RE: [Hornlist] Deaf in Right Ear

2005-02-09 Thread hans
This is all expressed very politely. But one question: 
Isn´t playing music a group task, where everybody must be
able to distinguish many acoustical "sensations" including
localisating & pointing sounds, which is NOT possible which
a mono-hearing ability ? A partly deaf person might become a
great "technician" on the musical instrument but lacking
essential abilities to create real sound, projecting sound,
fill a hall even with his pianissimo carrying sound. He as
monaural cannot feel the acoustical wideness or tightness of
a hall, but he could be great just playing for himself as
fun. This is not an opinion, it is a fact, sorry.

 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of G
Sent: Thursday, February 10, 2005 4:31 AM
To: The Horn List
Subject: RE: [Hornlist] Deaf in Right Ear

Hi,

Whether or not it is beneficial is really up to him, isn't
it? I think that is something your student will have to
decide for himself. Since you have hearing in both your
ears, it's not possible for you to hear what he hears (or
doesn't hear), but as any good teacher should, you can guide
him and his sound based on what you hear. Your student will
integrate the input from the Silent Brass and from you in a
way that will benefit you both; he'll be a better player,
and you will have the satisfaction of helping a student to
play with the most dreadful of challenges for a musician.
How one gets the sound isn't nearly as important as how it
sounds. Think of it like Geordie's VISOR in Star Trek.

Who is that rather accomplished and famous percussionist
that is nearly, if not totally deaf?

Concentrate on sound,

Gary
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RE: [Hornlist] Major Serious Oddball Horn...

2005-02-09 Thread hans
These helical horns were never used for "classical" hunting
horn groups in Germany; some very new groups might have
added it for the bass, but stylistically bad.

I think, some salvation army bands use it. Anyway, this
instrument is a hybrid instrument & not old as the seller
says. These rather primitive instruments were mad mid 20th
century. I have a valved exemplar also. It is in E-flat. On
day I used it for a Rhinegold beginning in a rehearsal. We
had unbelievable fun - until Wolfgang Sawallisch noticed
that instrument, laughter again & I returned to use my
regular horn.

 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Klaus Bjerre
Sent: Thursday, February 10, 2005 12:55 AM
To: The Horn List
Subject: Re: [Hornlist] Major Serious Oddball Horn... 

> From: Alan Cole <[EMAIL PROTECTED]>
 
> ...that looks like it would be dangerous if it had valves.
Check out...
> 
>
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=16215
&item=3781
> 756915&r
> d=1

The one shown is used in hunting horn choirs as known in
France and Belgium, maybe also in Germany.

I happen to have a valved sample made by Kühnl & Hoyer in my
collection. It actually is nothing but a valved bass
trombone in Eb wrapped as a helicon.
The circle is so small, that I barely can get my right hand
close enough to my body to make the fingers reach the piston
valves. Actually it is easier for me to play this instrument
with my left hand.

Klaus

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RE: [Hornlist] Horn in Ab in Balfe

2005-02-09 Thread hans
Hello Lawrence,
As Balfe composed "the Maid of Artois" before 1843 & as he
studied with Rossini, the former La-bemol (A-flat) would be
alto & not basso, surely, typical for the Rossini-time.



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Thursday, February 10, 2005 12:28 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Horn in Ab in Balfe

Hans and list,
 
I am playing a performance of "The Maid of Artois" by Balfe.
The horn  parts have been transcribed for horn in F.
 
There is one item which was apparently horn in Ab in the
original and  has been transcribed as horn in Ab alto.  Is
this likely to be correct or  should it be Ab basso?
 
All the best,
 
Lawrence
 
"þaes  ofereode - þisses swa  maeg"

http://lawrenceyates.co.uk




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RE: [Hornlist] Deaf in Right Ear

2005-02-09 Thread Chris Tedesco
She's not that great IMHO :), but Evelyn Glennie is her name.


