Re: [h-cost] Lövsta Gård in Sweden

2008-02-13 Thread LLOYD MITCHELL

What fun!  And you look grande as usual.
Kathleen
- Original Message - 
From: "Leif og Bjarne Drews" <[EMAIL PROTECTED]>

To: "Historical Costume" <[EMAIL PROTECTED]>
Sent: Tuesday, February 12, 2008 3:10 PM
Subject: [h-cost] Lövsta Gård in Sweden


Gustafs Skål invited to a small winter party at Lövsta Gård on the second of 
february this year.
It was very cosy and intimate because we were not as manny people as usually 
when they invite to partys at Beatelund.
I compleately forgot to take pictures, but a lady borrowed my camera, and 
ended up with these pictures:

 http://www.my-drewscostumes.dk/lovstagard.htm
The party started at 3 o clock in the afternoon, but the people i drowe 
with, had to work to afternoon, so we came a little late, about 5.30. It was 
very far out in the countryside, and it was a snowblitz, but we came safely 
to the place.

A charming old farm with lovely interriors in the 18th century style.
Wonderfull food and wonderfull entertaintment, dansing and gambling, killed 
the night.

Thanks to the organisers and the wonderfull place they found.

Bjarne
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RE: [h-cost] Re: Linen costume question

2008-02-13 Thread Saragrace Knauf
Black is pretty ubiquitous amongst the upper class.  The color was one of the 
more expensive ones to manufacture and maintain.  Check out the "Golden Age" of 
Dutch painting for instance.  Also, it was supposedly one of Queen Elizabeth's 
favorites - next to white.  I'd say your only challenge is the amount you have. 
 Not quite enough for a whole outfit, but surely a skirt or bodice which could 
be coordinated with something else.

Sg



> From: [EMAIL PROTECTED]
> To: [EMAIL PROTECTED]
> Subject: Re: [h-cost] Re: Linen costume question
> Date: Tue, 12 Feb 2008 21:23:44 +
> CC: 
> 
> My first thought would be to go with the late Victorian/Edwardian. You have 
> to be careful with mourning customs earlier, but thanks to Queen Victoria, by 
> then it had become fashionable to spend your life in mourning -- or just look 
> like you were. And 5 1/3 yards might get you to a late Vict. gown or walking 
> suit or walking skirt -- probably too little for a mid-century giant 
> hoopskirt, but once they narrow back down again somewhat you're in the 
> ballpark. 
>  Anyway, enjoy! 
> -- Original message -- 
> From: [EMAIL PROTECTED] 
> 
> > I just scored 5 1/3 yards of linen blend at my local Joanne's on clearance 
> > for only $3.00/yard! The only trouble is that it is black linen - but I 
> > thought "Hey, linen - only $3 - I can make something from that!" My 
> > question 
> > to 
> > the group now - what can I make? I do have linen in other colors as well, 
> > but 
> > what periods, styles or types of garments could I use with the black? 
> > Bodices? Petticoats? Dresses? I'm open to most periods - mostly involved in 
> > Renaissance Faires - but also love Regency and late Victorian/ Edwardian. 
> > There 
> > is no hurry for this -- I just need to know some possiblities. 
> > 
> > Thanks to y'alls collective wisdom. 
> > 
> > Donna Scarfe 
> > Fyne Hats By Felicity 
> > 
> > 
> > 
> > **The year's hottest artists on the red carpet at the Grammy 
> > Awards. Go to AOL Music. 
> > (http://music.aol.com/grammys?NCID=aolcmp0030002565) 
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RE: [h-cost] Re: Linen costume question

2008-02-13 Thread otsisto

Other then make a nice summer formal suit, how about this?
http://realmofvenus.renaissanceitaly.net/wardrobe/JTintorettoPOALady.jpg

De


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[h-cost] Re: Black Linen

2008-02-13 Thread ladybeanofbunny1
Hello all, I am new to the list and this is my first post! :) In 
regards to the dilemma with what to do with the 5 plus yards of black 
linen, I know from experience that when something good like that lands 
on your lap it's very hard to chose a project with it later, my bins 
are full of about 5 yd cuts of absolutely gorgeous satins and laces 
that I am afraid to use because there is only enough for one dainty 
outfit and then it's gone. When the black linen comes to mind, the late 
Victorian or Edwardian period definitely is a good era to use it on, so 
many suits and things were made with black linen. In fact, the dress 
Rose's mother is wearing in the scene when they are touring the ship 
comes to mind also. You can make a slim walking suit with that and use 
a white silk and light coloured or even brightly coloured lace in 
addition to that.
I need some advice on accessory making, particularly hats. I have only 
made one hat and it was entirely without the assistance of a purchased 
pattern. I would like to start making more Victorian and Edwardian era 
small accessories as well, not just garments though I am not sure where 
to start or what formal techniques other costumers use! Do the majority 
who have made them use both patterns and techniques acquired from a hat 
making class?

