Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread Gail Silva
This must be a mistake.  John Adair was Peter Adair’s father and is surely the 
correct maker of this work.
I believe “Holy Ghost People” made in 1967 was Peter’s first film work.

On Mar 5, 2015, at 11:38 AM, direc...@lift.on.ca wrote:

 The link says Peter Adair worked on this project, but the book about the
 project is written by Sol Worth and John Adair. Was Peter Adair (of Holy
 Ghost People and Word is Out fame) actually involved in this project? Is
 there a relation?
 
 C
 
 That¹s the program!  A pretty essential screening to include.  It ran at
 UCLA as well in October.
 https://www.cinema.ucla.edu/events/2014/10/25/navajo-film-themselves-1966
 
 
 On 3/5/15 7:31 AM, Gawthrop, Rob rob.gawth...@falmouth.ac.uk wrote:
 
 Navajo Film Themselves
 http://www.penn.museum/sites/navajofilmthemselves/
 https://www.youtube.com/watch?v=FWMO2UGfaBI
 
 Rob
 
 
 From: Nate Cummings ncummingslamb...@gmail.com
 Reply-To: Experimental Film Discussion List
 frameworks@jonasmekasfilms.com
 Date: Thursday, 5 March 2015 03:02
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Subject: [Frameworks] American Indian and Indigenous experimental
 filmmakers
 
 Dear Frameworkers,
 
 A small group of students and alumni are programing an American Indian
 and
 Indigenous film screening series at CalArts for the end of the month.
 This
 will be a week long event from March 30th to April 3rd.
 
 I'm reaching out to all of you for suggestions as we finalize our
 programming
 in the next coming weeks.
 
 The program covers a range of forms and techniques and any suggestions
 will be
 appreciated and looked at. We are specifically looking for work made by
 American Indian and Indigenous peoples, not simply about.
 
 Programs will be arranged around such topics as:
 The Construction of Knowledge in Ethnographic Film Practices
 The Preservation and Conservation of Indigenous Land and Rights
 Contemporary
 Indigenous Art and Crafts
 Personal Narratives and Histories on the Reservation.
 
 As the event draws closer I'll send out the program details for those
 interested in the Southern California and Los Angeles area.
 
 Thank you for any help and suggestions.
 
 Best,
 
 Nate Cummings-Lambert
 (Eastern Band of Cherokee Indians)
 
 
 
 
 http://www.falmouth.ac.uk/  https://www.facebook.com/falmouthuni
 http://twitter.com/falmouthuni
 http://www.youtube.com/falmout
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread Bryan Konefsky
Hi all, dear Howard Guttenplan's passing sparked an interest in putting
together a list of un-depenedents (artists/curators/scholars etc) who
passed away in 2014/early 2015... my list is way-incomplete and I am hoping
ya'll can help!
best
bryan konefsky
director/founder, Experiments in Cinema
experimentsincin...@gmail.com

On Thu, Mar 5, 2015 at 12:10 PM, direc...@lift.on.ca wrote:

 Vtape in Toronto distributes a wide variety for First Nation and
 Indigenous video artists and filmmakers. Clicking the aboriginal button
 in their advanced search option brings up 468 titles:
 http://www.vtape.org/video-catalogue-advanced-search

 They have many of these viewable for preview online if you get in touch
 with them for the curator's password.

 Also in Toronto, ImagineNATIVE Film Festival has an extensive online
 archive of their programs over the last 15 years:
 http://www.imaginenative.org

 best
 Chris



  Dear Frameworkers,
 
  A small group of students and alumni are programing an American Indian
 and
  Indigenous film screening series at CalArts for the end of the month.
 This
  will be a week long event from March 30th to April 3rd.
 
  I'm reaching out to all of you for suggestions as we finalize our
  programming in the next coming weeks.
 
  The program covers a range of forms and techniques and any suggestions
  will
  be appreciated and looked at. We are specifically looking for work made
 by
  American Indian and Indigenous peoples, not simply about.
 
  Programs will be arranged around such topics as:
  The Construction of Knowledge in Ethnographic Film Practices
  The Preservation and Conservation of Indigenous Land and Rights
  Contemporary Indigenous Art and Crafts
  Personal Narratives and Histories on the Reservation.
 
  As the event draws closer I'll send out the program details for those
  interested in the Southern California and Los Angeles area.
 
  Thank you for any help and suggestions.
 