Chris
--- G <[EMAIL PROTECTED]> wrote:

> Hi,
> 
> Whether or not it is beneficial is really up to him,
> isn't it? I think that is something your student will
> have to decide for himself. Since you have hearing in
> both your ears, it's not possible for you to hear what
> he hears (or doesn't hear), but as any good teacher
> should, you can guide him and his sound based on what
> you hear. Your student will integrate the input from
> the Silent Brass and from you in a way that will
> benefit you both; he'll be a better player, and you
> will have the satisfaction of helping a student to
> play with the most dreadful of challenges for a
> musician. How one gets the sound isn't nearly as
> important as how it sounds. Think of it like Geordie's
> VISOR in Star Trek.
> 
> Who is that rather accomplished and famous
> percussionist that is nearly, if not totally deaf?
> 
> Concentrate on sound,
> 
> Gary
> ___
> post: horn@music.memphis.edu
> unsubscribe or set options at
> http://music.memphis.edu/mailman/options/horn/tedesccj%40yahoo.com
> 




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RE: [Hornlist] Deaf in Right Ear

2005-02-09 Thread G

--- Linda <[EMAIL PROTECTED]> wrote:

> The percussionist is Evelyn Glennie
> http://www.evelyn.co.uk/
> 
> >Who is that rather accomplished and famous
> >percussionist that is nearly, if not totally deaf?
> 
> >Concentrate on sound,
> 
> >Gary
> 

Yep, that's right. Thanks.

Gary
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RE: [Hornlist] Deaf in Right Ear

2005-02-09 Thread Linda
The percussionist is Evelyn Glennie
http://www.evelyn.co.uk/

>Who is that rather accomplished and famous
>percussionist that is nearly, if not totally deaf?

>Concentrate on sound,

>Gary
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RE: [Hornlist] Deaf in Right Ear

2005-02-09 Thread G
Hi,

Whether or not it is beneficial is really up to him,
isn't it? I think that is something your student will
have to decide for himself. Since you have hearing in
both your ears, it's not possible for you to hear what
he hears (or doesn't hear), but as any good teacher
should, you can guide him and his sound based on what
you hear. Your student will integrate the input from
the Silent Brass and from you in a way that will
benefit you both; he'll be a better player, and you
will have the satisfaction of helping a student to
play with the most dreadful of challenges for a
musician. How one gets the sound isn't nearly as
important as how it sounds. Think of it like Geordie's
VISOR in Star Trek.

Who is that rather accomplished and famous
percussionist that is nearly, if not totally deaf?

Concentrate on sound,

Gary
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RE: [Hornlist] Deaf in Right Ear

2005-02-09 Thread Steve Freides
Sounds to me like this person is a good candidate for a custom horn and he
can learn to play it backwards - I can't think of any classical greats
who've done this but example about in the pop guitar world.  Jimi Hendrix
and Paul McCartney both play their guitars backwards, i.e., fingering the
neck with the right hand.

-S- 

> -Original Message-
> From: 
> [EMAIL PROTECTED] 
> [mailto:[EMAIL PROTECTED]
> du] On Behalf Of Rory McDaniel
> Sent: Wednesday, February 09, 2005 9:56 PM
> To: Carlberg Jones; horn@music.memphis.edu
> Subject: Re: [Hornlist] Deaf in Right Ear
> 
> The idea was to try to use the SB w/ an earbud or some type 
> of small speaker placed near the ear so he could hear himself 
> better, much as performers may use a monitor. He says it can 
> be challenging at times to hear exactly how he sounds. While 
> it sounds appealling to me as a techie, I'm not sure that it 
> would be truly beneficial. For that reason, I seek the 
> opinions of others.
> 
> 
> Carlberg Jones wrote:
> 
> >Hi, Rory -
> >
> >I don't see that being deaf in one ear would have anything 
> to do with 
> >using SB or any other headphone.
> >
> >Did I miss something?
> >
> >Regards, Carlberg
> >
> >Carlberg Jones
> >Guanajuato, Gto.
> >MEXICO
> >
> >  
> >
> >
> 
> 
> 
> --
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> Version: 7.0.300 / Virus Database: 265.8.6 - Release Date: 2/7/2005
> 
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Re: [Hornlist] Deaf in Right Ear

2005-02-09 Thread Rory McDaniel
The idea was to try to use the SB w/ an earbud or some type of small 
speaker placed near the ear so he could hear himself better, much as 
performers may use a monitor. He says it can be challenging at times to 
hear exactly how he sounds. While it sounds appealling to me as a 
techie, I'm not sure that it would be truly beneficial. For that reason, 
I seek the opinions of others.

