Re: [Frameworks] 16mm sound recording (Mike Morris)

[Jeff Kreines]

I'm pretty sure that Colorlab can lock their optical recorders to any reference 
-- digital or mag film or even video.  No need for mag unless you want it. 

Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com

> On Dec 15, 2016, at 5:20 PM, Zach Poff  wrote:
> 
> Hannes Bruneel in Belgium (www.postproduction.be) contacted me earlier this 
> year, mentioning that he uses my Film-O-Sync software to sync digital 
> playback to a Picot optical sound camera to generate optical tracks without 
> the mag step. (He actually had some problems occasionally, but my 
> soon-to-be-released update should fix them.)
> 
> Maybe he's on this list? If not you might want to get in touch. Meanwhile, I 
> wonder if Colorlab could be convinced to do something similar? They do some 
> very impressive in-house tech.
> 
> -Zach
> 
> 
> 
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Re: [Frameworks] 16mm sound recording (Mike Morris)

[Zach Poff]

Hannes Bruneel in Belgium (www.postproduction.be [1]) contacted me
earlier this year, mentioning that he uses my Film-O-Sync [2] software
to sync digital playback to a Picot optical sound camera to generate
optical tracks without the mag step. (He actually had some problems
occasionally, but my soon-to-be-released update should fix them.) 

Maybe he's on this list? If not you might want to get in touch.
Meanwhile, I wonder if Colorlab could be convinced to do something
similar? They do some very impressive in-house tech. 

-Zach 

 

Links:
--
[1] http://www.postproduction.be/
[2] http://www.zachpoff.com/software/film-o-sync/___
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