[Hornlist] Lip trills and Tuscaloosa

2005-05-04 Thread Wendell Rider
On Apr 30, 2005, at 10:00 AM, [EMAIL PROTECTED] wrote:
message: 12
date: Fri, 29 Apr 2005 19:53:52 -0500
from: "Karl Feinauer" <[EMAIL PROTECTED]>
subject: [Hornlist] Lip Trills
I had learned how to produce a good lip trill on the horn on from a 1st 
line
E up to an F-G trill on top of the staff, and I guess I didn't maintain 
it,
as I can practically no longer trill at all. Any advice on how to get 
back
in the trill scene and maintain them so that I don't have to build them 
up
again if I don't use them for a month or so?

message: 13
date: Fri, 29 Apr 2005 20:10:57 -0500
from: Carlberg Jones <[EMAIL PROTECTED]>
subject: Re: [Hornlist] Lip Trills
At 7:53 PM -0500 4/29/05, Karl Feinauer wrote:
Any advice on how to get back in the trill scene and maintain them so 
that
I don't have to build them up again if I don't use them for a month or 
so?
My daily trill exercise is the first line of Kopprasch #5, starting in A
basso going up to Bb alto. It takes a minute or so.
Carlberg Jones
Guanajuato, Gto.
MEXICO
Hey fellas,
First of all Karl, doing lip trills correctly, or should I say 
successfully, is a lot like double tonguing- once you learn how to do 
it you never really forget, but you may have to brush it up once and a 
while. Remember that a lip trill is the control of instability between 
two harmonics on the horn. You don't actually fully play either note. 
Think of a "superball" going down a pipe- contained chaos. I'm giving 
out the cryptic clues today because I've been over this before. You 
might want to check the archives (or email me). Just remember that you 
need to find the point where the harmonics break over between the notes 
and learn to control it. Bring your lips a little closer together at 
first and blow a little faster then normal. And Carlberg, you old goat, 
you did bring up the K word but I'm glad you said to do that exercise 
starting on a lower note- I like Ab (on the F horn) or even G (1-3 on F 
horn) or F# (123 on F horn). Don't try to learn lip trills going from 
the C to D above, it takes too much energy which gets in the way of 
learning the touch and control that are involved in the "mechanics" of 
trilling- much easier to get on a lower note. Hey, its all in my book. 
Speaking of which...

For others of you out there who would like to talk about these and 
other issues, I will be at the big symposium in Tuscaloosa in June. I 
will be doing two mornings of guided warm ups (Monday and Thursday) as 
well as conducting an unofficial ongoing workshop and rap session in 
the space (my own room) they are going to give me to sell my book and 
some arrangements and other goodies I am bringing. So if you already  
own my book, are curious, or just want to bust my chops about 
something, I will be there to answer questions and work with anyone who 
wants to. (Hey, Free Lessons !!) Actually, I am looking forward to the 
chance to explain to the people who think the exercises in my book are 
too easy why I wrote them that way. Clue! Its not what you play but how 
you play it that counts. I will demonstrate, and hopefully, so will 
some of you. I will also be able to actually check out your embouchure 
and breathing in person- what a concept!

One thing that I do at my seminar every July is see if anyone can learn 
to do a lip trill in a week. It does happen. There IS a trick to it, 
and for me it doesn't involve touching my lower lip with my tongue, 
saying vowel sounds into the horn, or stopping the horn- hey I'm not 
saying these things are wrong or don't work, because I'm sure they do 
help some of you, I'm just saying that there is a way to look at it 
that coincides with how the horn works. Even if you don't learn it in a 
week you will be on the way to success. Any topic is fair game, so come 
on by and check it out.

Another aspect of this will be that I will be there, and hopefully 
bring in some guests, to talk about things involved with being a 
professional player or an amateur player or whatever. Excerpts, 
stories, auditions, conductors- all fair game. This is going to be my 
homage to Morris Secon, who did a lot for all of us by having late 
night rap sessions at many of the earlier workshops. Hey, wherever you 
are these days Morry, good on ya and God bless.

Wendell Rider
For info about my book "Real World Horn Playing" and the Summer 
Seminar, see my website:
www.wendellworld.com

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[Hornlist] Festival in Hawaii

2005-05-04 Thread Laura Griffiths
Hello there, 

In case you or any of your students are looking for a summer festival, the 
Hawaii Performing Arts Festival is still accepting applicants.  The dates of 
the festival are June 20-July 7.  There will be intensive private instruction 
as well as chamber music and ensemble performance.  Classes in Alexander 
Technique and Yoga will be offered along with excursions around the island 
(Hawaii).   Please feel free to contact me or refer to the web sight with any 
questions.  