Carlberg Jones wrote:
Hi, Rory -
I don't see that being deaf in one ear would have anything to do with using
SB or any other headphone.
Did I miss something?
Regards, Carlberg
Carlberg Jones
Guanajuato, Gto.
MEXICO
 



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[Hornlist] Deaf in Right Ear

2005-02-09 Thread Rory McDaniel
I teach applied horn as an adjunct instructor at a small college in 
South Carolina. One of my students is a freshman music major who is deaf 
in his right ear. Today, he asked me about hooking up a clip on pickup 
to a Yamaha Silent Brass unit and putting an earpiece in his left ear. 
While it's a terribly interesting idea, I'm not convinced it's a great 
idea.

I'm curious to know your thoughts and opinions on this one.
Thanks,
Rory McDaniel
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Re: [Hornlist] Major Serious Oddball Horn...

2005-02-09 Thread Klaus Bjerre
> From: Alan Cole <[EMAIL PROTECTED]>
 
> ...that looks like it would be dangerous if it had valves.  Check out...
> 
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=16215&item=3781756915&r
> d=1 

The one shown is used in hunting horn choirs as known in France and Belgium,
maybe also in Germany.

I happen to have a valved sample made by Kühnl & Hoyer in my collection. It
actually is nothing but a valved bass trombone in Eb wrapped as a helicon.
The circle is so small, that I barely can get my right hand close enough to
my body to make the fingers reach the piston valves. Actually it is easier
for me to play this instrument with my left hand.

Klaus

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[Hornlist] Major Serious Oddball Horn...

2005-02-09 Thread Alan Cole
...that looks like it would be dangerous if it had valves.  Check out...
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=16215&item=3781756915&rd=1 

-- Alan Cole, rank amateur
   McLean (Fairfax County), Virginia, USA.
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[Hornlist] Horn in Ab in Balfe

2005-02-09 Thread YATESLAWRENCE
Hans and list,
 
I am playing a performance of "The Maid of Artois" by Balfe.  The horn  parts 
have been transcribed for horn in F.
 
There is one item which was apparently horn in Ab in the original and  has 
been transcribed as horn in Ab alto.  Is this likely to be correct or  should 
it 
be Ab basso?
 
All the best,
 
Lawrence
 
"þaes  ofereode - þisses swa  maeg"

http://lawrenceyates.co.uk




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[Hornlist] Re: Horn Digest, Vol 26, Issue 9

2005-02-09 Thread Max Bygrave
On Wednesday, February 9, 2005, at 01:00 PM, 
[EMAIL PROTECTED] wrote:

Hi Leonard:
The Paxman mouthpieces are solid nickel -
The Halstead Chiddel cups too !!
Max
   [EMAIL PROTECTED]
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[Hornlist] Bad Habits Checklist

2005-02-09 Thread red2p
Does anyone happen to have a copy of a checklist that I can do periodically on 
any bad habits that might creep into my playing? This can be anything form 
pressure to posture. Thanks.

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[Hornlist] Re: Tcherepnin Six Pieces (John Schreckengost)

2005-02-09 Thread John Jay Hilfiger
>
>
>
> Sorry for the double posting. Does anyone know of a recording currently
> available of the Tcherepnin Six Pieces for Horn Quartet or of the Bach/Shaw
> Fugue in c minor for horn quartet? I can't find any on amazon.com or
> tower.com. The best I could do was an album called Born for Horn recorded by
> the Horn ensemble of the Mozarteum Hohchule (looks wrong to me, but it is
> the way it is spelled on amazon.com) that is not in any of their retailer's
> stocks. It has a recording of the Tcherepnin.
>
> John Schreckengost
> Chicago, IL
>

Check with Lowell Shaw at the Hornists' Nest
http://home.att.net/~hornistsnest/

The Bach C Minor Fugue was recorded on LP "The Hornists' Nest, from Fripperies 
back to Bach" still available for $7!