Justine:)



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Re: [h-cost] Re: Black Linen

2008-02-13 Thread Melanie Schuessler


On Feb 13, 2008, at 3:42 PM, [EMAIL PROTECTED] wrote:

h I am not sure where to start or what formal techniques other  
costumers use! Do the majority who have made them use both patterns  
and techniques acquired from a hat making class?


I am not familiar with historical Victorian millinery techniques, but  
a great book with clear instructions for theatrical techniques is  
_From the Neck Up_ by Denise Dreher.  It's not too expensive, and  
it's fairly easy to use.


Good luck,
Melanie Schuessler
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Re: [h-cost] Re: Black Linen

2008-02-13 Thread AlbertCat
 
In a message dated 2/13/2008 5:21:20 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

I am not  familiar with historical Victorian millinery techniques, but  
a great  book with clear instructions for theatrical techniques is  
_From the  Neck Up_ by Denise Dreher.  It's not too expensive, and  
it's  fairly easy to use.



***
Hats are hats. The "theatrical" methods are often the REAL methods because  
many hats, especially big elaborate ones, are a "make it work" affair. I have a 
 bunch of period bonnets from the 1840's and 50's that my long ago roommate  
collected and we just couldn't throw out they are all rotting and  falling 
apart. No you cannot wear them or fix them, BUT you can see their  innards 
and see how they were made. Lots of cardboard and wire. And some of the  most 
amazing and clever decoration you've ever seen [why my roommate  wouldn't throw 
them out] 
There's one simple oyster colored silk bonnet [covering a cardboard and  wire 
frame] decorated with the most realistic wild morning glories, made of  
paper, you've ever seem Very fine and delicate.
 
My fave is a bonnet that is formed from a wire frame that is like an open  
mesh. Woven into the frame in geometric patterns are long bias strips of  
blue-grey silk organdy which curl up into tubes. On one side is a cluster 
of  
loops of the tubular organdy strips. It's light as a feather and translucent.  
I've never seen anything like it!



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Awards. Go to AOL Music.  
(http://music.aol.com/grammys?NCID=aolcmp0030002565)
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RE: [h-cost] Re: Black Linen

2008-02-13 Thread Sharon Collier
Where are you located? I ask because there are some Victorian costume
classes about to start around here (San Francisco bay area). It is a series
of classes, starting with underwear and moving on to the outer garments,
meant for folks who wish to make their own costume for the Dickens Fair
(1840-1860-ish). If you are interested, I'll send you the info. 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Wednesday, February 13, 2008 12:42 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: Black Linen

Hello all, I am new to the list and this is my first post! :) In regards to
the dilemma with what to do with the 5 plus yards of black linen, I know
from experience that when something good like that lands on your lap it's
very hard to chose a project with it later, my bins are full of about 5 yd
cuts of absolutely gorgeous satins and laces that I am afraid to use because
there is only enough for one dainty outfit and then it's gone. When the
black linen comes to mind, the late Victorian or Edwardian period definitely
is a good era to use it on, so many suits and things were made with black
linen. In fact, the dress Rose's mother is wearing in the scene when they
are touring the ship comes to mind also. You can make a slim walking suit
with that and use a white silk and light coloured or even brightly coloured
lace in addition to that.
I need some advice on accessory making, particularly hats. I have only made
one hat and it was entirely without the assistance of a purchased pattern. I
would like to start making more Victorian and Edwardian era small
accessories as well, not just garments though I am not sure where to start
or what formal techniques other costumers use! Do the majority who have made
them use both patterns and techniques acquired from a hat making class?
Justine:)



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[h-cost] millinery (was: Black Linen)

2008-02-13 Thread Kimiko Small
Greetings Justine, and welcome to the group.