Thanks, 

Laura Griffiths
[EMAIL PROTECTED]

www.HawaiiPerformingArtsFestival.org
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[Hornlist] Shallow cups....

2005-05-04 Thread John Dutton
"I must have had my panties in a wedgie up the crack on that one Jack!
I have heard so many generalizations about mouthpieces which can truly
wreck great players.  Yours was not one of them"

all the best, 
Matthew Scheffelman
Horn
+

No worries Matt.

Cheers to all,
The Jack Attack!
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Re: [Hornlist] Shallow cups....

2005-05-04 Thread Paul Mansur
On Wednesday, May 4, 2005, at 07:27 PM, matthew scheffelman wrote:
I must have had my panties in a wedgie up the crack on
that one Jack! I have heard so many generalizations
about mouthpieces which can truly wreck great players.
Yours was not one of them
I think Matt S was after me.  Yes, I was making a generalization about 
beginners who are not yet great players.  I have found that most 
beginners need a thinner rim and a conical cup first; and then when and 
if troubles develop then I head for other rims and underbody shapesl   
I have seen some awful mouthpieces come as stock equipment that barely 
resemble horn mouthpieces.  Most would serve a much better purpose as 
sinkers in my tackle box.  For young players, I get a truer sound 
quicker in a vast majority of cases with a real mouthpiece.  After six 
months or a year, sometimes almost immediately, I may need to initiate 
a change.  It took me a while to learn this, but I've been at it for 
almost 60 years and have produced some nice players.  In the original 
message I was referring to an 11 year old beginner.  Let's get real, 
here.

CORdially,  Paul Mansur
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[Hornlist] Shallow cups....

2005-05-04 Thread matthew scheffelman
I must have had my panties in a wedgie up the crack on
that one Jack! I have heard so many generalizations
about mouthpieces which can truly wreck great players.
Yours was not one of them

all the best, 
Matthew Scheffelman
Horn

John Dutton wrote:
Before we get our panties too bunched up here, I did
not recommend
another mouthpiece.  What I said was that this
particular mouthpiece
has a shallow cup.  It is not a medium cup nor is it a
deep cup.  This
may indeed work for the student in question but
generally
speaking-speaking to the statistical average and not
the exception-a
shallow cup is not recommended for all around playing.
 Citing an
exception doesn't disprove the rule.  In addition to
my NOT
recommending another mouthpiece (nor can I recall ever
recommending a
particular mouthiece in this forum) I DID tell her
where to look for
what she wanted and the general type of alternative
mouthpiece if she
couldn't find it.

Quite frankly, if I could lay my hands easily on the
Tuckwell MP I own
I would sell it to her myself.  Personally, I think
she should consult
with her instructor and the Moose before making a
change of equipment
but I'm not about to waste energy or brain cells on
the matter.

Cheers!
The Jack Attack!







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Re: [Hornlist] Wagner tuba question

2005-05-04 Thread Graeme Evans
Yes, d-daaah-dh-daaah-dooo - nice & effective. But the most 
exciting
Tuba parts are in "Frau ohne Schatten" (R.Strauss). Janacek used them 
also.
I published 4 volumes of Wagner Tuba studies (excerpt books). Visit my Web
Site to know more: www.pizka.de/Pizka-music.htm
There are good Wagner Tuba parts in Strauss' Alpine Symphony, which I don't 
think anyone has mentioned yet. These require the use of mutes, as well.

We are also doing a modern piece by Kurtag, (STELE, Op.33) which has 8 horns 
with 5-8 Wagner Tuba doubling.

Cheers,
Graeme Evans
(Principal Horn, Melbourne Symphony Orchestra)
+61 3 9318 0690(H), +61 419 880371(B), +61 3 93180893(Fax)
E-mail: [EMAIL PROTECTED]

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Re: [Hornlist] Wagner tuba question

2005-05-04 Thread Alan Cole
There's a nice CD out there with some mighty fine Wagner tuba playing on 
it.  Check out The London Horn Sound...

http://tinyurl.com/8hfzm
Several cuts (but not all) include Wagner tuba players in the ensemble.
Outstanding!
-- Alan Cole, rank amateur
   McLean (Fairfax County), Virginia, USA.
 
