Re: [Frameworks] Original soundtrack recordings of Avant-Garde films

[JB Mabe]

https://www.discogs.com/Albert-Ayler-Don-Cherry-John-Tchicai-Roswell-Rudd-Gary-Peacock-Sonny-Murray-New-York-Eye-And-Ear-Con/master/27970

New York Eye And Ear Control


On Wed, Dec 4, 2019 at 12:26 PM Albert Alcoz  wrote:

> Hello,
>
> I'm researching soundtracks of Avant-Garde films that have been published
> on Vinyl, cassette or CD. It is not easy to find many cases because
> generally the soundtracks are not original.
>
> Does anyone know other cases besides those mentioned here?
>
> *Asparagus* (1979) Suzan Pitt. Music: Richard Teitelbaum
>
> http://sanitymuffin.bigcartel.com/product/asparagus-original-soundtrack-recording
>
> *L'Ange* (1980) Patrick Bokanoski. Music: Michèle Bokanowski
> https://tracelabel.bandcamp.com/album/lange
>
> *Decasia* (2002) Bill Morrison. Music: Michael Gordon
> https://michaelgordonmusic.bandcamp.com/album/decasia
>
> All the best,
> Albert Alcoz
>
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[Frameworks] Some Brakhage Songs For Sale

[JB Mabe]

Hi gang,

So my Regular 8 projector is broken and I don't watch these films very
often and I have other Brakhage prints I'm keeping, so I figured I'd
put a couple other ones up for sale. Have a look at these eBay pages
if you are interested. For price comparison, a new 16mm print of a 4
minute film is $850. These prints were purchased on Frameworks and
they were personal prints of Brakhage's.

https://www.ebay.com/itm/Stan-Brakhage-s-Songs-28-29/202660767840

https://www.ebay.com/itm/Stan-Brakhage-s-Songs-21-22/202660758330

https://www.ebay.com/itm/Stan-Brakhage-s-Songs-19-20/202660759492

Best,
Josh B Mabe, Chicago
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[Frameworks] Maurice Amar? and Hanna Roman?

[JB Mabe]

Hi All,

I'm looking for two filmmakers... one of whom might be pretty hard to
find and one who I hope is a little easier.

Maurice Amar made a lot of films in the late 60s and throughout the
70s. He was in the New York underground film-making scene and is part
of a film called "Underground New York," which also features the Mekas
and Kuchar bros. and I think was involved in "For Life, Against War."
He was Egyptian-born and NYC-based. He self-distributed as Films Amar
at 106 East 7th, and then later as Maurice Amar Films at 61 East 11th.
He is briefly mentioned in Robert Haller's book on Amy Greenfield, as
she performed in one of his films. He may have also worked in Wilton,
CT.

The other filmmaker might be a little harder to find. Hanna Roman was
a Polish born and educated filmmaker who partnered with her husband
Joseph Roman, and toured with their films as HJ Roman mostly in the
60s. As far as I can tell from clippings, she was the filmmaker and
projectionist and he handled the bookings. They made some films with
youth in Cape Cod. The only other info I have is they were once had a
studio in Southbridge MA, and were later handled by Douglass
Entertainment in Hartford CT.

Any clues you might have would be greatly appreciated!

Best,
Josh
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Re: [Frameworks] silent work

[JB Mabe]

Two former Chicagoans make pretty much 100% silent video:
Jake Barningham
&
Kyle Canterbury

And here's some others who have made some silent video, but silent
video isn't the bulk of their work:
Anna Kipervaser
Simon Payne
Mary Billyou
Christine Lucy Latimer

On Wed, May 2, 2018 at 9:02 AM, Andy Ditzler  wrote:
> Hi all,
>
> I'm putting together a monitor-based exhibition of moving image work for a
> public space, with one of the requirements being that the works are shown
> silent due to the nature of the space. Plenty of archival and artists' film
> work fits this. But in the course of preparing this exhibition, a more
> general question has arisen: Who is making silent work now? Or more to the
> point, are there artists who make video pieces that are silent? I'm thinking
> of videos that might draw on the legacy of silent/non-soundtrack film work
> by Deren, Menken, Brakhage, Dorsky et al, but it seems difficult to find any
> moving image work without sound that doesn't originate somehow on film.
>
> I know Frameworks is devoted to work on film and not video, but perhaps some
> on this list can help. Thanks for any leads.
>
> Best,
>
> Andy Ditzler
> Founder and curator, Film Love: www.filmlove.org
> Co-founder, John Q collective: www.johnq.org
>
>
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[Frameworks] Channels: A Quarterly Film Series (Fall 2017), 12/3 at Cinema Borealis, Chicago

[JB Mabe]

Hi All!