  Best,
 
  Nate Cummings-Lambert
  (Eastern Band of Cherokee Indians)
  ___
  FrameWorks mailing list
  FrameWorks@jonasmekasfilms.com
  https://mailman-mail5.webfaction.com/listinfo/frameworks
 


 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
Bryan Konefsky
Professional product tester

Great art has always gone to the masses, to their hopes and dreams, for
that spark that kindled their souls. The rest, the many, all too many as
Nietzsche called mediocrity, have been mere commodities that can be bought
with money, cheap glory, or social position.
- Emma Goldman
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


[Frameworks] Fwd: American Indian and Indigenous experimental filmmakers

2015-03-05 Thread Nate Cummings
Dear Frameworkers,

Thank you for your responses and interest in the program! I'm very excited
for the suggestions that are coming in.

I am also excited to know that more curatorial work and inquiry is
happening around American Indian and Indigenous filmmakers shown through
the UCLA screenings and hopefully we can fill in some gaps from that
program and continue the conversation around these works.

I think Peter Adair is a mistake in being involved with Through Navajo
Eyes. To my knowledge he grew up (for at least part of his life) on the
Navajo reservation where John Adair and Sol Worth were working.

Here is an NY Times article from when he past away and mentions this.

http://www.nytimes.com/1996/06/30/us/peter-adair-53-director-dies-made-films-with-gay-themes.html


Thank you again,

Nate Cummings-Lambert

-- Forwarded message --
From: Gail Silva g...@gailsilva.org
Date: Thu, Mar 5, 2015 at 11:52 AM
Subject: Re: [Frameworks] American Indian and Indigenous experimental
filmmakers
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com


This must be a mistake.  John Adair was Peter Adair’s father and is surely
the correct maker of this work.
I believe “Holy Ghost People” made in 1967 was Peter’s first film work.

On Mar 5, 2015, at 11:38 AM, direc...@lift.on.ca wrote:

 The link says Peter Adair worked on this project, but the book about the
 project is written by Sol Worth and John Adair. Was Peter Adair (of Holy
 Ghost People and Word is Out fame) actually involved in this project? Is
 there a relation?

 C

 That¹s the program!  A pretty essential screening to include.  It ran at
 UCLA as well in October.
 https://www.cinema.ucla.edu/events/2014/10/25/navajo-film-themselves-1966


 On 3/5/15 7:31 AM, Gawthrop, Rob rob.gawth...@falmouth.ac.uk wrote:

 Navajo Film Themselves
 http://www.penn.museum/sites/navajofilmthemselves/
 https://www.youtube.com/watch?v=FWMO2UGfaBI

 Rob


 From: Nate Cummings ncummingslamb...@gmail.com
 Reply-To: Experimental Film Discussion List
 frameworks@jonasmekasfilms.com
 Date: Thursday, 5 March 2015 03:02
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Subject: [Frameworks] American Indian and Indigenous experimental
 filmmakers

 Dear Frameworkers,

 A small group of students and alumni are programing an American Indian
 and
 Indigenous film screening series at CalArts for the end of the month.
 This
 will be a week long event from March 30th to April 3rd.

 I'm reaching out to all of you for suggestions as we finalize our
 programming
 in the next coming weeks.

 The program covers a range of forms and techniques and any suggestions
 will be
 appreciated and looked at. We are specifically looking for work made by
 American Indian and Indigenous peoples, not simply about.

 Programs will be arranged around such topics as:
 The Construction of Knowledge in Ethnographic Film Practices
 The Preservation and Conservation of Indigenous Land and Rights
 Contemporary
 Indigenous Art and Crafts
 Personal Narratives and Histories on the Reservation.

 As the event draws closer I'll send out the program details for those
 interested in the Southern California and Los Angeles area.

 Thank you for any help and suggestions.

 Best,

 Nate Cummings-Lambert
 (Eastern Band of Cherokee Indians)




 http://www.falmouth.ac.uk/  https://www.facebook.com/falmouthuni
 http://twitter.com/falmouthuni
 http://www.youtube.com/falmout

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread director
The link says Peter Adair worked on this project, but the book about the
project is written by Sol Worth and John Adair. Was Peter Adair (of Holy
Ghost People and Word is Out fame) actually involved in this project? Is
there a relation?

