RE: [Hornlist] RE: Looking for other Pizka horns

2007-04-21 Thread hans
There is another fact mentioned in this article, which is
most importanmt:

IT IS NOT NECESSARY TO BLOW AIR THROUGH THE HORN, JUST GIVE
THE AIR THE RIGHT IMPULS, SO THE SOUND WAVE WILL TRAVEL
THROUGH THE INSTRUMENT.

That´s exactly what I said during all times of my horn
playing life.


=== 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Hurricane Chinooks
Sent: Saturday, April 21, 2007 11:50 PM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Looking for other Pizka horns

This is the only research that I know of concerning the
effects of different
finishes:

http://www.dallasmusic.org/schilke/Brass%20Clinic.html#Finis
hes

Joyce


date: Sat, 21 Apr 2007 17:17:33 +0200
from: "Alon reuven" <[EMAIL PROTECTED]>

What does silver plating or gold plating do to your horn?
Alon




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Re: [Hornlist] What makes Conns desirable?

2007-04-21 Thread xerocool9
I really think you should examine how you have described the horn on your own.
 
"have found the workmanship of the Conns to be generally inferior (slides that 
don't fit well, awkward triggers & >grip configuration, etc.), "  "the Conns' 
intonation lacking & the lower register on all of >them consistently weaker 
than all the competitors"
 
Why fight all of those aspects? As described by Melvin it is a horn of use to 
be...  The biggest champions of CONN no longer support it Myers, Betts, Bloom 
etc.. That speaks volumes as well.
 
JMHP
Robert
 
 
-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Sun, 22 Apr 2007 2:11 PM
Subject: RE: [Hornlist] What makes Conns desirable?


Valerie, 
"They don't make them like they used to" describes the history of the Conn8D 
quite well. I'm not their history expert, but I do know that the 1966 Conn horn 
I own was made in Elkhart, Indiana. But when the company moved, they changed 
enough of the horn to make it drastically inferior to what it used to be. It 
may have improved somewhat since then, but I do not know. Keep the dialogue 
going-I'm sure you will find some helpful info. Got to run! 
Melvin 
 
>From: "Valerie WELLS" <[EMAIL PROTECTED]> 
>Reply-To: The Horn List  
>To: horn@music.memphis.edu 
>Subject: [Hornlist] What makes Conns desirable? 
>Date: Sat, 21 Apr 2007 15:55:08 -0700 
> 
>I'm enjoying horn shopping & may take it up as a permanent hobby since it's 
>>so fun and I can't seem to settle on what I want to buy. AnywayCan 
>>someone please tell me what makes Conn horns desirable (especially the Conn 
>>8D)? I've looked at several different models of new Conns & other new >horns 
>of comparable price range & have found the workmanship of the Conns >to be 
>generally inferior (slides that don't fit well, awkward triggers & >grip 
>configuration, etc.), but the tone on all the Conns seemed equal or >superior 
>to their competitors (although it varied from instrument to >instrument). Can 
>anyone tell me what makes the tone of the Conn so nice? 
> 
>I was told by someone who should know (whose name I will not mention here) 
>>that the Conn 8D, ANY year, is the "only horn" he'd ever buy. Hmmm... I'd 
>>love to hear comments & discussion on this. 
> 
>I also found the Conns' intonation lacking & the lower register on all of 
>>them consistently weaker than all the competitors (but that could be due to 
>>my lack of familiarity with Conns). I found Yamaha horns to have excellent 
>>intonation and the notes seemed to just "pop" into place. Thanks in >advance 
>for your comments. ~Valerie 
> 
> 
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>post: horn@music.memphis.edu 
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RE: [Hornlist] What makes Conns desirable?

2007-04-21 Thread Ben Reidhead

--- Melvin Baldwin <[EMAIL PROTECTED]> wrote:

> Valerie,
> "They don't make them like they used to" describes
> the history of the Conn8D 
> quite well. I'm not their history expert, but I do
> know that the 1966 Conn 
> horn I own was made in Elkhart, Indiana. But when
> the company moved, they 
> changed enough of the horn to make it drastically
> inferior to what it used 
> to be. 

I would argue that the Texas horns and the new 8D's
are not "drastically inferior" to the Elkhart Conns,
but "drastically more inconsistant."  I have an
(early) Texas 8D that I'd put up against most 8D's, of
any vintage.  While the worksmanship isn't great (I've
had two solder joints pop on the horn in the year I've
owned it), it still plays very well.  Most importantly
for me, it cost a bunch less than any comparable horn
(8D or otherwise) I've blown on since, probabally
because of its Texas heritage.

