[Frameworks] Steenbecks?

[Nicole Baker Peterson]

Hello! I have seen some steenbecks on offer over time, and was wondering if
there are any currently collecting dust somewhere in the UK?
Any leads are appreciated.


Nicole Elaine Baker Peterson (she/her/they)
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[Frameworks] 35mm in the UK

[Nicole Baker Peterson]

Hello Frameworkers,

I am seeking 35mm film gear in the UK. Not cameras, but a projector and
editing equipment. Is there anything out there? Ideally something that is
more user friendly.

Thanks everyone!



Nicole Elaine Baker Peterson (she/her/they)
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Re: [Frameworks] 16mm film looper

[Nicole Baker Peterson]

Thank you! This is excellent.

*MY EMAIL ADDRESS IS CHANGING!*
Please update your contacts to: *nic...@magiklantern.com
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On Thu, Aug 26, 2021 at 8:56 PM Ugo Bo  wrote:

> Il giorno gio 26 ago 2021 alle ore 10:18 Nicole
>  ha scritto:
> > If you do not mind, I would very much like to see a drawing of the
> method you described!
> > Thank you for sharing.
>
> happy to share, see attached files: instructions and video. The steel
> wire gizmo in front of the projector is just optional, but helps to
> keep film braces not touching.
>
> To avoid scratches a good point is always to lube your film. But about
> what to use to do it opinions are very different!
>
> Il giorno gio 26 ago 2021 alle ore 13:59 Julian Antos
>  ha scritto:
> > YMMV, but a good looper should not scratch film after even several
> hundred runs. Not that it doesn't happen, but they can be made to run very
> gently.
>
> Yes, but the Poor-Man-Looper is free (just the cost of two reels)
>
> But in any looper scratches happen because film is fed and pulled out
> at the same speed, and every loop turns at a slightly different
> rotational speed in respect to the adiacent one. So every loop always
> slides against the others. Closed loop platter systems avoids this by
> shaping the loops in a sort of flower shape - see here:
>
> https://www.maxluxitalia.com/cgi-bin/pdf/schedetecniche/piatto_kinoton_st2000.pdf
> ,
> but not many projectionist loved it!
>
> cheers
> Livio
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[Frameworks] Night shooting

[Nicole Baker Peterson]

Hello Frame workers,

I'm looking for some advice regarding which film stocks to use while
shooting light displays (likely both LEDs and incandescents) at night.

I have a look something like the old (1905ish?) Edison "Coney Island at
Night" in mind, but in color and with a bit more depth and details.

Any advice is welcome! Thanks everybody.

Nicole
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Re: [Frameworks] RIP Gene Youngblood

[Nicole Baker Peterson]

To Jane and the greater Frameworks community,

My condolences to all. We lost an important member of the moving image
world recently and I for one am so grateful that I had the opportunity to
interact with Gene to the small degree being part of this listserv allowed.
Thank you everyone for sharing your memories and thoughts to the list.
Nicole Elaine Baker Peterson (she/her/they)
Instructor, Community Education
Pacific Northwest College of Art
*www.magiklantern.com *





On Thu, Apr 8, 2021 at 9:26 PM GENE YOUNGBLOOD  wrote:

> Dear Frameworks Community,
>
> I am Gene's wife, Jane Youngblood.  Gene valued your community very much.
> He relied on the Frameworks Community for collegial friendship and research
> support.
>
> On May 4, 2020, Gene suffered and survived his first and only massive
> heart attack.  A stent was placed in his right coronary artery.  He then
> had to undergo a year of anti-coagulation therapy to protect him from a
> clot forming in the stent.
>
> Gene's cause of death is not known yet.  Most likely the cause is related
> to his heart attack.  It appears he may have had a stroke that injured his
> medulla oblongata, based on his symptoms and behavior over January-March
> this year.
>
> Gene donated his brain to UCLA's Brain Research Institute.
> http://www.bri.ucla.edu/research/resources   One feature of UCLA's BRI is
> that they will send me a report of their full research findings.  This way
> his cause of death will be known.
>
> A memorial service for Gene is being planned and will be hosted by the
> Currents New Media Festival in June 2021.  When plans for the memorial are
> finalized, I'll post them to the Frameworks listserv.
>
> Gene was on hospice.  He died peacefully at home at 8 p.m., April 6th.
>
> I'm grateful to all who've expressed their respect, love and deep
> appreciation of Gene.  Your tributes are deeply consoling.
>
> In gratitude,
>
> Jane
>
>
>
>
>
>
> On 04/08/2021 7:26 AM D. Stanek  wrote:
>
>
>
> I too was shocked and saddened to learn this news.  The obituary in
> *Artnews* offers a few more details.  I send my sympathy and best wishes
> to Gene's family and friends.
>
> https://www.artnews.com/art-news/news/gene-youngblood-expanded-cinema-media-theorist-dead-1234589034/
>
> Damon Stanek
>
> On Thu, Apr 8, 2021 at 7:41 AM FrameWorks Admin < framewo...@re-voir.com>
> wrote:
>
> I just read that longtime FrameWorks member and media scholar Gene
> Youngblood passed away two days ago.
> https://www.artforum.com/news/gene-youngblood-1942-2021-85439
> I’m surprised to learn this somewhat by accident but I thought I should
> share it with this list as Gene often posted here.
> He was quite active recently. I have no idea what happened. If anyone has
> any information, please share.
> - Pip Chodorov
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Re: [Frameworks] Microcinemas around the world

[Nicole Baker Peterson]

Ugh, Chris I am so sorry to hear that! Working with Boathouse to organize a
screening in 2019 was a great time and I looked forward to getting back
there when I was back in the states!
Any idea what will become of the space?

