Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
Is reversal really what people want? If you want a projection print you either need a reversal print, a currently unavailable option, or you need an interneg then a print, in which case you're surely better off shooting on neg, which is what I do. I've never needed internegs, because I've never needed more than five or six prints max. Can someone elucidate? Is it the colour? Thanks, Nicky. -Original Message- From: Matt Whitman i...@mawhitman.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 0:16 Subject: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many of you have probably already seen this, but in contrast to much of the bad news we hear regarding film stocks, here is some potentially good news and a Kickstarter campaign to begin production of Super8 and 16mm color reversal film stocks (link below). In return for a pledge, you can receive film from their first batch of film (scheduled for Spring 2015). So far the campaign seems to be doing well, in 3 days the goal is about 65% met. Take it for what you will... https://www.kickstarter.com/projects/filmferrania/100-more-years-of-analog-film ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
Many family film makers want to have color film that they can watch at home with a projector with their family. At the moment there are no good options for them. However, there are also professionals especially in the wedding film business who see the reversal film as better fitting their needs and delivering those emotions they are looking to convey -- even if they just have the film scanned. Regards Heikki On Sat, 04 Oct 2014 04:53:20 -0400 nicky.ham...@talktalk.net wrote: Is reversal really what people want? If you want a projection print you either need a reversal print, a currently unavailable option, or you need an interneg then a print, in which case you're surely better off shooting on neg, which is what I do. I've never needed internegs, because I've never needed more than five or six prints max. Can someone elucidate? Is it the colour? Thanks, Nicky. -Original Message- From: Matt Whitman i...@mawhitman.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 0:16 Subject: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many of you have probably already seen this, but in contrast to much of the bad news we hear regarding film stocks, here is some potentially good news and a Kickstarter campaign to begin production of Super8 and 16mm color reversal film stocks (link below). In return for a pledge, you can receive film from their first batch of film (scheduled for Spring 2015). So far the campaign seems to be doing well, in 3 days the goal is about 65% met. Take it for what you will... https://www.kickstarter.com/projects/filmferrania/100-more-years-of-analog-film ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
I like to use reversal film for teaching. I give the students cameras, they shoot, and then we develop together in the dark room. As soon as it's dry, we project. They generally prefer color to black and white, though it takes longer to develop... And the color reversal stock is really beautiful to see when it's still wet and milky... At 4:53 -0400 4/10/14, nicky.ham...@talktalk.net wrote: Is reversal really what people want? If you want a projection print you either need a reversal print, a currently unavailable option, or you need an interneg then a print, in which case you're surely better off shooting on neg, which is what I do. I've never needed internegs, because I've never needed more than five or six prints max. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
It's the look some people want. If they want clarity, it's 16mm or HD video -- but super-8 is filled with feeling and nostalgy and reversal is even better for that. E100D was popular, but now it isn't available anymore. I'd guess that the biggest business for them is located in places that have lots of sun, so even ISO 100 is not a problem if things are happening outside. On Sat, 04 Oct 2014 05:57:58 -0400 nicky.ham...@talktalk.net wrote: Thanks. The first use I can see, but wouldn't wedding filmmakers would be better off shooting neg if it's going to be digitised anyway? More latitude etc, surely? -Original Message- From: Heikki Repo heikki.r...@gmail.com To: frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 10:02 Subject: Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many family film makers want to have color film that they can watch at home with a projector with their family. At the moment there are no good options for them. However, there are also professionals especially in the wedding film business who see the reversal film as better fitting their needs and delivering those emotions they are looking to convey -- even if they just have the film scanned. Regards Heikki On Sat, 04 Oct 2014 04:53:20 -0400 nicky.ham...@talktalk.net wrote: Is reversal really what people want? If you want a projection print you either need a reversal print, a currently unavailable option, or you need an interneg then a print, in which case you're surely better off shooting on neg, which is what I do. I've never needed internegs, because I've never needed more than five or six prints max. Can someone elucidate? Is it the colour? Thanks, Nicky. -Original Message- From: Matt Whitman i...