[Hornlist] RE: Leadpipes

2007-11-29 Thread ken
One thing I have learned for certain in this business is that there are no
definites.  One man's trash is sometimes another man's treasure - and the
same is true for leadpipes.
  
The only way to tell for certain if a pipe (by ANY maker) is going to be
better for your horn is to try it.  All the claims by makers and players
about the way certain pipes play refer only to THAT players experience (or
THAT maker's claim).  

Sincerely
Ken Pope   

"Just Put Your Lips Together And Blow"
http://www.poperepair.com
US Dealer:  Kuhn Horns & Bonna Cases
Pope Instrument Repair
80 Wenham Street
Jamaica Plain, MA 02130
617-522-0532
 


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Re: [Hornlist] Re: Lead pipes for Conn 8D

2007-11-29 Thread Fred
This discussion of pipes has been enlightening.  I've just purchased a 700k
series 8D, which has a Lawson leadpipe, from Dennis Houghton's shop in
Texas.  Coincidentally, while I was trying this horn, a friend asked me to
render a second opinion on a new horn (Kruspe-wrap) he had on trial.  While
the 8d has no bad notes, everything slotting extremely well and in tune (the
low range is a little difficult to open up, however), this other horn (which
was not inexpensive) had real problems above the staff, and the written A up
there was very, very slippery.  Have to think, in light of this discussion,
this is likely due to a deficient leadpipe.

Fred


On 11/28/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
>
> I'm curious to know what your criteria is for judging a leadpipe?   What
> would you consider that makes a certain pipe better, not
> just  different?  I make
> pipes that have a better scale and respond quicker,  especially on the Bb
> horn, on a Conn 8D, any Conn 8D.  Would folks  consider that better or
> just
> different?  You mention "a good original  one."  Walter, myself and others
> knew
> early on that Conn leadpipes, as  with most makes, were inconsistent.  I
> remember
> trying a dozen,  new, Elkhart 8D's at a time back in the '60's and all
> would
> play  differently.  There would be maybe 1 or 2 "good" ones in the
> batch.  I
> went to the factory once in Elkhart to pick out a new pipe for a 300,000
> series
> I had that had been damaged in a car wreck, played 40 pipes that day and
> they  were all different.  I never did find one that made that horn play
> as well
> as the original one did before it was totaled.  Walter figured out a few
> years later that this was due to sloppy cutting of the small
> end.  I  don't know
> if anyone before Walter had even thought about that.  He was,  and I am,
> very
> conscious of the quality control of our pipes.  Our designs  are unique
> and
> there are many 8D's, as well as other makes, with Lawson pipes on  them
> which
> are used daily by all sorts of players who are happy with
> their  results.  I
> don't think those folks would have switched pipes if they did  not think
> the
> change was for the better.  I also have spectrum analysis  data from
> computer
> testing that shows how various changes in  leadpipe tapers affect the
> instrument,
> both in terms of intonation and  response.
>
> I know you didn't call any names, but I couldn't pass up the chance
> here  for
> some free advertising!
>
> Thanks!
>
> Kendall Betts
>
> Steven Mumford [EMAIL PROTECTED] (mailto:[EMAIL PROTECTED]
> )
> wrote:
>
> Anyone  who is getting a new leadpipe for their 8D, please send the old
> original one  to me!!!  I won't call any names, but I've had quite a few
> of the
> custom  pipes come through here and I haven't seen any yet that were
> better than
> a  good original one.  Different, yes.  Better, no.
>
> - Steve Mumford
>
>
>
>
>
>
>
> **Check out AOL's list of 2007's
> hottest
> products.
> (http://money.aol.com/special/hot-products-2007?NCID=aoltop000301)
> ___
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>
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[Hornlist] Re: Horn Digest, Vol 59, Issue 34

2007-11-29 Thread Chris Earnest

Kendall wrote:

Conn leadpipes, as  with most makes, were inconsistent.  I remember trying 
a

dozen,  new, Elkhart 8D's at a time back in the '60's and all would play
differently.  There would be maybe 1 or 2 "good" ones in the batch.  I
went to the factory once in Elkhart to pick out a new pipe for a 300,000 
seriesI

had that had been damaged in a car wreck, played 40 pipes that day and they
were all different.



This was also my experience.  In about 1955 I spent a day at Conn in Elkhart 
picking out a different leadpipe for my 300,000 series 8D and all were 
different.  They even had one pipe there on which one simply couldn't play 
one or two notes stably -- I think one may have been the F below the staff. 
They were trying to figure out why, in an effort to improve their pipes.  I 
ended up with a very good pipe (still on the horn)  which made the high A 
and Ab better in tune than the original, and also improved the focus of the 
sound.  I've tried a few other leadpipes since, but prefer the one I found 
then -- the pipes I've tried that improved the high register a bit also 
tightened up the sound more than I liked


Chris Earnest 


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Re: [Hornlist] Lead pipes for horns -- repair or replace?

2007-11-29 Thread Eva Heater

Hi All,

Many years ago, when I was a 'wee horn-playing lass', I had a Holton 179, 
which was a total dog. However, it was dramatically improved and made into 
a really fine horn by putting a Lawson FB-210 (if memory serves--it was 
many years ago) lead pipe on it. Of course it had a valve rebuild too. 
Currently I have a high school student who has a 179 that is the same 
vintage as mine was, has had no significant work done on it, and plays 
better than any Holton I've ever played. The lesson here is that the same 
model horns, manufactured at the same time, can play amazingly different.