Just wanted to let you know about a new screening series in Chicago
starting next week!

Channels: A Quarterly Film Series presents avant-garde, experimental,
expanded cinema, performance, experimental narrative, documentary, and
video and new media art to Chicago. Curated by Erin Nixon & Josh B
Mabe.

Channels: A Quarterly Film Series (Fall 2017)
12/03/17, 6pm at Cinema Borealis (1550 N Milwaukee Ave, Chicago, IL)
$7-10 admission includes both screenings.


6PM:
Olivia Ciummo
Missing In-Between the Physical Proper
2017, 6m, digital
Missing In-Between the Physical Proper is a collage of sound and video
that speaks to relations between the planet, death, and
transformation. Re-photographed landscapes and text suggest ideas of
commodification. -- Olivia Ciummo
"A prismatic collection of re-photographed images––of deserts and
oceans, plants and animals––are disrupted and transformed by an array
of color filters, soft synth accompaniment, and familiarly boorish
messages lifted from the online world." -- Chloe Lizotte, NYFF

Tomonari Nishikawa
Ten Mornings Ten Evenings and One Horizon
2016, 10m, 16mm
It displays bridges on Yahagi River, which runs near where I was grown
up in Japan. I shot each bridge twice, first in the morning and second
in the evening of the day. It was exposed one-sixth of the frame at a
time and the result would show the sense of the sun rising or setting.
-- Tomonari Nishikawa

Jennifer Saparzadeh
Nu Dem
2017, 10m, digital
Nu Dem traces Europe's closed borders in the Spring of 2016, arriving
at an informal settlement between Greece and Macedonia. There, people
wait and try to move forward in anxious, stagnant flux- confronting
the dissonance between a vision of freedom and the fact of its denial.
-- Jennifer Saparzadeh

Brigid McCaffrey
Bad mama, who cares
2016, 12m, 35mm
Geologist Ren Lallatin has moved into a small housing complex located
between a rail yard and the interstate. Desert vistas are replaced
with an arsenal of tactle pursuits, while the situaton of the house
becomes unstable. Free falling from a fixed point, the perimeter is
ornamented for security. Desert winds animate aluminum mobiles and
seismic vibratons serenade the home. -- Brigid McCaffrey

Ana Vaz
Amérika: Bahía de las Flechas
2016, 9m, digital
It is said that in the year of 1492, the first European ship led by
Christopher Columbus, disembarked on the coast of Samaná, present-day
Dominican Republic, and was received by a rain of arrows carefully
plotted by the Caribbean Taíno. Presently, a saline lake named after
the Taíno chief Enriquillo witnesses profound eco-systemic changes
leading to species migration, forced evacuation and an expanding
choral desert revealing the lake’s geologic past. Taking the camera
itself as an arrow, Amérika: Bay of Arrows looks for ways in which to
animate, to awaken, to make vibrate again this gesture in the present
- arrows against a perpetual “falling sky”. -- Ana Vaz

Marianna Milhorat
this is not an anchor, this boat is not an anchor
2007, 12m, digital
Through a dense mist we emerge into a foggy marshland. Slowly and
achingly a mysterious landscape is revealed. Foghorns and sharp cuts
jolt the meandering sense of place and memory, creating a sense of
unease and anxiety within. -- Images Festival

AJ McClenon
he kind of like skips over me and tells all my African-American
friends to go sit down.
2015, 9m, digital
Echoes from an interview with Dajerria Becton, a 15-year-old girl who
was attacked by a McKinney, Texas police officer in attendance of a
pool party in a predominantly white neighborhood & from audio footage
from the McKinney, Texas pool party "incident," where Black teens were
forcibly removed from a predominantly white pool party. -- AJ McClenon

TRT: 68m


8PM:
Stephen Broomer
Potamkin
2017, 67m, 16mm

"What happened to Potamkin?"