@mawhitman.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 0:16 Subject: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many of you have probably already seen this, but in contrast to much of the bad news we hear regarding film stocks, here is some potentially good news and a Kickstarter campaign to begin production of Super8 and 16mm color reversal film stocks (link below). In return for a pledge, you can receive film from their first batch of film (scheduled for Spring 2015). So far the campaign seems to be doing well, in 3 days the goal is about 65% met. Take it for what you will... https://www.kickstarter.com/projects/filmferrania/100-more-years-of-analog-film ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films like the silent partner
many thanks kabir and gene youngblood for your replies! the period of production ought to be between 1960 to 1996 at most. also i am looking for more obscure titles, forgotten films or even made for television flicks. the premise of the film needs to be logical and realistic also plot twist elements need to follow definite motives. basically a sleeper film or an undiscovered hit which has stood the test of time. thanks for your help! On Fri, Oct 3, 2014 at 6:07 PM, Suyash Barve suyashba...@gmail.com wrote: Hello kind folks, I am looking for a film as a part of an independent research paper, that is in the gene of the silent partner - http://www.imdb.com/title/tt0078269/?ref_=nv_sr_1 Basically, drama/thriller films where the central character is an everyday joe with a plot that has plenty of twists akin to a tv midnight flick but is just about arthouse enough to escape being branded as trashy. Titles of films based on books or remakes of other films are most welcome. Many thanks! ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
I like to shoot film even though I really can't afford it. I've no money for prints, blow-ups or any cost beyond processing. Rolls of super 8 stack up in my fridge until I have the funds to process it, which usually happens once or twice a year. But I still shoot film when I can, and it is always on reversal. I've recently experimented with shooting s8 neg and digitizing it, but that still isn't as satisfactory as exhibiting on film. The cost of lab services (and of graduating to a gauge larger than 8mm) puts me in the de facto position of shooting reversal and using the camera original for exhibition. In way, this has evolved into an artistic practice in its own right. Showing a print (or camera original in my case) becomes more and more a unique act, a performance, and the film itself a unique physical object, as opposed to a copy. Reversal has been a lifejacket that has kept me in film. Perhaps its professional uses are limited, put for the amateur filmmaker (a moniker I proudly accept) reversal is king. And yes, the color is beautiful! On Sat, Oct 4, 2014 at 5:04 AM, Heikki Repo heikki.r...@gmail.com wrote: It's the look some people want. If they want clarity, it's 16mm or HD video -- but super-8 is filled with feeling and nostalgy and reversal is even better for that. E100D was popular, but now it isn't available anymore. I'd guess that the biggest business for them is located in places that have lots of sun, so even ISO 100 is not a problem if things are happening outside. On Sat, 04 Oct 2014 05:57:58 -0400 nicky.ham...@talktalk.net wrote: Thanks. The first use I can see, but wouldn't wedding filmmakers would be better off shooting neg if it's going to be digitised anyway? More latitude etc, surely? -Original Message- From: Heikki Repo heikki.r...@gmail.com To: frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 10:02 Subject: Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many family film makers want to have color film that they can watch at home with a projector with their family. At the moment there are no good options for them. However, there are also professionals especially in the wedding film business who see the reversal film as better fitting their needs and delivering those emotions they are looking to convey -- even if they just have the film scanned. Regards Heikki On Sat, 04 Oct 2014 04:53:20 -0400 nicky.ham...@talktalk.net wrote: Is reversal really what people want? If you want a projection print you either need a reversal print, a currently unavailable option, or you need an interneg then a print, in which case you're surely better off shooting on neg, which is what I do. I've never needed internegs, because I've never needed more than five or six prints max. Can someone elucidate? Is it the colour? Thanks, Nicky. -Original Message- From: Matt Whitman i...@mawhitman.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 0:16 Subject: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many of you have probably already seen this, but in contrast to much of the bad news we hear regarding film stocks, here is some potentially good news and a Kickstarter campaign to begin production of Super8 and 16mm color reversal film stocks (link below). In return for a pledge, you can receive film from their first batch of film (scheduled for Spring 2015). So far the campaign seems to be doing well, in 3 days the goal is about 65% met. Take it for what you will... https://www.kickstarter.com/projects/filmferrania/100-more-years-of-analog-film ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