Nicole Elaine Baker Peterson
Founder & Head Programmer, Media Monsters
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*



On Thu, Mar 18, 2021 at 12:14 PM Chris Freeman <
christopherbriggsfree...@gmail.com> wrote:

> I was co-running Boathouse Microcinema in Portland, Oregon (USA), but we
> didn't survive the pandemic.
>
> We are keeping our screening archive up though -
> https://www.boathousemicrocinema.com/
>
>
>
> On Sat, Mar 13, 2021 at 10:27 AM Gilbert Guerrero <
> gilb...@shapeshifterscinema.com> wrote:
>
>> Hi Elena,
>>
>> We run a microcinema in Oakland, California called *Shapeshifters
>> Cinema.* We started as a monthly Expanded Cinema series in 2012.
>>
>> http://shapeshifterscinema.com
>>
>> We have a couple of shows and workshops coming up, online, via
>> livestream, including both a workshop and show tomorrow, Sunday, March
>> 14th!
>>
>> *Andy Puls*
>> Sunday, March 14, 2021, 7pm PST
>> Live broadcast via our streaming channel
>>
>> Andy Puls beams down from his woodland retreat with a performance of live
>> generative music and colored light pieces made using his homemade "Melody
>> Oracle" electronic music and synchronized refractive light projection
>> system.
>> http://shapeshifterscinema.com/livestream/
>>
>> *Found Sound*
>> Instructor: Cheryl Leonard
>> March 14th, 2021 1-4pm PST and March 21st, 2021 2-4pm PST
>> Meeting via live video, $35 registration fee
>> Explore techniques for making and recording unusual sounds in this
>> two-day workshop led by composer/instrument-builder/field recordist Cheryl
>> E. Leonard.
>>
>> https://shop.shapeshifterscinema.com/collections/workshops/products/found-sound-workshop-with-cheryl-leonard
>>
>> Cheers,
>> Gilbert
>>
>>
>> On Fri, Mar 12, 2021 at 11:11 AM Elena Duque 
>> wrote:
>>
>>> Thanks, Benjamin! I see you have been doing a great job over there!
>>>
>>> El vie, 12 mar 2021 a las 17:51, Benjamin R. Taylor (<
>>> cont...@benjaminrtaylor.com>) escribió:
>>>
 Hi, Elena,

 Over here in Montréal we have been running *la lumière collective *for
 the past five years.

 www.lalumierecollective.org

 Best,

 Benjamin.

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>>>
>>>
>>> --
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>>> Telf: (+34) 605431072
>>> http://cargocollective.com/elenaduque 
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>>>
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Re: [Frameworks] Plato’s Cave

[Nicole Baker Peterson]

HI Dr. Walley,

I think I can speak for many of us on the frameworks list when I say a big
THANK YOU for being bad and sharing this!
I love all of the amazing writing I have been granted access to from this
list.

Nicole Elaine Baker Peterson
Founder & Head Programmer, Media Monsters
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*



On Thu, Mar 11, 2021 at 9:31 PM Jonathan Walley  wrote:

> Hello Jaime,
>
> Sorry to do this to everyone, but my book *Cinema Expanded: Avant-Garde
> Film in the Age of Intermedia* deals with this a little. I’ve been
> naughty and attached a pdf I’m not supposed to circulate of the relevant
> section of the book. Sorry for the watermark.
>
>
> The Smithson essay to which I refer can be found online (for free) pretty
> easily, I think.
>
> JW
>
> Dr. Jonathan Walley
> Associate Professor
> Department of Cinema
> Denison University
> https://denison.edu/people/jonathan-walley
>
>
>
>
> On Mar 11, 2021, at 9:37 AM, Jaime Cleeland  wrote:
>
> Hi,
>
> Is there any amongst you that can suggest academic readings about
> Underground cinema that draw upon Allegory of the Cave?
>
> Stay safe during these strange times,
>
> Jaime
> Sent from my iPad
>
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Re: [Frameworks] Experimental cinema and video games

[Nicole Baker Peterson]

I second looking at Evan Meaney. Video game imagery is very widespread
throughout glitch film work. The first glitch video was made using a video
game console! Digital TV Dinner 


Nicole Elaine Baker Peterson
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On Tue, Feb 9, 2021 at 1:39 PM Peter Freund  wrote:

