Re: [Frameworks] Luther Price RIP
lovely story... made my day On Saturday, 20 June 2020, 17:08:57 BST, Rob Gawthrop wrote: In the late nineties I programmed regular screenings at the Hull Film Theatre (Yorkshire England) while teaching at the art school there. I showed a compilation of new American films (from the coop) including Sodom. This was a public event and the cinema was run by the city council and they were not asking to see uncertificated films since the debacle of banning Genet’s Chant d’Amour. Sodom came on last before the interval and the ice-cream seller was making her way in at the moment of the auto-fellatio (Busby Berkley style) was on the screen. I was a little worried that there would be complaints. The ice-cream woman spoke to me and said “Oo I’ve not seen anything like that before” It was all ok. Rob On 20 Jun 2020, at 04:13, Esperanza Collado wrote: Where can we read your essay, Bernie? El jue., 18 jun. 2020 a las 5:48, Bernard Roddy () escribió: Hi everyone. I had only heard the name, and heart it often, then in 2016 saw his work at the Chicago Underground. For three years, until August last year, I worked on an essay that runs 20 pages and concerns only a single Price film. Bernie ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Esperanza Colladowww.esperanzacollado.net ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Experimental cinemas and screeing opportunities in Europe
needs "Open Colour" in there with the UK listings ~ Open Colour | | | | | | | | | | | Open Colour | | | On Friday, 9 August 2019, 08:57:30 BST, FrameWorks Admin wrote: Hello Klaus, Here is a network of independent cinemas across Europe that is experimental-film-friendly. http://www.kino-climates.org/ Pip Chodorov, FrameWorks > On Aug 9, 2019, at 2:51 AM, Klaus W. Eisenlohr wrote: > Do you have any experience with screenings in Europe, with a similar tour > that you organized for your films, places that are welcoming experimental > film? (Outside of film festivals) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films on dreams / sleep?
the Max Ernst segment ("Desire") from Hans Richter's "Dreams That Money Can
Buy" (1947)
Desire (Max Ernst)
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Desire (Max Ernst)
Thought this was already up... well, it's a segment from Dreams That Money Can
Buy, with the original soundtrack...
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On Thursday, 6 June 2019, 05:40:22 BST, Sara Suarez
wrote:
Hi all,
I’m looking for suggestions on films about dreams, dreaming, sleep, hypnagogia,
etc. – and/or filmmakers whose work or practice strongly relates to those. That
is, films where these subjects / experiences are a main focus, or have
particularly interesting or uncommon approaches.
Thanks!
Sara
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[Frameworks] Fw: This week in avant garde cinema: Please Confirm Subscription
Hi ~ just received another of these re-subscription notices (they seem to come every other week) But when I click on "Yes, subscribe me to this list" this time, I just get a message saying: "frameworks@jonasmekasfilms.com is not subscribed to list This week in avant garde cinema" - Forwarded message - From: Flicker weekly listing To: frameworks@jonasmekasfilms.com Sent: Sunday, 29 October 2017, 14:16:40 GMTSubject: [Frameworks] This week in avant garde cinema: Please Confirm Subscription | | | This week in avant garde cinema | | | | Please Confirm Subscription Yes, subscribe me to this list. If you received this email by mistake, simply delete it. You won't be subscribed if you don't click the confirmation link above. For questions about this list, please contact: sst...@hi-beam.net | | | | | | | ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Vegetable films?