There is no C-41 Ferrania stocks being manufactured, hasn't been for some years. Ferrania closed their film factory 2006. This Ferrania is a new company. They are starting everything from scratch (they do have the recipes, but those have to be modified to replace some chemicals that aren't available anymore due to environmental regulations). When starting from scratch E-6 is a better choice than C-41 because there is only one company producing E-6 films left (Fuji) and that same stock can be sold for both still and motion picture use. There is also a working existing infrastructure to process those films already in place. For C-41 the problem would be that motion picture film could only be home processed. -Heikki On Sat, 04 Oct 2014 11:12:51 -0400 Scott Dorsey klu...@panix.com wrote: The thing is, Ferrania currently makes some acceptable quality C-41 still films. They are more grainy and less saturated than the similar Kodak consumer film equivalents, but they are entirely acceptable. If that film were to be slit down and perforated with cine-grade accuracy (rather than the more sloppy perforation and slitting that are acceptable for still film), I think it would have a small but dedicated market as it is. It would be fine in a lot of cameras. I'm surprised that they are going for the reversal market but I think their push is probably to get a still reversal film out there and while they have the line running anyway to slit some motion picture film out of the deal. The question is basically how small a line they have and how small a quantity can they make in a run vs. how large a quantity can they sell. The fact that they're selling the same stock into both still and motion picture markets means they can sell more of one stock and concentrate on getting that right. I'm a little surprised though that, if they can slit motion picture film, that they don't just take their existing C-41 stock and sell some of that as a motion picture stock. --scott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
I thought Aviphot was made by Agfa? At 18:24 +0300 4/10/14, Heikki Repo wrote: When starting from scratch E-6 is a better choice than C-41 because there is only one company producing E-6 films left (Fuji) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
It's a bit debated fact whether or not they are actually making fresh film or just selling old ware. I don't know, but all things considered... On Sun, 5 Oct 2014 01:13:10 +0900 Pip Chodorov framewo...@re-voir.com wrote: I thought Aviphot was made by Agfa? At 18:24 +0300 4/10/14, Heikki Repo wrote: When starting from scratch E-6 is a better choice than C-41 because there is only one company producing E-6 films left (Fuji) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
It's an aesthetic choice and I'm quite happy these guys are willing to offer color reversal. I'm more than happy actually. Currently there are not many color rev options. Hope ferrania can provide. On Saturday, October 4, 2014, Heikki Repo heikki.r...@gmail.com wrote: It's a bit debated fact whether or not they are actually making fresh film or just selling old ware. I don't know, but all things considered... On Sun, 5 Oct 2014 01:13:10 +0900 Pip Chodorov framewo...@re-voir.com javascript:; wrote: I thought Aviphot was made by Agfa? At 18:24 +0300 4/10/14, Heikki Repo wrote: When starting from scratch E-6 is a better choice than C-41 because there is only one company producing E-6 films left (Fuji) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com javascript:; https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com javascript:; ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com javascript:; https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
What he said. Tim Sent from my iPad On Oct 4, 2014, at 7:33 AM, Jarrett Hayman jfhay...@gmail.com wrote: I like to shoot film even though I really can't afford it. I've no money for prints, blow-ups or any cost beyond processing. Rolls of super 8 stack up in my fridge until I have the funds to process it, which usually happens once or twice a year. But I still shoot film when I can, and it is always on reversal. I've recently experimented with shooting s8 neg and digitizing it, but that still isn't as satisfactory as exhibiting on film. The cost of lab services (and of graduating to a gauge larger than 8mm) puts me in the de facto position of shooting reversal and using the camera original for exhibition. In way, this has evolved into an artistic practice in its own right. Showing a print (or camera original in my case) becomes more and more a unique act, a performance, and the film itself a unique physical object, as opposed to a copy. Reversal has been a lifejacket that has kept me in film. Perhaps its professional uses are limited, put for the amateur filmmaker (a moniker I proudly accept) reversal is king. And yes, the color is beautiful! On Sat, Oct 4, 2014 at 5:04 AM, Heikki Repo heikki.r...