[Hornlist] Re: The Buzzy Buzz video.

2006-10-17 Thread Simon Varnam


subject: [Hornlist] The Buzzy Buzz video.



Interesting!

I was curious about one thing; you appear to lick the mouthpiece before 
putting it to your lips. Why?


Also, when you take the mouthpiece away from your mouth the pitch of 
your buzz drops. Is this relevant?


Looking forward to more.

Thanks.

Simon

___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Auf dem Thurmond

2006-10-17 Thread David Goldberg


So, other than the facts that Strom Thurmond is no longer living, was from  
South Carolina not West Virginia, and was not a member of the KKK, the original 
identification of Senator Thurmond was perfectly accurate, right?


Dave Weiner
Brass Arts Unlimited
 



That reminds me of a riddle that my father used to entertain me with:  
How are George Washington and Abraham Lincoln alike?


Answer, below:
.
.
.
.
.
.
.
.
.
.
.
.
.
.
They both had beards, except for Washington.



  {  David Goldberg:  [EMAIL PROTECTED]  }
 { Math Dept, Washtenaw Community College }
 { Ann Arbor Michigan }


___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Auf dem Thurmond

2006-10-17 Thread BrassArtsUnlim
 
bgross wrote:
For our non-US based members, Strom Thurmond is a Senator (and former  KKK
member) from the State of W. Virginia. 
 
and

In a message dated 10/17/2006 1:48:14 PM Eastern Standard Time,  
[EMAIL PROTECTED] writes:

For a  time he held the record for longest term in the senate (43 years), but 
 
that was surpassed by Senator Robert Byrd of West Virginia.Senator Byrd, 
Democrat from West Virginia, is the current member of the  senate who was 
actually   member of the Klu Klux Klan so, thus,  the confusion from an 
earlier post.
 --
So, other than the facts that Strom Thurmond is no longer living, was from  
South Carolina not West Virginia, and was not a member of the KKK, the original 
 identification of Senator Thurmond was perfectly accurate, right?
 
Dave Weiner
Brass Arts Unlimited
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


[Hornlist] Re: Auf dem ?

2006-10-17 Thread HORNTRASH
Richard W wrote:

It's common among lieder singers to transpose songs  to fit
the range of the voice (it sometimes happens in opera, too,
for  singers with range issues). I've played "Auf dem Strom"
in both the original  key and in D.
It can sometimes be more of a challenge to the pianist  than
the horn player, depending on the key.

And Prof. Cabbage  replied:
 
I believe it is important to allow the singer be allowed to
fit the song  to the vocal range.   I also believe that we should fit
the piece  to the skill level of the hornist and the pianist. I
remember a performance  in which I played in E, the singer
sang in E flat, and the pianist played in  C major.   The audience was highly
awed.
 
And Prof. Hans clarified:
 
Then you did not perform "Auf dem Strom" but "Unter Strom"
by Polish  composer Electry Stromski or "Ohne Stroemung", the
famous piece by Swedish  composer Viltransposer Angststroem
?
 
Now, Prof. P., I have the utmostest of certainties that probably,  maybe 
Prof. Cabbage gave a performance of "Auf dem John" or "Auf dem  Throne" or 
perhaps 
the XXX versions, "Auf dem Schlong" or "Auf dem  Throng" or "Auf dem Thong" 
from the sound (and smell) of it as this  was genuinely three dimensional  and 
I am not having even  the slightestest amounts of any thinkings that the 
audience was  not meerly awed but probably maybe "awed full" by the time it was 
over  and if they liked that, then it just proves something, I guess, perhaps 
that  transpositional variations are becoming further and farther apart along 
with  everything else these days so it is better to really not let this go 
public 
so  please keep a lied on it!!!
 
