[Frameworks] burning city

[jaime cleeland]

https://archive.org/details/DeadCitiesAntiFilmNoise
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Re: [Frameworks] Student Film/Video Fests?

[David Tetzlaff]

I think NextFrame may be kaput, or maybe on hiatus. They always used to show 
the finalists at UFVA, but there was nothing on the program last year. I didn't 
actually go to the conference, so I don't know if there was some late 
appearance, but the NextFrame website still says, "Check back for the winners 
in August 2013."

Anyway, NextFrame was never a good venue for experimental work, especially for 
undergrads. Their "experimental" program was always short, and always dominated 
by entries from European film academies that employed a lot of 'clever' 
high-tech special effects.

It would be nice if some of the established festivals or venues that show 
experimental-as-we-understand-it stuff had the sort of thing Benjamin is 
talking about: a 'young makers" showcase limited to first-time makers and/or 
makers under a certain age limit (say, 21 and under). Steve? Roger? Bryan? 
Anybody? Bueller? :-)
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Re: [Frameworks] Student Film/Video Fests?

[Kelly Gallagher]

Hey Benjamin!
Temple University in the past has put on a really awesome student film
festival called Next Frame. I think it's still running!--
http://smc.temple.edu/fma/projects/film-festivals/nextframe-student-film-festival/
(I think it's for both grad students and undergrads). I'll keep racking my
brain for others...
-Kelly






On Wed, Apr 2, 2014 at 11:02 PM, James Kreul  wrote:

> Visions Film Festival and Conference at University of North Carolina
> Wilmington.
>
> Going on this week, as a matter of fact...
>
> http://www.visionsfilm.org/
>
> James Kreul
> kre...@gmail.com
>
>
> On Wed, Apr 2, 2014 at 10:59 PM, Benjamin Pearson <
> b.seth.pear...@gmail.com> wrote:
>
>> Hello all!
>> I am wondering if anyone has any leads/suggestions for fests that are
>> friendly to (undergraduate) student experimental film and video makers? By
>> friendly I mean something along the lines of no/low cost, preferential
>> focus on young/emerging artists (or have specific categories for such
>> artists as part of a larger fest) whose emphasis is on works other than
>> traditional narrative, documentary or music videos. Any and all ideas would
>> be greatly appreciated by me, and even more by the young artists who are
>> subject to benefit from such info!! thank you in advance!
>> -Benjamin Pearson
>>
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Re: [Frameworks] Student Film/Video Fests?

[James Kreul]

Visions Film Festival and Conference at University of North Carolina
Wilmington.

Going on this week, as a matter of fact...

http://www.visionsfilm.org/

James Kreul
kre...@gmail.com


On Wed, Apr 2, 2014 at 10:59 PM, Benjamin Pearson
wrote:

> Hello all!
> I am wondering if anyone has any leads/suggestions for fests that are
> friendly to (undergraduate) student experimental film and video makers? By
> friendly I mean something along the lines of no/low cost, preferential
> focus on young/emerging artists (or have specific categories for such
> artists as part of a larger fest) whose emphasis is on works other than
> traditional narrative, documentary or music videos. Any and all ideas would
> be greatly appreciated by me, and even more by the young artists who are
> subject to benefit from such info!! thank you in advance!
> -Benjamin Pearson
>
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[Frameworks] Student Film/Video Fests?

[Benjamin Pearson]

Hello all!
I am wondering if anyone has any leads/suggestions for fests that are
friendly to (undergraduate) student experimental film and video makers? By
friendly I mean something along the lines of no/low cost, preferential
focus on young/emerging artists (or have specific categories for such
artists as part of a larger fest) whose emphasis is on works other than
traditional narrative, documentary or music videos. Any and all ideas would
be greatly appreciated by me, and even more by the young artists who are
subject to benefit from such info!! thank you in advance!
-Benjamin Pearson
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Re: [Frameworks] Films about remediation

[Benjamin Pearson]

Hi Kim - I'm thinking about Jody Mack's Glitch Envy, Evan meaney's "Ceibus 
epilogue - the well of representation" also maybe Frederic moffet's Postface

