[Frameworks] Xinema last minute call for submissions
Sending on behalf of my friend Sidney Gordon in case you haven't seen the call. Lindsay __ Hi All! I thought I would send along XINEMA's recent call, a nomadic experimental film series I run that is primarily based in Vancouver BC, Canada. The deadline is coming up soon on *June 1st*. I realize that I am putting this out on here pretty late, so if the deadline or submission form proves to be a barrier in any way please send us an email (i...@xinema.ca) and we will figure something out! Looking forward to your potential submissions! __ Calling all experimental film and media makers, curators, and workshop facilitators! XINEMA is now accepting experimental film and media submissions, as well as proposals for guest programs and film and media related workshops from local and international artists and curators. !!DEADLINE TO APPLY: JUNE 1, 2024!! CALL FOR EXPERIMENTAL FILM & MEDIA ART: https://forms.gle/hmbApk86FL2y8No59 ~Films of any length, format, year, screening history or premiere status will be considered. ~Applicants are welcome and encouraged to submit workshop proposals that coincide with their film's subject matter or material practice. Applicants may also propose curated programs that feature or are based around their own work. CALL FOR WORKSHOPS: https://docs.google.com/forms/d/e/1FAIpQLSef7aKAAYOShas9uWmOVVxQ0rIQdEFSkvP_uuFddKWZerKrlw/viewform?usp=sf_link ~Workshops will be presented primarily in conversation with our thematic programs and with the possibility of being presented in Vancouver BC, the applicant's place of residence, and/or online. ~Applicants are welcome and encouraged to submit curatorial proposals that coincide with their proposed workshops. ~If an applicant has submitted a film, they are also encouraged to submit a workshop proposal that relates to their film's subject matter or material practice. ~No previous teaching experience is required to teach a workshop. CALL FOR GUEST PROGRAMS: https://docs.google.com/forms/d/e/1FAIpQLSforaih3uU8J-FNcUZ_6ILlZ7XjbVrAfdp_3QIiKGy-n02agg/viewform?usp=sf_link ~Applicants are welcome and encouraged to submit workshop proposals that coincide with their curatorial proposal. This could be a workshop taught by the program curator that relates to the proposed program's theme, or a workshop led by an artist whose work is featured in the proposed program. ~Applicants may propose curated programs that include or are based around their own work; solo screenings or retrospectives that feature only one artist's work will not be considered. ~No previous curatorial experience is required to curate a program. XINEMA prioritizes submissions from members of underrepresented and equity deserving communities, including those from racialized groups, Indigenous peoples, people with disabilities, women, and LGTBQIA2S+ people. Proposals of workshop and guest programs at various stages of development will be considered, and in some instances XINEMA may work with the artist/curator to refine working concepts. Guest program or workshop proposals from collectives and/or community organizations are encouraged. Artist, curator, and facilitator fees, as well as material budgets will be assessed on a project to project basis. For related inquiries email i...@xinema.ca. XINEMA is an ongoing series that showcases emerging and established filmmakers within and beyond "Vancouver", BC to strengthen and preserve the experimental film scene. Website: www.xinema.ca Instagram: https://www.instagram.com/xin3ma/ -- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
[Frameworks] EIKI EX-6000 & 6100 with anamorphic lenses
Posting for a friend. I'm hoping these can find a home. Please contact georgeoliverest...@gmail.com for more info. pics here: https://vintagefilms.ca/specials/ EIKI EX-6000 & 6100 for sale with anamorphic lenses We are offering a pair of EIKI stationary 16mm projectors that function as a changeover system, with two anamorphic lenses. Both projectors were sold to my late brother by Robert Film Services in Quebec, Canada, considered a top service technician. Asking $4000 USD for the complete package. The EX-6100 has been tested with film. Everything runs very well. The 1000Watt Ozone free Xenon Lamp is bright, and motor is strong in both directions. Sound amplification is great. Power is 100V AC. The EX-6100 has a broken reel size selection switch, which you can see in one of the photos is located at the base of the upper reel post. The projector has logged over 18,000 hours, so we suspect, judging by the number of hours and the good condition, that this projector came out of a cinema. This projector was among the last models of stationary 16mm projectors built by EIKI in the 1980s. The last machines were produced in 1986 according to the company web site, where you can also find detailed specifications. We did not power up the EX-6000 as we were unsure if there were missing parts, and it requires 220V AC. We examined the basic condition of the projector and found it to be in good condition, with all of the important components to run the projector present. Both machines were serviced by RFS (Robert’s Film Service) in St. Laurent, Quebec before being sold to my late brother. We know that the machines were purchased and then stored waiting for my brother to set up a cinema, which he never did. Two anamorphic lenses are available, one for each projector. There are also 2 Allen-Bradley A-B changeover boxes. KOWA PROMINAR 16-D 44294. Made in Japan. SANKOR ANAMORPHIC 16-D lens No. 4897. Made in Japan. Located in Vancouver, BC, Canada. Best, Lindsay 6048039300 www.tinymovingpictures.com -- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
Re: [Frameworks] breaking down frozen film?