In 1933, at age 33, Harry Alan Potamkin died of complications related
to starvation, at a time when he was one of the world's most respected
film critics. In his writings, he advocated for a cinema that would
simultaneously embrace the fractures and polyphony of modern life and
the equitable social vision of left radical politics. This
film-biography is assembled out of distorted fragments of films on
which he had written, an impression of erupting consciousness.

At the Odessa steps, trampling gives breath to the child. The bullet
miraculously reforms the face. The Cossacks march backwards,
retreating unseen into their nothing, the unfired rounds of their
rifles restored to their menacing potential. Feet tread backward up
the steps as the steps themselves collapse in splintering emulsion.
The carriage is set upright.

“One’s sight is inverse to one’s eyes;
The begger with empty sockets sees
The microscope lies;
But these
Who are truly blind are wise.”

Sound by Stuart Broomer. Processing by Stephen Broomer, Martha Cabral,
Eva Kolcze, Emmalyne Laurin, Cameron Moneo. Titles by Cameron Moneo.
Digital intermediate by Pablo Perez. Thanks 

Re: [Frameworks] Film/video programers/curators and campus film screenings

[JB Mabe]

In my first weeks of college in 1999 at Winthrop University in Rock
Hill, SC I formed an informal film club and held screenings programmed
mostly from the library's collection or my criterion laserdiscs (first
screening was Oscar Micheuax's Within Our Gates). When I transferred
to the University of South Carolina in 2001, I joined the more formal
"Cinematic Arts" committee that programmed out of the Russell House
(where I was also the projectionist with a crappy 35mm platter and an
Eiki 16mm). Some folks might be familiar with the Russell House from
the early days of the Orphan Film Symposium. The budget for student
programming was ridiculously generous (I think due the very popular
football program and university merchandising - Go Gamecocks), and
once per semester I was able to spend about $1000 for a weekend's
worth of programming. Sometimes I'd rent beat up Maurice Pialat prints
from New Yorker (I think), and sometimes I'd rent a ton of stuff from
FMC and Canyon. After college, I did a lot of independent programming,
made my own films, cofounded spaces and festivals, and now I'm in my
first professional programming position at Chicago Filmmakers and the
Onion City Film Festival. That's the short version, anyway.

On Thu, Mar 17, 2016 at 1:20 PM, Michael Zryd  wrote:
> Hi Frameworks: I’m doing some research on what connections (if any) exist
> between people who program or curate film, video, and other moving image
> media and their experiences in college and university.
>
> Question: If you are currently programming or curating, did you get any
> experience at a college or university campus film society or screening
> series?
>
> I know of histories in Toronto at universities like Ryerson, University of
> Toronto, and York University, and have read anecdotal accounts from schools
> like Binghamton, NY, where students from those schools programmed ambitious
> experimental screenings on campus and then continued to program/curate
> afterwards, but I’m wondering how widespread that connection is. And whether
> it’s a North American phenomenon or if it occurs elsewhere.
>
> Please share any stories or personal histories, either privately to me, or
> to the listserv.
>
> Thanks!
>
> Michael Zryd • Associate Professor
> Department of Cinema & Media Arts
> School of the Arts, Media, Performance & Design
>
> YORK UNIVERSITY
> York Lanes 230 • 4700 Keele Street
> Toronto ON • Canada M3J 1P3
> T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
> z...@yorku.ca • http://ampd.yorku.ca/about-us/our-faculty/michael-zryd •
> ampd.yorku.ca
>
> York University, one of 2015 Canada’s Greenest Employers
>
>
> This electronic mail (e-mail), including any attachments, is intended only
> for the recipient(s) to whom it is addressed and may contain information
> that is privileged, confidential and/or exempt from disclosure. No waiver of
> privilege, confidentiality or any other protection is intended by virtue of
> its communication by the internet. Any unauthorized use, dissemination or
> copying is strictly prohibited. If you have received this e-mail in error,
> or are not named as a recipient, please immediately notify the sender and
> destroy all copies of it.
>
>
>
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Re: [Frameworks] 16mm film Guillotine Splicer

[JB Mabe]

Know any hunters, whittlers, or chefs? I had a co-worker who would
whittle during meetings work on mine and they came back dangerously
sharp.