- Benjamin pearson 

> On Apr 2, 2014, at 3:16 AM, Kim Knowles  wrote:
> 
> Dear Frameworkers,
> 
> Does anyone have any suggestions of films that involve remediation of some 
> sort? I'm thinking the fusion of analogue-digital (which I've posted about 
> before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten 
> Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also 
> interested in earlier examples of one medium/format being contained within or 
> reworked by another medium, for example Martine Rousset's Chants ​or Malcolm 
> Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated!
> 
> Many thanks
> Kim
> ===
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Re: [Frameworks] Films about remediation

[Warren Cockerham]

How about Godard's *Numéro Deux* (1975) I've only seen it once on 3/4"
umatic tape. I recall a section of the film being just two televisions on
which the characters and "narrative" unfolded.




On Wed, Apr 2, 2014 at 4:16 AM, Kim Knowles
wrote:

>  Dear Frameworkers,
>
>
>  Does anyone have any suggestions of films that involve remediation of
> some sort? I'm thinking the fusion of analogue-digital (which I've posted
> about before so I have some titles already - Shambhavi Kaul's *Scene 32*,
> Thorsten Fleisch's *Wound Footage*, Jurgen Reble, Dietmar Brehm), but I'm
> also interested in earlier examples of one medium/format being contained
> within or reworked by another medium, for example Martine Rousset's
> *Chants *or Malcolm Le Grice's *Little Dog For Roger*. Any suggestions
> would be greatly appreciated!
>
>
>  Many thanks
>
> Kim
>
> ===
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> Become a web member for FREE and receive news and offers:
> http://www.edfilmfest.org.uk/register
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> Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No:
> 502 548861. Registered Office: 88 Lothian Road, Edinburgh.
>
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Re: [Frameworks] Films about remediation

[Beebe, Roger W.]

Just had another thought about remediation, although one that moves in a 
slightly different direction than the previous posts.  I was thinking about the 
history of Kinescope recordings, where live TV would be shot on film off of a 
video monitor prior to the introduction of videotape (and, in certain 
circumstances and geographical regions, significantly after that as well).  I 
remember the first time I saw one of these films, I was confused by the feeling 
that there was an extra screen inside the screen.  (I think it was the slight 
reflection off the glass of the monitor that tipped me off.)  There are decades 
of such recordings out there, some fairly significant.  Not sure if this would 
fit in with your programming, but I still thought I'd share.

...
Roger


From: FrameWorks [frameworks-boun...@jonasmekasfilms.com] on behalf of 
sc...@financialcleansing.com [sc...@financialcleansing.com]
Sent: Wednesday, April 02, 2014 1:48 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Films about remediation

There's Hollis Frampton's TRAVELLING MATTE (1971), part of his HAPAX LEGOMENA 
suite. He filmed with a portapak and subsequently filmed the video with 16mm 
film: given the low light conditions created by Frampton's shooting through a 
"tube" made by his hand (his inversion of the traditional travelling matte) the 
"distortions" in the video and the graininess of the b&w film create a strange 
mixed texture.

Scott
 Original Message 
Subject: [Frameworks] Films about remediation
From: Kim Knowles 
mailto:kim.know...@edfilmfest.org.uk>>
Date: Wed, April 02, 2014 1:16 am
To: Experimental Film Discussion List 
mailto:frameworks@jonasmekasfilms.com>>

Dear Frameworkers,

Does anyone have any suggestions of films that involve remediation of some 
sort? I'm thinking the fusion of analogue-digital (which I've posted about 
before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten 
Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested 
in earlier examples of one medium/format being contained within or reworked by 
another medium, for example Martine Rousset's Chants ​or Malcolm Le Grice's 
Little Dog For Roger. Any suggestions would be greatly appreciated!

