Re: [Frameworks] The Eastern Europe Screening Spaces (CONTACTS NEEDED!).

2018-08-05 Thread ben russell
Thanks to all who responded!

On Tue, Jul 31, 2018 at 5:00 AM, 
wrote:

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> Today's Topics:
>
>1. Re: Cyanotype on film (Janet Benn)
>2. August 4th Queens Museum Screening of Between Neighborhoods
>   (Seth Fein)
>3. Re: Cyanotype on film (Morgan Hoyle-Combs)
>4. The Eastern Europe Screening Spaces (CONTACTS NEEDED!).
>   (ben russell)
>5. Re: The Eastern Europe Screening Spaces (CONTACTS NEEDED!).
>   (Marcin Gizycki)
>
>
> -- Forwarded message --
> From: Janet Benn 
> To: Experimental Film Discussion List 
> Cc:
> Bcc:
> Date: Mon, 30 Jul 2018 10:39:51 -0400
> Subject: Re: [Frameworks] Cyanotype on film
> This is a wealth of info! Thanks.
>
> Cyanotype is in the air - I teach Direct Animation at AgX Film Collective
> in Waltham about every 3 months, and I have been looking for more
> "advanced" methods to continue instruction with those who have already been
> introduced to the simpler techniques. I will also report on my results
> trying these methods.
>
> I have also heard of a type of "ray-o-graph" done with developer sprinkled
> on film in the dark and plants, etc, placed on the film to block out the
> light when the assembly is exposed to daylight.
>
>
>
> On Thu, Jul 26, 2018 at 2:45 PM Devon D  wrote:
>
>> Howdy Frameworkers,
>>
>>
>> Trying to do some cyanotype on film, 16mm & 35mm, having trouble getting
>> the solution to stick and coat evenly on the film. Anybody have tips?
>>
>>
>> Thanks bunches,
>>
>> Devon Damonte
>>
>> Olympia, WA
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>
>
> --
> Janet Benn
>
> AGX Film Collective member
> *https://agxfilm.org <https://agxfilm.org>*
>
> LINKED IN PROFILE
> http://www.linkedin.com/in/janetbenn
>
>
>
>
>
> -- Forwarded message --
> From: Seth Fein 
> To: frameworks@jonasmekasfilms.com
> Cc:
> Bcc:
> Date: Mon, 30 Jul 2018 10:51:06 -0400
> Subject: [Frameworks] August 4th Queens Museum Screening of Between
> Neighborhoods
> My experimental artdoc, BETWEEN NEIGHBORHOODS, about the Unisphere will
> play this coming
> <http://www.kewgardensfestivalofcinema.com/events/betweenneighborhoods/>Saturday,
> August 4, at the Queens Museum at noon
> <http://www.kewgardensfestivalofcinema.com/events/betweenneighborhoods/>.
> It's part of the Kew Gardens Festival of Cinema, and I'm happy that it's
> nominated for Best Doc, but I'm happiest that this film will play in a
> building at the center of the histories it connects between today and the
> 1960s, right in front of its principal subject, the Unisphere –– an
> unusual opportunity to contemplate the place of cinema to create and
> mediate present and past. But it's not just a matter of place but also
> time; Between Neighborhoods studies the forces generated by immigration,
> which have recently reshaped US politics, most noticeably in Queens. In
> any case, in any case, in addition to the clip linked to the festival
> details above, here are a couple of more as well as additional background
> on the film <http://www.sevenlocalfilm.com/what/between-neighborhoods/1>.
>
> Seth
> Seven Local Film <http://sevenlocalfilm.com/>
>
>
>
> -- Forwarded message --
> From: Morgan Hoyle-Combs 
> To: Experimental Film Discussion List 
> Cc:
> Bcc:
> Date: Mon, 30 Jul 2018 17:32:48 + (UTC)
> Subject: Re: [Frameworks] Cyanotype on film
> Calotype is a similar process along side cyanotypes. I did both of them at
> MA and would love to see some results if not try the process myself on
> celluloid. This is great info!
> 
> On Mon, 7/30/18, Janet Benn  wrote:
>
>  Subject: Re: [Frameworks] Cyanotype on film
>  To: "Experimental Film Discussion List" 
>  Date: Monday, July 30, 2018, 10:39 AM
>
>  T

[Frameworks] The Eastern Europe Screening Spaces (CONTACTS NEEDED!).

2018-07-30 Thread ben russell
All,

I'm making a research trip for a new project in September, will be driving
from Finland to Greece (via
*Estonia-Latvia-Lithuania-Poland-Ukraine-Romania-Moldova-Bulgaria*) and
would love to present a live / cinema / performance program (<>) along the way.