@gmail.com wrote: It's the look some people want. If they want clarity, it's 16mm or HD video -- but super-8 is filled with feeling and nostalgy and reversal is even better for that. E100D was popular, but now it isn't available anymore. I'd guess that the biggest business for them is located in places that have lots of sun, so even ISO 100 is not a problem if things are happening outside. On Sat, 04 Oct 2014 05:57:58 -0400 nicky.ham...@talktalk.net wrote: Thanks. The first use I can see, but wouldn't wedding filmmakers would be better off shooting neg if it's going to be digitised anyway? More latitude etc, surely? -Original Message- From: Heikki Repo heikki.r...@gmail.com To: frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 10:02 Subject: Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many family film makers want to have color film that they can watch at home with a projector with their family. At the moment there are no good options for them. However, there are also professionals especially in the wedding film business who see the reversal film as better fitting their needs and delivering those emotions they are looking to convey -- even if they just have the film scanned. Regards Heikki On Sat, 04 Oct 2014 04:53:20 -0400 nicky.ham...@talktalk.net wrote: Is reversal really what people want? If you want a projection print you either need a reversal print, a currently unavailable option, or you need an interneg then a print, in which case you're surely better off shooting on neg, which is what I do. I've never needed internegs, because I've never needed more than five or six prints max. Can someone elucidate? Is it the colour? Thanks, Nicky. -Original Message- From: Matt Whitman i...@mawhitman.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Sat, 4 Oct 2014 0:16 Subject: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock Many of you have probably already seen this, but in contrast to much of the bad news we hear regarding film stocks, here is some potentially good news and a Kickstarter campaign to begin production of Super8 and 16mm color reversal film stocks (link below). In return for a pledge, you can receive film from their first batch of film (scheduled for Spring 2015). So far the campaign seems to be doing well, in 3 days the goal is about 65% met. Take it for what you will... https://www.kickstarter.com/projects/filmferrania/100-more-years-of-analog-film ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Heikki Repo heikki.r...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
On Oct 4, 2014, at 10:12 AM, Scott Dorsey klu...@panix.com wrote: I'm a little surprised though that, if they can slit motion picture film, that they don't just take their existing C-41 stock and sell some of that as a motion picture stock. What about rem-jet backing? Will it run smoothly through a cine camera and not get kickback from shiny pressure plates without it? Jeff Kreines Kinetta j...@kinetta.com kinetta.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] This week [October 4 - 12, 2014] in avant garde cinema
This week [October 4 - 12, 2014] in avant garde cinema To subscribe/unsubscribe to the weekly listing, go to http://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribe or send an email to weeklylist...@hi-beam.net. Enter your announcements (calls for entries, new work, screenings, jobs, items for sale, etc.) at: http://www.hi-beam.net/cgi-bin/ann.pl NEW CALLS FOR ENTRIES: = The Fine Arts Film Festival (Los Angeles; Deadline: January 01, 2015) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1732.ann We Have Never Been Modern: An Experimental Film and Video Exhibition @ Dope Chapel (Norman, OK, USA; Deadline: November 26, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1733.ann DEADLINES APPROACHING: = Slamdance Film Festival (Los Angeles, CA; Deadline: October 09, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1711.ann Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1713.ann Experiments in Cinema (Albuquerque, New Mexico, USA; Deadline: November 01, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1722.ann FLEXFest (Gainesville, FL, USA; Deadline: October 25, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1724.ann Dallas Medianale (Dallas, Texas, USA; Deadline: October 06, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1726.ann MONO NO AWARE VIII (Brooklyn, NY USA; Deadline: October 31, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1727.ann Enter your event announcements by going to the Flicker Weekly Listing Form at http://www.hi-beam.net/cgi-bin/thisweek.pl Also available online at Flicker: http://www.hi-beam.net THIS WEEK'S PROGRAMS (SUMMARY): == * Poprally: Bill Morrison W Dj Olive: De-Compositions [October 4, New York, New York 10019] * Prelinger's Yesterday and Tomorrow In Detroit/Psycho-Geography [October 4, San Francisco, California] * Experimental