Many thanks
Kim
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[Frameworks] Paul Sharits multi-projection question

[Ekrem Serdar]

Thanks for the detailed notes everyone! Very helpful. Many cheers,


On Tue, Apr 1, 2014 at 3:18 PM, Andy Ditzler

> wrote:

> Thanks, Peter and Herb, for these clarifications. Looking back at Sharits'
> instructions, the only confusing thing is he asks the projectionist to
> follow a separate diagram of how to project Version B, and this diagram is
> not included. But I agree that you can work out how to do Version B from
> his verbal description, albeit with some keystoning.
>
> Andy
>
>
> Andy Ditzler
> www.filmlove.org
> www.johnq.org
> Graduate Institute of the Liberal Arts, Emory University
>
>
> On Tue, Apr 1, 2014 at 10:15 AM, Herb Shellenberger 
> 
> > wrote:
>
>>  What Peter said. "Version B" was accomplished at a screening here with
>> relatively little difficulty a few years ago just by tilting the
>> projectors, which were running in the middle of the stadium seating, rather
>> than from the booth, to the side a little at timed intervals. The
>> instructions give the times. I believe the keystoning was pretty minor, but
>> that's not the point anyway. Seeing the gradually overlapping images was
>> really interesting, especially when they were fully on top of each other.
>> Peter Kubelka's Monument Film screening at NYFF 2012 also used the
>> technique of projecting flicker films directly on top of each other.
>>
>>
>>
>> As to Ekrem's original question, I don't have anything to add
>> unfortunately.
>>
>> *Herb Shellenberger*
>> *Programs Office Manager*
>> [image: cid:image001.jpg@01CE5258.78B1F010]
>> 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104
>> phone: 215.895.6575   |  fax: 215.895.6562
>> email: 
>> he...@ihphilly.org| web:
>> www.ihousephilly.org
>>
>>
>>
>>
>>
>> *From:* FrameWorks 
>> [mailto:frameworks-boun...@jonasmekasfilms.com]
>> *On Behalf Of *Peter Mudie
>> *Sent:* Tuesday, April 01, 2014 9:56 AM
>>
>> *To:* Experimental Film Discussion List
>> *Subject:* Re: [Frameworks] Paul Sharits multi-projection question
>>
>>
>>
>> Andy - you slowly move the left projector to the right and the right
>> projector to the left until the frames align as one.
>>
>> Peter
>>
>> (Perth)
>>
>>
>>
>> *From: *Andy Ditzler 
>> 
>> >
>> *Reply-To: *Experimental Film Discussion List <
>> frameworks@jonasmekasfilms.com
>> >
>> *To: *Experimental Film Discussion List 
>> 
>> >
>> *Subject: *Re: [Frameworks] Paul Sharits multi-projection question
>>
>>
>>
>> Dear Ekrem,
>>
>>
>>
>> I rented and showed Shutter Interface to my students last fall, and will
>> do so again in a few months. In preparation, I talked to some folks who
>> have also taught the film (hi Jeanne Liotta!) and went looking through all
>> the Sharits writings I could find for any reference to the difference
>> between gallery and theater versions, but found very little on this. I have
>> the same rationale - he made the two-projector version and it remains
>> rentable, so I rent it and show it. It's a super-accessible work.
>>
>>
>>
>> A couple of things - the written instructions you get from Film Coop
>> inside the film can are ambiguous. Use version "A." Version B mentions the
>> effect of making the two frames slowly merge on screen - but gives no
>> instructions for how to accomplish this. (Maybe someone here can clarify?)
>> And the soundtrack needs some extra care, since each projector will have
>> its own sound. So if you are running it through the house PA, you will need
>> to configure the channels so it's stereo sound, not mono. I couldn't access
>> the house PA for this, so my solution was to bring two powered monitor
>> speakers of my own, and run 1/4" out from each Eiki projector to its
>> corresponding speaker. More work, but as you know that's what you're
>> getting into with expanded cinema anyway. By the way, the sound happens
>> only on the black frames. If you know that as you're watching the work,
>> it's even cooler.
>>
>>
>>
>> It's a fantastic projection experience and we all loved it. I left some
>> room behind the projectors for the students to go and observe the color
>> frames as they moved through the projector. If you can see that as you
>> observe the screen, there's no more spectacular lesson in the nature of
>> film projection (that is, the "conversion" of still frames to "motion").
>>
>>
>>
>> Andy Ditzler
>>
>> www.filmlove.org
>>
>> www.johnq.org
>>
>> Graduate Institute of the Liberal Arts, Emory University
>>
>>
>>
>> On Tue, Apr 1, 2014 at 1:02 AM, Ekrem Serdar 
>> >
>> wrote:
>>
>> Heyya Framers,
>>
>>
>>
>>   So based on his notes, it seems that many of Paul Sharits'
>> multi-projector pieces (Shutter Interface, Dream Displacement, among
>> others) are primarily conceived as installations. However, as many of you
>> know, there are also "theatrical" versions of these films, using two
>> projectors instead of four, and foregoing other alterations to the
>> machines. (There's a bunch of these over at Filmmakers Coop.)
>>
>>
>>
>> The question: Would you say its correct that Sharits made these bl