I love that static damage. On Tue, Jan 10, 2023 at 1:27 PM Jeff Kreines wrote: > Remember that if you want the edge numbers to read correctly you need to > wind the entire roll down first and then wind back onto the 100 foot > spools. > > I’ve never heard of 1000 foot 16mm rolls — might it be 1200 feet? > Remember that each 100 foot spool holds about 107-110 feet to account for > threading leader so you probably will need 11 spools if it is a 1200 foot > roll. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > Sent from iPhone. > > > On Jan 10, 2023, at 11:49 AM, rob...@ontosmedia.com wrote: > > > > I would take the condensation warning seriously! I live in Colorado, a > relatively dry place, and even here unspooling frozen film can result in > its getting wet, which is not something you want to spool! I would > definitely bring it up to room temperature first, though refrigerator > temperature might be warm enough. > > > > The other issue is how old is it, and when will you be shooting it? I > once had some Color Neg film that was more than 30 years old, but that had > been frozen that whole time. I thawed it and used it, and it was fine; it > had a slightly elevated fog level, but worked great. However, within some > months (less than a year) the fog increased so much as to make it unusable > for any representative application. > > > > I doubt your film is that old, but do be aware that with older film, > once you thaw it, the degradation clock starts ticking! Better not to thaw > it until you're about ready to use it. > > > > -Robert Schaller > > > >> On 2023-01-10 09:26, Christopher Ball wrote: > >> I have handled frozen film in the arctic before (-30 to -60C), both > >> loading and shooting it, and never had a problem. It is a bit > >> stiffer, but it is still supple. You may want to thaw it though > >> before you open it in a warm room so you don't get condensation on > >> it...or do your loading in a cold, dry room. > >> It is no problem letting it come up to temperature inside the can, > >> then load it, and then refreeze the loaded 100 footers. > >> Christopher Ball > >>> On Tue, Jan 10, 2023 at 11:25 AM Caryn Cline > >>> wrote: > >>> Hi Frameworkers, > >>> I've inherited a 1000 foot load of 16mm film (50D) that I need to > >>> break down into 100 foot daylight spools. It has been kept in a > >>> freezer. I am not ready to shoot it, but storing it in a big reel > >>> in the freezer is a problem. How should I proceed? > >>> Thank you for your advice. > >>> CC > >>> __ > >>> Caryn Cline > >>> Experimental Filmmaker & Teacherwww.vimeo.com/carynyc [1] > >>> Film still from "Film Tattoo" (2020) > >>> _Breathing: brought to you by plants._ --Robin Wall Kimmerer > >>> -- > >>> Frameworks mailing list > >>> Frameworks@film-gallery.org > >> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > >> Links: > >> -- > >> [1] http://www.vimeo.com/carynyc > > > > -- > > Frameworks mailing list > > Frameworks@film-gallery.org > > > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > Frameworks@film-gallery.org > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
Re: [Frameworks] 16mm film looper
This guy makes loopers in Vancouver, BC Sean Arden pardenar...@gmail.com On Thu, Aug 26, 2021 at 7:49 AM Ugo Bo wrote: > Il giorno gio 26 ago 2021 alle ore 10:18 Nicole > ha scritto: > > If you do not mind, I would very much like to see a drawing of the > method you described! > > Thank you for sharing. > > happy to share, see attached files: instructions and video. The steel > wire gizmo in front of the projector is just optional, but helps to > keep film braces not touching. > > To avoid scratches a good point is always to lube your film. But about > what to use to do it opinions are very different! > > Il giorno gio 26 ago 2021 alle ore 13:59 Julian Antos > ha scritto: > > YMMV, but a good looper should not scratch film after even several > hundred runs. Not that it doesn't happen, but they can be made to run very > gently. > > Yes, but the Poor-Man-Looper is free (just the cost of two reels) > > But in any looper scratches happen because film is fed and pulled out > at the same speed, and every loop turns at a slightly different > rotational speed in respect to the adiacent one. So every loop always > slides against the others. Closed loop platter systems avoids this by > shaping the loops in a sort of flower shape - see here: > > https://www.maxluxitalia.com/cgi-bin/pdf/schedetecniche/piatto_kinoton_st2000.pdf > , > but not many projectionist loved it! > > cheers > Livio > -- > Frameworks mailing list > Frameworks@film-gallery.org > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
[Frameworks] film faculty posting at Emily Carr (and others)
Hi All, Just announced is a new tenure-track position in Film + Screen Arts at Emily Carr University in Vancouver, BC. I'm hoping it will be of interest to some of you. Best, Lindsay McIntyre www.tinymovingpictures.com Please see the message below regarding five new faculty positions that have been posted. -- Emily Carr University of Art + Design is a world-renowned learning and research community located on unceded, traditional and ancestral xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) territories in Vancouver, Canada. It is the only post-secondary institution in British Columbia dedicated to the education and practice of art, media and design, and in 2020 it was ranked the top university in Canada for art and design by QS World University Rankings. For more information about Emily Carr University, visit ecuad.ca. ECU has a diverse student body that welcomes people from more than 50 countries. Each individual enriches our institution with their unique perspectives and practices. As part of our commitment to transformation and equality, we want to ensure that our faculty reflects the