C

 That¹s the program!  A pretty essential screening to include.  It ran at
 UCLA as well in October.
 https://www.cinema.ucla.edu/events/2014/10/25/navajo-film-themselves-1966


 On 3/5/15 7:31 AM, Gawthrop, Rob rob.gawth...@falmouth.ac.uk wrote:

 Navajo Film Themselves
 http://www.penn.museum/sites/navajofilmthemselves/
 https://www.youtube.com/watch?v=FWMO2UGfaBI

 Rob


 From: Nate Cummings ncummingslamb...@gmail.com
 Reply-To: Experimental Film Discussion List
 frameworks@jonasmekasfilms.com
 Date: Thursday, 5 March 2015 03:02
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Subject: [Frameworks] American Indian and Indigenous experimental
 filmmakers

 Dear Frameworkers,

 A small group of students and alumni are programing an American Indian
 and
 Indigenous film screening series at CalArts for the end of the month.
 This
 will be a week long event from March 30th to April 3rd.

 I'm reaching out to all of you for suggestions as we finalize our
 programming
 in the next coming weeks.

 The program covers a range of forms and techniques and any suggestions
 will be
 appreciated and looked at. We are specifically looking for work made by
 American Indian and Indigenous peoples, not simply about.

 Programs will be arranged around such topics as:
 The Construction of Knowledge in Ethnographic Film Practices
 The Preservation and Conservation of Indigenous Land and Rights
 Contemporary
 Indigenous Art and Crafts
 Personal Narratives and Histories on the Reservation.

 As the event draws closer I'll send out the program details for those
 interested in the Southern California and Los Angeles area.

 Thank you for any help and suggestions.

 Best,

 Nate Cummings-Lambert
 (Eastern Band of Cherokee Indians)




  http://www.falmouth.ac.uk/  https://www.facebook.com/falmouthuni
 http://twitter.com/falmouthuni
 http://www.youtube.com/falmouthuniversity
 http://pinterest.com/falmouthuni
 http://www.falmouth.ac.uk/content/falmouth-leaps-26-places-sunday-times-leagu
 e-table


   This email is confidential and intended solely for the use of the
 intended
 recipient only. If you have received this email in error, please inform
 us
 immediately and then delete it.



 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread director
The link says Peter Adair worked on this project, but the book about the
project is written by Sol Worth and John Adair. Was Peter Adair (of Holy
Ghost People and Word is Out fame) actually involved in this project? Is
there a relation?

C

 That¹s the program!  A pretty essential screening to include.  It ran at
 UCLA as well in October.
 https://www.cinema.ucla.edu/events/2014/10/25/navajo-film-themselves-1966


 On 3/5/15 7:31 AM, Gawthrop, Rob rob.gawth...@falmouth.ac.uk wrote:

 Navajo Film Themselves
 http://www.penn.museum/sites/navajofilmthemselves/
 https://www.youtube.com/watch?v=FWMO2UGfaBI

 Rob


 From: Nate Cummings ncummingslamb...@gmail.com
 Reply-To: Experimental Film Discussion List
 frameworks@jonasmekasfilms.com
 Date: Thursday, 5 March 2015 03:02
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Subject: [Frameworks] American Indian and Indigenous experimental
 filmmakers

 Dear Frameworkers,

 A small group of students and alumni are programing an American Indian
 and
 Indigenous film screening series at CalArts for the end of the month.
 This
 will be a week long event from March 30th to April 3rd.

 I'm reaching out to all of you for suggestions as we finalize our
 programming
 in the next coming weeks.

 The program covers a range of forms and techniques and any suggestions
 will be
 appreciated and looked at. We are specifically looking for work made by
 American Indian and Indigenous peoples, not simply about.

 Programs will be arranged around such topics as:
 The Construction of Knowledge in Ethnographic Film Practices
 The Preservation and Conservation of Indigenous Land and Rights
 Contemporary
 Indigenous Art and Crafts
 Personal Narratives and Histories on the Reservation.

 As the event draws closer I'll send out the program details for those
 interested in the Southern California and Los Angeles area.

 Thank you for any help and suggestions.

