us, it will matter greatly to the museum, this is
 not some secondary work of art which they might turn a blind eye to
 copyright infringement on. We (WMIL) will look into the matter.


 Harel Cain
 Secretary, Wikimedia Israel

 On Tue, Sep 27, 2011 at 02:40, Liam Wyattliamwy...@gmail.com  wrote:

 Wikimedia Israel and I met with the Israel Museum in the days immediately
 following Wikimania. The specific purpose of that event was to set up a
 'Wikipedian in Residence' position at their research centre, starting with a
 project to create articles about Israeli artists in English and Hebrew
 Wikipedias. This is described in the August This Month in GLAM report:
 http://outreach.wikimedia.org/wiki/GLAM/Newsletter/August_2011/Contents/Israel_report

 Unsurprisingly, when we were giving our introduction presentation about
 what Wikimedia does, what we stand for and how we operate, the issue of
 Copyright-in-scans-of-Public-Domain-work was raised. Quite directly
 actually. We informed the museum on no uncertain terms that Wikimedia's
 policy is to follow the Bridgeman v. Corel precedent. They responded that it
 is standard practice of the museum industry worldwide to claim copyright in
 scans and that Bridgeman is not a precedent in Israel. All of which is true
 and correct.

 Which brings us back to the same position we have with every museum that
 makes these copyright claims. We must stand by our principles and provide
 our readers with access to digitised versions of public-domain cultural
 heritage (such as the dead sea scrolls) when we have access to them. The
 museums must realise this is a key point of both principle and law for us.
 However, we must also try to politely stand by these principles in a way
 that is not deliberately antagonistic towards the museum - especially
 towards museums that are willing to work with us like the Israel Museum is.
 We are on the same side when it comes to sharing knowledge and public
 education, we just go about it in different ways.

 We cannot expect museums to arrive at free-culture-compliant policies in
 one day. It will take time to make them comfortable with it. In the mean
 time it is our duty to demonstrate the value and advantages of sharing their
 content whilst (politely but firmly) criticising the current policies. Maybe
 one day our productive relationship with the Israel Museum will eventuate in
 them *inviting* us to have an editing-day dedicated to the Dead Sea Scrolls
 and will proactively *share* their own multimedia. Who knows? In the mean
 time, if you would like to get involved with the Israel Museum project you
 can read more here http://en.wikipedia.org/wiki/Wikipedia:GLAM/IMJ

 -Liam



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Re: [Foundation-l] Dead Sea Scrolls

2011-09-28 Thread Anthony
On Tue, Sep 27, 2011 at 11:52 PM, Nikola Smolenski smole...@eunet.rs wrote:
 The photograph does not constitute an origin or beginning.

Sure it does.  Is there any such thing as an original photograph?

 The photograph is secondary, derivative and imitative.

Yes.

 The photograph is not the first instance.

The original photograph is the first instance of the photograph.  This
definition doesn't mean the first instance of anything.  If that
were true then *nothing* would be original.

I'd say by this definition in particular it is quite clear that there
was an original photograph.  A photo of an object is the first
instance of a new thing, it is not a copy of the object itself.

 The photograph is not independent or creative.

Someone most likely selected the F-stop, the shutter speed, and the
lighting.  I doubt they just pointed the camera on auto and used the
built in flash.  Someone most likely selected how to convert the raw
image into a jpeg or png or whatever they're using.  They may have
even done some significant post-processing.  Someone definitely
selected which camera to use, how many separate photographs to tile
together, etc.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-28 Thread Andrea Zanni
2011/9/28 Anthony wikim...@inbox.org

 Someone most likely selected the F-stop, the shutter speed, and the
 lighting.  I doubt they just pointed the camera on auto and used the
 built in flash.  Someone most likely selected how to convert the raw
 image into a jpeg or png or whatever they're using.  They may have
 even done some significant post-processing.  Someone definitely
 selected which camera to use, how many separate photographs to tile
 together, etc.


