[Frameworks] For sale: film transfer system

[Charles Chadwick]

Hey guys. I'm fundraising for a project, so I'm selling a film transfer
system I acquired. It's for super8 and reg8. Take a look if you're
interested. https://tinyurl.com/y5475on5

-charles
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Re: [Frameworks] FrameWorks Digest, Vol 109, Issue 5

[Ginger LIU]

Hello,All documentaries are constructed in some way to force a narrative. And they are certainly told from the pov which makes for entertainment. I'm not a fan of filmmakers getting their subject to meet their long lost parent just for the purpose of narrative. Those are stories forced by the filmmakers and not the subject.Even the Up series had subjects dropping out because they felt the way they were portraid was not their true selves.Ginger Liuwww.gliumedia.comwww.gliuphoto.comOn 8 Jun 2019 13:00, frameworks-requ...@jonasmekasfilms.com wrote:I recommend a double feature of Kiarostami’s “Close Up” followed by the feature length Nathan For You episode “Finding Frances”. On Fri, Jun 7, 2019 at 8:29 AM Anderwald + Grond  wrote:(The first part of) David Perlov’s Diaryhttps://www.youtube.com/watch?v=89oPit-zHVURuth + Leo
— — — — Ruth Anderwald + Leonhard Grondhttp://www.anderwald-grond.atUntil I clear this place be a part of me – mind, body and soul. If I sway, sway with me. Charles Blondin— — — — This email and any attachments may contain confidential information and is intended solely for the addressee. If you are not the intended recipient (or have received this email in error) please notify the sender immediately and destroy this email. Any unauthorized copying, disclosure or distribution of the material in this e-mail is strictly forbidden.E-Mail und Beilagen können vertrauliche Informationen enthalten, die nur für den Empfänger bestimmt sind. Wenn Sie nicht der beabsichtigte Empfänger sind (oder die Nachricht irrtümlich erhalten haben), benachrichtigen Sie bitte umgehend den Absender und vernichten Sie diese E-Mail. Jegliche unautorisierte Kopie, Veröffentlichung oder Verbreitung der Inhalte dieser E-Mail ist generell untersagt. 

Am 07.06.2019 um 08:02 schrieb Tim Halloran :...No Lies, (1973); Mitchell Block.Most documentaries “play with truth,” in some manner.Sent from my iPadOn Jun 6, 2019, at 3:13 PM, Morgan Hoyle-Combs  wrote:Hello all.I've asked this quite a few times already, but I'm still on the lookout for films that question the concept of truth in documentaries or cinema. So far, I've been able to favor "Megacities" by Michael Glawogger, "David Hotlzman's Diary" by Jim McBride and "The stories we tell" by Sarah Polley. And yes, I've watched F for Fake more than enough ;)I've also been getting into dissecting film and theater down to, for lack of better terms, compound elements. I've been looking into the works of Bazin, Kracauer and Metz and how they have explored the concept of spectatorship and illusion within the realm of photography, film and sometimes theater. So anything that would focus on deconstructing truth or incorperate cinema theory. In addition to diaries and essays, I'd also be open to film/video installations/performances that share the same focus. M___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks___
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For the past few months, a major Experimental Film Society project has been brewing, a feature film called Minotaur. It is the poetic debut feature by Zulfikar Filandra, a uniquely unconventional and engagingly personal film dealing with youth, sex, love, family, friendships and the passage of time.Minotaur is being co-produced by Experimental Film Society (EFS), Dublin and Kolumbija, Sarajevo. Rouzbeh Rashidi, head of EFS, is co-producing and also brings his overall filmmaking expertise and twenty years of experience to the project as a technical consultant.We've launched an Indiegogo campaign to finance it. Please read the full story here:https://igg.me/at/minotaurprojectIf any of this sounds of interest, please consider contributing - there are some great perks and rewards with this campaign! Even a small donation will help. And even if you can't contribute, please help us get the word out by sharing on Facebook, Twitter and Instagram.If you have any questions or queries at all, or would like to make a donation directly to us, please drop us a line at experimentalfilmsociety@gmail.com, and thank you for the support.https://mailchi.mp/a71f4a7612e6/minotaur-indiegogo-campaign-- http://www.rouzbehrashidi.comwww.experimentalfilmsociety.comhttps://www.facebook.com/experimentalfilmsociety

There are a plethora of doc films that engage strategies that do this, but the writings of Bill Nichols and Stella Bruzzi on performative doc are really important for this discussion.Check out New Documentary (latest edition) by Stella Bruzzi.On Thu, Jun 6, 2019 at 6:13 PM Morgan Hoyle-Combs 

Re: [Frameworks] Documentaries-diaries-essays or video/film installations that play with truth or cinema theory

[Hardin, Ted]

‘Public Hearing’ by James Kienitz Wilkins re-performs a court transcript with 
actors only in close-ups, shot in black and white. It may trouble the waters 
nicely.