 Best,

 Nate Cummings-Lambert
 (Eastern Band of Cherokee Indians)




  http://www.falmouth.ac.uk/  https://www.facebook.com/falmouthuni
 http://twitter.com/falmouthuni
 http://www.youtube.com/falmout

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Howard Guttenplan (April 6th, 1934 - February 23rd, 2015)

2015-03-05 Thread robert harris
I spent one year (1970-71) of undergraduate studies at Sara Lawrence College.  
Howard was then the “film tech/equipment guy” supporting the film production 
program.  The teacher was theatre director Wilford Leach (who directed the 1983 
film version of Pirate of Penzance), a basically good man who had little 
interest in avant garde film. Jon Avnet was Leach’s favorite student.  Howard 
was confidant and an oasis in an otherwise onerous scene.  Howard brought good 
people around, Paul Sharits, Gregg Sharits, Jud Yalkut, David Rimmer, Werner 
Nekes and Dore O.

 Around this same time, with the opening of Anthology in Kubelka’s “Invisible 
Cinema theatre”, screening primarily the “essential cinema” repertory, the 
Millennium, under Howard Guttenplan, was, in NY, THE venue for the “artist 
present screening new work” model for exhibiting radical film. Among the most 
memorable screenings, upstairs on Great Jones St, I recall Hollis Frampton’s 
premiers of the Hapax Legomena films and numerous Magellan works; Brakhage’s 
premier of “Act of Seeing with One’s Own Eyes (and many other films); and Jack 
Smith performing with projector and turntable.

Years later, when I directed the Video program at Anthology, Jonas elected to 
suspended film screenings while leaving 80 Wooster St. and moving to the 
courthouse. Thanks to Howard’s generous willingness to allow us to use the 
Millennium theater space, we kept the Video program active, moving our decks 
and monitors to 4th Street and featuring artists in person screenings on a 
weekly basis.

bob h.



On Mar 5, 2015, at 10:26 AM, conrad con...@buffalo.edu wrote:

 I am shocked and saddened to read this; Howard seemed ready to be there 
 forever, unchanging, like a post holding up one of the great tents of 
 filmmaking. He had the perspicacity and daring to let me show my Yellow 
 Movies in 1973, when they were all but illegible (other than by Jonas). And 
 of course he brokered show after show of works and makers who could never at 
 the time otherwise have had any resonant springboard of visibility. His 
 understanding of the cultural moment and inertia this represented is engraved 
 in his founding of MFJ, of his unbending embrace with Millennium, and even in 
 the certain remove one found in him: and it worked, Howard.
 
 ---t0ny
 
 
 On 03/04/2015 3:58 pm, Jay Hudson wrote:
 Just this afternoon, I received the shocking and sad news that Howard
 Guttenplan, the long term director of the Millennium Film Workshop
 passed away February 23, 2015.  He was laid to rest at Calverton
 National Cemetery in Long Island.
 Howard was a complicated person.  Keeping an organization like
 Millennium going for so long was a solitary and difficult task.  The
 funeral home director told me that he felt that Howard wanted to go
 out alone, only accompanied by a close childhood friend.  That is so
 much the way that Howard was.
 When I was running the Millennium and working on the gargantuan task
 of sorting old materials, the complete history of Howard's tenure came
 before my eyes.  Virtually every experimental filmmaker of note came
 through the doors.  It is no accident that Stan Brakhage's New York
 premieres were at Millennium, or that Jack Smith spent countless hours
 watching film and editing with scotch tape.  Countless filmmakers were
 loyal to Howard.
 Despite the struggles that I had with him reforming the Millennium, he
 gave me a full set of the Journal as a token of appreciation.  He gave
 me my first solo show.  Even when he at his most pissed off at me, he
 always complimented my work.
 There was something very unique and special because of what Howard did
 and who he was.  Millennium is still thriving.  And from me
 personally, Howard's New York Diary changed me as a filmmaker.  I hope
 that his film and photographic work will be preserved and archived.
 Requiescat in pace.
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread Adam Hyman
That¹s the program!  A pretty essential screening to include.  It ran at
UCLA as well in October.
https://www.cinema.ucla.edu/events/2014/10/25/navajo-film-themselves-1966


On 3/5/15 7:31 AM, Gawthrop, Rob rob.gawth...@falmouth.ac.uk wrote:

 Navajo Film Themselves
 http://www.penn.museum/sites/navajofilmthemselves/
 https://www.youtube.com/watch?v=FWMO2UGfaBI
 
 Rob
 
 
 From: Nate Cummings ncummingslamb...@gmail.com
 Reply-To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Date: Thursday, 5 March 2015 03:02
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Subject: [Frameworks] American Indian and Indigenous experimental filmmakers
 
 Dear Frameworkers,
 
 A small group of students and alumni are programing an American Indian and
 Indigenous film screening series at CalArts for the end of the month. This
 will be a week long event from March 30th to April 3rd.
 