Kindestest of Greetonings and Mostestest of Flatulations,
 
Prof. I. M.  Gestopftmitscheist
Principal 8th horn and Principal 4th Wagner Tuber,  Schplittenotendorf am 
Oedland Staatsoper und Philharmoniker, (ret.)
Solo  Horn, Bad Corner Brass Quintet
Hornist, Broken Winds WW  Quintet
Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn  Quartet
Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum  and 
Bugle Corps, "The Phantom Lane Changers" (summer only)
Hornist as Needed,  L'Ensemble du Chambre des Palourdes
Principal Natural Horn, I Soloisti di  Feces
Principal Baroque and Hunting Horn, Camarata Vongoleforte
Adjunct,  Part-time, Arms-length Professor of Horn and Pest Control, Exit 2 
Community  College, Exit 2, NJ (Ret.)
Adjunct, Part-time, Arms-length Professor of Horn,  Pest Control and Home 
Petroleum Studies, Northern New Hampshire Technical  Institute, Bad Corner, NH
Author, "The Kopprasch Connection," "Kopprasch for  Fun and Profit," 
"Kopprasch for the New Millenium: Where Do you Fit In?" "Hooked  on Hornonics," 
"What 
If Saddam Had Given Ouday and Qusay Olds Ambassador or Conn  Pan American 
Single F Horns and a Kopprasch Book Instead of AK 47's, Booze and  Porn?" and 
"The 
DaVinci Clam: Did Jesus have a Buzzy Buzz?"
Founder, Director and  CEO, Universal Institute for the Study, Preservation 
and Dissemination of  Kopprasch Throughout the Solar System
Founder and Guru Extraordinaire,  Hornaholics Anonymous
Grand Poobah of the Koppraschian Kult
Director and  Program Manager, The All Kopprasch Channel (AKC), Kopprasch 
Public Radio  (KPR)
Host of The Kopprasch Factor on AKC and All Kopprasch Considered on  KPR
Founder of Kopprasch Depot, your one stop shop for all you  need!
Owner-Operator, Bad Corner Petroleum Laboratory, "The Worlds Largest  Valve 
Oil Factory"
Founder and Disseminator of CLAMSAA, the Universal Holiday  for Horn Players
Interplanetarily Known Soloist and Artist of  Record
Exclusive Amborg, Bundy, Carl Fischer, Olds Ambassador, Sansone  and Conn 
Artist Who Does Not Get His Horns For Free
Phone: yes
Fax:  yes
E-mail: yes
Web site: yes
 
"Stay the Kopprasch!  Don't cut and Alphonse!"
 
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Mike Placement for cd

2006-10-17 Thread Valkhorn
I think your friend Mike should probably be in the audience... unless you  
need a page turner?
 
-William
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Auf dem Thurmond

2006-10-17 Thread PMJILKA
Actually, Strom Thurmond was a senator from South Carolina who served in the 
US Senate for 43 years.   He holds numeorus records such as:   longest 
congressional filibuster(1957), and only senator to still be in Congress at age 
100.  
  Thurmond was the Dixiecrat party presidential canidate in   1948.

For a time he held the record for longest term in the senate (43 years), but 
that was surpassed by Senator Robert Byrd of West Virginia.   Senator Byrd, 
Democrat from West Virginia, is the current member of the senate who was 
actually   member of the Klu Klux Klan so, thus, the confusion from an earlier 
post.
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Mike Placement for cd

2006-10-17 Thread Howard Sanner
Does anyone know the best place to put the mike when making a cd in a  
studio. The room is

probably 15 X 20 with very good acoustics.



	What kind of microphone? What kind of accompaniment (if any)? What 
kind of music?


	Pretty much what Steve Haflich said. You can read my take (sorry) 
on making recordings at:


http://www.ampexguy.com/horn/rectips/rectips.html

I say it on the web page, but I'll repeat here for good measure, 
that I know there are other, generally more complicated and more 
expensive, ways to skin this cat.


	Beyond that, I think the French horn suffers more from close 
miking than most instruments. When the mikes are too close it 
just sounds too honky and blatty. Bottom line is to position the 
microphones so you (or the client) like the sound.


Good luck. HT or the web site H.

Howard Sanner
[EMAIL PROTECTED]





___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Tomb?ck's Auf dem Strom

2006-10-17 Thread Fred Baucom
Dude, a 'long lid' is just a longer lasting lid (bonus!) - hey, got the 
munchies, gotta go


- Original Message 
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Tuesday, October 17, 2006 9:34:30 AM
Subject: Re: [Hornlist] Tomb?ck's Auf dem Strom


I thought 'long lid' meant the same as 'weight ounce'. Now it makes a 
little more sense, especially when factoring in all the different 
climates the music reaches.
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Tomb?ck's Auf dem Strom

2006-10-17 Thread billbamberg
I thought 'long lid' meant the same as 'weight ounce'. Now it makes a 
little more sense, especially when factoring in all the different 
climates the music reaches.