Ted Hardin

Sent from my iPhone

On Jun 8, 2019, at 9:07 AM, Jonathan Kiefer 
mailto:jonathan.kie...@gmail.com>> wrote:

I'm sure a rummage through the archives of the True/False Film Festival will 
turn up some recent work of interest on this front: 
truefalse.org.
J
--
jonathan kiefer
around the 
sun


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Re: [Frameworks] Documentaries-diaries-essays or video/film installations that play with truth or cinema theory

[Jonathan Kiefer]

I'm sure a rummage through the archives of the True/False Film Festival
will turn up some recent work of interest on this front: truefalse.org.
J
-- 
jonathan kiefer
around the sun 
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Re: [Frameworks] 16mm and 8mm prints for sale

[Bernard Roddy]

Such a difference with the usual art market in prints!

On Sat, Jun 8, 2019 at 7:57 AM Dominic Angerame 
wrote:

> I have the following prints for sale. Contact me off list if interested.
> These are also listed on eBay and I can give Frameworkers a discount from
> the eBay price
>
> Dimitri Kirsanov Menilmontant 16mm print bw/silent rare
>
> Germain Dulac Smiling Madame Beudet 16mm vg rare
>
> Emile Cohl 16mm Three Films 15 minutes black and white silent (rare)
>
> Jean Durand  d'Onésime Hologer (1914) 16mm bw/silent
>
> James Brougton's Mother's Day 16mm
>
> Powers of Ten
>
> Intolerance, complete 16mm black and white silent
>
> Gospel Accoding to St. Matthew black and white sound (dubbed)
>
> Open City Roberto Rossellini black and white sound
>
> Paisan Roberto Rossellini black and white sound
>
> L’Aventura by Antonioni black and white sound
>
> International Bicyle Polo Match: America vs England 16mm by Raymond
> Firestone
>
> Thanks
>
> Dominic
>
>
>
>
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[Frameworks] 16mm and 8mm prints for sale

[Dominic Angerame]

I have the following prints for sale. Contact me off list if interested. These 
are also listed on eBay and I can give Frameworkers a discount from the eBay 
price

Dimitri Kirsanov Menilmontant 16mm print bw/silent rare

Germain Dulac Smiling Madame Beudet 16mm vg rare

Emile Cohl 16mm Three Films 15 minutes black and white silent (rare)

Jean Durand  d'Onésime Hologer (1914) 16mm bw/silent

James Brougton's Mother's Day 16mm

Powers of Ten

Intolerance, complete 16mm black and white silent

Gospel Accoding to St. Matthew black and white sound (dubbed)

Open City Roberto Rossellini black and white sound

Paisan Roberto Rossellini black and white sound

L’Aventura by Antonioni black and white sound

International Bicyle Polo Match: America vs England 16mm by Raymond Firestone

Thanks

Dominic




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Re: [Frameworks] Documentaries-diaries-essays or video/film installations that play with truth or cinema theory

[Bernard Roddy]

Hi Dave:

I was thinking about the way in which I tend to experience a personal work,
which could be closer to identifying with the maker or with someone who
wants to make such a work. And the sense of truth that would bear on such
work might better be compared to the significance of an explosion, the
blossoming of a field, or the rainbow at dawn: truth as a manifestation,
rather than as a mirror that gets it right, an image that is indiscernible
from the reality. I have long felt a scholar's hand in the insistence on
truth conceived as representation, and perhaps of equal significance to
this question would be the history of the lie. We are thus moving away from
a conception of language and the sign that is founded on representation, a
conception that has long been identified with the image of God as something
with a design for man and man as either living up to it or failing to do
so, truth as a plan that is fulfilled or subverted. That is a truth that
one can consider without cost, without anything at stake, a question for
the professional academic. It's all introductory documentary, however. The
books I am aware of include a couple that take up works the writers prefer
to think about for what is unsaid in them or otherwise unsayable.

Bernie

On Fri, Jun 7, 2019 at 5:35 PM Dave Tetzlaff  wrote:

> Fake docs like 'No Lies' and 'Daughter Rite' don’t really question the
> concept of truth in any profound way. They are also genre specific to
> Cinema Verite. If anything, the problem with Daubghter Rite is that the
> gimmick of the fakery subverts the theme more than it deepens it.
>
> So you can stage sequences with the same shooting and editing codes used
> in verite. So what?
>
> The famous short sequence on the bridge repeated three times in Letter
> from Siberia probably does more to "question the concept of 'truth in
> documentary’" than all the clever fakes and fauxs put together.
>
> Bernie mentioned Nichols’ ‘Intro to Documentary’ as touching on the topic,
> but I think his “Blurred Boundaries” is probably more relevant, though as
> usual the prose is hardly user-friendly.
>
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