 I'm reaching out to all of you for suggestions as we finalize our programming
 in the next coming weeks.
 
 The program covers a range of forms and techniques and any suggestions will be
 appreciated and looked at. We are specifically looking for work made by
 American Indian and Indigenous peoples, not simply about.
 
 Programs will be arranged around such topics as:
 The Construction of Knowledge in Ethnographic Film Practices
 The Preservation and Conservation of Indigenous Land and Rights Contemporary
 Indigenous Art and Crafts
 Personal Narratives and Histories on the Reservation.
 
 As the event draws closer I'll send out the program details for those
 interested in the Southern California and Los Angeles area.
 
 Thank you for any help and suggestions.
 
 Best, 
 
 Nate Cummings-Lambert
 (Eastern Band of Cherokee Indians)
 
 
 
 
  http://www.falmouth.ac.uk/  https://www.facebook.com/falmouthuni
 http://twitter.com/falmouthuni  http://www.youtube.com/falmouthuniversity
 http://pinterest.com/falmouthuni
 http://www.falmouth.ac.uk/content/falmouth-leaps-26-places-sunday-times-leagu
 e-table 
 
 
   This email is confidential and intended solely for the use of the intended
 recipient only. If you have received this email in error, please inform us
 immediately and then delete it.
 
 
 
 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread Gawthrop, Rob
Navajo Film Themselves
http://www.penn.museum/sites/navajofilmthemselves/
https://www.youtube.com/watch?v=FWMO2UGfaBI

Rob


From: Nate Cummings 
ncummingslamb...@gmail.commailto:ncummingslamb...@gmail.com
Reply-To: Experimental Film Discussion List 
frameworks@jonasmekasfilms.commailto:frameworks@jonasmekasfilms.com
Date: Thursday, 5 March 2015 03:02
To: Experimental Film Discussion List 
frameworks@jonasmekasfilms.commailto:frameworks@jonasmekasfilms.com
Subject: [Frameworks] American Indian and Indigenous experimental filmmakers

Dear Frameworkers,

A small group of students and alumni are programing an American Indian and 
Indigenous film screening series at CalArts for the end of the month. This will 
be a week long event from March 30th to April 3rd.

I'm reaching out to all of you for suggestions as we finalize our programming 
in the next coming weeks.

The program covers a range of forms and techniques and any suggestions will be 
appreciated and looked at. We are specifically looking for work made by 
American Indian and Indigenous peoples, not simply about.

Programs will be arranged around such topics as:
The Construction of Knowledge in Ethnographic Film Practices
The Preservation and Conservation of Indigenous Land and Rights Contemporary 
Indigenous Art and Crafts
Personal Narratives and Histories on the Reservation.

As the event draws closer I'll send out the program details for those 
interested in the Southern California and Los Angeles area.

Thank you for any help and suggestions.

Best,

Nate Cummings-Lambert
(Eastern Band of Cherokee Indians)




[Falmouth University] http://www.falmouth.ac.uk/  [Follow us] 
[Facebook]  https://www.facebook.com/falmouthuni  [Twitter]  
http://twitter.com/falmouthuni [Youtube]  
http://www.youtube.com/falmouthuniversity  [Pintrest]  
http://pinterest.com/falmouthuni  [cid:image9cfdda.GIF@913adb8c.41af24c8]  
http://www.falmouth.ac.uk/content/falmouth-leaps-26-places-sunday-times-league-table


  This email is confidential and intended solely for the use of the intended 
recipient only. If you have received this email in error, please inform us 
immediately and then delete it.
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Howard Guttenplan (April 6th, 1934 - February 23rd, 2015)

2015-03-05 Thread conrad
I am shocked and saddened to read this; Howard seemed ready to be 
there forever, unchanging, like a post holding up one of the great 
tents of filmmaking. He had the perspicacity and daring to let me show 
my Yellow Movies in 1973, when they were all but illegible (other than 
by Jonas). And of course he brokered show after show of works and makers 
who could never at the time otherwise have had any resonant springboard 
of visibility. His understanding of the cultural moment and inertia this 
represented is engraved in his founding of MFJ, of his unbending embrace 
with Millennium, and even in the certain remove one found in him: and it 
worked, Howard.