> Albert,
>
> Consider: Evan Meaney
> https://www.evanmeaney.com/#film
>
> All best
> Peter
>
>
>
> On Mon, Feb 8, 2021 at 8:43 PM Albert Alcoz  wrote:
>
>> Hello all,
>>
>> Do you know experimental films or videos that use images taken from video
>> games?
>>
>> I wanted to write something concerning the relationship between both
>> areas but I don't know the point of view, yet. There are some films like *Oh,
>> I Can't Stop!* (1976) by Zbig Rybczynski they seem to foresee the
>> First-Person Shooter (FPS) of known videogames as *Doom*. That could be
>> one point of departure, finding experimental films that could have
>> influenced video games.
>>
>> Another approach would be to try to write about those works that use
>> video game images as found footage. In fact this link between these two
>> fields admits dozens of different analyzes, I suppose and I'm just
>> searching to know more about it.
>>
>> Anyway, could you mention films that come to mind on this subject? Some
>> resources, articles or books, maybe?
>>
>> Right now the list of titles I have is the following:
>>
>> *Films and videos:*
>> *Super Mario Clouds*, Cory Arcangel
>> *I Shot Andy Warhol*, Cory Arcangel
>> *She Puppet*, Peggy Ahwesh
>> *Still Remember, Still Dreaming,* Phil Solomon
>> *Last Days in a Lonely Place*, Phil Solomon
>> *No No Nooky T.V.* de Barbara Hammer
>> *Windshield Baby Gameboy Movie*, Clint Enns
>> *And We All Shine On*, Michael Robinson
>> *The Game,* Tasman Richardson
>> Chris Marker's *Second Life*
>> *Estrecho Adventure, *Valeriano López
>> *Cubica*, m.ash
>> Harun Farocki
>> Joan Leandre
>>
>> *Resources:*
>> Screening: Avant-Game program at the Melnitz Movies, Los Angeles Filmforum
>> Exhibition: Games for Windows: Experiments with Game Footage
>> Website: https://monoskop.org/Game_art
>> Playlist: Game over (Xcèntric):
>> http://xcentric.cccb.org/en/menus/fitxa/game-over-/233181
>>
>> Any suggestion will be appreciated.
>> Thank you very much,
>>
>> Albert Alcoz
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>
>
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Re: [Frameworks] Seeking 16mm/8mm water textures - paying to license

[Nicole Baker Peterson]

Hi Carrie,
I shot a significant amount of water scenes on 16mm for my most recent
film. I have footage from the Oregon Coast, the Puget Sound between Seattle
and Victoria, BC, and Crater Lake. All of it was hand processed so it
includes a significant amount of "artifacts" and sometimes imperfect
exposure/development. There are no people in any of the shots.
You can view a sample here, but keep in mind the footage I have is quite
varied in terms of composition: https://vimeo.com/327166095


If you are interested in seeing more please let me know!
Thanks,
Nicole Elaine Baker Peterson
Founder & Head Programmer, Media Monsters
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On Tue, Feb 2, 2021 at 3:09 AM Carrie Schreck 
wrote:

> Hello! I'm a producer on a series of short films, one of them deals with
> young teens diving for the first time. The director's approach is very
> cinematic verging on experimental and since we have a small budget for
> licensing, I thought I'd reach out to the community and see if anyone had
> something available to look through.
>
> Looking for 5-10 minutes of beach, waves, water, underwater, sun, sand,
> experimental processes, direct-on-film work etc ok, prefer no faces or just
> distant/silhouettes, let me know what you have and we'll discuss screeners
> and licensing!
>
> Thanks film fam, looking forward to seeing your work!
>
>
>
> --
>
>
> *Carrie Schreck, cool chick. *
> *   415>730>1146  *>>>
>
>
>
>
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Re: [Frameworks] Gamestop Kodak?

[Nicole Baker Peterson]

I would be very interested in joining in on something like this.
Please keep me posted.
I don't have $108 million, but I have some hundreds.

Nicole Elaine Baker Peterson
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On Thu, Jan 28, 2021 at 2:53 PM FrameWorks Admin 
wrote:

> Hi Mike,
> There is already an article about this from yesterday, because the price
> of Kodak shares jumped from $9 to $14 yesterday before sliding down to $12
> where it is now.
>
> https://investorplace.com/2021/01/kodk-stock-11-things-to-know-about-kodak-today-as-shares-continue-to-climb/
> 9 million shares changed hands yesterday, so we would need $108 million
> between us experimental filmmakers to make a difference. Any chance we can
> rally a buy?
> The next annual Kodak stock shareholders meeting will take place on or
> around May 20.
> Pip
>
>
> On Jan 28, 2021, at 5:32 PM, Mike Morris  wrote:
> Has anyone previously proposed filmmakers invested in celluloid filmmaking
> collectively purchase Kodak stock so that a voting block could be formed to
> vote to have the company prioritize film production? I don't actually know
> if this is possible or if there are enough of us to pull something like
> that off, but maybe there is someone here who knows a bit more about how
> stocks work that could provide some insight? I've held a small amount of
> Kodak stock in my (meager) retirement fund for a little while, and have
> wondered what involvement in the company this might look like.
>
>
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