Re: [Hornlist] Carter Horn Concerto

2007-11-21 Thread Eww02
 
...or, for that matter, my concerto for Horn and Concert Band (or its  
alternate version for horn and orchestra)!
 
Emory Waters
 
 
In a message dated 11/21/2007 5:55:44 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Adam  Black raises a pressing issue:

"In the words of my teacher (a  professional player), composers now often 
forget about "writing for the  horn", and just what horn music is. Maybe we 
need to get away from  contests, and get back to beauty  "

Ah yes!  I couldn't agree  more.  What you need is my concert piece for horn 
and chamber  orchestra!

David Lamb in Seattle 







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[Hornlist] Bad

2007-11-21 Thread KendallBetts
 
Yes, Walt, we all enjoyed getting to know and working with Cecilia at  camp.  
I'm surprised to hear that her camera survived that  particular performance, 
as the Prof. hit an Ab above high C, or so people  said.  He doesn't have 
capped teeth, you know, just  two steel plates, like that guy in the James Bond 
movies.  Those are  welded to the steel plate in his cranium that covers the 
hole where they removed  the part of his brain that controls rhythm, 
intonation, 
tone quality, accuracy,  musicianship and good taste.  To set the record 
straight, though,  any resemblance to the F. Strauss Notturno was purely 
coincidental.   This was a completely different piece by a completely different 
Strauss, 
the  Nachtmaro by F. U. Strauss.  I think he might have been the PDQ of the  
Strauss family.   If you are in Denver for the IHS conference  next summer, 
you can have the pain of hearing him and the dishonor  of meeting him there as 
he has been invited to give a presentation of  his "Lexicon of Clamology," with 
demonstrations, of course.  This  unfortunate event will take place because 
the statute of limitations on musical  pornography (he was charged in Banff in 
'98) has run out so he'll be back at IHS  for the first time since then.  He 
also has commissioned Milt Phibbs  to write a new piece both for camp and that 
event that will help him  get his point across, whatever that is.  I've heard 
that it's titled  "Fanfare for the Common Clam."  Fortunately, he'll be 
conducting, not  playing, in that one.
 
KB  
 
Walt Lewis wrote:

Kendall  Betts scribe:
took 
my teacher's  advice as he states in his  treatise, "Hooked on Hornonics."  I 
practiced  Kopprasch No. 1  up an octave in Eb horn.  That way I played high 
g's 
routinely, and  loud!  The f's in mf felt like third space c in  comparison.  
 



Dear Kendall,

One of my former students, a lovely young  woman named Cecilia Kozlowski, 
came last summer to my home for an evening of  duets and Kopprasch.  Cecilia 
had 
this "bootlegged" video of Prof. G  playing at your Horn camp. I was amazed at 
the quality of Prof. G's command of  Strauss' Nocturno, although the good 
Professor had renamed the composition to  suit his appreciation for the piece.

I hope sometime before I hang my  old Alex on the wall and the crazy glue 
holding my front caps on wears  out,  that I can attend your camp and also 
learn 
the joys of playing  Kopprasch directly from the Master.

Walt  Lewis








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Re: [Hornlist] Carter Horn Concerto

2007-11-21 Thread David Lamb


Adam Black raises a pressing issue:

"In the words of my teacher (a professional player), composers now often 
forget about "writing for the horn", and just what horn music is. Maybe we 
need to get away from contests, and get back to beauty  "


Ah yes!  I couldn't agree more.  What you need is my concert piece for horn 
and chamber orchestra!