And yes, I am a fan of the 8D sound.

Ben

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RE: [Hornlist] What makes Conns desirable?

2007-04-21 Thread Melvin Baldwin

Valerie,
"They don't make them like they used to" describes the history of the Conn8D 
quite well. I'm not their history expert, but I do know that the 1966 Conn 
horn I own was made in Elkhart, Indiana. But when the company moved, they 
changed enough of the horn to make it drastically inferior to what it used 
to be. It may have improved somewhat since then, but I do not know. Keep the 
dialogue going-I'm sure you will find some helpful info. Got to run!

Melvin



From: "Valerie WELLS" <[EMAIL PROTECTED]>
Reply-To: The Horn List 
To: horn@music.memphis.edu
Subject: [Hornlist] What makes Conns desirable?
Date: Sat, 21 Apr 2007 15:55:08 -0700

I'm enjoying horn shopping & may take it up as a permanent hobby since it's 
so fun and I can't seem to settle on what I want to buy.  AnywayCan 
someone please tell me what makes Conn horns desirable (especially the Conn 
8D)?  I've looked at several different models of new Conns & other new 
horns of comparable price range & have found the workmanship of the Conns 
to be generally inferior (slides that don't fit well, awkward triggers & 
grip configuration, etc.), but the tone on all the Conns seemed equal or 
superior to their competitors (although it varied from instrument to 
instrument).  Can anyone tell me what makes the tone of the Conn so nice?


I was told by someone who should know (whose name I will not mention here) 
that the Conn 8D, ANY year, is the "only horn" he'd ever buy.  Hmmm... I'd 
love to hear comments & discussion on this.


I also found the Conns' intonation lacking & the lower register on all of 
them consistently weaker than all the competitors (but that could be due to 
my lack of familiarity with Conns).  I found Yamaha horns to have excellent 
intonation and the notes seemed to just "pop" into place.  Thanks in 
advance for your comments. ~Valerie



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Re: [Hornlist] What makes Conns desirable?

2007-04-21 Thread Trude

Just a small tip for your new hobby;

I've never even touched a Conn so I can't say much about that, but I've
tried several Yamaha and Hoyer horns. If you like Yamaha instruments I'd say
that Hoyer is a good chance too, at least worth testing. The prof modells
from hoyer is amacingly good compared to the price (at least here in
Europe). Hoyer has had their problems with tight A'' s and other things, but
it isn't a problem anymore, they have improved much and there is a great
difference between the old horns and what they make today. All the
instruments I've tried has been surprisingly good, both intonation and
slides, valves and such, and I've not found any horns with the old
"classical" problems that Hoyer used some time to get rid of.

I bought a 5801 in red brass not so long ago and is very happy with it,
especialy the low register and the lovely soft sound. I have friends who
play on 6801 (I have heard someone call it hoyer's copy of the 8D, but I'm
not sure) and they have only good things to say about it. The top models
from Hoyer (and Yamaha) is a nice alternative for us who don't have the
money to buy nice Paxman horns or other expencive instruments. Much horn for
the money, to say it that way.



On 22/04/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:


Valerie, do check out the Holton Merker Matic in both nickel and
rose  brass.



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Re: [Hornlist] What makes Conns desirable?

2007-04-21 Thread Anne Megenity
If you haven't tried the Holton Merker models your search won't be complete. 
My bias is that I loved mine (no longing playing) and also owned an 8D in 
the past.
- Original Message - 
From: "Valerie WELLS" <[EMAIL PROTECTED]>

To: 
Sent: Saturday, April 21, 2007 6:55 PM
Subject: [Hornlist] What makes Conns desirable?


I'm enjoying horn shopping & may take it up as a permanent hobby since 
it's so fun and I can't seem to settle on what I want to buy. 
AnywayCan someone please tell me what makes Conn horns desirable 
(especially the Conn 8D)?  I've looked at several different models of new 
Conns & other new horns of comparable price range & have found the 
workmanship of the Conns to be generally inferior (slides that don't fit 
well, awkward triggers & grip configuration, etc.), but the tone on all 
the Conns seemed equal or superior to their competitors (although it 
varied from instrument to instrument).  Can anyone tell me what makes the 
tone of the Conn so nice?