True. AFAIK, the pre-production and post-production here has been huge.
The project is pretty amazing.

Aubrey
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-28 Thread Nikola Smolenski
On 28/09/11 13:44, Anthony wrote:
 On Tue, Sep 27, 2011 at 11:52 PM, Nikola Smolenskismole...@eunet.rs  wrote:
 The photograph does not constitute an origin or beginning.

 Sure it does.  Is there any such thing as an original photograph?

Yes there is, and this isn't it.

 The photograph is not the first instance.

 The original photograph is the first instance of the photograph.  This

Copyright does not protect physical objects. The image that is fixed on 
the first instance of the physical photograph is not the first instance 
of the image.

 The photograph is not independent or creative.

 Someone most likely selected the F-stop, the shutter speed, and the
 lighting.  I doubt they just pointed the camera on auto and used the

The fact that you can devise a creative method to create an image does 
not mean that the image itself is creative. As an extreme example, I can 
devise an extremely creative false backstory for me in order to gain 
access to a document, then photocopy it. The fact that I was creative 
while devising my story does not give me copyright to a photocopy.

 built in flash.  Someone most likely selected how to convert the raw
 image into a jpeg or png or whatever they're using.  They may have

How the hell is that creative?

 even done some significant post-processing.  Someone definitely

Post-processing could be creative, but the original photographs still 
are not.

 selected which camera to use, how many separate photographs to tile

This must be the worst pro-copyright argument of all times. So I have 
two copiers in my company, and since I selected one of them the 
photocopies I made are *original* and copyrighted by me? They are not.

 together, etc.

This choice is limited by technical possibilities of the devices and not 
by someone's creative decision.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-28 Thread Anthony
On Wed, Sep 28, 2011 at 8:34 AM, Nikola Smolenski smole...@eunet.rs wrote:
 On 28/09/11 13:44, Anthony wrote:
 On Tue, Sep 27, 2011 at 11:52 PM, Nikola Smolenskismole...@eunet.rs  wrote:
 The photograph does not constitute an origin or beginning.

 Sure it does.  Is there any such thing as an original photograph?

 Yes there is, and this isn't it.

Why not?  What constitutes an original photograph, as opposed to
whatever this photograph is?

 The photograph is not the first instance.

 The original photograph is the first instance of the photograph.  This

 Copyright does not protect physical objects. The image that is fixed on
 the first instance of the physical photograph is not the first instance
 of the image.

Sure it is.  I'm not sure where you're getting that from.

And if it isn't (which, you'll have to explain), can that be said
about *any* photograph?

 The photograph is not independent or creative.

 Someone most likely selected the F-stop, the shutter speed, and the
 lighting.  I doubt they just pointed the camera on auto and used the

 The fact that you can devise a creative method to create an image does
 not mean that the image itself is creative.

No, it doesn't.  However, I am contending that creativity most likely
*did* go into creating the image.

 As an extreme example, I can
 devise an extremely creative false backstory for me in order to gain
 access to a document, then photocopy it. The fact that I was creative
 while devising my story does not give me copyright to a photocopy.

True.

 built in flash.  Someone most likely selected how to convert the raw
 image into a jpeg or png or whatever they're using.  They may have

 How the hell is that creative?

Have you ever converted a raw image into a jpeg?  If you have, then I
would think you'd know how the hell it is creative.

For one thing, you're converting 12 or 14 bits of color data per pixel
into 8.  So you have to select what information to lose, and what
information to keep.

 even done some significant post-processing.  Someone definitely

 Post-processing could be creative, but the original photographs still
 are not.

The original photographs (*) are not what are displayed on the website.

(*) I thought you said these weren't original photographs.

 selected which camera to use, how many separate photographs to tile

 This must be the worst pro-copyright argument of all times.

You need to reread what I said.  I was not making a pro-copyright argument.

 So I have
 two copiers in my company, and since I selected one of them the
 photocopies I made are *original* and copyrighted by me? They are not.

And I didn't say they were.

 together, etc.