I learned from two sources, the first is the book
already mentioned, "From the Neck Up". A really good
book imo. The other source was from patterns and a
class with Lynn McMasters, who has Victorian era hat
patterns with full instructions.
http://www.lynnmcmasters.com/

Kimiko


--- [EMAIL PROTECTED] wrote:

> I need some advice on accessory making, particularly
> hats. I have only 
> made one hat and it was entirely without the
> assistance of a purchased 
> pattern. I would like to start making more Victorian
> and Edwardian era 
> small accessories as well, not just garments though
> I am not sure where 
> to start or what formal techniques other costumers
> use! Do the majority 
> who have made them use both patterns and techniques
> acquired from a hat 
> making class?
> Justine:)
> 



  

Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  
http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ 

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[h-cost] muckinger construction

2008-02-13 Thread REBECCA BURCH
I have a quick question for those of you who go to the
Bristol Ren Faire. 

Ansel was asking me to make him something called a
muckinger which he saw for sale at the Faire. It was a
double layer embroidered hanky. Based on his
description, I am thinking that the double layer was
to cover the back of machine embroidery stitching.

Can anybody point me to a description of this
accessory? I did a google search and didn't come up
with much. None of the examples shown were double
layered.

The ones shown here are mostly lace trimmed.
http://www.margaretroedesigns.com/extanthandkerchiefs.html
  Is that for both men and women? Ansel wanted a
monogram F (Frobisher) in the corner. Were monograms
popular at the time? I don't recall that being much of
a fashion until later.

Any guidance will be greatly appreciated.

Thanks

Rebecca Burch
Center Valley Farm
Duncan Falls, Ohio, USA

The only twelve steps I'm interested in are the ones between the flat folds and 
the brocades.  --Anonymous Costumer--
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[h-cost] only five yards

2008-02-13 Thread otsisto

When you only have so much, try to step out of monochromatic and use other
colors.

http://www.antiquedress.com/item4691.htm
http://www.antiquedress.com/item4597.htm
http://www.antiquedress.com/item3623.htm
http://www.antiquedress.com/item3649.htm
http://www.vintagetextile.com/new_page_490.htm
http://www.vintagetextile.com/new_page_114.htm
http://www.vintagetextile.com/new_page_21.htm


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[h-cost] Harvard scholarly articles

2008-02-13 Thread Exstock
"In a move to disseminate faculty research and scholarship more broadly, the 
Faculty of Arts and Sciences (FAS) voted Tuesday (Feb. 12) to give the 
University a worldwide license to make each faculty member’s scholarly articles 
available and to exercise the copyright in the articles, provided that the 
articles are not sold for a profit."

http://www.news.harvard.edu/gazette/2008/02.14/99-fasvote.html

-E House
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RE: [h-cost] muckinger construction

2008-02-13 Thread Rebecca Schmitt
Well, my husband and I usually pick up hankies at garage sales and use them.
However, we are middle-class working folks, so lots of lace and embroidery
wouldn't be a good choice for us.

I would say a square of linen, hemmed (maybe with hem-stitch?) and a bit of
embroidery would be fine...lace if he wants to be pretensious or "make an
impression" with the nobles. Remember, lace is EXPENSIVE at this time, so he
would have paid a pretty penny (or pound!) for it. I'm not really sure about
the monogram.

I can offer, if interested, blackworking a muckinger for you/him. Contact me
privately if you're interested!

***
Rebecca Schmitt
aka Mistress Agness Cabot, Guilde of St. Lawrence at the Dirty Duck Inn
Bristol Renaissance Faire
 
My arms are too short to box with God.  --Johnny Cash
***
 

> -Original Message-
> From: [EMAIL PROTECTED] 
> [mailto:[EMAIL PROTECTED] On Behalf Of REBECCA BURCH
> Sent: Wednesday, February 13, 2008 5:32 PM
> To: h-costume@mail.indra.com
> Subject: [h-cost] muckinger construction
> 
> I have a quick question for those of you who go to the 
> Bristol Ren Faire. 
> 
> Ansel was asking me to make him something called a muckinger 
> which he saw for sale at the Faire. It was a double layer 
> embroidered hanky. Based on his description, I am thinking 
> that the double layer was to cover the back of machine 
> embroidery stitching.
> 
> Can anybody point me to a description of this accessory? I 
> did a google search and didn't come up with much. None of the 
> examples shown were double layered.
> 
> The ones shown here are mostly lace trimmed.
> http://www.margaretroedesigns.com/extanthandkerchiefs.html
>   Is that for both men and women? Ansel wanted a monogram F 
> (Frobisher) in the corner. Were monograms popular at the 
> time? I don't recall that being much of a fashion until later.
> 
> Any guidance will be greatly appreciated.
> 
> Thanks
> 
> Rebecca Burch
> Center Valley Farm
> Duncan Falls, Ohio, USA
> 
> The only twelve steps I'm interested in are the ones between 
> the flat folds and the brocades.  --Anonymous Costumer-- 
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Re: [h-cost] Re: Linen costume question