---t0ny


On 03/04/2015 3:58 pm, Jay Hudson wrote:

Just this afternoon, I received the shocking and sad news that Howard
Guttenplan, the long term director of the Millennium Film Workshop
passed away February 23, 2015.  He was laid to rest at Calverton
National Cemetery in Long Island.

Howard was a complicated person.  Keeping an organization like
Millennium going for so long was a solitary and difficult task.  The
funeral home director told me that he felt that Howard wanted to go
out alone, only accompanied by a close childhood friend.  That is so
much the way that Howard was.

When I was running the Millennium and working on the gargantuan task
of sorting old materials, the complete history of Howard's tenure came
before my eyes.  Virtually every experimental filmmaker of note came
through the doors.  It is no accident that Stan Brakhage's New York
premieres were at Millennium, or that Jack Smith spent countless hours
watching film and editing with scotch tape.  Countless filmmakers were
loyal to Howard.

Despite the struggles that I had with him reforming the Millennium, he
gave me a full set of the Journal as a token of appreciation.  He gave
me my first solo show.  Even when he at his most pissed off at me, he
always complimented my work.

There was something very unique and special because of what Howard did
and who he was.  Millennium is still thriving.  And from me
personally, Howard's New York Diary changed me as a filmmaker.  I hope
that his film and photographic work will be preserved and archived.

Requiescat in pace.
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread director
Vtape in Toronto distributes a wide variety for First Nation and
Indigenous video artists and filmmakers. Clicking the aboriginal button
in their advanced search option brings up 468 titles:
http://www.vtape.org/video-catalogue-advanced-search

They have many of these viewable for preview online if you get in touch
with them for the curator's password.

Also in Toronto, ImagineNATIVE Film Festival has an extensive online
archive of their programs over the last 15 years:
http://www.imaginenative.org

best
Chris



 Dear Frameworkers,

 A small group of students and alumni are programing an American Indian and
 Indigenous film screening series at CalArts for the end of the month. This
 will be a week long event from March 30th to April 3rd.

 I'm reaching out to all of you for suggestions as we finalize our
 programming in the next coming weeks.

 The program covers a range of forms and techniques and any suggestions
 will
 be appreciated and looked at. We are specifically looking for work made by
 American Indian and Indigenous peoples, not simply about.

 Programs will be arranged around such topics as:
 The Construction of Knowledge in Ethnographic Film Practices
 The Preservation and Conservation of Indigenous Land and Rights
 Contemporary Indigenous Art and Crafts
 Personal Narratives and Histories on the Reservation.

 As the event draws closer I'll send out the program details for those
 interested in the Southern California and Los Angeles area.

 Thank you for any help and suggestions.

 Best,

 Nate Cummings-Lambert
 (Eastern Band of Cherokee Indians)
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


[Frameworks] RE HOWARD GUTTENPLAN

2015-03-05 Thread Lili White
I started showing my films at MILLENNIUM FILM WORKSHOP. Howard encouraged many 
artists, and that spirit has mushroomed into the making of ANOTHER EXPERIMENT 
by WOMEN FILM FESTIVAL and also AXWONLINE for those who can't make it to NYC! 
THANK YOU, HOWARD, for your tireless effort and work in making MFW work and 
promoting the belief that experimental film is an art form and can be personal.
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] American Indian and Indigenous experimental filmmakers

2015-03-05 Thread Nik Nerburn
Darryl Pinak. Might I recommend I for NDN?

https://vimeo.com/darrylnepinak

-- 

*-Nik Nerburn218-209-7805*
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


[Frameworks] Invitation | Nicky Hamlyn - Zoetrope | London Gallery West | Thursday 12 March |17:00 - 20:00

2015-03-05 Thread carmen billows
View this email in your browser
http://us4.campaign-archive2.com/?u=58bdb735817f902aed1211dadid=0370d15dfce=
*NICKY HAMLYN*

ZOETROPE

13 March - 3 May 2015

*Private View*
*Thursday 12 March, 17:00 - 20:00*

LGW is delighted to present* Zoetrope*, an exhibition of recent work by
Nicky Hamlyn, in collaboration with guest curator Carmen Billows.

Artist and filmmaker Nicky Hamlyn has been active in the British
experimental film scene since the mid 1970s. He is mainly known for his
precisely structured observational 16mm films and video works.
*Zoetrope* features
previously unseen works from the last decade of his rich artistic practice.