I was told by someone who should know (whose name I will not mention here) 
that the Conn 8D, ANY year, is the "only horn" he'd ever buy.  Hmmm... I'd 
love to hear comments & discussion on this.


I also found the Conns' intonation lacking & the lower register on all of 
them consistently weaker than all the competitors (but that could be due 
to my lack of familiarity with Conns).  I found Yamaha horns to have 
excellent intonation and the notes seemed to just "pop" into place. 
Thanks in advance for your comments. ~Valerie



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Re: [Hornlist] What makes Conns desirable?

2007-04-21 Thread HornGuy4305
Valerie, do check out the Holton Merker Matic in both nickel and rose  brass. 



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[Hornlist] What makes Conns desirable?

2007-04-21 Thread Valerie WELLS
I'm enjoying horn shopping & may take it up as a permanent hobby since it's 
so fun and I can't seem to settle on what I want to buy.  AnywayCan 
someone please tell me what makes Conn horns desirable (especially the Conn 
8D)?  I've looked at several different models of new Conns & other new horns 
of comparable price range & have found the workmanship of the Conns to be 
generally inferior (slides that don't fit well, awkward triggers & grip 
configuration, etc.), but the tone on all the Conns seemed equal or superior 
to their competitors (although it varied from instrument to instrument).  
Can anyone tell me what makes the tone of the Conn so nice?


I was told by someone who should know (whose name I will not mention here) 
that the Conn 8D, ANY year, is the "only horn" he'd ever buy.  Hmmm... I'd 
love to hear comments & discussion on this.


I also found the Conns' intonation lacking & the lower register on all of 
them consistently weaker than all the competitors (but that could be due to 
my lack of familiarity with Conns).  I found Yamaha horns to have excellent 
intonation and the notes seemed to just "pop" into place.  Thanks in advance 
for your comments. ~Valerie



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[Hornlist] RE: Looking for other Pizka horns

2007-04-21 Thread Hurricane Chinooks
This is the only research that I know of concerning the effects of different
finishes:

http://www.dallasmusic.org/schilke/Brass%20Clinic.html#Finishes

Joyce


date: Sat, 21 Apr 2007 17:17:33 +0200
from: "Alon reuven" <[EMAIL PROTECTED]>

What does silver plating or gold plating do to your horn?
Alon




No virus found in this outgoing message.
Checked by AVG Free Edition. 
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6:43 PM
 

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RE: [Hornlist] Looking for other Pizka horns

2007-04-21 Thread hans
Makes it look more beautiful, you care more about avoiding
dents, sound gets a bit more brilliant - at least for me.

= 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Alon reuven
Sent: Saturday, April 21, 2007 4:18 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Looking for other Pizka horns

What does  silver plating or gold plating do to your horn ?
Alon
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Re: [Hornlist] Looking for other Pizka horns

2007-04-21 Thread YATESLAWRENCE
 
 
In a message dated 21/04/2007 16:18:25 GMT Daylight Time,  [EMAIL PROTECTED] 
writes:

"What  does  silver plating or gold plating do to your horn  ?
Alon"

Makes it more expensive
 
Cheers,
 
Lawrence

 
lawrenceyates.co.uk



   
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[Hornlist] Concerto announcement

2007-04-21 Thread rob
Sorry for the late notice. 

This weekend Saturday April 21st @ 8 p.m. & Sunday April 22nd @ 3 p.m. 

I will be performing the 3rd Horn concerto of L. F. Dauprat with the Nexen 
Regina Symphony Chamber Players on our Government House series. In Regina 
Saskatchewan Canada. 

My performances will be on Natural horn in E. I reduced the orchestration 
for our small group. 

I am quite sure this is a Canadian premiere. I don’t know of any other 
performance of the work ever. The Dauprat Concerti were probably too hard 
for the hornist, to make it into the standard repertoire for horn back when 
they were written  around 1818. 

For those of you that can’t make it. I am revising Naturalhorn.com to 
feature a recording of this Concerto in a horn & piano version. When my site 
goes from green to blue it will be there. For now, you might want to hear my 
old recording of the Dauprat Grand Sextet #6 which you can hear on the “What 
Playing” section on the left. This recording is my old recording of that, 
and not the version that will be on CD soon. I will be changing the site 
completely really soon! 

Richard Burdick 

Naturalhorn.com 


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[Hornlist] Looking for other Pizka horns

2007-04-21 Thread Alon reuven

What does  silver plating or gold plating do to your horn ?
Alon
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