Re: [Frameworks] Films about remediation

[scott]

There's Hollis Frampton's TRAVELLING MATTE (1971), part of his HAPAX LEGOMENA suite. He filmed with a portapak and subsequently filmed the video with 16mm film: given the low light conditions created by Frampton's shooting through a "tube" made by his hand (his inversion of the traditional travelling matte) the "distortions" in the video and the graininess of the b&w film create a strange mixed texture.Scott


 Original Message 
Subject: [Frameworks] Films about remediation
From: Kim Knowles 
Date: Wed, April 02, 2014 1:16 am
To: Experimental Film Discussion List 

   Dear Frameworkers,Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's Chants ​or Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated!Many thanks  Kim === KEEP IN TOUCH WITH EIFF  Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest  === t. +44(0)131 228 4051+44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh.___
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Re: [Frameworks] Films about remediation

[Beebe, Roger W.]

In a similar vein to the list that Andy offers here, Hollis Frampton’s Hapax 
Legomena 1 (nostalgia) makes cinema out of still photos (made cinematic by 
burning them on a hot plate).

And closer to the titles in your original list, Josh (J.B.) Mabe’s “Pastoral” 
reshoots on 16mm a YouTube video of Stan Brakhage’s “Stellar,” which of course 
was made on 16mm film.

And if you’re interested in digital remediation of analogue tape, Evan Meaney’s 
“We Things at Play” turns a VHS tape from 1987 into a digital glitch fest.  
Many of his videos might actually fit this call, including the final 
installment of his Ceibas Cycle, “The Well of Representation,” a digital remake 
of Hollis Frampton’s “Gloria!” as an NES-era video game with a spectral, 
glitched-out ending.

…
Roger

On Apr 2, 2014, at 10:43 AM, Andy Ditzler 
mailto:a...@andyditzler.com>> wrote:

Common examples of film containing/being contained by still photography would 
include (spoiler alert) Wavelength's reduction of film to a still photograph in 
its final minutes (mirroring the still images on the film strip), and Morgan 
Fisher's Production Stills, which photo-documents its own making. Also check 
David MacDougall's Photo-Wallahs. Malcolm LeGrice's performance of After 
Leonardo 73-13 at Eyebeam last November centered on multiple (live) video 
reproductions of a magazine reproduction of the Mona Lisa. Warhol's Screen 
Tests are filmic meditations on an (ostensibly) unmoving subject per still 
photography portraiture. Scott Stark's Angel Beach and Posers, as well. Too 
many others to mention!

Warhol's Outer and Inner Space is a classic film/video merger.

Many of Yoko Ono's film scripts cannot necessarily be realized as films and 
must be performed rather than filmed.

A recent Contraband Cinema show here in Atlanta presented some newer 
VCR-derived digital work:
http://contrabandcinema.com/400/broken-beauty-a-show-on-glitch-march-22-2014.html


Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University


On Wed, Apr 2, 2014 at 4:16 AM, Kim Knowles 
mailto:kim.know...@edfilmfest.org.uk>> wrote:

Dear Frameworkers,


Does anyone have any suggestions of films that involve remediation of some 
sort? I'm thinking the fusion of analogue-digital (which I've posted about 
before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten 
Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested 
in earlier examples of one medium/format being contained within or reworked by 
another medium, for example Martine Rousset's Chants or Malcolm Le Grice's 
Little Dog For Roger. Any suggestions would be greatly appreciated!


