[ha-Safran] Play about Jews and slavery

2013-04-15 Thread Andrea Rapp
A patron is looking for a play that was performed several years ago about a 
Jewish slave-owning family in the Old South.     Does anyone know what that 
play would be?Andrea Rapp__
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Re: [ha-Safran] Play about Jews and slavery

2013-04-15 Thread Rita Lifton
Could be that the patron was thinking of The Whipping Man. Here's a link to 
The New York Times review:

http://theater.nytimes.com/2011/02/02/theater/reviews/02whipping.html

Rita Lifton
Library of The Jewish Theological Seminary

From: hasafran-boun...@lists.service.ohio-state.edu 
[mailto:hasafran-boun...@lists.service.ohio-state.edu] On Behalf Of Andrea Rapp
Sent: Monday, April 15, 2013 2:42 PM
To: Hasafran
Subject: [ha-Safran] Play about Jews and slavery

A patron is looking for a play that was performed several years ago about a 
Jewish slave-owning family in the Old South.
   Does anyone know what that play would be?
Andrea Rapp


__
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Re: [ha-Safran] Play about Jews and slavery

2013-04-15 Thread Amalia Warshenbrot
Andrea,
The Whipping man is still playing many communities. It is a wonderful play.
Amalia Warshenbrot 
From: Andrea Rapp 
Sent: Monday, April 15, 2013 2:42 PM
To: Hasafran 
Subject: [ha-Safran] Play about Jews and slavery
  A patron is looking for a play that was performed several years ago 
about a Jewish slave-owning family in the Old South.   
 Does anyone know what that play would be?
  Andrea Rapp 




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Re: [ha-Safran] Play about Jews and slavery

2013-04-15 Thread Clare Kinberg
Probably The Whipping Man.

Clare

On Mon, Apr 15, 2013 at 2:42 PM, Andrea Rapp anrapp2...@yahoo.com wrote:

 A patron is looking for a play that was performed several years ago
 about a Jewish slave-owning family in the Old South.
Does anyone know what that play would be?
 Andrea Rapp

 __
 Messages and opinions expressed on Hasafran are those of the individual
 author
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 (AJL)
 ==
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 Hasafran@lists.service.ohio-state.edu
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-- 
Clare Kinberg
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Re: [ha-Safran] Play about Jews and slavery

2013-04-15 Thread A G
The play could have been much better, if the author was cognizant (she is
weak on the Jewish law and history) of a great role the institution of
slavery played in the formation of the Jewish people not only in Egypt (the
house of slaves) where the Jewish nation was born, but long before and long
after that.

 

Before. when posterity of Abraham is defined in Torah as those born in your
house and purchased for money and after. with the institution of so-called
Canaanite slave, where the Jewish law mandates only either slave's death or
a manumission into the Jewish people, i.e. no relapse into the people a
slave comes from. The effect of this institution is most profound on
formation of both Ashkenazic and Sephardic Jewries. 

 

In the case of African-Americans in this country, Lincoln's act of
Emancipation denied the slaves in more than 20,000 Jewish households, which
owned slaves, the opportunity to be manumitted according to the Jewish law
and thus become full-fledged Jews. 

 

After the Emancipation Proclamation, many of them retained the idea of being
Jews  - because under the Jewish law a Canaanite slave is a partial Jew with
obligation to fulfill all mitzvoth which are a must for a Jewish woman -
without being able now to actually become such. the pain of the situation is
indirectly touched upon in The Whipping Man.

 

Alex

 

From: hasafran-boun...@lists.service.ohio-state.edu
[mailto:hasafran-boun...@lists.service.ohio-state.edu] On Behalf Of Amalia
Warshenbrot
Sent: Monday, April 15, 2013 2:37 PM
To: Andrea Rapp; Hasafran
Subject: Re: [ha-Safran] Play about Jews and slavery

 

Andrea,

The Whipping man is still playing many communities. It is a wonderful play.

Amalia Warshenbrot 

From: Andrea Rapp mailto:anrapp2...@yahoo.com  

Sent: Monday, April 15, 2013 2:42 PM

To: Hasafran mailto:hasaf...@lists.osu.edu  

Subject: [ha-Safran] Play about Jews and slavery


A patron is looking for a play that was performed several years ago about
a Jewish slave-owning family in the Old South.   

   Does anyone know what that play would be?

Andrea Rapp

  _  

__
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author
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(AJL)
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.html
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l
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Re: [ha-Safran] Play about Jews and slavery

2013-04-15 Thread A G
In Skokie, the director was she and I meant that both she and the author don’t 
know much about Jewish laws or history.