At 02:52 PM 5/4/2005, you wrote:
I am in search of a list of all of the repertoire that
uses Wagner tubas.
Do you have any information on this?
Thanks!
Liz Sievert



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Re: [Hornlist] Wagner tuba question

2005-05-04 Thread Hans Pizka

Yes, d-daaah-dh-daaah-dooo - nice & effective. But the most exciting
Tuba parts are in "Frau ohne Schatten" (R.Strauss). Janacek used them also.
I published 4 volumes of Wagner Tuba studies (excerpt books). Visit my Web
Site to know more: www.pizka.de/Pizka-music.htm

Vienna Philharmonic used the Wagner Tuba for Heldenleben & Don Quixote.
There is also a very difficult Wagner Tuba part in Josephslegende (ballet by
R.Strauss), really difficult single Tuba part. But the first horn part is
like hell. The last page of tzhe 90min. piece just high a2 & high d3, the
only piece, where I used the descant for the last page. Terrible embouchure
killer, but fun to play up & down & up again (exception lasdt page). Really
challenging.

Still, greetings from Shanghai, 05:50 morning Thursday. Last night the
skyscrapers were in the clouds, really. The opera house just 5 min. from my
hotel at Nanjing Road is a masterpiece of contemporanean architecture as are
some of the tall buildings like the pagoda style Jin Mao building with 420,5
m & the Pearl Tower with 468 m. Exciting. Traffic like in New York. When I
was here the first time 1984, cars were seen hardly. You could cross the
main streets with closed eyes, but now - hallelujah - you get difficulties
crossing at the zebras.

And the food .. gorgious . abalones .. lobster termidor ... fresh
 fish ...   no rice at the parties ... keeps you slim. People knowing me
would not believe, I lost more than 32 lbs. since last August

Played a perfect Long Call last night using a borrowed horn on the spot & a
borrowed mouthpiece. Just lucky. Because of Mao-Tai, perhaps. Another
exception.

=
==
> 
> On Wednesday, May 4, 2005, at 03:52 PM, Paul Rincon wrote:
> 
> > Off the top of my head, I only know of the following:
> >
> > Bruckner Symphonies Nr. 7,8,9
> > Wagner RING Cycle
> > Strauss: Elektra
> > Stravinsky: Rite of Spring
> >
> Doesn't "The Pines of Rome" also call for Tuben?
> 
> Paul Mansur
> 
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Re: [Hornlist] Wagner tuba question

2005-05-04 Thread Paul Mansur
On Wednesday, May 4, 2005, at 03:52 PM, Paul Rincon wrote:
Off the top of my head, I only know of the following:
Bruckner Symphonies Nr. 7,8,9
Wagner RING Cycle
Strauss: Elektra
Stravinsky: Rite of Spring
Doesn't "The Pines of Rome" also call for Tuben?
Paul Mansur
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Re: [Hornlist] Wagner tuba question

2005-05-04 Thread Richard V. West
Ah! Here's a chance to put in a plug for "The Horn Call," the journal of the 
International Horn Society. William Melton did a seven-part series on the 
history of the Wagner tuba in 2003-2004. It covers all the literature up to 
now, as well as a lot of enlightening history of its birthing pangs and 
development as an instrument.

Richard in Seattle
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Re: [Hornlist] Cincinnati/ Kansas City audition results

2005-05-04 Thread Jerryold99
 
In a message dated 5/4/2005 2:45:16 P.M. Central Standard Time,  
[EMAIL PROTECTED] writes:

Has  anyone heard yet about the results of the Cincinnati or Kansas City   
principal horn  auditions?

Thanks,

John


Hi John,
 
There were 85 in the KC audition.  I was told 
3 made it to the final but I don't think they chose 
anyone  I'm not sure.
 
Regards,   Jerry in Kansas City
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Re: [Hornlist] Wagner tuba question

2005-05-04 Thread Paul Rincon
Off the top of my head, I only know of the following:

Bruckner Symphonies Nr. 7,8,9
Wagner RING Cycle
Strauss: Elektra
Stravinsky: Rite of Spring

Especially beautiful are the Wagner Tuba quartets in the 8th (3rd mvmt)
symphony by Bruckner...heard it on DVD with Pierre Boulez and Vienna Phil.
Utterly delicious I must say...
- Original Message -
From: "Liz Sievert" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, May 04, 2005 2:52 PM
Subject: [Hornlist] Wagner tuba question


> I am in search of a list of all of the repertoire that
> uses Wagner tubas.
> Do you have any information on this?
>
> Thanks!
> Liz Sievert
>
>
>
>
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[Hornlist] Cincinnati/ Kansas City audition results

2005-05-04 Thread Smithhorn
Has anyone heard yet about the results of the Cincinnati or Kansas City  
principal horn auditions?
 