 This choice is limited by technical possibilities of the devices and not
 by someone's creative decision.

Our choices are always limited by the technical possibilities of the
devices we are using.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread John Vandenberg
On Tue, Sep 27, 2011 at 5:55 AM, Chris Keating
chriskeatingw...@gmail.com wrote:

 Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The Israel
 Museum. Congratulations.


 If the Dead Sea Scrolls were divinely inspired, like other Biblical texts,
 then there is an argument that the author is still alive ;-)

 (c) God, 2011

;-)

Are there any jurisdictions where a religious texts have been refused
a copyright for reason of being divine?

There are a few legal cases about copyright of religious texts where
the copyright has been given to the 'medium' / 'channeler'.

http://en.wikipedia.org/wiki/Copyright_on_religious_works

And there is the crown hold copyright on KJV, in perpetuity.

--
John Vandenberg

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Billinghurst
Is the copyright claim on the scroll or the image.  I would expect the latter 
and they are 
perfectly entitled to claim copyright on the image, the issue is that in 
various countries 
it could be held true by the courts that it is in copyright, and in others it 
isn't.  
Truth in copyright claims is like truth in advertising. ;-)

Regards, Andrew


On 27 Sep 2011 at 0:57, emijrp wrote:

 OMG ISRAEL IS OUT OF USA? REALLY?
 
 Come on. The point here is that originality is a common requirement for
 claiming copyright.
 
 2011/9/27 Anthony wikim...@inbox.org
 
  On Mon, Sep 26, 2011 at 4:43 PM, Ray Saintonge sainto...@telus.net
  wrote:
   On 09/26/11 12:27 PM, emijrp wrote:
   If originals don't have copyright, how can The Israel Museum claim any
   copyright for scans which lack originality?[1]
  
   [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.
  
   The cited case is a US case, and not necessarily binding in other
  countries.
 
  It's not even binding on other districts within the US.
 
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread emijrp
Looks like you don't know the meaning of common word.

I also know how to paste cool links
http://en.wikipedia.org/wiki/Afghanistan_and_copyright_issues

2011/9/27 Anthony wikim...@inbox.org

 On Mon, Sep 26, 2011 at 6:57 PM, emijrp emi...@gmail.com wrote:
  OMG ISRAEL IS OUT OF USA? REALLY?
 
  Come on. The point here is that originality is a common requirement for
  claiming copyright.

 http://en.wikipedia.org/wiki/Sweat_of_the_brow

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Ryan Kaldari
As far as law outside the U.S. is concerned, the Feist decision has had 
more of an impact than Bridgeman (probably because it was a Supreme 
Court decision). Since Feist (1991), many common 
lawhttp://en.wikipedia.org/wiki/Common_law countries have moved 
towards applying the threshold of originality standard and away from 
the sweat of the brow standard.[1] Canada, for example, now largely 
follows Feist. Even UK jurisprudence is gradually transitioning (and is 
currently inconsistent). (Australia, however, is still decidedly sweat 
based). The enactment of database rights throughout Europe has made this 
transition easier, as even without sweat of the brow, database IP is now 
protected (independent of copyright) throughout Europe.

Israel is both a common law and civil law country. I'm not aware of any 
court cases in Israel that have addressed this issue so far. It will be 
interesting to see how this issue plays out there. For the record, 
though, I would never trust a museum to give me a accurate assessment of 
the state of copyright law in a given country.

1. Gervais, Daniel J. (Summer 2002). Feist Goes Global: A Comparative 
Analysis of the Notion of Originality in Copyright Law. /Journal of the 
Copyright Society of the U.S.A./ *49*: 949--981.

Ryan Kaldari

On 9/26/11 3:39 PM, Anthony wrote:
 On Mon, Sep 26, 2011 at 4:43 PM, Ray Saintongesainto...@telus.net  wrote:
 On 09/26/11 12:27 PM, emijrp wrote:
 If originals don't have copyright, how can The Israel Museum claim any
 copyright for scans which lack originality?[1]

 [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.
 The cited case is a US case, and not necessarily binding in other countries.
 It's not even binding on other districts within the US.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Stephen Bain
On Wed, Sep 28, 2011 at 4:35 AM, Ryan Kaldari rkald...@wikimedia.org wrote:

 (Australia, however, is still decidedly sweat
 based).