My virtual rolodex is empty and I'm in need of contacts of all sorts.  To
that end, this is a request for connections to any of the following:

*cinemas / galleries / art spaces / communes / collectives / DIY venues /
musicians / filmmakers / poets / programmers / festivals / etc*

...especially in or around any of the spots listed below.  If y'all have
any tips for radical castles / portals / magic mountains to see along the
way, please let me know!  Here's a list of places I *might *pass through
from approximately 9/5-9/30:

*FINLAND* > Helsinki
*ESTONIA* > Tallinn
*LATVIA* > Riga
*LITHUANIA* > Vilnius, Kaunas
*POLAND* > Bialystok, Warsaw, Lublin
*UKRAINE* > Chernobyl (!), Kiev, Uman
*MOLDOVA* > Chisinau
*ROMANIA* > Onesti, Bran, Bucharest
*BULGARIA* > Sofia, Plovdiv
*GREECE* > Thessaloniki, Athens

Thanks thanks thanks thanks!

Yes,

BR
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[Frameworks] The Hand-Processing Chemistry Scheme.

2014-07-21 Thread ben russell
Frameworkers,

Hello hello from New Hampshire!  I'm putting together a short-term darkroom
set-up and wanted to make use of your hive mind to double-check my somewhat
creaky hand-processing techniques, with particular regard to B/W reversal
and negative chemistry.

I'm planning (along with a few other humans) to process around 3,000'
(1,500' of which would be reversal) of Hi-Con and Orwo UN54 and need some
chemistry recommendations.  Could you recommend a mix of materials for this
quantity?  I'm talking D-19, Rapid Fixer, Hypo, Wetting Agent, Bleach...

It seems like the main options are Photographer's Formulary, which is fine
by me, but I'm unclear as to how much chemistry I need for what will
effectively be 30 rolls. Any thoughts?

Thanks!

BR
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[Frameworks] The Palestine-Israel (Film Processing) Question.

2013-12-09 Thread ben russell
Dearest Frameworkers,

I'm headed to Israel and the occupied Palestinian territories on a
residency for a set of weeks and was thinking that it'd be a good idea to
shoot and hand-process some B/W 16mm film while I'm there.  I'm traveling
via the King Hussein bridge and reckon it'll be much easier to purchase
film stock and chemistry in Israel than to bring it in (or out) via Jordan,
and I was wondering if any of you have had any experience sourcing
chemicals and stock over there.  My internet searches haven't turned up
much...
Please let me know what you know!

Yes,

BR

-- 
www.dimeshow.com
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[Frameworks] The Optical Printing Job.

2013-08-02 Thread ben russell
Dearest Frameworkers,

I've got a 12:00 bit of B/W 16mm positive footage that I would like to have
optically slowed down to around 20:00 using a Bezier curve (so that the
speed slowly decreases to a crawl).  I've got a reference video file but
need to find someone who could do the job - one that would result in a
20:00 B/W negative.

Can you recommend anyone or any place that could work on this with me?

Thanks in advance!

Yes,

Ben Russell

-- 
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[Frameworks] The Search for Ektachrome.

2013-05-08 Thread ben russell
Dearest Frameworkers,

I'm sorry to write to you with such a ridiculous question, but I just had a
shady online Ektachrome purchase fall through and I'm in a bit of a pinch...

I need about 400' (or more!) of 16mm Ektachrome stock for a project I'm
working on and I'm wondering if any of you know where I might find some
secret cellar / treasure trove of this discontinued marvel.  If any of you
have any leads or, better yet, have some rolls you'd like to part with (in
exchange for money), please do get in touch off-list!

Thanks In Advance,

BR
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[Frameworks] The Horizontal Scratches.

2012-02-18 Thread ben russell
Frameworkers,

I just received a mess of telecine'd color super16mm footage from the lab
and was more than a bit sad to see a long parade of emulsion-side
horizontal blue scratches on the right 1/4th of the frame.  I shot about
2.5 hours of footage with an Aaton Minima (a camera I wouldn't really
recommend, either way) and the scratches are present throughout all the
rolls - while they are not on every shot, when they do appear they happen
just after the camera has started again.

A tech suggested that it might be the film slipping in the gate at the end
of a shot, making the loop too large on one side and scratching against the
loop former.  The place I rented the camera from says it's not their fault
(and they've never seen such scratches produced by a camera in 15 years...)
and the lab of course doesn't want to be responsible, so any words to the
contrary would be appreciated.

Have any of you run into this sad curiosity before?  I'm happy to send a
VIMEO link to anyone who wants to see support material.

Thanks In Advance,

BR
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