diversity of our exceptional students. And like many post-secondary institutions, we are working to dismantle a legacy of white supremacy and institutional racism. It’s critical that we empower scholars from all backgrounds to succeed as educators and researchers, to give our students the education they deserve and to shape the future of the university. To realize this goal, we are seeking five new faculty members to join Emily Carr. We recognize that members of Indigenous and racialized communities have been historically underrepresented at our university, as they have at many others. With approval from BC’s Office of the Human Rights Commissioner, we are restricting this employment opportunity to candidates who identify as Indigenous or as a member of a racialized group. The five positions are: - · Assistant Professor in Communication Design <https://ecuad.peopleadmin.ca/postings/1514> - · Assistant Professor in Film and Screen Arts <https://ecuad.peopleadmin.ca/postings/1515> - · Assistant/Associate Professor in Interaction Design <https://ecuad.peopleadmin.ca/postings/1516> - · Assistant/Associate Professor in Photography <https://ecuad.peopleadmin.ca/postings/1517> - · Electronic Resources Librarian <https://ecuad.peopleadmin.ca/postings/1518> An additional three positions will be open in late April 2021 (3D Animation, Studio Art, Print Media). Two of these three positions will also be restricted to Indigenous and racialized candidates. *Applications for all five positions will be reviewed starting March 31, 2021, and continue until the positions are filled. *For more information about each position click on the linked position titles above. Interested candidates may apply online at ecuad.peopleadmin.ca. Emily Carr University is partnering with BIPOC Executive Search to help ensure that people from historically disadvantaged groups are able to participate fully and equitably. Individuals from BIPOC communities seeking more information and support during their application process can email Candice Frederick at cfreder...@bipocsearch.com. *Emily Carr University’s Equity Statement* We acknowledge the potential impact that career interruptions (e.g. parental leave, leave due to illness, etc.) can have on a candidate’s record of practice and research achievement. Applicants are encouraged to identify the impact of career interruptions within their application; this will be taken into careful consideration during the assessment process. Emily Carr University is committed to creating an inclusive, accessible and barrier free workplace. We want to ensure that all participants are able to engage fully in interviews and other activities that are part of the hiring process. If you have any accommodation requests please contact Human Resources (*h...@ecuad.ca *). All requests for accommodation will be treated confidentially. All qualified candidates who identify as Indigenous or as a member of a racialized group are encouraged to apply. However, Canadians and permanent residents of Canada will be given priority. While we thank all candidates for their interest, only those short‐listed will be contacted. -- If you could kindly take a moment to share these postings with your creative and professional networks. Please do not hesitate to reach out with any questions. h...@ecuad.ca -- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
Re: [Frameworks] Palgrave hardback sale
Thanks Kim, I got one too! Best, Lindsay McIntyre www.tinymovingpictures.com On Tue, Dec 22, 2020 at 8:57 AM Brandon Walley wrote: > Thanks Kim, finally ordered! > > Brandon Walley > > he/him/his > www.brandonwalley.com > vimeo.com/brandonwalley > > 2020 Kresge Fellow > <http://www.kresgeartsindetroit.org/portfolio-posts/brandon-walley> > > +++ > > Media City Film Festival <https://mediacityfilmfestival.com/> > > > On Tue, Dec 22, 2020 at 11:08 AM Kim Knowles < > kim.know...@edfilmfest.org.uk> wrote: > >> Dear Frameworkers, >> >> >> >> For anyone wanting to purchase the hard copy of my recent book *Experimental >> Film and Photochemical Practices*, Palgrave Macmillan are having a big >> sale on hardbacks until the end of the month. You should be able to grab a >> discounted copy by clicking on the sale tab and then searching for the book >> (it doesn’t always come up with the discount otherwise): >> https://www.palgrave.com/gp/shop/holiday-sale?token=best20pal. I’m not >> sure how worldwide this sale is but it seems to span the UK, Europe and the >> USA at least. >> >> >> >> Other books in the Experimental Film and Artists’ Moving Image series >> (Vicky Smith and Nicky Hamlyn’s *Experimental and Expanded Animation*, >> and Sarah Durcan’s *Memory and Intermediality in Artists’ Moving Image*) >> are also discounted. >> >> >> >> Wishing you a restful holiday period. >> >> Kim >> >> >> >> >> >> Kim Knowles >> >> Experimental Film Programmer >> >> EIFF is an accredited Real Living Wage employer. >> >> === >> KEEP IN TOUCH WITH EIFF >> Become a web member for FREE and receive news and offers: >> http://www.edfilmfest.org.uk/register >> Follow EIFF at: https://twitter.com/edfilmfest or >> http://www.facebook.com/edfilmfest >> === >> t. +44(0)131 228 4051 >> w. http://www.edfilmfest.org.uk >> 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom >> The Edinburgh International Film Festival Limited is a subsidiary of the >> Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: >> 502 548861. Registered Office: 88 Lothian Road, Edinburgh. >> -- >> Frameworks mailing list >> Frameworks@film-gallery.org >> http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > -- > Frameworks mailing list > Frameworks@film-gallery.org > http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- Frameworks mailing list Frameworks@film-gallery.org http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