Jay Hilfiger
[EMAIL PROTECTED]

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[Hornlist] Gallay Opus 34

2005-02-09 Thread Harriet & Nielsen Dalley
By deductive reasoning, I believe Opus 34 is "Two Morceau de Concert de 
Donizetti, paroles Francaisses de Charlemaine" - Published 
Schonenberger, Paris 1839. Written for Voice, Horn and Piano. Would be 
interested in seeing your entire list. The list I included in the Dalley 
Horn Catalogue - on CD  includes deductions on 5 opus numbers. So I 
would like to obtain more accurate information. Regards.

[EMAIL PROTECTED] wrote:
message: 1
date: Sun, 6 Feb 2005 12:28:56 -0600
from: "McBeth, Amy J" <[EMAIL PROTECTED]>
subject: [Hornlist] still more Gallay research
Has anyone run across a title for Gallay's opus 34??  Of the 60 opus
numbers I've run across, this is the only one I'm not finding.  There
are a number without opus numbers, so it's certainly possible the title
is out there, but not connected to a number.
=20
Many thanks,
Amy=20
 

 

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RE: [Hornlist] RE: Odd Ball Mouthpiece

2005-02-09 Thread hans
Are these rims screw rims ? If so, what about the wear of
the screw ?

Silver drilling is quite a mess as silver smears quite a
lot. The slower processing makes the price, not the silver.

=== 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Tuesday, February 08, 2005 9:07 PM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Odd Ball Mouthpiece

Hi Leonard:
The Paxman mouthpieces are solid nickel - (I use one),,
however, we've taken it one step further in the mouthpieces
Jim Phelan makes.. we use solid silver for the rims - never
needs replating - and silver isn't all that expensive these
days!


Leonard wrote: Any of you use a solid nickel silver
mouthpiece?  I have one and it makes life a little easier,
there is no plating to wear.  It might have a little more
frictional "cling" to it than a plated mouthpiece but not
enough to notice.  Its one of those things that I would
think would have a large market share of mouthpieces but I
have never seen another one.
Leonard// Laredo


"Just Put Your Lips Together And Blow"
 
http://www.poperepair.com  
 
U.S. Dealer:  Ricco Kühn, Paxman and Dietmar Dürk Pope
Instrument Repair 80 Wenham Street Jamaica Plain, MA  02130
617-522-0532
 


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RE: [Hornlist] Tcherepnin Six Pieces

2005-02-09 Thread hans
Sorry, I checked with amazon.de & amazon.com & both said
Mozarteum-Hornensemble only, not Hohchule. Perhaps needing
new glasses.

These six Tscherepnine (with the e at the end, but there are
other spellings depending of the transcription of the
Russian original into other languages) pieces are well
labelled for their character. Let your imagination fly & you
will reproduce the right. And for the Bach/Shaw fugue ? Get
an impression by listening to a violin or cello or organ
recording of a Bach fugue, avoid extrem tempo & extrem
dynamics, let the principal voice come in front a bit as
soon as it appears.  

Do we really need a recorded sample of all pieces, just to
imitate them ? 40 - 50 years ago we had nothing and did
perform these pieces also.

==

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of John Schreckengost
Sent: Wednesday, February 09, 2005 3:06 PM
To: Horn List (E-mail); Horn Yahoo (E-mail)
Subject: [Hornlist] Tcherepnin Six Pieces

Sorry for the double posting. Does anyone know of a
recording currently available of the Tcherepnin Six Pieces
for Horn Quartet or of the Bach/Shaw Fugue in c minor for
horn quartet? I can't find any on amazon.com or tower.com.
The best I could do was an album called Born for Horn
recorded by the Horn ensemble of the Mozarteum Hohchule
(looks wrong to me, but it is the way it is spelled on
amazon.com) that is not in any of their retailer's stocks.
It has a recording of the Tcherepnin.

John Schreckengost
Chicago, IL


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[Hornlist] Tcherepnin Six Pieces

2005-02-09 Thread John Schreckengost
Sorry for the double posting. Does anyone know of a recording currently
available of the Tcherepnin Six Pieces for Horn Quartet or of the Bach/Shaw
Fugue in c minor for horn quartet? I can't find any on amazon.com or
tower.com. The best I could do was an album called Born for Horn recorded by
the Horn ensemble of the Mozarteum Hohchule (looks wrong to me, but it is
the way it is spelled on amazon.com) that is not in any of their retailer's
stocks. It has a recording of the Tcherepnin.

John Schreckengost
Chicago, IL


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