Re: [Frameworks] Analouge collage with 16mm....

[lea jaecklin]

-> Cécile FONTAINE - she did, as far as I know, unglue and glue parts of the 
images etc.in various techniques...
lea,

From: kathl...@dprojx.org
Date: Fri, 12 Dec 2014 16:06:09 -0800
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] Analouge collage with 16mm

Yes, Helen Hill's compilation Recipes for Disaster includes a whole lot of  
great information about handmade collage and filmmaking that might be useful 
for your project.


On Dec 12, 2014, at 6:07 AM, Warren Cockerham  wrote:

This stuff works pretty well. 
http://www.amazon.com/gp/aw/d/B001A3Q1XQ/ref=pd_aw_sims_10?pi=SL500_SS115&simLd=1
And a copy of this
http://www.angoleiro.com/cine_texts/recipes_for_disaster_hill.pdf



On Dec 12, 2014, at 8:35 AM, Lena Ditte Nissen  wrote:

Thanks Christopher - but I am literally talking about collage.. in very very 
small pieces...
Best, Lena


On Fri, Dec 12, 2014 at 12:46 PM, christopher nigel 
 wrote:Hello Lena ,
it's called Editing , the handmade way ! I would start with tape slicing , as 
if you make a mistake can always redo ?
if you find some old books on filmmaking , there will cover this ? 

I like this way of making films only done it with my super 8 film's ,  

Christopher 


On Fri, Dec 12, 2014 at 11:13 AM, Lena Ditte Nissen  
wrote:Dear Frameworkers -- I am about to start working on collaging with 16mm 
film and wondered if there is anybody out there who I could ask some questions 
regarding glue, slicing techniques and so forth...

Looking forward to hear from you!
Best, Lena


LENADITTENISSEN.COM
  BERGERNISSEN.COM


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[Frameworks] Keith Evans - Mission Accomplished

[Jonathan Walley]

Thanks everyone - I’ve got Keith’s contact info.
Best,
JW

Dr. Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu


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[Frameworks] This week [December 13 - 21, 2014] in avant garde cinema

[Weekly Listing]

This week [December 13 - 21, 2014] in avant garde cinema

To subscribe/unsubscribe to the weekly listing, go to
http://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribe
or send an email to weeklylist...@hi-beam.net.

Enter your announcements (calls for entries, new work, screenings,
jobs, items for sale, etc.) at:

http://www.hi-beam.net/cgi-bin/ann.pl

JOB AVAILABLE:
=
The University of Tampa
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=9.ann

NEW CALLS FOR ENTRIES:
=
Magmart Festival 9th Edition (2014-15) (Naples, 
Italy; Deadline: March 31, 2015)

 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1745.ann
Montreal Underground Film Festival (Montreal, QC, 
Canada; Deadline: February 14, 2015)

 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1746.ann
Newport Beach Film Festival (Newport Beach, CA, 
U.S.; Deadline: December 19, 2014)

 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1747.ann
Videoex festival (Zürich; Deadline: January 31, 2015)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1748.ann

DEADLINES APPROACHING:
=
22nd Chicago Underground Film Festival (Chicago, 
IL USA; Deadline: December 15, 2014)

 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1720.ann
BASEMENT Media Fest (NY, NY, USA; Deadline: December 31, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1721.ann
Flatpack Film Festival (Birmingham, UK; Deadline: December 22, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1731.ann
The Fine Arts Film Festival (Los Angeles; Deadline: January 01, 2015)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1732.ann
Flatpack Film Festival (Birmingham, UK; Deadline: December 22, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1737.ann
WHAT IF? KC/CT (Kansas City / Hartford / USA; Deadline: December 15, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1738.ann
Duke University (Durham, NC 27708; Deadline: January 16, 2015)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1740.ann
Newport Beach Film Festival (Newport Beach, CA, 
U.S.; Deadline: December 19, 2014)

 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1747.ann

THIS WEEK'S PROGRAMS (SUMMARY):
==
 *  Space Material, Immaterial Place: Films By 
Jeremy Moss [December 13, Baltimore, MD]
 *  Paul Clipson and Liz Harris: Hypnosis 
Display [December 13, Brooklyn, New York]
 *  The Texas Kick-Ass Sampler/Best Western 
[December 13, San Francisco, California]

 *  The 52nd Ann Arbor Film Festival 16mm Tour [December 14, Baltimore, MD]
 *  We Are the Spirit Guides and We Are Watching You: videos By Duke and
Battersby [December 14, Los Angeles, California]
 *  Sam Dunn, Head of video Publishing At the Bfi Gives An Insight Into His
Work: the Bfi video Story. [December 15, London, England]
 *  Moments of Being: An Evening of Sound & 
Film  [December 18, San Francisco, California]
 *  New Experimental Works/Avant To Live 
[December 20, San Francisco, California]



Events are sorted by CITY within each DATE.