2008-02-13 Thread michaela de bruce
> Black is pretty ubiquitous amongst the upper class.  The color was one of the 
> more expensive ones to manufacture and maintain.  Check out the "Golden Age" 
> of Dutch painting for instance.  Also, it was supposedly one of Queen 
> Elizabeth's favorites - next to white.  I'd say your only challenge is the 
> amount you have.  Not quite enough for a whole outfit, but surely a skirt or 
> bodice which could be coordinated with something else.


It's also pretty ubiquitous of the lower classes too:) And middle. But
usually in wool and silk. 5 and 1/3 yards is pretty close to 5m and I
used that much of red linen to make my Cleves ensemble easily:) Big
sleeves and all:
http://www.flickr.com/photos/[EMAIL PROTECTED]/2179604210/
http://www.flickr.com/photos/[EMAIL PROTECTED]/2178837383/ (the skirts rurn
nack but are made to overlap by about 4" when closed yes
perspective is way off in the pic I tried to correct for it but it
didn't work!)

I could probably have used even less because the back is two full
width of the fabric with no shaping. I also have half length sleeves
that the full sleeves pin to.
I just folded my fabric in half and cut gored panels for the front,
with piecing as you see in Alcega and the extant gowns:
http://www.flickr.com/photos/[EMAIL PROTECTED]/2165083275/
I could have topped and tailed the pieces too to avoid that seam, but
I like it:)

Each sleeve length is half the fabric width so I got both sleeves from
about 90cm of fabric.

It worked out as:
3X 1.2m for the skirt (3.6m) (a little too much reallt and I wound up
with some strips left over)
80-90cm for the sleeves (so 4.4-4.5 for skirt and sleeves)
50-60cm for the bodice and half length sleeves.

This was 150cm wide fabric (60") so I was able to use that little. For
a narrower fabric I would have plotted to get more shaping in the back
of the skirt to be able to get my full sleeves or just made a short
sleeved gown only.


I also have 6m of wide wool in cream to get through and I'm thinking
surcoat and kirtle.

regards,
Michaela de Bruce
http://glittersweet.com
(I have also made full gowns from double to queen sized blankets so
had to learn to use period cutting to make best use of fabric!)
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Re: [h-cost] Re: Linen costume question

2008-02-13 Thread michaela de bruce
> http://www.flickr.com/photos/[EMAIL PROTECTED]/2179604210/
> http://www.flickr.com/photos/[EMAIL PROTECTED]/2178837383/ (the skirts rurn
> nack but are made to overlap by about 4" when closed yes
> perspective is way off in the pic I tried to correct for it but it
> didn't work!)

Oy, typos got through.. make that "skirts turn back"

Michaela de Bruce
http://costumes.glittersweet.com
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RE: [h-cost] muckinger construction

2008-02-13 Thread otsisto
Muckinger or Muckender (Ger. schnupftuch (sp?) )Is a handkerchief. This is
the first I have heard of it being two layers but I am not an expert on
this.

-Original Message-

I have a quick question for those of you who go to the
Bristol Ren Faire.

Ansel was asking me to make him something called a
muckinger which he saw for sale at the Faire. It was a
double layer embroidered hanky. Based on his
description, I am thinking that the double layer was
to cover the back of machine embroidery stitching.

Can anybody point me to a description of this
accessory? I did a google search and didn't come up
with much. None of the examples shown were double
layered.

The ones shown here are mostly lace trimmed.
http://www.margaretroedesigns.com/extanthandkerchiefs.html
  Is that for both men and women? Ansel wanted a
monogram F (Frobisher) in the corner. Were monograms
popular at the time? I don't recall that being much of
a fashion until later.

Any guidance will be greatly appreciated.