Well, we recently confirmed that computers can't have sweat on their
brows. So there's some progress!

http://www.thenewlawyer.com.au/article/high-court-closes-book-on-telstra/531627.aspx

-- 
Stephen Bain
stephen.b...@gmail.com

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Ryan Kaldari
Wow, it looks like I may be wrong. Very good news from Australia! Thanks 
for the link.

Ryan Kaldari

On 9/27/11 11:57 AM, Stephen Bain wrote:
 On Wed, Sep 28, 2011 at 4:35 AM, Ryan Kaldarirkald...@wikimedia.org  wrote:
 (Australia, however, is still decidedly sweat
 based).
 Well, we recently confirmed that computers can't have sweat on their
 brows. So there's some progress!

 http://www.thenewlawyer.com.au/article/high-court-closes-book-on-telstra/531627.aspx


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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Anthony
On Tue, Sep 27, 2011 at 8:07 PM, Anthony wikim...@inbox.org wrote:
 By the common meaning of the word original, I'd say the photograph
 *is* original.  OTOH, under US precedent it *probably* isn't within
 the US legal meaning of the term.

I should add that, in my US analysis, I was making the assumption that
there was no creative post-processing of the photograph, which on
second thought is not a safe assumption.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Anthony
On Tue, Sep 27, 2011 at 2:35 PM, Ryan Kaldari rkald...@wikimedia.org wrote:
 As far as law outside the U.S. is concerned, the Feist decision has had
 more of an impact than Bridgeman (probably because it was a Supreme
 Court decision). Since Feist (1991), many common
 lawhttp://en.wikipedia.org/wiki/Common_law countries have moved
 towards applying the threshold of originality standard and away from
 the sweat of the brow standard.[1] Canada, for example, now largely
 follows Feist. Even UK jurisprudence is gradually transitioning (and is
 currently inconsistent).

UK requires originality.  But it's not at all clear that a photograph
of something out of copyright is unoriginal (even if that something is
two dimensional).

By the common meaning of the word original, I'd say the photograph
*is* original.  OTOH, under US precedent it *probably* isn't within
the US legal meaning of the term.  In any case, any copyright on the
photograph of course does not extend to the text.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-27 Thread Nikola Smolenski
On Tue, 2011-09-27 at 20:07 -0400, Anthony wrote:
 UK requires originality.  But it's not at all clear that a photograph
 of something out of copyright is unoriginal (even if that something is
 two dimensional).
 
 By the common meaning of the word original, I'd say the photograph
 *is* original.  OTOH, under US precedent it *probably* isn't within

http://www.merriam-webster.com/dictionary/original?show=1t=1317181660

1
: of, relating to, or constituting an origin or beginning : initial
the original part of the house 

The photograph does not constitute an origin or beginning.

2
a : not secondary, derivative, or imitative an original composition

The photograph is secondary, derivative and imitative.

b : being the first instance or source from which a copy, reproduction,
or translation is or can be made 

The photograph is not the first instance.

3
: independent and creative in thought or action : inventive an
original artist 

The photograph is not independent or creative.


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[Foundation-l] Dead Sea Scrolls

2011-09-26 Thread emijrp
Hi all;

Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The Israel
Museum. Congratulations.

By they way: Hi Wikimedia Israel.

Regards,
emijrp

[1] http://dss.collections.imj.org.il/
[2] http://dss.collections.imj.org.il/terms_pg
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Neil Babbage
The digital copies of the Dead Sea Scrolls have copyright, not the 
originals...

On 26/09/2011 19:58, emijrp wrote:
 Hi all;

 Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The Israel
 Museum. Congratulations.

 By they way: Hi Wikimedia Israel.