---
SATURDAY, DECEMBER 13, 2014
---

12/13
Baltimore, MD: Sight Unseen
http://sightunseenbaltimore.com/
7pm, 1515 Guilford Avenue

 SPACE MATERIAL, IMMATERIAL PLACE: FILMS BY JEREMY MOSS
  Filmmaker Jeremy Moss, whose work has screened around the globe from the
  Crossroads Film Festival in San Francisco to the Arkipel International
  Documentary and Experimental Film Festival in Indonesia, brings a
  60-minute program of recent moving image work. In the summer of 2011,
  Moss began expanding beyond his narrative training to fully explore
  lyrical and structural tendencies, creating the Super8 surrealist
  documentary THOSE INESCAPABLE SLIVERS OF CELLULOID, the abstract
  hand-made 16mm films produced at the Independent Imaging Retreat, THE
  SIGHT and CICATRIX, the dance for camera pieces in collaboration with
  choreographer Pamela Vail, (UN)TETHERED, CHROMA, and THAT DIZZYING
  CREST, and the essay film in collaboration with writer Erik Anderson,
  THE BLUE RECORD. As a program, these works cohesively embody an
  immersive optical and sonic experience revealing cinema's capacity for
  both meditative expression and the rigors of collaboration. PROGRAM: THE
  BLUE RECORD (2013, 16mm to digital video, 17 min) CICATRIX (2014, 16mm
  to digital video, 7 min) (UN)TETHERED (2014, digital video, 10 min)
  THOSE INESCAPABLE SLIVERS OF CELLULOID (2011, Super8 to digital video, 7
  min) CHROMA (2012, digital video, 4 min) THAT DIZZYING CREST (2013, 16mm
  to digital video, 11 min) THE SIGHT (2012, 16mm to digital video, 4
  min). http://www.jeremymoss.org/.

12/13
Brooklyn, New York: Issue Project Room
http://issueprojectroom.org/event/paul-clipson-and-liz-harris-hypnosis-display
8pm, 22 Boerum Place, Brooklyn, NY 11201

 PAUL CLIPSON AND LIZ HARRIS: HYPNOSIS DISP

[Frameworks] Keith Evans

[Jonathan Walley]

Hello Frameworkers,

Anyone have contact info for Keith Evans? Email me off-list if so.
Thanks!
JW

Dr. Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu


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Re: [Frameworks] Analouge collage with 16mm....

[Esperanza Collado]

Hi Lena, I totally understand what you are referring too and I have made a
couple of 16mm films using the collage technique. There are plenty of
interesting possibilities that you will discover in the process. Just allow
yourself total freedom and experimentation to test results. I would
recommend to use splicing tape rather than glue, in case you want to
reorganize parts of the film, and also having a projector that can easily
take splices. You can get interesting optical sound effects using this
technique too. If you're using reversal film, bare in mind it will be very
difficult to get negatives, specially if you use different stocks and
colour temperatures. In my case, i always screened the originals (in
performance contexts) as I was very interested in the instability this
technique creates during projection, and the ephemeral nature of the film,
which was meant to break at one point (although it never properly did,
because the insane amount of splicing tape I used protected the films and
the emulsion very well!). The film becomes a performer, as it behaves
differently in each projection.

Anyway, you may not be interested in these unstable, performative aspects,
but in sort I would say there are no rules or paths to follow in making
collage on film, just use your imagination and allow yourself total freedom
to test results. You will enjoy the process very much. It's like working in
a sculptural way when you're applying little flat objects on the film
strip, then see what you've done animated on the screen. There are these
two dimensions to it that you may like to consider.

I have telecined copies of the films and scans of the strips that I could
send you if interested.

Good luck and enjoy!

Esperanza.

On Saturday, December 13, 2014, Kathleen Quillian 
wrote:

> Yes, Helen Hill's compilation Recipes for Disaster includes a whole lot of
>  great information about handmade collage and filmmaking that might be
> useful for your project.
>
>
> On Dec 12, 2014, at 6:07 AM, Warren Cockerham  > wrote:
>
> This stuff works pretty well.
> http://www.amazon.com/gp/aw/d/B001A3Q1XQ/ref=pd_aw_sims_10?pi=SL500_SS115&simLd=1
>
> And a copy of this
>
> http://www.angoleiro.com/cine_texts/recipes_for_disaster_hill.pdf
>
>
>
>
> On Dec 12, 2014, at 8:35 AM, Lena Ditte Nissen  > wrote:
>
> Thanks Christopher - but I am literally talking about collage.. in very
> very small pieces...
> Best, Lena
>
>
> On Fri, Dec 12, 2014 at 12:46 PM, christopher nigel <
> christophernige...@gmail.com
> > wrote:
>>
>> Hello Lena ,
>> it's called Editing , the handmade way ! I would start with tape slicing
>> , as if you make a mistake can always redo ?
>> if you find some old books on filmmaking , there will cover this ?
>>
>> I like this way of making films only done it with my super 8 film's ,
>>
>> Christopher
>>
>>
>> On Fri, Dec 12, 2014 at 11:13 AM, Lena Ditte Nissen > > wrote:
>>
>>> Dear Frameworkers -- I am about to start working on collaging with 16mm
>>> film and wondered if there is anybody out there who I could ask some
>>> questions regarding glue, slicing techniques and so forth...
>>>
>>> Looking forward to hear from you!
>>> Best, Lena
>>>
>>>
>>>
>>>
>>> *LENADITTENISSEN.COM *
>>> *  BERGERNISSEN.COM *
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
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>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
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>

-- 
Esperanza Collado
- - - - - - - - - - - - - -
www.esperanzacollado.org
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