On Mon, Aug 10, 2015 at 1:03 PM, Josh Weissbach joshweissb...@gmail.com wrote:
 Hey Frameworks - I have recently purchased a 16mm film guillotine splicer
 and I am looking to either get the blades sharpened or replaced. Does anyone
 know a business or person who can do this for me at a relatively economical
 price? Thanks.

 Best,

 Josh Weissbach

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Re: [Frameworks] Kid-friendly films?

[JB Mabe]

On Mon, Jul 13, 2015 at 10:16 AM, Carl E Bogner crlel...@uwm.edu wrote:
 Dan,


 One of the best things I have been able to see this year was the Saturday
 morning cartoon 16mm program that EYEWORKS presented at Jesse Malmed’s
 LIVE-TO-TAPE FESTIVAL in Chicago this last May.

 The program was entitled “Make Me Psychic” and featured films by Sally
 Cruikshank, Kathy Rose, Trixy Sweetvittles, and Amy Lockhart. Some of the
 prints -- the Cruikshank and the (sublime) Rose films -- were, I think, from
 the holdings of Chicago Filmmakers, do I have that right?

 I was smacked out on all of the free breakfast cereals provided and am old,
 but I thought it was all a delight, giddy and transcendent, of possible
 interest to your programming. Psychedelic/trippy presented, understood, as
 also kid-friendly?

 Details on the LIVE-TO-TAPE program here:
 https://www.facebook.com/events/837281176348961/

 Eyeworks Festival of Experimental Animation
 http://eyeworksfestival.com

 Chicago Filmmakers Film Distribution Project
 http://www.chicagofilmmakers.org/membership-filmmaker-services/film-distribution-project


 Carl
 Milwaukee

That is correct Carl. Chicago Filmmakers distributes most of that
animation program that was put together by Alexander Stewart of
EYEWORKS. We distribute a ton of amazing and rare animated films. If
anyone has any questions about it, check out the catalog
(http://www.chicagofilmmakers.org/membership-filmmaker-services/film-distribution-project),
or call Chicago Filmmakers at 773-293-1447.

Best,
Josh B Mabe
Program Director
Chicago Filmmakers
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[Frameworks] Malcom LeGrice's winker socket for CASTLE ONE?

[JB Mabe]

Hey gang,

Anyone ever use the winker socket that comes with CASTLE ONE when you
rent it from FMC? Any suggestions on how to get the danged thing
going? It's got a lot of directions - like wait 2 mins for it to warm
up  set the switch somewhere between on  off. But I'm still
having quite a time getting it to work. Any thoughts?

Josh B Mabe, Chicago Filmmakers
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[Frameworks] Hilary Harris estate/rights holders

[JB Mabe]

Anyone know who owns the rights to Hilary Harris films?

Best,
Josh B Mabe, Chicago
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Re: [Frameworks] Video Film Solutions in Rockville, MD anybody use them?

[JB Mabe]

They seem to be old Movie Lab - same address, same(ish) website design
- I've always used Movie Lab (cheapest) and always been happy.

On Mon, Aug 18, 2014 at 4:06 PM, robbie rahb...@yahoo.com wrote:
 Ha s anyone used Video Film Solutions in Rockville Maryland for 16mm film
 work?
 I usually use Colorlab (just next door or across street) but in my process
 the make an answer print for a current project, which is scheduled to screen
 in four weeks, colorlab states over phone today that theyre current
 turnaround for such wont work for my timeline.
 Cinelab suggest Video Film Solutions. I think they maybe the old MovieLab or
 a combo.
 Regardless, i dont want to gamble with a timer im not familiar with, but at
 current for this small job i may be willing to take that chance.
 therefore, any thoughts or experience with this facility?

 thanks,
 robbieland

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Re: [Frameworks] /////Chicago/////Upcoming//////

[JB Mabe]

On Wed, Jul 30, 2014 at 5:59 PM, Thomas Dexter thomas.dex...@gmail.com
wrote:

 Also - If anyone is inspired to offer Chicago recommendations (people to
 meet, art / performance / film venues to visit) I am all ears..