and there's also Borowczyk's "Thérèse Philosopher", the pious girl who gets locked up for having lewd thoughts and entertains herself with some courgettes... From: Brecht Debackere To: angel...@cuevas.as; Experimental Film Discussion List Cc: rich...@ashrowan.com Sent: Thursday, 14 September 2017, 20:50 Subject: Re: [Frameworks] Vegetable films? Hey, What about: "Celery Stalks at Midnight" by John Whitney. Granted it’s more the title than the fact that there is celery in the film, but hey… regards, Brecht. V I S U Λ ˩ Λ N T I C S www.visualantics.netVlaamsesteenweg 891000 Brussel M+32(0)498 319 302 + PRE-ORDER EXPRMNTL DVD! www.ulule.com/exprmntl + On 12 Sep 2017, at 15:59, Angelica Cuevas Portilla wrote: Hello! You definetely need To check The Vegetarians of Peter Rubin. This film is distributed by the Collectif Jeune Cinéma https://vimeo.com/73209539 Cheers! Angélica --- Angélica Cuevas Portilla MEX-PARISMENTAL 85 boulevard Brune 75014 Paris France +33-6-64 24 09 10 @MexParismental https://www.facebook.com/MexParismental http://mex-parismental.blogspot.com *** On 2017-09-12 13:53, Richard Ashrowan wrote: Hi all, I'm putting together an experimental film screening "In Praise of Vegetables", (to happen in Scotland, on 27th November). I would really welcome some suggestions. Initially thinking of some works such as Suzan Pitt's Asparagus (1978), Barbara Hammer's Women I Love (1976), Hollis Frampton's Carrots & Peas (1969) - I could certainly use some more contemporary recommendations, and anything made by frameworkers here. Many thanks, Richard Richard Ashrowan Alchemy Film and Moving Image Festival Next edition: 3-7 May 2018 Hawick, Scottish Borders Submissions: http://alchemyfilmfestival.org.uk/2017/submissions/ http://alchemyfilmfestival.org.uk/ [1] http://scotlandandvenice.com/ http://www.ashrowan.com/ Links: -- [1] http://www.alchemyfilmfestival.org.uk/ ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Lying as a theme
Welles "F for Fake" Sent using BlackBerry® from Orange -Original Message- From: Pip Chodorov Sender: "FrameWorks" Date: Wed, 22 Feb 2017 02:57:06 To: Morgan Hoyle-Combs; Experimental Film Discussion List Reply-To: Experimental Film Discussion List Subject: Re: [Frameworks] Lying as a theme Philip Hoffman's "?O, Zoo!" At 1:49 + 22/02/17, Morgan Hoyle-Combs wrote: >Hello > >Does anyone know of any film (essay/diary/doc) where lying is a >theme or the main focus? I wondered if there was anything that ran >among these lines: > >1. The audience is well aware that the narrator/filmmaker is lying to them > >2. The audience does not know whether or not the narrator/filmmaker >lying to them. It's left ambiguous. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] "Husbands" and "Wives"
Ian Hugo and Anais Nin (and anyone else in the immediate area) x Sent using BlackBerry® from Orange ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Werner Nekes
In 1965 director Werner Nekes made his first film, "Tom Doyle und Eva Hesse", portraying the two artists from NYC during their one year stay in Kettwig/Germany. There is an 8min version floating around on the www, which was also released on DVD (and is sold by Nekes for merely 30.00€). However, the duration of the original (silent 8mm) film was 30 minutes. If anyone out there has any hints on the full version, if it was screened somewhere, taped, ripped or if it even still exists, please message me... ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Chocolate Mountains
Great review (though the link is actually Edward Dimendberg on Pat O’Neill's Where the Chocolate Mountains ) | | | | | | | | | | | Edward Dimendberg on Pat O’Neill's Where the Chocola...CALIFORNIA ABOUNDS WITH BEGUILING PLACE NAMES. The divergence between promise and reality may be no greater than in the case of the Chocola... | | | | View on artforum.com | Preview by Yahoo | | | | | Hopefully there'll be a UK premiere of this work before too long... From: Gene Youngblood To: frameworks@jonasmekasfilms.com Sent: Saturday, 12 March 2016, 15:43 Subject: [Frameworks] Chocolate Mountains Pat O’Neill’s new film, Where the Chocolate Mountains, premieres tonight at Redcat in Los Angeles. Here’s a review in Artforumhttp://artforum.com/film/ ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Contact info for Steve Rushton
Hi ~ this is more to do with Expanded Cinema/Performance than Film per se ~ but does anyone out there have a contact address (e-, or otherwise) for Mr Steve Rushton who wrote this piece Art Articles on Stephen Cripps back in 1995? many thanks Art Articles on Stephen Cripps Context "Nothing may not be happening" David Toop 1 View on easyweb.easynet.co.uk Preview by Yahoo ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Moon movies?