Films of the 40s and 50s In San Francisco and New York City [October 4, San Francisco, California] * Botanicollage Workshop [October 4, Seattle, Washington] * Film As Film: the Cinema of Gregory Markopoulos [October 5, 02138] * The Cinema Cabaret: Re-Takes On North American History [October 5, Los Angeles, California] * Collaborating With Nature Screening [October 5, Seattle, Washington] * Neue-Noise! A Night of Experimental Sound vision [October 5, Tucson] * Jodie Mack: Fabri-Flickers [October 6, Houston, Texas] * 'way' - A Film By Konrad Steiner and Leslie Scalapino [October 6, Los Angeles, California 90012] * Flaherty Nyc: Rebecca Baron Doug Goodwin Program [October 6, New York, New York] * Kenneth Anger'S Puce Moment + Alla Nazimova'S Salomé [October 7, Brooklyn, New York 11222] * Jodie Mack: Let Your Light Shine [October 7, Houston, TX] * David Finkelstein's Suggestive Gestures [October 7, San Francisco, California] * Let Your Light Shine: Jodie Mack In Person! [October 8, Austin, Texas] * Sight Unseen Station North Present To the Moon [October 8, Baltimore, MD] * Festival Du Nouveau CinéMa - MontréAl [October 8, Montréal] * Andrew Lampert: Tables Turned [October 9, Chicago, Illinois] * Amazing Handmade Films From Australia Filmmaker Richard Tuohy In Person [October 9, Tucson] * Autour De L'Art Des Bruits De Luigi Russolo (Headwar + EugÃNe Deslaw + Jean PainlevÃ) [October 11, 93100 Montreuil, Ile-De-France, France] * Optronica1: Davis/Tooth + Darr + Rourke/Electric! Electric! [October 11, San Francisco, California] * Richard Tuohy: Hand-Crafted Cinema [October 12, Los Angeles, California] * Essential Cinema: Walden [October 12, New York, New York] * Iris Barry Program [October 12, New York, New York] * Shapeshifters Cinema Presents Cyrus Tabar [October 12, Oakland] * Performance video and Colored Gloves! Gary Setzer Tommy Becker In Person [October 12, Tucson] Events are sorted by CITY within each DATE. - SATURDAY, OCTOBER 4, 2014 - 10/4 New York, New York 10019: MoMA The Museum of Modern Art 7:00pm - 10:00pm, 11 West 53 St POPRALLY: BILL MORRISON W DJ OLIVE: DE-COMPOSITIONS As a teaser for the upcoming film exhibition Bill Morrison: Compositions, PopRally invites you to a live collaborative performance by Bill Morrison and DJ Olive. Morrison will project a selection of clips from his archive-including excerpts from his films as well as previously unscreened sequences- while DJ Olive simultaneously creates a live soundtrack. Tickets ($25; $23 members) Doors open at 7:00 p.m. Performance starts at 8:00 p.m. Admission includes performance, DJ set by DJ Le Chev, and cocktail reception. 10/4 San Francisco, California: Other Cinema http://www.othercinema.com/ 8:30 PM, 992 Valencia St. PRELINGERS YESTERDAY AND TOMORROW
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
Jeff Kreines says: On Oct 4, 2014, at 10:12 AM, Scott Dorsey klu...@panix.com wrote: I'm a little surprised though that, if they can slit motion picture = film, that they don't just take their existing C-41 stock and sell some of = that as a motion picture stock. What about rem-jet backing? Will it run smoothly through a cine camera = and not get kickback from shiny pressure plates without it? Works great on an Arri II although you may have to fiddle with the spring a little. On some of the modern cameras with totally chromed pressure plates, you will have to replace the plate or you will get ghosting. Same problems that you get running BW films on those cameras. Incidentally the Ferrania and Fuji consumer color print films will run just fine through an Eyemo or Konvas in spite of the KS perfs, no remjet backing, and thicker base. It'll run through your lab's ECN-II machine and although the color rendition may be a little off, it looks respectable. --scott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FILM Ferrania Kickstarter: potential new color reversal film stock
On Oct 4, 2014, at 12:08 PM, Tim Halloran televis...@hotmail.com wrote: Reversal has been a lifejacket that has kept me in film. Yes, me too. I don’t like color negative, it’s boring (with the exception of some of the discontinued Fuji stocks). BW neg is fine, as is BW reversal, but I am skeptical that Ferrania or others will come up with a color reversal stock as beautiful as 7250 or 7242. Jeff Kreines Kinetta j...@kinetta.com kinetta.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Ronald Nameth's Exploding Plastic Inevitable
Can anyone please help me find or a make me a DVD copy of the original uncut 1966 Ronald Nameth's Exploding Plastic Inevitable ? Thanks! Doug Graves___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Ronald Nameth's Exploding Plastic Inevitable
The Re:Voir VHS Visions of Warhol is out of print, so you have to contact Ronald Nameth directly. He lives in Stockholm. If you want his e-mail address please contact me off-list. Pip Chodorov At 22:24 -0700 4/10/14, Doug Chaffin\(\Douglas Graves\\) wrote: Can anyone please help me find or a make me a DVD copy of the original uncut 1966 Ronald Nameth's Exploding Plastic Inevitable ? Thanks! ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
