Obese Anil Kapoor redeems film on Hindu-Christian amity

By Subhash K. Jha, Indo-Asian News Service (byline mandatory)

"Badhaai Ho Badhaai". Starring Anil Kapoor, Shilpa Shetty, Keerthi Reddy,
Amrish Puri, K. Vishwanath, Farida Jalal and Kader Khan. Directed by Satish
Kaushik.

There's a thin Anil Kapoor and a fat Anil Kapoor, and the twain do meet in
Satish Kaushik's comedy about love sunshine and music, though not
necessarily the melodious kind.

Most of Kaushik's directorial ventures have been faithful adaptations of
Tamil-Telugu blockbusters. "Badhaai Ho Badhaai" is no exception.

It adheres to the original in most details and emerges with a frothy fun
fare that tries to make a statement on two critical issues: communalism and
obesity. But Kaushik's views on Hindu-Christian amity suffer from
flabbiness.

Fortunately the episode about an overweight Raja losing his girth for love
is bracing and absorbing.

In the first-half, Raja arrives in a crowded middle-class neighbourhood,
which is recreated with a superb eye for detail by cinematographer Rajeev
Jain and art director Sharmisha Roy, to stop the hatred between two
neighbouring families.

The Chaddas and the d'Souzas, we are told in swift flashbacks, began to
detest one another when their progenies eloped and got married.

The idea of an incorrigible do-gooder bringing peace is as familiar to
mainstream Hindi cinema as Rajesh Khanna, Anil and Hrithik Roshan. All three
stars have played the domestic saviour in one or more films.

But in "Badhaai Ho Badhaai", Anil overdoes the sweetness. Fat or thin, Raja
is determined to spread the full-cream milk of human kindness.

For a long while Kaushik's narrative functions as a relay race. To make sure
nobody feels left out, Raja does everything in twos.

If the matriarch from the Chaddha family, played by Farida Jalal, gets a
smile, so does the one in the d'Souza family, enacted by Rohini Rattangadi.

After a while we begin to feel we're watching a well-orchestrated propaganda
film on communal harmony.

The second half where we go into a flashback with a fat Anil has some
wonderful moments. The growing bond between the obese Raja and the screechy
feather-brained unfocussed Florence, played by Keerthi Reddy, makes us
wonder if the director's own battle with the bulge inspired this section of
the narrative.

Anil plays the fat man with padded compassion. In scenes of romantic
dejection the actor returns to his two old favourites, Raj Kapoor and Kamal
Haasan, to play the Chaplinesque loser with podgy poignancy, a highlight of
the film.

The director also extracts chuckles at the two warring clans' expense. But
like all of Kaushik's remakes, this one too suffers from congenital
crowdedness. Characters spill out of every nook and cranny.

The neighbourhood, though well conceived, is infested with overdone
oddballs. Only Kader Khan shines as a screechy classical singer who has
everybody running for cover.

Some songs, especially "Raag banke", done in the neo-classical style of
Girish Karnad's Utsav, have been imaginatively filmed against picturesque
backdrops.

The biggest draw is the wonderful visual aesthetics. Kaushik avoids studio
sets to take us into an outdoor freedom denied to most mainstream Hindi
films.

But he messes up an otherwise cute entertainer with an over-the-top climax
where the two warring families run with guns to a lonely spots for a desi
equivalent of a duel under the sun. Tact and subtlety aren't the highlights
of this film.

Though the story is about a Hindu and Christian family at war, Anil's
climactic speech seems to be targeted more at Hindu-Muslim tension in India.

The vastly gifted supporting cast plays its clichéd parts with stereotypical
proficiency. Among the two leading ladies, after two consecutive flops in
Hindi, Keerthi as the self-seeking Christian girl proves third-time lucky.
She has been dressed and projected very well.

Shilpa Shetty as a loud aggressive Punjabi woman masquerading as Anil's wife
is a nightmarish synthesis of Kajol in "Kabhi Khushi Kabhie Gham" and
Sridevi in her best films.

--Indo-Asian News Service

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