 

The Jewish laws regarding slavery have EVERYTHING to do with the subject of the 
play. 

 

As you correctly note, the older slave in fact does use the Jewish blessings 
and continues to observe certain Jewish laws, and in fact does see himself as a 
Jew… BECAUSE of the Jewish laws that he took seriously…. unlike many born Jews, 
including his owner.

 

Given the changing circumstances, this partial geyur greatly multiplies his 
anguish and suffering--something completely overlooked by play’s which focuses 
mostly on the type of the conflict that could have been observed in many 
southern families (in fact that was author’s position in his radio interview). 

 

Both the author and the director, like you Amalia, completely ignore this side 
of the slave’s tragedy and approach the situation very superficially from my 
point of view complete overlooking specifically Jewish element which magnifies 
slaves suffering as he now belongs nowhere.

 

From: Amalia Warshenbrot [mailto:amalia...@att.net] 
Sent: Monday, April 15, 2013 8:26 PM
To: A G
Cc: Andrea Rapp; Hasafran
Subject: Re: [ha-Safran] Play about Jews and slavery

 

As mush as I Know the author is a man Matthew Lopez. The two slaves, who remain 
in the house after the family disappeared thought that the son was killed in 
the war. When he returns the slave says the blessing thanking  God who 
resurrects the dead Mehayeh hamaiteem.   Later, in order to help the soldier 
regain his faith they are trying to make a Seder. With no dishes or food they 
do what they can.  

So, sorry, Alex, I disagree with you about the author. The Torah laws on 
slavery, as you write below, may  be right, but, it has nothing to do with the 
situation of slaves in the South a day after Lincoln  was assassinated.

Amalia


Sent from my iPad


On Apr 15, 2013, at 6:47 PM, A G agend...@publishersrow.com wrote:

The play could have been much better, if the author was cognizant (she is weak 
on the Jewish law and history) of a great role the institution of slavery 
played in the formation of the Jewish people not only in Egypt (“the house of 
slaves”) where the Jewish nation was born, but long before and long after that.

 

Before… when posterity of Abraham is defined in Torah as “those born in your 
house and purchased for money” and after… with the institution of so-called 
Canaanite slave, where the Jewish law mandates only either slave’s death or a 
manumission into the Jewish people, i.e. no relapse into the people a slave 
comes from. The effect of this institution is most profound on formation of 
both Ashkenazic and Sephardic Jewries. 

 

In the case of African-Americans in this country, Lincoln’s act of Emancipation 
denied the slaves in more than 20,000 Jewish households, which owned slaves, 
the opportunity to be manumitted according to the Jewish law and thus become 
full-fledged Jews. 

 

After the Emancipation Proclamation, many of them retained the idea of being 
Jews  – because under the Jewish law a Canaanite slave is a partial Jew with 
obligation to fulfill all mitzvoth which are a must for a Jewish woman – 
without being able now to actually become such… the pain of the situation is 
indirectly touched upon in The Whipping Man.

 

Alex

 

From: hasafran-boun...@lists.service.ohio-state.edu 
[mailto:hasafran-boun...@lists.service.ohio-state.edu] On Behalf Of Amalia 
Warshenbrot
Sent: Monday, April 15, 2013 2:37 PM
To: Andrea Rapp; Hasafran
Subject: Re: [ha-Safran] Play about Jews and slavery

 

Andrea,

The Whipping man is still playing many communities. It is a wonderful play.

Amalia Warshenbrot 

From: Andrea Rapp mailto:anrapp2...@yahoo.com  

Sent: Monday, April 15, 2013 2:42 PM

To: Hasafran mailto:hasaf...@lists.osu.edu  

Subject: [ha-Safran] Play about Jews and slavery


A patron is looking for a play that was performed several years ago about a 
Jewish slave-owning family in the Old South.   

   Does anyone know what that play would be?

Andrea Rapp


  _  


__
Messages and opinions expressed on Hasafran are those of the individual author
and are not necessarily endorsed by the Association of Jewish Libraries (AJL)
==
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Hasafran@lists.service.ohio-state.edu
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Messages

Re: [ha-Safran] Play about Jews and slavery

2013-04-15 Thread A G
Like the author/director/and most of the Jewish audience for this play, you 
prefer to avoid the real, specifically Jewish problems in this situation with 
important implications for who we are as Jews.

 

You are right: given such attitude, there is no point to continue.