-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Mon, 16 Oct 2006 9:47 PM
Subject: RE: [Hornlist] Tomb?ck's Auf dem Strom

"lied" not "lid", please.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Alon reuven
Sent: Monday, October 16, 2006 11:07 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Tomb?ck's Auf dem Strom

Hi all ,
had the pleasure to play " Auf dem strom " both in original
key and in Eb.The funny thing was that the tenor's
preference was the original key and the soprano preferred it
in Eb . It sounded to me much calmer in Eb , and not only
because of the horn part .
I do not think that I should Analise weather it was or
wasn't at the right key , but if he managed to maintain
interest through this very long lid.
Alon
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/hans%40pizka.
de

___
post: horn@music.memphis.edu
 unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/billbamberg%40aol.com




Check out the new AOL.  Most comprehensive set of free safety and 
security tools, free access to millions of high-quality videos from 
across the web, free AOL Mail and more.


___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] Mike Placement for cd

2006-10-17 Thread billbamberg
If you really don't know what you're doing, do anything just to 
generate a new data point. By the time people around you figure out you 
don't know what you're doing, you WILL know what you're doing, unless, 
of course, you're just naturally stupid. Intuition is a very powerful 
tool as long as you've got some real experience to back it up.


-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Mon, 16 Oct 2006 9:09 PM
Subject: Re: [Hornlist] Mike Placement for cd

From: [EMAIL PROTECTED]

Does anyone know the best place to put the mike when making a cd in a
studio. The room is
probably 15 X 20 with very good acoustics.

No, no one knows, except that the mike should probably be at the end
of a cable with the other end plugged into the recording equipment.

The person best able to answer your question is you yourself. Set up
the equipment and make test recordings in a variety of configurations.
You probably want the mike in front of the horn, the normal angle for
listening, and you probably want it as far away as possible so long as
the horn does not sound distant -- technically, that the ratio of
direct to reverberated sound remains sufficiently large. Usually this
is not a problem in any room size found in a normal residence. Choose
what sounds correct and good to you -- don't take the opinion of
people who can't hear the room.

By the way, the answer doesn't much depend on whether you are
recording to CD, audio tape, or computer disk.
___
post: horn@music.memphis.edu
 unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/billbamberg%40aol.com




Check out the new AOL.  Most comprehensive set of free safety and 
security tools, free access to millions of high-quality videos from 
across the web, free AOL Mail and more.


___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


Re: [Hornlist] RE: Strom Thurmond

2006-10-17 Thread Jasoncat
Actually former and from the state of South Carolina not west Va.
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


[Hornlist] RE: Strom Thurmond

2006-10-17 Thread Joe Scarpelli
I believe that should be "was a Senator"

Regards,
Joe 
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Bill Gross
Sent: Tuesday, October 17, 2006 7:19 AM
To: 'The Horn List'
Subject: RE: [Hornlist] Auf dem Thurmond

For our non-US based members, Strom Thurmond is a Senator (and former KKK
member) from the State of W. Virginia.  


___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/joescarpelli%40earthlink.net


___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


RE: [Hornlist] Auf dem Thurmond

2006-10-17 Thread Bill Gross
For our non-US based members, Strom Thurmond is a Senator (and former KKK
member) from the State of W. Virginia.  


___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org


RE: [Hornlist] Mike Placement for cd

2006-10-17 Thread Bill Gross
I'm not sure, but I think you are treading Cabbage's territory here.  

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Steve Haflich
Sent: Monday, October 16, 2006 11:09 PM
To: The Horn List
Subject: Re: [Hornlist] Mike Placement for cd 

   From: [EMAIL PROTECTED]
   
   Does anyone know the best place to put the mike when making a cd in a  
   studio. The room is
   probably 15 X 20 with very good acoustics.  

No, no one knows, except that the mike should probably be at the end
of a cable with the other end plugged into the recording equipment.

The person best able to answer your question is you yourself.  Set up
the equipment and make test recordings in a variety of configurations.
You probably want the mike in front of the horn, the normal angle for
listening, and you probably want it as far away as possible so long as
the horn does not sound distant -- technically, that the ratio of
direct to reverberated sound remains sufficiently large.  Usually this
is not a problem in any room size found in a normal residence.  Choose
what sounds correct and good to you -- don't take the opinion of
people who can't hear the room.

By the way, the answer doesn't much depend on whether you are
recording to CD, audio tape, or computer disk.
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/bgross%40airmail.net


___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org