Thanks

Rebecca Burch
Center Valley Farm
Duncan Falls, Ohio, USA

The only twelve steps I'm interested in are the ones between the flat folds
and the brocades.  --Anonymous Costumer--
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[h-cost] digest 57?

2008-02-13 Thread Suzanne

Dear friends,
Was there a Digest issue 57?  I certainly didn't receive it, but I  
seem to be reading responses to messages in it
Would someone be so kind as to forward number 57, assuming it really  
exists?

Thanks!
Suzanne
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[h-cost] 1882 gown

2008-02-13 Thread otsisto
Thought some would want to see this before it went bye bye.
http://www.antiquedress.com/item6179.htm

#6179 - c. 1882 Black Silk Taffeta Bustle Gown!  Near Mint Condition! Like
new!  Really... it's unbelievable that this is over 120 years old!
Wonderfully elaborate with all the bells and whistles you would want in a
bustle gown - pleats, swags, bows, tucks, fringed gathered rosettes, crochet
buttons, etc., etc.  Just take the time to look at the close-up photos of
all the detailing (click on photo at left).  Even has things you didn't know
you wanted, like the skirt having a hidden pocket under one of the tiers of
lace. The cuffs are great - like little ribbon tied gifts.  The bodice is
boned also with a hidden inside pocket.   Measures: 32" bust (fits more like
a 30" bust due to 12" across back), tight ribcage, 26/27" waist, 40" long
skirt from waist to hem.  Could certainly have been a half-mourning gown due
to the black silk taffeta and white tulle trim at cuffs and neck.  Shown
over a bustle not included.  For display, you would only have to stuff the
backside with cotton or tissue for the right look if you don't have a
bustle.  One of those elaborate pieces you can get lost in while looking at
all the detailing.


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[h-cost] Millinery:

2008-02-13 Thread ladybeanofbunny1
In regards to where I am located, unfortunately for the sake of 
historical costuming/dancing, I was born in the wrong place it seems. I 
am in the oldest region of the US, Philadelphia area, and it is 
absolutely dry in terms of places not only to take classes on any sort 
of Victorian or period costuming, but there aren't any events that 
happen in this immediate area to wear them to. Nothing good is less 
than 3 hours from here in any direction so it is hard to get to places 
that hold ongoing classes. In fact, it seems only the west coast offers 
the best variety, I was considering going to the costume college this 
spring but it was sold out, maybe next year.
About the hats, there are a couple in my possession that are opened 
underneath and you can see the innerds, they usually tend to be made up 
much in the same way, with a wire frame and buckram or some sort of hay 
stuffing. Were there specific rules to those things in those days or 
did the milliners just make them the best they could using their own 
skills to replicate the latest fashions I wonder? The tricky part seems 
to be creating hats or bonnets with asymetrical frames, moreso to cover 
them with fabrics such as velvet where the material seemed to perfectly 
fitted. The trimmings were so unusual at times, I have a tiny little 
bonnet that is overflowing with an assortment of trims, many of which I 
don't think I could even identify!  It's hard to find such trimmings in 
the modern market. There are little tiny metal balls in the size of 
peas dangling all over, stiff curly thin gold stems sticking out all 
over, the usual vibrant coloured silk foliage, lace, velvet tabs, etc. 
Thank you for the suggestion on the book by Denise Dreher, that will be 
the next Amazon search. Goodnight:)




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Re: [h-cost] Millinery:

2008-02-13 Thread Andrew Trembley

[EMAIL PROTECTED] wrote:
In regards to where I am located, unfortunately for the sake of 
historical costuming/dancing, I was born in the wrong place it seems. 
I am in the oldest region of the US, Philadelphia area, and it is 
absolutely dry in terms of places not only to take classes on any sort 
of Victorian or period costuming, but there aren't any events that 
happen in this immediate area to wear them to. Nothing good is less 
than 3 hours from here in any direction so it is hard to get to places 
that hold ongoing classes. In fact, it seems only the west coast 
offers the best variety, I was considering going to the costume 
college this spring but it was sold out, maybe next year.


You're more in Rev & Regency territory, with a bit of mid-Victorian from 
the Civil War folks.


Contact the Delaware Valley Costumers' Guild.
http://dvcg.bravehost.com/

I'm not sure if Sandy will be able to respond; the last I talked to him 
he was really sick.


andy

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