Many thanks

Kim

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Re: [Frameworks] Films about remediation

[Andy Ditzler]

Common examples of film containing/being contained by still photography
would include (spoiler alert) Wavelength's reduction of film to a still
photograph in its final minutes (mirroring the still images on the film
strip), and Morgan Fisher's Production Stills, which photo-documents its
own making. Also check David MacDougall's Photo-Wallahs. Malcolm LeGrice's
performance of After Leonardo 73-13 at Eyebeam last November centered on
multiple (live) video reproductions of a magazine reproduction of the Mona
Lisa. Warhol's Screen Tests are filmic meditations on an (ostensibly)
unmoving subject per still photography portraiture. Scott Stark's Angel
Beach and Posers, as well. Too many others to mention!

Warhol's Outer and Inner Space is a classic film/video merger.

Many of Yoko Ono's film scripts cannot necessarily be realized as films and
must be performed rather than filmed.

A recent Contraband Cinema show here in Atlanta presented some newer
VCR-derived digital work:
http://contrabandcinema.com/400/broken-beauty-a-show-on-glitch-march-22-2014.html


Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University


On Wed, Apr 2, 2014 at 4:16 AM, Kim Knowles
wrote:

>  Dear Frameworkers,
>
>
>  Does anyone have any suggestions of films that involve remediation of
> some sort? I'm thinking the fusion of analogue-digital (which I've posted
> about before so I have some titles already - Shambhavi Kaul's *Scene 32*,
> Thorsten Fleisch's *Wound Footage*, Jurgen Reble, Dietmar Brehm), but I'm
> also interested in earlier examples of one medium/format being contained
> within or reworked by another medium, for example Martine Rousset's
> *Chants *or Malcolm Le Grice's *Little Dog For Roger*. Any suggestions
> would be greatly appreciated!
>
>
>  Many thanks
>
> Kim
>
> ===
> KEEP IN TOUCH WITH EIFF
> Become a web member for FREE and receive news and offers:
> http://www.edfilmfest.org.uk/register
> Follow EIFF at: https://twitter.com/edfilmfest or
> http://www.facebook.com/edfilmfest
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> f. +44(0)131 229 5501
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> 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom
> The Edinburgh International Film Festival Limited is a subsidiary of the
> Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No:
> 502 548861. Registered Office: 88 Lothian Road, Edinburgh.
>
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Re: [Frameworks] Films about remediation

[nicky . hamlyn]

David Larcher: EETC: an inventive fusion of of 16mm and analogue video,

Nicky.

 

 

 

-Original Message-
From: Kim Knowles 
To: Experimental Film Discussion List 
Sent: Wed, 2 Apr 2014 9:17
Subject: [Frameworks] Films about remediation



Dear Frameworkers,



Does anyone have any suggestions of films that involve remediation of some 
sort? I'm thinking the fusion of analogue-digital (which I've posted about 
before so I have some titles already - Shambhavi Kaul'sScene 32, Thorsten 
Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested 
in earlier examples of one medium/format being contained within or reworked by 
another medium, for example Martine Rousset'sChants ​or Malcolm Le Grice's 
Little Dog For Roger. Any suggestions would be greatly appreciated!



Many thanks

Kim





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Registered Office: 88 Lothian Road, Edinburgh.
 
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[Frameworks] Films about remediation

[Kim Knowles]

Dear Frameworkers,


Does anyone have any suggestions of films that involve remediation of some 
sort? I'm thinking the fusion of analogue-digital (which I've posted about 
before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten 
Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested 
in earlier examples of one medium/format being contained within or reworked by 
another medium, for example Martine Rousset's Chants ?or Malcolm Le Grice's 
Little Dog For Roger. Any suggestions would be greatly appreciated!


Many thanks

Kim

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[Frameworks] Experimental Film Survey

[Isabell Müller]

Hello everybody,I’m currently working on a semantic concept for an experimental film platform.If you are interested in information about experimental films please take a moment to answer this survey below. It would be of great help to me.Link to this survey: https://de.surveymonkey.com/s/XXN3KRWPlease do not hesitate to contact me if you have any further questions.Thank you,Isabell MüllerUniversity of Applied Sciences Darmstadt - Institut für Kommunikation und Medien (ikum)___
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