 Regards,
 emijrp

 [1] http://dss.collections.imj.org.il/
 [2] http://dss.collections.imj.org.il/terms_pg
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread emijrp
If originals don't have copyright, how can The Israel Museum claim any
copyright for scans which lack originality?[1]

[1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.

2011/9/26 Neil Babbage n...@thebabbages.com

 The digital copies of the Dead Sea Scrolls have copyright, not the
 originals...

 On 26/09/2011 19:58, emijrp wrote:
  Hi all;
 
  Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The
 Israel
  Museum. Congratulations.
 
  By they way: Hi Wikimedia Israel.
 
  Regards,
  emijrp
 
  [1] http://dss.collections.imj.org.il/
  [2] http://dss.collections.imj.org.il/terms_pg
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Sarah Stierch
As the British Museum.

Hehehehe.

--Sarah (Stierch)

On Mon, Sep 26, 2011 at 3:27 PM, emijrp emi...@gmail.com wrote:

 If originals don't have copyright, how can The Israel Museum claim any
 copyright for scans which lack originality?[1]

 [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.

 2011/9/26 Neil Babbage n...@thebabbages.com

  The digital copies of the Dead Sea Scrolls have copyright, not the
  originals...
 
  On 26/09/2011 19:58, emijrp wrote:
   Hi all;
  
   Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The
  Israel
   Museum. Congratulations.
  
   By they way: Hi Wikimedia Israel.
  
   Regards,
   emijrp
  
   [1] http://dss.collections.imj.org.il/
   [2] http://dss.collections.imj.org.il/terms_pg
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-- 
GLAMWIKI Partnership Ambassador for Wikimedia http://www.glamwiki.org
Wikipedian-in-Residence, Archives of American
Arthttp://en.wikipedia.org/wiki/User:SarahStierch
and
Sarah Stierch Consulting
*Historical, cultural  artistic research  advising.*
--
http://www.sarahstierch.com/
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Sarah Stierch
ASK THE NATIONAL PORTRAIT GALLERY.

Damn. Joke fail.

-Sarah

On Mon, Sep 26, 2011 at 3:31 PM, Sarah Stierch sarah.stie...@gmail.comwrote:

 As the British Museum.

 Hehehehe.

 --Sarah (Stierch)

 On Mon, Sep 26, 2011 at 3:27 PM, emijrp emi...@gmail.com wrote:

 If originals don't have copyright, how can The Israel Museum claim any
 copyright for scans which lack originality?[1]

 [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.

 2011/9/26 Neil Babbage n...@thebabbages.com

  The digital copies of the Dead Sea Scrolls have copyright, not the
  originals...
 
  On 26/09/2011 19:58, emijrp wrote:
   Hi all;
  
   Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The
  Israel
   Museum. Congratulations.
  
   By they way: Hi Wikimedia Israel.
  
   Regards,
   emijrp
  
   [1] http://dss.collections.imj.org.il/
   [2] http://dss.collections.imj.org.il/terms_pg
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 --
 GLAMWIKI Partnership Ambassador for Wikimedia http://www.glamwiki.org
 Wikipedian-in-Residence, Archives of American 
 Arthttp://en.wikipedia.org/wiki/User:SarahStierch
 and
 Sarah Stierch Consulting
 *Historical, cultural  artistic research  advising.*
 --
 http://www.sarahstierch.com/




-- 
GLAMWIKI Partnership Ambassador for Wikimedia http://www.glamwiki.org
Wikipedian-in-Residence, Archives of American
Arthttp://en.wikipedia.org/wiki/User:SarahStierch
and
Sarah Stierch Consulting
*Historical, cultural  artistic research  advising.*
--
http://www.sarahstierch.com/
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Pedro Sanchez
On Mon, Sep 26, 2011 at 2:34 PM, Sarah Stierch sarah.stie...@gmail.com wrote:
 ASK THE NATIONAL PORTRAIT GALLERY.

 Damn. Joke fail.