Haha x Sent using BlackBerry® from Orange -Original Message- From: LJ Frezza Sender: "FrameWorks" Date: Sun, 20 Jul 2014 15:00:52 To: Experimental Film Discussion List Reply-To: Experimental Film Discussion List Subject: Re: [Frameworks] Moon movies? ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] banned films?
One of which would've been Man Ray's "Les Mystères du Château de Dé"... On Sunday, 30 March 2014, 11:24, Ingo Petzke wrote: As far as I know, this patron was the Viscomte de Noailles. And he was not scandalized but put under tutelage by his family as he was regurlarly wasting big family money on these very strange films/film makers (cf other French avant-garde films of the 20s). But I could confuse matters here so don't hold your breath... Ingo > Chuck Kleinhans hat am 30. März 2014 um 11:11 > geschrieben: > > > > On Mar 29, 2014, at 1:28 PM, Andy Ditzler wrote: > > My understanding is that L'Age D'Or was unavailable for decades because > > Bunuel's patron was scandalized by it, more than from any "ban." (The > > effect, of course, is the same.) > > I don't know who this patron was, but in the 60s-70s there was a print of the > film in the US, but it could only be screened by paying a very hefty rental > fee and having the owner come in person with the print. The cost was so high, > that the film was only rarely screened. > > > > > > > My understanding of Frank's Cocksucker Blues is that it was suppressed by > > the Stones themselves. Perhaps others on the list will know more about > > this. > > There was a dispute for sure. Frank had unparalleled access and shot sex and > needle drug use. OF course the Stones could hire enough lawyers to stop > anything. The compromise was that Frank was allowed to screen it a few times > a year, with himself present. At least that's what they said when I saw it in > Berkeley one summer. Sell out crowd, of course. > > > > > > > The New York State Censorship Office's rejection of Deren/Hammid's The > > Private Life of a Cat (for a birth scene) was one of the reasons that Amos > > Vogel converted Cinema 16 to a private membership club (i.e., film > > society). With such a club, he no longer had to submit films to the censor > > board before screening. > > Wasn't the film originally designed for school kids? The birth, of course, is > of kittens. Perhaps as two European born folks Hammid and Deren never thought > that birth thing through the eyes of US Puritanism. On the other hand, Deren > stormed out of Window Water Baby Moving as an invasion of a woman's privacy. > > Kind of funny though. I can't believe any rural folks would object since > they're much more likely to have witnessed animal copulation, birth, death, > and slaughter. In fact, a lot of folks of the Baby Boom generation have told > me that their parents thought breeding the family dog or cat was a useful > part of acquainting children with birth. Kids were woken up or called home > from school to see the Big Event. > > Chuck Kleinhans > > > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Weapons and the military in avant-garde cinema?