Welcome!

Subscribe to Cine-File: http://cine-file.info/list.htm

Meet folks at...
Chicago Filmmakers: http://chicagofilmmakers.org/cf/index.php

The Nightingale: http://nightingalecinema.org/

Doc Films: http://docfilms.uchicago.edu/dev/

-Josh B Mabe
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Re: [Frameworks] 'Organism' by Hilary Harris

[JB Mabe]

Yes, thanks Herb!

And Marcos: Just last week I was looking at our print of NINE
VARIATIONS... I'll pull the ORGANISM print today and take a gander.
Let me know if you are interested in booking it. You can email:
c...@chicagofilmmakers.org

Best,
Josh B Mabe
Program Director
Chicago Filmmakers


On Mon, Jul 28, 2014 at 10:49 AM, Marcos Ortega mar...@expcinema.com wrote:
 Thanks, Herb!

 On Mon, July 28, 2014 5:49 pm, Herb Shellenberger wrote:
 Marcos,


 Have you checked with Chicago Filmmakers? Looks like they have one
 available.
 http://www.chicagofilmmakers.org/cf/sites/default/files/file/PDF%20docume
 nts/CFDistProjName.pdf

 Herb Shellenberger
 Programs Office Manager


 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104
 phone: 215.895.6575Â Â  |Â  fax: 215.895.6562
 email: he...@ihphilly.org | web: www.ihousephilly.org




 -Original Message-
 From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf
 Of Marcos Ortega
 Sent: Monday, July 28, 2014 11:43 AM
 To: Experimental Film Discussion List
 Subject: [Frameworks] 'Organism' by Hilary Harris


 Dear Frameworkers


 Any clue to who where I could find a print of 'Organism' by Hilary
 Harris?
 None of the main avant-garde distributors seems to have it in their
 catalogues : LUX has 'Nine variations...' but nothing else by him, and
 Google doesn't provide any significant results.


 Thanks,


 Marcos Ortega


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[Frameworks] Baum Lo

[JB Mabe]

Anyone at all familiar with underground filmmakers from the late 60s
named Thomas Baum and Dennis Lo? Probably midwesterners as the few
newspaper articles that mention them that I can find online are from
IL  IN. Made goofy music-driven films like Come Dance with Me,
Kansas City Gork, and Catman's Primal Scene.

-JB Mabe, Chicago
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Re: [Frameworks] Fred Safran

[JB Mabe]

I was able to get his phone number, so I'll contact him directly.
Thanks everyone!

On Fri, Jul 11, 2014 at 10:05 AM, Dominic Angerame
dominic.anger...@gmail.com wrote:
 When I was director at Canyon I spoke with him on the phone. He was in
 Florida and stated he was not doing well and did not go into details. I
 assumed he was very ill. He wanted his films withdrawn and Stanford should
 have the information from his file. I had sold the Canyon archives to
 Stanford several years ago. I recommend you contact those now in control of
 what is called the Canyon Cinema Foundation for further information. They
 should be able to help you better than I can here at home.

 Thanks

 Dominic


 On Wed, Jul 9, 2014 at 3:32 PM, JB Mabe jb.m...@gmail.com wrote:

 Does anyone know where I might find more info on Fred Safran? His work
 is in the Filmmakers Co-op, and a little googling shows me that he
 used to teach classes at Millennium, but that's all I've got. Does
 anyone know if he's still around?

 Best,
 JB Mabe
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[Frameworks] Fred Safran

[JB Mabe]

Does anyone know where I might find more info on Fred Safran? His work
is in the Filmmakers Co-op, and a little googling shows me that he
used to teach classes at Millennium, but that's all I've got. Does
anyone know if he's still around?