Hamlyn's concern with medium specificity and how film and video are
invariably treated as indistinct in the industrial context are important
aspects in his oeuvre. Thus almost all the works on display are presented
in their original format. Hamlyn explains that these recent video works
share formal interests with his 16mm films but are very distinctive media
in terms of their approach. Works are medium specific not only in their
making ­ for example his deliberate choice of camera for its capabilities
or limitations ­ but also in their form of presentation.

*'Although continuing to use film, I have become increasingly interested in
the possibilities of digital video, especially in terms of post production,
as a way of constructing very small loops from shot footage, whereby I can
create unstable optical effects that come alive when the viewer fixates on
a small area of the image.'* (Nicky Hamlyn)

Hamlyn briefly engaged in colour field painting in his formative years, an
influence that can still be found in his most recent film and video works.
They are studies in the changes of surface structure, materiality and
patterns of movement. Hamlyn traces brief, transitional moments in time and
space, usually part of our everyday environment, things which are about to
vanish and may have eluded our attention. By deploying mechanisms such as
time-lapse, interlaced single-frame sequences and overlapping dissolves, he
explores densities and interactions of light and shadow.

The play with light and translucence interacts with the gallery's distinct
architectural structure: its columns and large windowpanes crucial in this
strategy of juxtaposition. A see-through or inside/outside perspective is a
constant element in Hamlyn¹s body of work, and in this vein he has also
created a new site-specific 16mm piece for London Gallery West,
back-projected on to the window facing the smoker¹s corner outside.

Hamlyn's work has rarely been shown in a gallery context until now, and the
exhibition offers a selective overview of work made over the last ten
years. Located within the University, the show has a special significance
for Hamlyn, a long-standing teacher of film and fine art. By placing the
works side by side, they are entered into a dialogue, allowing an insight
into his recent work as part of an ongoing conversation with a continuity
of concerns.

*Visitor information:*
London Gallery West, The Forum, University of Westminster,
Watford Road, Harrow, Middlesex HA1 3TP
Northwick Park Station
Daily 9am ­ 5pm
Admission: Free
Information: 020 7911 5970
www.westminster.ac.uk/london-gallery-west

*Opening Hours*
13 March - 3 May 2015, 9am - 5pm daily

*Gallery Talk*
Tuesday 28 April 2015, 1 ­ 2pm
Nicky Hamlyn in conversation with guest curator Carmen Billows. Free
admission, open to all


   http://www.westminster.ac.uk/


http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Feepurl.com%2Fbe5l8X
Share
http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Feepurl.com%2Fbe5l8X
http://twitter.com/intent/tweet?text=Private+View+Invitation+%7C+Nicky+Hamlyn+-+Zoetrope+%7C+Thursday+12+March+%7C17%3A00+-+20%3A00:%20http%3A%2F%2Feepurl.com%2Fbe5l8X
Tweet
http://twitter.com/intent/tweet?text=Private+View+Invitation+%7C+Nicky+Hamlyn+-+Zoetrope+%7C+Thursday+12+March+%7C17%3A00+-+20%3A00:%20http%3A%2F%2Feepurl.com%2Fbe5l8X
http://us4.forward-to-friend.com/forward?u=58bdb735817f902aed1211dadid=0370d15dfce=
Forward
http://us4.forward-to-friend.com/forward?u=58bdb735817f902aed1211dadid=0370d15dfce=

London Gallery West circulates ad-hoc information relating to our
forthcoming programme of exhibition and events. If you would like to opt
out of receiving these emails please click 'unsubscribe from this list' at
the bottom of this email.

*Our mailing address is:*
London Gallery West
University of Westminster
The Forum, Faculty of Media, Arts  Design
Watford Road, Harrow HA1 3TP
United Kingdom

Add us to your address book
http://p3exhibitions.us4.list-manage.com/vcard?u=58bdb735817f902aed1211dadid=4ec2d928ad
unsubscribe from this list
http://westminster.us4.list-manage1.com/unsubscribe?u=58bdb735817f902aed1211dadid=4ec2d928ade=c=0370d15dfc
update subscription preferences
http://westminster.us4.list-manage.com/profile?u=58bdb735817f902aed1211dadid=4ec2d928ade=


[image: Email Marketing Powered by