A friend of mine has a wonderful Berlin Schmidt horn, which plays like a 
dream, but you should see the lead pipe on it!!! It's obviously been bent 
several times, and has been pieced together from at least two other lead 
pipes. But it works.


Eva.
[EMAIL PROTECTED]


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Re: [Hornlist] Re: Lead pipes for Conn 8D

2007-11-29 Thread brassartsunlim
Kendall brings up a great point which is a pet peeve of mine, namely the small 
end of the leadpipe. I have seen such inconsistent treatments of this part of 
the pipe from manufacturers that it is scary. I tried a new model horn from a 
major manufacturer at an IHS Symposium several years back. There were three of 
that model on the table, one with cut bell and two with fixed bell.?They all 
played differently, and the technician from the factory told me they were still 
trying to figure out why the cut bell horn played so much better than the other 
two. It only took me a couple seconds to figure that one out, as I noted my 
mouthpiece going into the pipe to three completely different, noticeably 
different, depths. Not one of those horns had the same pipe on as the others. 
Of course they were all going to play differently! I don't understand how they 
can treat such a critically important part of the instrument as the mouthpipe 
so cavalierly.

That's one of the important differences between a custom-made professional horn 
and a factory-made professional horn - attention to critical details.

Dave Weiner
Brass Arts Unlimited


-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Wed, 28 Nov 2007 11:28 pm
Subject: [Hornlist] Re: Lead pipes for Conn 8D 



 
I'm curious to know what your criteria is for judging a leadpipe?   What 
would you consider that makes a certain pipe better, not just  different?  I 
make 
pipes that have a better scale and respond quicker,  especially on the Bb 
horn, on a Conn 8D, any Conn 8D.  Would folks  consider that better or just 
different?  You mention "a good original  one."  Walter, myself and others knew 
early on that Conn leadpipes, as  with most makes, were inconsistent.  I 
remember 
trying a dozen,  new, Elkhart 8D's at a time back in the '60's and all would 
play  differently.  There would be maybe 1 or 2 "good" ones in the batch.  I  
went to the factory once in Elkhart to pick out a new pipe for a 300,000 series 
 I had that had been damaged in a car wreck, played 40 pipes that day and 
they  were all different.  I never did find one that made that horn play as 
well  

as the original one did before it was totaled.  Walter figured out a few  
years later that this was due to sloppy cutting of the small end.  I  don't 
know 

if anyone before Walter had even thought about that.  He was,  and I am, very 
conscious of the quality control of our pipes.  Our designs  are unique and 
there are many 8D's, as well as other makes, with Lawson pipes on  them which 
are used daily by all sorts of players who are happy with their  results.  I 
don't think those folks would have switched pipes if they did  not think the 
change was for the better.  I also have spectrum analysis  data from computer 
testing that shows how various changes in  leadpipe tapers affect the 
instrument, 
both in terms of intonation and  response.
 
I know you didn't call any names, but I couldn't pass up the chance here  for 
some free advertising!
 
Thanks!
 
Kendall Betts
 
Steven Mumford [EMAIL PROTECTED] (mailto:[EMAIL PROTECTED])  
wrote:

Anyone  who is getting a new leadpipe for their 8D, please send the old 
original one  to me!!!  I won't call any names, but I've had quite a few of the 
custom  pipes come through here and I haven't seen any yet that were better 
than 

a  good original one.  Different, yes.  Better, no.

- Steve Mumford







**Check out AOL's list of 2007's hottest 
products.
(http://money.aol.com/special/hot-products-2007?NCID=aoltop000301)
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Re: [Hornlist] Lead pipes for horns -- repair or replace?

2007-11-29 Thread brassartsunlim

Valerie, my experience with repairing damaged pipes is that you can make it 
better, or you can make it worse. A small dent is usually fixed easily because 
the tubing is simply 'pushed in' at that point and can be 'pushed out' with 
dent balls. Worse is when the pipe is bent. Then you have an oval profile in 
the tube which cannot easily be removed, especially by straightening the tube 
to its original curvature. More often than not a bent pipe which plays poorly 
should be replaced. The results of a repair are unpredictable and only add to 
the likely cost of fixing the problem. Sometimes bent pipes play just fine, in 
which case I say leave it alone until you need to replace it for other reasons.



It's a difficult decision because your have to factor in both cost and the 
performance of the part. Decide what is most important to you and talk to your 
repair technician about the options.



Dave Weiner

Brass Arts Unlimited


-Original Message-
From: Valerie WELLS <[EMAIL PROTECTED]>
To: horn1 list 
Sent: Wed, 28 Nov 2007 2:53 pm
Subject: [Hornlist] Lead pipes for horns -- repair or replace?





I can't comment on which lead pipe is best for a Conn 8D.  But I can comment on 
how important a leadpipe in good condition is compared to a damaged leadpipe.  
I 
recently had the opportunity to play on a Holton 104, the Tuckwell horn, that 
has two interchangeable leadpipes.  One of the lead pipes was slightly bent.  I 
tried this horn with both its damaged leadpipe and an undamaged leadpipe of the 
same size from another Holton 104.  The difference was significant.  I had a 
very difficult time getting the upper register to speak with the damaged 
leadpipe, but had NO difficulty getting the the upper register to speak w/ the 
undamaged leadpipe of the same size.  So based on my puny limited experience, I 
believe that replacing or repairing (?), a damaged leadpipe should be a top 
priority for any horn player.  
 
This experience causes me to marvel at the ability to manufacture perfectly 
fitting interchangeble parts for a fine instrument.  But, most importantly, 
this 
experience makes me wonder:  
 
Can a damaged horn leadpipe be repaired & restored to its original glory or is 
it best to replace it?  
 
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