Georges Franju's "Hotel des Invalides" (1951) Sent using BlackBerry® from Orange -Original Message- From: John McAndrew Sender: "FrameWorks" Date: Tue, 28 Jan 2014 20:49:51 To: Experimental Film Discussion List Reply-To: Experimental Film Discussion List Subject: [Frameworks] Weapons and the military in avant-garde cinema? ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] women and crime
Now we're talkin'... Sent using BlackBerry® from Orange -Original Message- From: elizabeth mcmahon Sender: "FrameWorks" Date: Fri, 24 Jan 2014 14:06:01 To: Gene Youngblood; Experimental Film Discussion List Reply-To: elizabeth mcmahon , Experimental Film Discussion List Subject: Re: [Frameworks] women and crime ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Nov 4
Happy birthday to you. Fantastic resource ~ a constant treasure trove of advice, community & ye olde ag information xx Sent using BlackBerry® from Orange -Original Message- From: Pip Chodorov Sender: "FrameWorks" Date: Mon, 4 Nov 2013 12:57:43 To: Experimental Film Discussion List Reply-To: Experimental Film Discussion List Subject: [Frameworks] Nov 4 Happy birthday to us Happy birthday to us Happy birthday dear FrameWorks Happy birthday to us 1st post - November 4th, 1995 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] films of Ian Hugo
Dear FrameWorkers, does anybody know who owns/distributes the films of Ian Hugo, in the UK, and whether there are any plans for future screenings? "Ai-Ye" (1950, 22 min) "Bells of Atlantis" (1952, 9 min) "Jazz of Lights" (1954, 16 min) "Melodic Inversion" (1958, 8 min) "The Gondola Eye" (1961-71, 16 min) "Through the Magiscope" (1969, 10 min) "Apertura" (1970, 6 min) "Aphrodisiac I" (1971, 6 min)"Aphrodisiac II" (1972, 6 min) "Ian Hugo: Engraver and Filmmaker" (1972, 7 min) "Transmigration" (1973, 6 min) "Transcending" (1974, 16 min) "Luminescence" (1977, 9 min) "Reborn" (1979, 9 min). ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] New & Rediscovered Films
Cindy ~ just a quick word to say how beautiful the films screened last night at Tate Modern were ~ particularly the John Cage "Sun" films and the unfinished Jordan Belson "Quartet" fragments ~ extraordinary stuff... Many thanks... Sent using BlackBerry® from Orange ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] humorous experimental films / The Lacey Rituals
Yes Mr Fowler ~ excellent call ~ Prof Bruce Lacey... No exaggeration to say that some of us have been waiting for a Lacey box set since the dawn of time... Sent using BlackBerry® from Orange ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] June 1, two Fischinger events at Tate Modern
Sounds brilliant Cindy ~ another reason to catch that train to Waterloo... --- On Wed, 16/5/12, C Keefer wrote: From: C Keefer Subject: [Frameworks] June 1, two Fischinger events at Tate Modern To: frameworks@jonasmekasfilms.com Date: Wednesday, 16 May, 2012, 4:54 Center for Visual Music is pleased to announce two very special Oskar Fischinger events on June 1 at Tate Modern, London. It's the opening day of Oskar Fischinger's Raumlichtkunst, a new HD three screen re-creation by CVM of his 1920s multiple projector cinema performances, from newly restored 35mm nitrate film. We have an upstairs room at Tate Modern (our own room). The installation runs for a number of months, if you're not able to make it that day. Then at 7pm in Starr Auditorium (June 1), CVM and Tate Film present Optical Poetry: Oskar Fischinger Retrospective, featuring 35mm preserved prints of his visual music classics. New prints of Spirals, An American March, and more. I'll introduce the program. www.tate.org.uk/whats-on/tate-modern/film/optical-poetry-oskar-fischinger-retrospective More about Raumlichtkunst: www.centerforvisualmusic.org/Raumlichtkunst.html Raumlichtkunst opens at The Whitney Museum, New York on June 28, through Oct. 28. The Raumlichtkunst film restoration by Center for Visual Music was supported by an Avant-Garde Masters Grant, funded by The Film Foundation, administered by The National Film Preservation Foundation best regards, Cindy Keefer Center for Visual Music www.centerforvisualmusic.org Please reply to CVMaccess at gmail dot com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] "Some Call It Loving" (1973) production still
Somewhere round 1973 or just before "Sight & Sound" magazine (UK) published an issue with a b&w performance still from James B Harris's film "Some Call It Loving". It was of Carol White (as Scarlet) in her nun's costume, but sitting down between takes & demurely drinking a cup of tea. This image doesn't appear in the final film. Does anyone still have a copy of that particular issue of "S & S" and would be willing to scan that elusive image for me? Sent using BlackBerry® from Orange ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