 -Sarah


Emijrp has a valid point.

We routinely dismiss this kind of bogus claims of copyright from museums

-- 
Pedro Sánchez
http://drini.mx
@combinatorica

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Chris Keating



 Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The Israel
 Museum. Congratulations.


If the Dead Sea Scrolls were divinely inspired, like other Biblical texts,
then there is an argument that the author is still alive ;-)

(c) God, 2011
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Ray Saintonge
On 09/26/11 12:27 PM, emijrp wrote:
 If originals don't have copyright, how can The Israel Museum claim any
 copyright for scans which lack originality?[1]

 [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.

The cited case is a US case, and not necessarily binding in other countries.

Claiming copyright is not the same as owning copyright.

Ray

 2011/9/26 Neil Babbagen...@thebabbages.com

 The digital copies of the Dead Sea Scrolls have copyright, not the
 originals...

 On 26/09/2011 19:58, emijrp wrote:
 Hi all;

 Finally, the Dead Sea Scrolls[1] have copyright[2]. Courtesy of The
 Israel
 Museum. Congratulations.

 By they way: Hi Wikimedia Israel.

 Regards,
 emijrp

 [1] http://dss.collections.imj.org.il/
 [2] http://dss.collections.imj.org.il/terms_pg



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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Anthony
On Mon, Sep 26, 2011 at 4:43 PM, Ray Saintonge sainto...@telus.net wrote:
 On 09/26/11 12:27 PM, emijrp wrote:
 If originals don't have copyright, how can The Israel Museum claim any
 copyright for scans which lack originality?[1]

 [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.

 The cited case is a US case, and not necessarily binding in other countries.

It's not even binding on other districts within the US.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Anthony
On Mon, Sep 26, 2011 at 6:57 PM, emijrp emi...@gmail.com wrote:
 OMG ISRAEL IS OUT OF USA? REALLY?

 Come on. The point here is that originality is a common requirement for
 claiming copyright.

http://en.wikipedia.org/wiki/Sweat_of_the_brow

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread emijrp
OMG ISRAEL IS OUT OF USA? REALLY?

Come on. The point here is that originality is a common requirement for
claiming copyright.

2011/9/27 Anthony wikim...@inbox.org

 On Mon, Sep 26, 2011 at 4:43 PM, Ray Saintonge sainto...@telus.net
 wrote:
  On 09/26/11 12:27 PM, emijrp wrote:
  If originals don't have copyright, how can The Israel Museum claim any
  copyright for scans which lack originality?[1]
 
  [1] http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp.
 
  The cited case is a US case, and not necessarily binding in other
 countries.

 It's not even binding on other districts within the US.

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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Liam Wyatt
Wikimedia Israel and I met with the Israel Museum in the days immediately
following Wikimania. The specific purpose of that event was to set up a
'Wikipedian in Residence' position at their research centre, starting with a
project to create articles about Israeli artists in English and Hebrew
Wikipedias. This is described in the August This Month in GLAM report:
http://outreach.wikimedia.org/wiki/GLAM/Newsletter/August_2011/Contents/Israel_report

Unsurprisingly, when we were giving our introduction presentation about what
Wikimedia does, what we stand for and how we operate, the issue of
Copyright-in-scans-of-Public-Domain-work was raised. Quite directly
actually. We informed the museum on no uncertain terms that Wikimedia's
policy is to follow the Bridgeman v. Corel precedent. They responded that it
is standard practice of the museum industry worldwide to claim copyright in
scans and that Bridgeman is not a precedent in Israel. All of which is true
and correct.

Which brings us back to the same position we have with every museum that
makes these copyright claims. We must stand by our principles and provide
our readers with access to digitised versions of public-domain cultural
heritage (such as the dead sea scrolls) when we have access to them. The
museums must realise this is a key point of both principle and law for us.
However, we must also try to politely stand by these principles in a way
that is not deliberately antagonistic towards the museum - especially
towards museums that are willing to work with us like the Israel Museum is.
We are on the same side when it comes to sharing knowledge and public
education, we just go about it in different ways.