Best,
JB Mabe
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Re: [Frameworks] exp film orgs suggestions

[JB Mabe]

Chicago:
Chicago Filmmakers
The Nightingale
cine-file.info
Roots  Culture
White Light Cinema


On Tue, Mar 11, 2014 at 5:34 PM, LJ Frezza ljfre...@gmail.com wrote:
 The Spectacle's a collective/volunteer run microcinema in Brooklyn:
 http://www.spectacletheater.com/. The programming's pretty eclectic, but
 experimental stuff usually makes an appearance every few weeks.
 -LJ


 On Tue, Mar 11, 2014 at 6:29 PM, Huckleberry Lain
 huckleberryl...@gmail.com wrote:

 Hello friends

 I'm putting together a lecture for USC at the end of March and I'm
 organizing a list of micro-cinemas, exp film orgs and periodicals for young
 filmmakers to get to know.  I'm mainly looking for organisations that are
 supportive of young filmmakers like Echo Park Film Center, but I'm also
 including some places they can go to watch important classics like PFA (I'm
 staying away from film festivals).  Here's my current list (I know I'm
 forgetting a bunch):

 LA Filmforum

 Echo Park Film Center

 Academy Film Archive

 Anthology Film Archive

 Pacific Film Archive

 Millennium Film Workshop

 Artists Television Access

 Light Industry

 RedCat

 Harvard Film Archive

 MoMA

 Pittsburg Filmmakers

 Filmmaker's Co-operative

 ABC No Rio

 Black Hole Cinematheque

 Lux Center for Film and Video Art

 CineWest

 MoCA

 Pasadena's Armory Center for the Arts

 SF Cinematheque


 OtherCinema

 iotaCenter

 CVM

 ReVoir

 Frameworks - hi-beam.com

 40 Frames

 Dublab

 Prelinger Archive


 OtherZine

 Millennium Film Journal

 Bomb!

 LA Record


 Thanks for your help!


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 --
 ljfre...@gmail.com / 904.762.8300

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[Frameworks] Chicago 8: A Small Gauge Film Festival - Programs Announced!

[JB Mabe]

, Black Maria
Film/Video Festival, Antimatter in Victoria, Canada; KLEX in Kuala Lumpur,
the Havana Film Festival, and the Kauna Biennial in Lithuania.


*9:30 PM-Hold Me While I’m Naked*
*Rick Bahto in Person!*

Pixie Cram - The Bathers
Tsen-Chu Hsu - Reflect
Rick Bahto - The Bellouin Sequence
Rick Bahto - Variations
Rob Todd - Spring
Chuck Kleinhans - Fred Barney Taylor
Brian Frye - Interventions
Ken Paul Rosenthal - I My Bike
Robbie Land - Precipice
Julie Murray - Legend of Parts



*SUNDAY OCTOBER 23RD @ CHICAGO FILMMAKERS*
*5243 N Clark St*


*6:30 PM-A REASON TO LIVE
**Rick Bahto in Person!*

Steve Polta - Summer Rain for LMC-side A
Steve Polta - A House Full of Dust
Tomonari Nishikawa - S8 Sketches #1-5
Rick Bahto - For Karen Johannesen
Hayley Elliot - Solar Flares
Malena Szlam - Beneath Your Skin of Deep Hollow
Paul Clipson - Chorus
Paul Clipson - Light From the Mesa
Leslie Supnet - Sun, Moon, Stars, Rain


*8 PM-BRIDE OF SUPER 8*
*Sponsored by Kodak and Dwayne’s Photo
Co-Presented by Chicago Filmmakers*

Reprising the popular Super 8 Rides Again program from last year at Chicago
Filmmakers, we’ll be inviting around 20 Chicago-area image makers to shoot a
roll of Super 8 film and have it premier at the show. All editing will be
done in-camera, and no one will be allowed to see their work prior to the
screening. We want to thank Todd Lillethun at Chicago Filmmakers for helping
coordinate this program, as well as Kodak and Dwayne’s Photo Service for
donating film and processing.

Xan Aranda, Ben Balcom,Jeremy Bessoff, Adebukola Bodunrin, Lilli Carre,Thom
Comerford, Mary Helena Clark, Carolyn Faber, Lori Felker, Scott Foley, Amir
George, Jason Halprin, Lyra Hill, Karen Johannesen, Kent Lambert, Jared
Larson, JB Mabe, Kate Raney, Jerzy Rose, Bill Stamets, Alexander Stewart,
Ted Tremper, Chi Jang Yin



Karen Johannesen, JB Mabe, and Jason Halprin
*Directors, Chicago 8: A Small Gauge Film Festival*
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