LGPL question

2007-05-16 Thread Paolino

Hi everyone! 

 we are thinking about releasing a framework in Java under the LGPL. That is
   because we have no choice in putting it under the GPL, so it would be either
   proprietary or LGPL.

The question is about LGPL itself and what its implications are. That is, I
read that if I make a work linking to the framework, I can release it under any
term I want, providing I grant modification rights for personal use and the
right to reverse the work to debug such modifications.  Somewhere else I also
read that I must ensure to redistribute the framework under the LGPL conditions
AND the derivate work as object code.

Am I the only one to see a contradiction here? 

Thanks a lot for any feedback

cheers
paolino

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Re: LGPL question

2005-12-26 Thread John Hasler
Gordon Burditt wrote:
  What  *is* the source code to music?

The question is devoid of meaning.
-- 
John Hasler 
[EMAIL PROTECTED]
Dancing Horse Hill
Elmwood, WI USA
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Re: LGPL question

2005-12-15 Thread davidjones
OK, you asked.  I am thinking about going to scotland in the next
couple of days.  Is it worth the trip?  Looks like a lot of snow, temps
below freezing, winds down to 30 mph (though sunday could be
blizzards).  Am I going to get any skiing in?

I just wanted some sort of responce, this is also in the thread How is
Scotland at the minute? Recommendations?.

Thanks.

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Re: LGPL question

2005-12-15 Thread davidjones
Sorry, as you may have guedsed, wrong newsgroup.  I blame google
groups, and I am sticking to it ;-)

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Re: LGPL question

2005-11-20 Thread Alfred M\. Szmidt
If my company, let's call it Bony Corporation, decides to
release a music CD Get Right with the DRM with a rootkit that
contains copyrighted music and LGPL-licensed software, is it
required to distribute the *music* source code under the LGPL or
GPL?  What *is* the source code to music?  A non-DRM'd,
non-encrypted copy of the music?

   I think it would irrelevant.  Let's say that the disk contained
   copyrighted software rather than music, with DRM to control access
   to the software.  IMO the GPL would still not require the
   copyrighted software to be released under the GPL simply because
   the DRM software was protected under the GPL.

To clarify, since the music on the CD does not share code at all in
thise particular case with the Lesser GNU GPL or GNU GPL licensed
software, the license does not come into effect.

From the GPL FAQ:

What is the difference between mere aggregation and combining two
modules into one program?

 Mere aggregation of two programs means putting them side by side on
 the same CD-ROM or hard disk. We use this term in the case where they
 are separate programs, not parts of a single program. In this case,
 if one of the programs is covered by the GPL, it has no effect on the
 other program.

 Combining two modules means connecting them together so that they
 form a single larger program. If either part is covered by the GPL,
 the whole combination must also be released under the GPL--if you
 can't, or won't, do that, you may not combine them.

 What constitutes combining two parts into one program? This is a
 legal question, which ultimately judges will decide. We believe that
 a proper criterion depends both on the mechanism of communication
 (exec, pipes, rpc, function calls within a shared address space,
 etc.) and the semantics of the communication (what kinds of
 information are interchanged).

 If the modules are included in the same executable file, they are
 definitely combined in one program. If modules are designed to run
 linked together in a shared address space, that almost surely means
 combining them into one program.

 By contrast, pipes, sockets and command-line arguments are
 communication mechanisms normally used between two separate
 programs. So when they are used for communication, the modules
 normally are separate programs. But if the semantics of the
 communication are intimate enough, exchanging complex internal data
 structures, that too could be a basis to consider the two parts as
 combined into a larger program.


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Re: LGPL question

2005-11-19 Thread Graham Murray
[EMAIL PROTECTED] (Gordon Burditt) writes:

 What *is* the source code to music?  A non-DRM'd, non-encrypted copy
 of the music?

I would say that the score is the equivalent of the source code, the
mixing details being like build instructions and the performance being
the equivalent of the compiled binary.
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Re: LGPL question

2005-11-19 Thread Alfred M\. Szmidt
What *is* the source code to music?  A non-DRM'd, non-encrypted
copy of the music?

   I would say that the score is the equivalent of the source code,
   the mixing details being like build instructions and the
   performance being the equivalent of the compiled binary.

What about improvisation?  And what about folk music where you have a
core, and add lots and lots of ornamentation on to the tune while
playing and the tune doesn't sound as the core anymore?  Often, the
score shows the basic layout of the song, this applies to much of the
classical music too, and it is left up to the player to fill the dots.

In my opinon the source for the music is what you get through the
speakers.  It is like keyboard macros in Emacs, you can record them,
and then play them, the source for those would be the output on the
monitor, step by step.  As in music, but where the steps would be each
note played.  The different between software and music is that you can
change the program while it runs, while you can't do the same with
music.


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Re: LGPL question

2005-11-17 Thread Lasse Reichstein Nielsen
On Thu, 17 Nov 2005 05:26:38 +0100, Gordon Burditt  
[EMAIL PROTECTED] wrote:



If my company, let's call it Bony Corporation, decides to release
a music CD Get Right with the DRM with a rootkit that contains
copyrighted music and LGPL-licensed software, is it required to
distribute the *music* source code under the LGPL or GPL?  What
*is* the source code to music?  A non-DRM'd, non-encrypted copy of
the music?


From the LGPL:
 0. This License Agreement applies to any software library or other  
program ...
Music is not software. I don't know if US copyright law makes a  
distinction,
but in my jurisdiction, software is considered a literary work, and music  
is

not.

As for source code:
  Source code for a work means the preferred form of the work for making
  modifications to it. For a library, complete source code means all the  
source
  code for all modules it contains, plus any associated interface  
definition
  files, plus the scripts used to control compilation and installation of  
the

  library.
That doesn't really match music at all.

So, nice try, but it won't fly.
/L
--
Lasse R. Nielsen - [EMAIL PROTECTED]
 'Faith without judgement merely degrades the spirit divine'



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