We cannot expect museums to arrive at free-culture-compliant policies in one
day. It will take time to make them comfortable with it. In the mean time it
is our duty to demonstrate the value and advantages of sharing their content
whilst (politely but firmly) criticising the current policies. Maybe one day
our productive relationship with the Israel Museum will eventuate in them
*inviting* us to have an editing-day dedicated to the Dead Sea Scrolls and
will proactively *share* their own multimedia. Who knows? In the mean time,
if you would like to get involved with the Israel Museum project you can
read more here http://en.wikipedia.org/wiki/Wikipedia:GLAM/IMJ

-Liam

wittylama.com/blog
Peace, love  metadata
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Re: [Foundation-l] Dead Sea Scrolls

2011-09-26 Thread Harel Cain
We can have our fresh and promising Wikimedian-in-Residence there raise the
issue with museum staff. This news took us by surprise.
Apparently, the Google-IMJ project is quite a bit more than simple scanning
of the material, it involves more hypertextual contextual work.

Please, a more friendly and less sarcastic attitude will certainly help
here. The museum has been showing  a great deal of good faith in its GLAM
cooperation with us, and doesn't deserve this kind of attitude.

We certainly don't want to run into a collision course with the Museum over
this thing. The Dead Sea Scrolls are perhaps the museum's most important
item on display, and a world-class cultural heritage item. Which means that
as much as it matters to us, it will matter greatly to the museum, this is
not some secondary work of art which they might turn a blind eye to
copyright infringement on. We (WMIL) will look into the matter.


Harel Cain
Secretary, Wikimedia Israel

On Tue, Sep 27, 2011 at 02:40, Liam Wyatt liamwy...@gmail.com wrote:

 Wikimedia Israel and I met with the Israel Museum in the days immediately
 following Wikimania. The specific purpose of that event was to set up a
 'Wikipedian in Residence' position at their research centre, starting with a
 project to create articles about Israeli artists in English and Hebrew
 Wikipedias. This is described in the August This Month in GLAM report:
 http://outreach.wikimedia.org/wiki/GLAM/Newsletter/August_2011/Contents/Israel_report

 Unsurprisingly, when we were giving our introduction presentation about
 what Wikimedia does, what we stand for and how we operate, the issue of
 Copyright-in-scans-of-Public-Domain-work was raised. Quite directly
 actually. We informed the museum on no uncertain terms that Wikimedia's
 policy is to follow the Bridgeman v. Corel precedent. They responded that it
 is standard practice of the museum industry worldwide to claim copyright in
 scans and that Bridgeman is not a precedent in Israel. All of which is true
 and correct.

 Which brings us back to the same position we have with every museum that
 makes these copyright claims. We must stand by our principles and provide
 our readers with access to digitised versions of public-domain cultural
 heritage (such as the dead sea scrolls) when we have access to them. The
 museums must realise this is a key point of both principle and law for us.
 However, we must also try to politely stand by these principles in a way
 that is not deliberately antagonistic towards the museum - especially
 towards museums that are willing to work with us like the Israel Museum is.
 We are on the same side when it comes to sharing knowledge and public
 education, we just go about it in different ways.

 We cannot expect museums to arrive at free-culture-compliant policies in
 one day. It will take time to make them comfortable with it. In the mean
 time it is our duty to demonstrate the value and advantages of sharing their
 content whilst (politely but firmly) criticising the current policies. Maybe
 one day our productive relationship with the Israel Museum will eventuate in
 them *inviting* us to have an editing-day dedicated to the Dead Sea Scrolls
 and will proactively *share* their own multimedia. Who knows? In the mean
 time, if you would like to get involved with the Israel Museum project you
 can read more here http://en.wikipedia.org/wiki/Wikipedia:GLAM/IMJ

 -Liam

 wittylama.com/blog
 Peace, love  metadata





-- 
Quidquid latine dictum sit, altum videtur.
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