 

 

From: Amalia Warshenbrot [mailto:amalia...@att.net] 
Sent: Monday, April 15, 2013 10:28 PM
To: A G
Subject: Re: Play about Jews and slavery

 

There is no point in continuing the conversation. We will not know if the 
author wants to show that the DeLeon Family did not know the laws or the Lopez 
did not know them, but, if you read about Negro salves in the Old South, most 
Jews did not own slaves and some that did even included their slaves in their 
wills. The Jews were no better no worst than other white owners.
Amalia off the list.
Sent from my iPad


On Apr 15, 2013, at 10:47 PM, A G agend...@publishersrow.com wrote:

In Skokie, the director was she and I meant that both she and the author don’t 
know much about Jewish laws or history.

 

The Jewish laws regarding slavery have EVERYTHING to do with the subject of the 
play. 

 

As you correctly note, the older slave in fact does use the Jewish blessings 
and continues to observe certain Jewish laws, and in fact does see himself as a 
Jew… BECAUSE of the Jewish laws that he took seriously…. unlike many born Jews, 
including his owner.

 

Given the changing circumstances, this partial geyur greatly multiplies his 
anguish and suffering--something completely overlooked by play’s which focuses 
mostly on the type of the conflict that could have been observed in many 
southern families (in fact that was author’s position in his radio interview). 

 

Both the author and the director, like you Amalia, completely ignore this side 
of the slave’s tragedy and approach the situation very superficially from my 
point of view complete overlooking specifically Jewish element which magnifies 
slaves suffering as he now belongs nowhere.

 

From: Amalia Warshenbrot [mailto:amalia...@att.net] 
Sent: Monday, April 15, 2013 8:26 PM
To: A G
Cc: Andrea Rapp; Hasafran
Subject: Re: [ha-Safran] Play about Jews and slavery

 

As mush as I Know the author is a man Matthew Lopez. The two slaves, who remain 
in the house after the family disappeared thought that the son was killed in 
the war. When he returns the slave says the blessing thanking  God who 
resurrects the dead Mehayeh hamaiteem.   Later, in order to help the soldier 
regain his faith they are trying to make a Seder. With no dishes or food they 
do what they can.  

So, sorry, Alex, I disagree with you about the author. The Torah laws on 
slavery, as you write below, may  be right, but, it has nothing to do with the 
situation of slaves in the South a day after Lincoln  was assassinated.

Amalia


Sent from my iPad


On Apr 15, 2013, at 6:47 PM, A G agend...@publishersrow.com wrote:

The play could have been much better, if the author was cognizant (she is weak 
on the Jewish law and history) of a great role the institution of slavery 
played in the formation of the Jewish people not only in Egypt (“the house of 
slaves”) where the Jewish nation was born, but long before and long after that.

 

Before… when posterity of Abraham is defined in Torah as “those born in your 
house and purchased for money” and after… with the institution of so-called 
Canaanite slave, where the Jewish law mandates only either slave’s death or a 
manumission into the Jewish people, i.e. no relapse into the people a slave 
comes from. The effect of this institution is most profound on formation of 
both Ashkenazic and Sephardic Jewries. 

 

In the case of African-Americans in this country, Lincoln’s act of Emancipation 
denied the slaves in more than 20,000 Jewish households, which owned slaves, 
the opportunity to be manumitted according to the Jewish law and thus become 
full-fledged Jews. 

 

After the Emancipation Proclamation, many of them retained the idea of being 
Jews  – because under the Jewish law a Canaanite slave is a partial Jew with 
obligation to fulfill all mitzvoth which are a must for a Jewish woman – 
without being able now to actually become such… the pain of the situation is 
indirectly touched upon in The Whipping Man.

 

Alex

 

From: hasafran-boun...@lists.service.ohio-state.edu 
[mailto:hasafran-boun...@lists.service.ohio-state.edu] On Behalf Of Amalia 
Warshenbrot
Sent: Monday, April 15, 2013 2:37 PM
To: Andrea Rapp; Hasafran
Subject: Re: [ha-Safran] Play about Jews and slavery

 

Andrea,

The Whipping man is still playing many communities. It is a wonderful play.

Amalia Warshenbrot 

From: Andrea Rapp mailto:anrapp2...@yahoo.com  

Sent: Monday, April 15, 2013 2:42 PM

To: Hasafran mailto:hasaf...@lists.osu.edu  

Subject: [ha-Safran] Play about Jews and slavery


A patron is looking for a play that was performed several years ago about a 
Jewish slave-owning family in the Old South.   

   Does anyone know what that play