Thanks,
 
John
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[Hornlist] New chat group

2005-05-04 Thread rob
I am not sure anybody will be interested, but I have signed up a new yahoo 
chat group for those of use that want a forum for horns without valves. 
Currently there is only one member. I hope that there are a few people out 
there that want to help with contributions to my fledgling web site and make 
it a real forum for the natural horn: naturalhorn.com 

http://launch.groups.yahoo.com/group/naturalhorn/ 

* Your group information:
Group name: naturalhorn
Group home page: http://groups.yahoo.com/group/naturalhorn
Group email address: [EMAIL PROTECTED] 

Richard Burdick
1st Horn Regina Symphony
Regina, SK Canada 

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[Hornlist] Wagner tuba question

2005-05-04 Thread Liz Sievert
I am in search of a list of all of the repertoire that
uses Wagner tubas.
Do you have any information on this?

Thanks!
Liz Sievert




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[Hornlist] WANTED: Kortesmaki Views & Information...

2005-05-04 Thread James Ray Crenshaw
If you have, or are familiar with, the Karl Hill "Kortesmaki" horns, please
get in touch with me as I wish to find out all I can about these horns. I've
heard that he has both Schmidt-style horn (piston changevalve) and a
Geyer-wrap.

Since I've never seen one, I'm asking here on the list. I'd also welcome
thoughts and opinions from non-listers, assuming someone wants to put a
3rd-party in touch with me at:

[EMAIL PROTECTED]

You may comment on-line or, if you wish, e-mail me off-line. All off-line
comments remain off-line, except those concerning my mother!

jrc in SC

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[Hornlist] IHS

2005-05-04 Thread Kaitlyn Hamilton
Hello-
  Would anyone like to rent a hotel room together for the IHS symposium in 
Alabama? I'm a student at New England Conservatory and am looking to save 
some much needed money! Also, if anyone wants to carpool from the Birmingham 
airport and back, I'll be arriving the morning of June 5th and departing the 
afternoon of June 11. Thanks!

Kaitlyn
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[Hornlist] Re: Blue Belled Valvectomy Horn

2005-05-04 Thread danatwiss
Greetings all,

This is a horn for sale by the eminent Dr. Greer even though it might not be
readily recognizable by the seller name.

Dana Twiss
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Re: [Hornlist] Blue-belled "valvectomy" horn on ebay

2005-05-04 Thread Bo Gusman

No disrespect intended, but it's based on an Olds Ambassador, I'm pretty 
sure, that would go for less than half that much IF it were in better 
condition, and with a good set of valves.  (And didn't need that stupid 
paint stripped.)
 

FWIW, I bought one of these from Lowell Greer - he "valvectises" them - 
before Xmas this last year. It's definitely a "poor man's handhorn". It 
plays pretty well and it's light beyond belief. I like it quite a bit - 
it comes with extensions for E, Eb, D. If I only had a C extension, I'd 
play it for a Haydn Te Deum that I'm playing in June. All in all, I got 
out of it what I expected at a price I was willing to pay, and it is 
perfectly suited for me to sit at home and try to teach myself handhorn 
technique.

I will admit that the paint is a somewhat cheesy imitation of the 
gorgeously painted bells of horns of an earlier era - it is obviously 
spray painted on. Nonetheless, from a distance it's pretty.

Some day, I hope to be able to afford one of Lowell's reproduction 
horns. Sadly, with my son going off to UCLA this fall, that will not 
happen any time soon.

   Bo
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Re: [Hornlist] Music for Rosetti Concerto for 2 horns in F Major

2005-05-04 Thread Hans Pizka
They were using my publication for thzeir recording. By the way, his name is
Klaus not Klauss. Remind me after May 15th, to send it to you, as I am
writing from Shanghai at the moment. What a incredible change since I was
here last time in 1996. This city outbids Tokyo & Hongkong & has undergone
the same big change as did Bangkok the last thirty years, but here they
scrapped one area after the other. When I was here first time in 1984, there
was no Pudong area where some of the wqorlds tallest construction stay
nearby each other (Pearl Tower, Jin Mao tower etc., the new Opera House in
its futuristic design, many skyscrapers still under construction. And one
becomes a real shopping addict maniac, really. I did not expect that. All
people extremely friendly, food super superb, policemen very helpful, taxi
driver no cheating, easy immigration. A place to visit befor prices will
boom up more.

Heading for Luoyang tomorrow, to visit the famousa Longmen Buddha grottoes. 
Get some info about by searching under Google "Longmen".

Warmest greetings from 30 centigrades Shanghai. We travel WITHOUT even the
mouthpiece. Wonderful.

Hans

> Hi everyone,
>   I was listening to the recording of Klauss
> Wallendorf and Sarah Willis playing the Rosetti
> Concerto in F Major for Two Horns and Orchestra and
> was wondering if anyone knew where I could get the
> music, either orchestral score or piano reduction.  It
> sounds great and a friend and I wanted to give it a
> shot.  Thanks in advance!
> -Kipp
> 
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