Re: [Hornlist] solo of your choice

2005-08-01 Thread Luke Zyla

Mark,
You should stay away from En Foret and other very difficult solos.  I 
made the mistake of trying to impress the comittee with my blazing 
technique at my first audition.  As it turns out, my technique wasn't so 
blazing that day.  Someone on the comittee gave me some good advice.  
Play something you can play flawlessly.  Some audition comitte members 
will not be horn players.  They are impressed by good rhythm, 
intonation, sound and musicality.  They don't like clams!

CORdially,
Luke Zyla
2nd horn, WV Symphony Orchestra
www.wvsymphony.org


Mark J. Syslo wrote:

When auditioning for an orchestra, virtually everyone asks for a solo of 
your choice.  However, are most audition committees expecting to hear either 
the first movements of Mozart #2 or #4, or Strauus #1 or #2?  Are the other 
staples of the literature (En Foret, Saint Saens Concertpiece, Adagio & 
Allegro) appropriate for an orchestra audition?



Mark J. Syslo
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[Hornlist] solo of your choice

2005-08-01 Thread Mark J. Syslo
When auditioning for an orchestra, virtually everyone asks for a solo of 
your choice.  However, are most audition committees expecting to hear either 
the first movements of Mozart #2 or #4, or Strauus #1 or #2?  Are the other 
staples of the literature (En Foret, Saint Saens Concertpiece, Adagio & 
Allegro) appropriate for an orchestra audition?


Mark J. Syslo
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org