David Lamb in Seattle 


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[Hornlist] Carter Horn Concerto

2007-11-21 Thread Adam Black

To all,
I haven't heard this piece, but it seems that it has a rather extreme range, 
only playable by elite players. One thing I do note is that there now seems to 
be a competition of sorts amongst modern composers to write higher and higher 
notes - who can play the highest, who writes the hardest to play concerto etc. 
Mozart I think we all agree, wrote horn music that cannot be described in any 
other way than beautiful. He made the best use of the horn's qualities. Even 
Strauss, in my all-time favourite piece of music, his first horn concerto, only 
wrote up to a written B flat. In the words of my teacher (a professional 
player), composers now often forget about "writing for the horn", and just what 
horn music is. Maybe we need to get away from contests, and get back to beauty 
(as I say - this is definitely not a criticism of Carter per se, as I haven't 
heard the piece - just a discussion on what I see as a trend). For amateur 
players, such as myself, it is difficult to continually feel "excluded" from 
new works.
Adam Black (Fiji)
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Re: [Hornlist] For those hornists that are bored...

2007-11-21 Thread Margaret Dikel

At 05:08 AM 11/21/2007 -0800, you wrote:

Hey everyone, check out this one...



http://www.youtube.com/watch?v=WkcyZu1xcHM


Ouch.


Margaret F. Dikel
Horn / Librarian / Webmaster
JCC Symphony Orchestra
11218 Ashley Drive
Rockville MD 20852
301-881-0122
[EMAIL PROTECTED]
www.jccso.org

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[Hornlist] (Ad) Discount on Sheet Music

2007-11-21 Thread SandyP412
 
Hi Everyone, 
In the October issue of the Horn Call, we offered a 20% discount off of  
sheet music purchased at our store until November 30, 2007.  I have decided to 
offer this out to as  many people as possible. 
Please visit our site at www.pelicanmusicpublishing.com and during the  
ordering process you will be asked for a coupon code.  Enter HORNCALL20 in this 
box 
and you  will receive the discount off your order.  Again this is only good 
until November 30, 2007. 
Thanks!  And Happy  Holidays! 
Sandy Petersen 
Pelican Music_www.pelicanmusicpublishing.com_ 
(http://www.pelicanmusicpublishing.com/) 



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[Hornlist] Minneapolis Symphony in 1940

2007-11-21 Thread phirsch

Anyone on the list have memories or other knowledge of who was leading the
horn section in 1940 (specifically, November 4) for the Dimitri Mitropoulos
Mahler 1st recording? Weldon Wilber is the only name that I can associate
with that orchestra from way-back (and I my have my Midwestern cities mixed
up on this anyway).

Hoping against hope,

Peter Hirsch

(who has plenty to say about the polarized nature of the reaction to my
posting on Elliott Carter, but not the time to write it all down at the
moment)

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[Hornlist] RE:Carter concerto and big Egos.

2007-11-21 Thread matthew scheffelman
Jill, 

The reason you don't hear much about this concerto on
this list is these guys are not premiering it. Any
disdain for Carter's music is just poor taste, while
that Carter "taste" truly is acquired!!

Carter's music is hard to digest, even for my ears.
Xenakis is another composer with tough intervals to
hear for some players. 

Screw these guys, they are party poopers, unless its
their party...we all know the type.

Matthew


  

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[Hornlist] For those hornists that are bored...

2007-11-21 Thread Walter Lewis
Hey everyone, check out this one...



http://www.youtube.com/watch?v=WkcyZu1xcHM




   
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Re: [Hornlist] Re: Music (was Elliot Carter Horn Concerto)

2007-11-21 Thread Walter Lewis
Kendall Betts scribe:
 took 
my teacher's  advice as he states in his treatise, "Hooked on Hornonics."  I 
practiced  Kopprasch No. 1 up an octave in Eb horn.  That way I played high g's 
 routinely, and loud!  The f's in mf felt like third space c in  comparison.  



Dear Kendall,

One of my former students, a lovely young woman named Cecilia Kozlowski, came 
last summer to my home for an evening of duets and Kopprasch.  Cecilia had this 
"bootlegged" video of Prof. G playing at your Horn camp. I was amazed at the 
quality of Prof. G's command of Strauss' Nocturno, although the good Professor 
had renamed the composition to suit his appreciation for the piece.

I hope sometime before I hang my old Alex on the wall and the crazy glue 
holding my front caps on wears out,  that I can attend your camp and also learn 
the joys of playing Kopprasch directly from the Master.

Walt Lewis

   
-
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